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Fusion/Jazz

Canadian guitarist Glen Drover shows a completely different side with his debut solo album. Glen started out with Eidolon and has moved on to play with King Diamond and Megadeth. Metalusion is an instrumental album that blends fusion with shred.

$14.00
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2CD set collects the three albums from this percussion ensemble led by noted German drummer Klaus Weiss. The first album consists of two side long tracks of pure percussion. No its not a drum solo.

$16.00
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"A tremendously popular act at home in the UK, their last album, Sensible Shoes (their first with Cuneiform) was a 2009 'Album of the Year' winner with the prestigious Mercury Prize.

$15.00
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"By the late 1970s Percussionist Pierre Moerlen had taken over the leadership of GONG and had steered the band away from Psychedelic Space Rock and took the band into a Jazz Rock direction, one in which the band excelled.

$15.00
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Second album from this fusion outfit led by former Passport members Curt Cress and Kristian Schultze. Bassist Dave King only appears on part of the album and Roye Albrighton is long gone, replaced by Frank Diez.

$17.00
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"Composer and pianist Thelonious Sphere Monk (1917-82) is one of the top creative deities in the pantheon of American Jazz Greats. His tunes, once considered radical and appreciated by the cognoscenti, are now beloved standards.

$15.00
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Great early fusion album from the (now sadly departed) sax player. After making his name in the jazz scene, Mariano explored electric jazz and rock more and more during the seventies. He worked with Embryo, Pork Pie, Eberhard Weber, and even Supersister.

$13.00
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$12.00
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Recorded on the 1977 tour. Material is drawn from Blow By Blow, Wired and Jan Hammer's The First Seven Days. Talk about pyrotechnics - this one is ridiculous.

$7.50
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South African born and raised pianist/bandleader Chris McGregor formed the racially mixed Blue Notes in the early 1960's, touring and trying to get by in extremely difficult political circumstances as best they could.

