Fusion

Budget priced 5CD set collects the following:

I Sing The Body Electric
Sweetnighter
Mysterious Traveller
Black Market
Night Passage

$23.00
Add to wishlist 

"The eclectic West Coast Hard Rock fusion band, Cosmosquad, have a smoking CD on their hands in their 4th release, Acid Test (Marmaduke Records). This rockin' CD is the icing on the cake that solidifies Cosmosquad as one of the foremost Prog Rock instrumental bands on the scene today.

$15.00
Add to wishlist 

"Cosmosquad, led by guitarist Jeff Kollman, is one of the last remaining instrumental rock outfits tearing up the Los Angeles area with unabashedly virtuosic guitar, bass and drums, and this live album, recorded at the famous Baked Potato club, amply demonstrates why: the music is good.

$15.00
Add to wishlist 

"Second album of these Americans. “Squadrophenia” is the piece of work of three great musicians: Shane Galas on the drums (who previously played for Artension), Jeff Kollman on the guitars and Barry Sparks on the bass guitar.

$15.00
Add to wishlist 

"Excellent debut by US power trio. Even if formally this band is placed under "progressive metal" tag, their music is heavy fusion. Mixing many influences, they sound very fresh ,energetic and groovy.

$15.00
Add to wishlist 

4 CD set includes a 16 page booklet includes BBC session from 1976 as well as the following albums:

Unorthodox Behaviour
Livestock
Moroccan Roll
Masques
Product
Do They Hurt

$24.00
Add to wishlist 

New reissue of this classic 1975 fusion album from the Finnish guitar master.  This was Jukka Tolonen's fourth solo album.  The band is stocked with a killer lineup consisting of Pekka Poyry (saxes/flute), Esa Kotilainen (organ/Clavinet/synths), Heikki Virtanen (bass), Esko Rosnell (drums).

$21.00

The latest in Svart Records ongoing series of mining through the Finnish radio archives.  This is a previously unreleased radio broadcast from 1975.  It features the master guitarist running through a lethal set of his material accompanied by a who's who of Finnish jazz rock.

$21.00

Jukka Tolonen's music was always a bit of a hybrid of progressive rock and fusion, seamlessly dancing back and forth between genres.  This third solo album, The Hook, finds him moving squarely into fusion territory and the results are phenomenal.  Blazing stuff!  Highly recommended.

$21.00

Killer violin led fusion ensemble from Finland that were basically "one and done" apart from their appearance in the Jazz Liisa archival series.  Its not all about the violin.  Great energy from guitar and keys as well.  Recommended to fans of Return To Forever and Brand X.

$21.00
VIEW MORE
Subscribe to RSS - Fusion
Laser Pic

customers also bought

SEE ALL
  • WE ARE NOW ACCEPTING PREORDERS FOR THE 2LP SILVER VINYL/CD REISSUE OF HAKEN "VISIONS".  PLEASE NOTE STREET DATE IS SET FOR FEBRUARY 3RD.  PLEASE DO NOT COMBINE PREORDERS WITH YOUR REGULAR ORDER AS IT WILL CAUSE DELAYS IN PROCESSING AND LOTS OF LONG FACES...Ten years since the band first formed, 2017 will see Haken’s first two albums, ‘Aquarius’ & ‘Visions’, reissued through InsideOutMusic after being unavailable for a lengthy period of time. Remastered by the renowned Jens Bogren (Devin Townsend Project, Between The Buried & Me), who worked with the band on their last two studio albums ‘Affinity’ & ‘The Mountain’, this reissue sees the albums brought up to the sonic quality of their most recent output.Originally released back in 2010, the band’s debut album ‘Aquarius’ capitalised on 3 years of work from the band which saw them staking their claim as one of the most exciting new progressive metal bands, playing with the likes of King’s X, Riverside & Bigelf. A 72-minute concept record that touched on themes of global warming, this album has long held a place in their fans’ hearts & the lengthy 17-minute closing track ‘Celestial Elixir’ remains in their set lists now.Arriving just a year on from their debut, ‘Visions’ cemented the bands reputation as one of the most solid progressive metal bands of recent years, bringing them to the US on tour for the very first time in 2011. Another detailed concept album conjured in part from a dream that vocalist Ross Jennings experienced, ‘Visions’ captured the imaginations of both fans and critics alike. Haken have also announced that they will be revisiting the album in full, live at Prog Power USA in September 2017.‘Aquarius’ and ‘Visions’ will be available as a remastered double CDs, each featuring a bonus disc of instrumentals, as well as on heavyweight vinyl for the very first time.HAKEN “Visions”:1 Premonition (00:04:17)2 Nocturnal Conspiracy (00:13:09)3 Insomnia (00:06:03)4 The Mind’s Eye (00:04:04)5 Portals (00:05:27)6 Shapeshifter (00:08:08)7 Deathless (00:08:06)8 Visions (00:22:07)
    $29.00
  • A new Glass Hammer is like a universal constant.  I can always expect exemplary old school prog rock.  For an old timer like myself Glass Hammer is right in my wheelhouse.  This is their 17th studio album (amazing!) .  If you are unfamiliar with the band you should know it revolves around the core of bassist Steve Babb and keyboardist Fred Schendel.  There have been a lot of musicians through the doors of their studio over the years but somehow they always seem to find an endless supply of them.  The line up seems to be fairly stable at the moment.  Salem Hill mainman Carl Groves handles lead vocals along with Susie Bogdanowicz returning as well.  Guitars are handled by Kamran Alan Shikoh and drums by Aaron Raulston.Glass Hammer music is a reverential amalgam of Yes, ELP, Kansas and what the hell throw in a little bit of Genesis.  Steve and Fred proudly wear their influences on their sleeves.  Want wicked keyboard pyrotechnics?  Fred brings the thunder.  In fact they all do.  The Breaking Of The World arrives with epic length tracks and audiophile quality sound.  I wouldn't want it any other way.  BUY OR DIE!
    $12.00
  • In our changeover in distributors we received back a quantity of copies of Specs. We need to bring our inventory level back to normal so we are going to temporarily blow out this title. Grab copies at below wholesale price while you can.
    $13.00
  • They don't come as often as we'd like but a new Vanden Plas album is almost a guaranteed success.  Chronicles Of The Immortals may well be their best effort yet.  It sounds like Vanden Plas that we know and love but scaled up.  The band collaborated with noted German author Wolfgang Holbein to create a rock opera.  After a series of live performances the band hit the studio and shaped it into the first half of a duology.  Highly recommended."Four years after the release of The Seraphic Clockwork, German progressive metallers Vanden Plas are back with their seventh full-length Chronicles of the Immortals – Netherworld. Known for creating highly detailed conceptual albums, in 2012 the band teamed up with Germany’s one of the biggest selling authors Wolfgang Hohlbein to create a rock opera for the stage based on his The Chronicle of the Immortals series of novels. The resulting rock musical named Bloodnight ended up having 25 sold-our performances during the 2012 and 2013 seasons.The next challenge for Andy Kuntz and Vanden Plas was to adapt the theatre musical to the Vanden Plas standards and produce an album comprised of the first act of Bloodnight. Chronicles of the Immortals – Netherworld – Path 1 is a full title of the record that includes ten songs. The release of Path 2, the final part of the story will be released early in 2015.Musically speaking, since the release of their debut Colour Temple Vanden Plas continued to mature and improve – eventually hitting the top with 2006′s Christ 0. However, Netherworld proves to be the band’s most demanding release. In most cases, the problem with conceptual albums is that the music suffers the lack of quality on behalf of the actual story or