$13.00
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  • Redemption is one of the leading progressive metal bands in the world today.  Formed in Los Angeles, California in 2000 by guitarist / keyboardist / songwriter Nicolas van Dyk, the band features legendary progressive metal vocalist Ray Alder of Fates Warning, as well as guitarist Bernie Versailles (Agent Steel), and the phenomenal rhythm section of Chris Quirarte (drums) and Sean Andrews (bass).Redemption’s combination of heaviness not usually found in progressive metal, irresistible melodies and emotional urgency has created a unique and resonant voice for this band that sets them apart from the many clones in the genre, and which has gained them the attention of fans, critics and musicians.Through the band’s first three studios CDs (2002s self-titled first release, 2005’s The Fullness of Time, and 2007’s The Origins of Ruin), Redemption gained a loyal fanbase and garnered rave reviews worldwide from critics, who describe Redemption’s music as“one of the best progressive metal acts to emerge in the past decade” – DPRP“magical aura and incredible songwriting” – BLABBERMOUTH“it's powerful, catchy, enslaving, technical; it's the whole bunch” – LORDS OF METAL“the new star on the US prog-metal sky” – SQUEALER ROCKSAfter touring in support of Dream Theater and documenting at headlining show at tour’s end entitled Frozen in the Moment, the band returned to the studio to release 2009’s Snowfall on Judgment Day and 2011’s This Mortal Coil.Performing in support of that record, in 2012 Redemption co-headlined the world-famous ProgPower Festival in Atlanta, where the band recorded a unique show featuring nearly 80 minutes of material and staged with complementary visuals that drive home the compelling emotional impact of this band.   That performance is now being released as a CD/DVD set with additional bonus material through Sensory Records, the band’s original label.  From fan favorites such as the never-before-performed Parker’s Eyes to the crushing emotional weight of Stronger than Death, Redemption’s performance captured the special ability of its music to deeply connect with fans.  In the words of one concert-goer, Redemption’s show “was definitely the most exhausting, personal and emotional musical experience I’ve ever had.” 
    $17.00
  • The new Tiles album is a 2CD set in a digipak with a 28 page book.Please note that we will cut off pre-orders for this package on March 31st.  Please do not combine any other items with this bundle - they will be removed form your order.After an eight year absence, T I L E S returns with a vengeance by delivering the mesmerizing 2-CD magnum opus “Pretending to Run.”  Clocking in at over 96-minutes, “Pretending to Run” is an ambitious and richly crafted song cycle spinning the tale of a man blindsided and disillusioned by betrayal.Once again, T I L E S teamed up with producer Terry Brown – and with mastering by Grammy award winning engineer Peter Moore, “Pretending to Run” boasts a powerful and detailed sonic landscape.  Complementing the dramatic and multi-layered storyline is Hugh Syme’s striking and surreal imagery.  Featuring a lush 28-page full-color booklet, the design and packaging for “Pretending to Run” is an elaborate and stunning work of art.Lending their talents to “Pretending to Run” is an extraordinary collection of special guest musicians: Ian Anderson (Jethro Tull), Mike Portnoy (Dream Theater, Winery Dogs), Adam Holzman (Steven Wilson Band), Mike Stern (Miles Davis), Kim Mitchell (Max Webster), Colin Edwin (Porcupine Tree), Kevin Chown (Tarja Turunen, Chad Smith), Max Portnoy (Next to None), Matthew Parmenter (Discipline), Mark Mikel (Pillbugs), Joe Deninzon, and other notable guests from the Detroit area… Destined to be on the radar of Prog fans everywhere, “Pretending to Run” is a distinctive  presentation framed in the grand traditions of progressive rock.  Clearly and unmistakably T I L E S, but infused with a more expansive sound as the guest artists propel the band into new directions sure to please fans old and new.Special guest performances by:Ian Anderson (Jethro Tull)Mike Portnoy (Dream Theater, Winery Dogs)Adam Holzman (Miles Davis, Steven Wilson)Mike Stern (Miles Davis)Kim Mitchell (Max Webster)Colin Edwin (Porcupine Tree)Kevin Chown (Tarja Turunen, Chad Smith)Max Portnoy (Next To None)Matthew Parmenter (Discipline)Mark Mikel (Pillbugs)Joe Deninzon (Stratospheerius)  
    $15.00
  • After an exceptionally long year full of personal change and near manic levels of creative activity, Canadian musician Devin Townsend releases his follow up to 2019’s acclaimed ‘Empath’ album. Assembled from a barrage of material written during the pandemic ‘Lightwork’ represents a new level, and has ended up being one of the most accessible, yet ambitious releases of his storied career. A project that has been on Devin’s mind since he was a teen, (and flirted with throughout his career) is a more melodic and direct album with a great producer to help guide the work. Enter Garth Richardson: A Vancouver based producer with a long resume and a friend of Devin’s for many years. And the goal? To provide something beautiful, cathartic, powerful and clear. A sense of optimism and power through what can be commonly known as a ‘depressing period’. It’s about strength, love, acceptance, fear, and overcoming together. Guests on the record include friends and stalwarts from his past (Anneke Van Giersbergen, Ché Aimee Dorval, Morgan Agren, Mike Keneally, Steve Vai, Elektra Women’s Choir) as well as some newer friends and faces (Darby Todd, Diego Tejeida, Nathan Navarro, Federico Paulovich, Jonas Hellborg), and also, in a rather hard to believe turn of events, legend producer and guitar player Nile Rodger plays on the track ‘HoneyBunch’.
    $9.00
  • "“Eye Of The Soundscape” features 13 experimental and highly atmospheric compositions, previously used as bonus material for the “Shrine Of New Generation Slaves” (2103) and “Love, Fear and the Time Machine" (2015) albums, alongside rare cuts (e.g. a new mix of “Rapid Eye Movement” and the single “Rainbow Trip”, so far only released in Poland) as well as 4 new songs (“Where The River Flows”, “Shine”, “Sleepwalkers” and “Eye Of The Soundscape”) into a massive +100 minutes 2CD/3LP package, which showcases RIVERSIDE’s ambient electronic side.RIVERSIDE’s Mariusz Duda explained and introduced this rather unorthodox and experimental release as follows:“I had a feeling that the sixth RIVERSIDE album might be the last chapter of a story. That the future releases might have a different sound, a different character... Unofficially, I called our latest three albums "the crowd trilogy". Each subsequent title was longer by one word – four, five, six. Six words were long enough as a title and I thought that was the one to finish it off with...Before we started a new chapter, perhaps a "new trilogy", I had an idea to release a complementary album. An album in between. An album we had always wanted to record. It wouldn't be just new music but in our case and in such configuration it would definitely be a new quality because we hadn't released such an album before.For years, we have accumulated a lot of material, a part of which was released on bonus discs. I know that some of our listeners still haven't heard those pieces and do not realise that Riverside, basically right from the start, have been experimenting with ambient and progressive electronic music. And that's always been a part of our music DNA.So I presented the idea to the rest of the band and the decision was unanimous. We decided to make a compilation of all our instrumental and ambient pieces, and release it this year as an independent album. Some of the songs would be re-mixed to make them sound better, but most of all, we'd add new compositions.At the beginning of the year, we locked ourselves in the studio and we started to compose. We even published a picture on our facebook page, in which Grudzien is holding a small keyboard as a joke. That was that recording session. We were working with smiles on our faces, genuinely excited, knowing that this time it wasn't just a bonus disc or an addition to something "bigger" but a fully fledged, independent release with that kind of music, full of space, trance, melodies and electronics. The day before I got a text message from Grudzien, "I really can't wait for this release, I have always had a dream for RIVERSIDE to release such an album."The release of “Eye Of The Soundscape” therefor also honours late RIVERSIDE guitarist Piotr Grudzinski, who tragically passed away of natural causes on February 21st, 2016.“Eye Of The Soundscape” is composed of material created between 2007-2016 and concieved in 2015/2016 at Serakos studio in Warsaw with Magda Srzednicka, Robert Srzednicki as well Mariusz Duda as producers, and the release comes packaged in artwork by RIVERSIDE’s longterm design partner Travis Smith (Opeth, Katatonia, Nevermore, etc.)."
    $11.00
  • Edensong is a progressive rock quintet from New York City.  The band's self-released 2008 debut "The Fruit Fallen" was hailed as a "masterpiece" by critics, and helped to pave the way for live shows and notable festival appearances throughout North America.At over 70 minutes of new music, their 2016 followup, "Years in the Garden of Years" is even more ambitious than it's predecessor, and will be sure to appeal to fans of both classic progressive rock and metal.  The concept album features an extended song cycle on themes of time, each song a different scale and perspective.  The melodies are more memorable, the riffs more powerful, the flute playing more inventive and propulsive.  The songs prominently feature immersive new textures, from lush keyboard and orchestral arrangements to esoteric percussion from around the world, such as hang drum and Balinese gamelan.   "Years in the Garden of Years" is mastered with audiophile precision by Grammy winning engineer Bob Katz, and the CD release features stunning original cover art and booklet illustrations from beloved surrealist painter Dan May. 
    $6.00