opposite, but Vanden Plas relying on experience forged a record that possibly may serve as a light of hope for progressive metal in 2014.One of the biggest differences between this one and the previous Vanden Plas efforts lies exactly in the theatrical atmosphere Netherworld brings. Although it can be said that the visual factor is on par with music on almost every Vanden Plas album, it’s Netherworld that stands out for the balance between the two. Heavily rooted in the progressive metal genre with plenty of melodic lines on top of it, the whole story is dependant to Kuntz‘s interpretation and singing.The album flows as a single song, although it’s divided into ten songs (visions) what ultimately brings to mind that these ten titles are there just to separate the distinctive parts or moods of the whole story. These parts are pretty well balanced, the story dynamic follows the music. And what is perhaps most important for a progressive metal album today – it incorporates a number of different elements.Three crucial segments for a Vanden Plas album are strong melodic side, progressive metal and conceptual story. And these three segments are present on Chronicles of the Immortals – Netherworld. In which measure, time will be the best judge." - Prog-sphere.com
    $13.00
  • In Crescendo is the fourth studio album from this Italian progressive band.  While originally working in a purely metal direction, the band has expanded the scope of their sound to encompass elements of progressive rock as well.  There is a very strong atmospheric component similar to Riverside, Porcupine Tree, and Pink Floyd but the heavier, metallic side of Opeth and Dream Theater is clearly present as well.Over the past two years Kingcrow has expanded their fan base with a European tour in support of Redemption and Jon Oliva as well as appearances at ProgPower Europe and ProgPower USA.  An announcement about 2013 US tour dates is imminent. 
    $13.00
  • THIS NORTHERN VIRGINIA BASED BAND is a three-piece at heart, musically rooted in the raw energy and rhythmic interplay of RUSH and KING’S X. Fans of dark, guitar-driven rock bands from ALICE IN CHAINS, DEFTONES to the contemporary metal riffing of LAMB OF GOD and PANTERA, will connect to the heavy core of IRIS DIVINE’s sound. Add to that progressive complexity and moody synths inspired by DREAM THEATER and PORCUPINE TREE, and a liberal dose of memorable hooks and melodies, to understand some elements of IRIS DIVINE’s sound. And yet, the band has a distinct identity, not quite sounding like any of the aforementioned bands, and with an emotional urgency that pulls subtly from alternative and other influences.KARMA SOWN IS A TRIUMPH OF A DEBUT ALBUM, immediate and memorable but revealing layers and depth upon repeated listens."Progressive metal is in a rough period right now. The old guard are either releasing sub-standard albums that only make it more obvious how far they have fallen, or they are drastically uncool with anyone who didn't become a fan when progressive metal was first being created. Progressive today tends to mean djent, a style that has sapped all the life and humanity out of music, turning metal into a math equation of time signatures, and not songs that anyone can actually remember. There was a time when progressive metal remembered the ultimate goal of music; to have listeners enjoy the songs so much they would return to them again and again. Today, progressive metal is mostly the sort of music that could pass for muzak, if you don't turn the volume up too loud.Iris Divine wants to change that. They set out with the mission of writing progressive metal that is intricate and challenging, but still produces the kind of songs that listeners who don't have an advanced degree can love and sing along to. It's a challenge, and it goes against the tide, but it's a desperately needed revolution if progressive metal is going to flourish anytime in the near future.I knew from hearing the pre-release track “A Suicide Aware” that Iris Divide was special, and the full album reinforces the point. “The Everlasting Sea” comes out of the gates with plenty of tricky riffing and unusual rhythms, but they lead into big melodies with strong hooks and vocals. Their progressive playing isn't meant for show, it's a tool used to set a tone that juxtaposes with the more melodic moments. Finding the proper balance between these elements is not easy, and many a band have failed miserably trying to do so, but Iris Divine doesn't. On their debut record, they show a skill some bands have spent their entire careers failing to learn.What I love most about the record is that it can be seen in many different lights. If you like straight-ahead metal, there is plenty of heavy riffing and pounding drumming here to keep you satisfied. If you like progressive music, these songs have twists and turns, and Rush-like keyboards, in enough quantity to match the djent crowd. And if you're a fan of old-school radio rock, the choruses in these songs will be music to your ears. Keeping all three of these in mind at the same time can be tricky, but it's worth the effort.For being a trio, “Karma Sown” is a massive sounding record. The production is flawless, big and clear, without ever sounding too polished. The heavy parts are heavy, the vocals are up front, and you would never believe this was a self-produced record that was crowd-funded. I can put it up against many, many of the big label releases, and it would win the fight.In fact, I can think of a dozen so-called progressive metal bands that should immediately hand over their label contracts to Iris Divine, because it's a crime that a band that is advancing progressive metal in the right direction doesn't have the backing of one of the labels. Not to name names, but this album would be bigger than half of the progressive metal released this year if it had the media push behind it.In case you haven't noticed, what I'm saying is that “Karma Sown” is a fantastic debut, and the future of progressive metal. Iris Divine isn't a Dream Theater clone, and they're not djent. What they have done is integrate all the strains of progressive metal into a singular sound, one that could set the standard moving forward. If every band sounded this good, progressive metal wouldn't need to be underground. “Karma Sown” is the best progressive metal album of the year, bar none." - Bloody Good Horror
    $13.00
  • I'm going to cut to the chase: if you are a fan of Fish-era Marillion...if Peter Gabriel's voice makes you spooge...then you need to own this disc.A Time Of Shadows is the second album from this Irish neo-prog band heavily influenced by vintage Marillion. Vocalist Liam Campbell is excellent and clearly from the Fish/Gabriel school. Good long tracks filled with melodies but still plenty of intricacies. Beautiful artwork from Ted Naismith rounds out a superb package. If the words "clutching-at-straws" gives you goosebumps you are a click away from musical nirvana. Highly recommended.
    $3.00
  • Vly began as strangers sending 1's and 0's across the Atlantic Ocean. British-based guitarist Karl Demata had a vague idea and a few demos, when a friend put him in touch with New York singer / artist Keith Gladysz. Keith began working on the demos, adding a more melodic, dream-like and decidedly indie sensibility. "It was a new way to work", says Gladysz. "The music and collaborative art I've made always started with people I knew, and creating naturally came out of that understanding. That's not the case with Vly. We managed to make an album without ever meeting. There was no gauge or reference point except for the music. It was a total shot in the dark".The sound of Vly shooting in the dark hits elements of progressive rock, classic rock, folk, early-Floydian psychedelia, intimate pop melodies, massive walls of epic guitar riffage, post-classical, post-rock and electronic music. And it's the diverse background of the members that lead to the breadth of their sound.The progressive sentiment of Italian keyboardist Elisa Montaldo quickly attracted the ear of Demata. "The first time I heard Elisa play" says Karl "I knew we had to be in a band. Her innate melodic approach and instinctual understanding and knowledge of 'anything prog' is simply remarkable"."Karl asked me to join the project at the very beginning" Elisa picks up: "My idea of prog is somehow more vintage, more typical 70's Italian style. After various experiments on arrangements and sounds, I went to Karl's studio to record most of the keyboards, where we found the right balance".Connecting with strangers, and expanding circles of mutual friends became the pattern for Vly. Karl next recruited experienced bass player Chris Heilmann who worked together previously in Crippled Black Phoenix. Chris provided a solid backbone with a more classic rock attitude.Demata doesn't hold back when talking about Sweden-based musician Mattias Olsson. "He is simply a genius. And he's never predictable as a drummer. Mattias also contributed some vintage keys and odd analog noises, which have a definitive effect on the bands sound. A common friend described him as a 'lateral thinker', and I can't think of a better way to describe him."Vly makes good on the futuristic dreams of the late 1990's, when promises of international recording sessions via the Internet excited incredulous musicians. Now that it's a reality (thanks to Dropbox and Skype), the method may be less glamorously sci-fi than one had hoped; still, they get the job done."I always disliked the cliches about music as a universal language, and more recently about the Internet bringing people together", explains Keith. "I'm even more uncomfortable with those sentiments now, since Vly proved them true".Vly's debut album, I / (Time) is available on the Laser's Edge imprint September 18, 2015. It's engineered and produced by Karl Demata, with additional production by Keith Gladysz and Mattias Olsen, and audiophile mastering by Bob Katz.VLY is:Keith Gladysz (Diet Kong, Typical Reptiles) - Vocals.Karl Demata (ex-Crippled Black Phoenix, Karl Demata Band) - Guitars, synths, programming.Elisa Montaldo (Il Tempio Delle Clessidre) - keyboards and synths.Chris Heilmann (ex-Crippled Black Phoenix, Bernie Torme', Shark Island) – Bass.Mattias Olsson (ex-Änglagård. White Willow, Necromonkey) - Drums & keyboard 
    $13.00
  • OH MY GOD!!! This Polish band sounds so much like Riverside that the album must have been written with tracing paper. No wonder - Riverside vocalist Mariusz Duda was an original member of Xanadu years ago. The band broke up but Xanadu's drummer put together a new version of the band in 2008.Not original in any way shape or form but if you want something to tide you over until the next Riverside disc arrives maybe this will scratch your itch. Its well done - just not one original idea here.  Probably the best of all the Riverside clones.
    $3.00
  • Its been six years since the last release from this Louisiana band.  Years ago I mentioned how much they sound like Porcupine Tree.  Well not a lot has changed in this respect.  If you are a fan of Steven Wilson and Porcupine Tree you'll find that Abigail's Ghost drinks from the same well.  In fact, of all the bands that bear the musicial DNA of Mr. Wilson, I would say that Abigail's Ghost do it the best.  So getting this out of the way I'm pleased to say that Black Plastic Sun is the band's best work.  Its what contemporary progressive music should be.  Melodic through out with room for stunning solos.  Overall the album is very dynamic - a nice contrast of heavy guitar driven music and heartfelt balladry.  This is not your father's prog.  BUY OR DIE!
    $12.00
  • James LaBrie once again that there is life outside of Dream Theater.  His solo band features a stable lineup consisting of Matt Guillory (keyboards), Marco Sfogli (guitars), Ray Riendeau (bass), Peter Wildoer (drums, death vox).  Jens Bogren once again mixed. An interesting twist to the mix is the inclusion of Soilwork's Peter Wichers who contributes some guitarwork and also collaborated on songwriting with LaBrie.While the music is square on prog metal and all in all not too dissimilar to Dream Theater its different enough to have its own vibe.  Wildoer's coarse vocal approach offers an interesting counterbalance to LaBrie's upper midrange clean voice.  The limited digipak edition comes with two bonus tracks.  Highly recommended.
    $13.00
  • Brief Nocturnes is the band's 11th album.  It marks their return to Inside Out and quite frankly its the best album they have released in a very long time.  Chalk it up to Ted Leonard handling vocals or Neal Morse contributing writing to a couple of tunes?  Not sure.  I am definitely hearing more vitality and overt progginess in the compositions.  Ryo is going off his nut here - keys are whizzing all around - organ/'tron/the whole schmear - and Alan's guitar runs are matching him step for step.  Maybe I haven't been paying attention as closely as I should have for the past few years.  I do know that I'm enjoying the hell out of this.  Highly recommended.
    $14.00
  • "While Headspace probably known to most prog fans, All That You Fear Is Gone, their second album, is my first experience with the band. Headspace features some notable musicians from the UK prog world including vocalist Damian Wilson (Threshold, keyboard player Adam Wakeman (Ozzy Osbourne, bassist Lee Pomeroy (It Bites, Steve Hackett), and guitarist Pete Rinaldi with new drummer Adam Falkner.All That You Fear Is Gone is a second part of trilogy with concept created by Wilson. Their first album I Am Anonymous had to do with the individual fitting into the world and it's various groups. This album deal with the individual sparring with and releasing himself for the hold of those same groups and institutions. Breaking free suggests also breaking free from your fears that they may have put upon you, and so the album title. Heady stuff from Headspace.My initial interest in Headspace comes from seeing vocalist Damian Wilson's name in the credits. I love his voice and vocal style. His work in Threshold is quite pleasing. He has this smooth melodic elegeance to his voice, but yet still conveys passion.As for the music within, there's definitely some creativity and variety, yet with echoes of classic prog from Yes to Genesis to Threshold to Hackett. Some things are heavier, like Kill You With Kindness which is thick with riffs, bass and drums, but still has a segue distilled to voice and acoustic guitar in the center. Conversely, The Element dials back most everything to minimalism: voice, light guitar, atmospheric synths. Similar is the short The Death Bell, where piano comes to the forefront with Wilson's voice. The title cut follows a similar motif, quiet, yet with even brighter piano aids Wilson's impassioned vocals.Alternatively, severals songs, like Secular Souls and The Science Within Us, the two longest songs here, work the juxtaposition of lightness and heaviness with more complexity, having moments and movements feature different elements. For example, within Secular Souls, before the midpoint the piano gets some attention. But after this, a strong bottom end takes over and the sound gets heavier, darker.Perhaps the most interesting song here is Polluted Alcohol. According to Wilson, it was a song that started one way, then came out differently. Mostly, this song is voice and guitar, and what's either a Dobro or steel guitar. At his this kind of Southern front porch blues feeling to it. One thing you will be convinced of upon listening to All That You Fear Is Gone is that this is definitely interesting progressive rock created by some very talented musicians. Recommended." - Danger Dog
    $12.00