  • "The release of official live material is a project that is long overdue and we know our existing fans have been crying out for this for some time now. Whilst we have filmed and recorded many shows in the past we have always felt there were elements of our shows that could be improved 'visually' before we documented and immortalised this for the world to see and that the timing for a live release never felt right for us. This is just our nature as creative people to be so extremely self-critical and constantly strive for perfection. It is largely due to the will of the people that the idea of this project became a reality. Both the band and the label were inundated with emails requesting a live release in some shape or form, and it was actually rather flattering, so giving the people what they wanted just felt like the right thing to do" - Haken"Following the release of the bands much-acclaimed fourth studio album 'Affinity', they embarked upon their 10th anniversary tour across Europe & North America. Recorded and filmed on the 13th April 2017, at the legendary Melkweg venue on the Amsterdam stop of that tour, this represents the band's first ever live document with tracks from across the band's discography.'L-1VE' will be released as a 2CD/2DVD Digipak package & as digital download. The DVD will include 4 bonus tracks filmed at ProgPower USA 2016 that also includes Mike Portnoy's cameo appearance on gong, as well as all of the official videos from the 'Affinity' album."
    $20.00
  • 2020 came to a close with LIQUID TENSION EXPERIMENT announcing their return and new album to be released on InsideOutMusic. Today, the legendary supergroup comprised of Mike Portnoy (Transatlantic, Sons of Apollo), John Petrucci (Dream Theater), Jordan Rudess (Dream Theater), and Tony Levin (King Crimson, Peter Gabriel) are pleased to officially announce that the new album ‘LTE3’ will be released on March 26th, 2021 via InsideOutMusic, twenty-two years after the bands’ last studio album. “After over 20 years since the last time we recorded together, the four of us stepped into the studio and it was as if no time had passed at all! All of the magic that made the first two LTE albums so special was still there and we had such a great time making this record. I’m extremely proud of what we created together and can’t wait for everyone to hear it!”-John Petrucci“The best thing to come out of 2020 was this long-awaited reunion! And it was surely worth the wait as after all these years, the magic chemistry was still there and stronger than ever!”-Mike Portnoy
    $16.50
  • Phase - Midnight Madness is the third release in our limited edition Modulus series.  Pressed in an edition of 500 copies, it comes housed in a old school style tip-on mini-LP jacket.  A 12 page booklet features detailed liner notes from the members of the band.Phase was a New Jersey based quartet formed in 1978.  It featured Regan Ryzuk (piano, Moog, Celeste), Dave Anderson (electric and Anscor stereo guitar), Carl Scariati (Carl Thompson electric bass), and John Hvasta (drums/tympanis).  All members were young but highly accomplished musicians with a serious interest in jazz, classical composition, and progressive rock.  Their high energy instrumental music clearly demonstrated these influences.  The music of Phase can easily be classified as fusion but there are strong undercurrents of progressive rock that weaves its way through the album - not just in terms of the instrumentation or playing, but the compositions as well.The band signed a deal with QCA/Red Mark Records in Cincinnati.  The band left New Jersey and heading out to Ohio to record Midnight Madness.  The album was recorded and mixed very quickly.  It saw a release in 1979 and unfortunately sank without much of a trace.  Keyboardist Regan Ryzuk reissued the album two years label, rebranding and repackaging the release under the Fusion Quartet moniker.Hearing this music for the first time was quite a revelation.  I was blown away to say the least.  When I'm asked to describe the music I typically reply "Return To Forever meets Emerson Lake & Palmer".  Not only did this quartet have chops from hell but the compositions were challenging as well.  If you are a fan of RTF, Mahavishnu Orchestra or the prog giants ELP, Yes, Zappa, and PFM you will find much to enjoy here.Please keep in mind that when this edition sells out it will be gone forever.   
    $27.00
  • "Norwegian prog-rockers Jordsjø are something out of the ordinary as evidenced by the stunning quality of their previous releases (the flawless Nattfiolen in particular) and the band’s entirely unique sound and spirited compositions. Yours truly can think of no other act out there who sounds even remotely akin to Jordsjø or inhabit those same traits and characteristics that one associates with said outfit. With respect to their upcoming opus titled Pastoralia, words and phrases are heartfelt and original, intriguingly layered and infinitely captivating, and exquisitely crafted from top to bottom, constantly present themselves when in the company of this oftentimes pastoral-sounding effort where superb melodies are beautifully interwoven with each other.Pastoralia is a musically cohesive yet playful and loose affair that incorporates a myriad of different influences, elements, and vibes. There is something almost rural and earthy about their folk-tinged passages and there are certainly also parts that are drenched in a thick, passionate sense of melancholy. But what about those slightly eerie and unnerving sections that occasionally creep into the mix? Those delightfully jazzy tones that sneak into the eclectic soundscape also? What exactly is this LP? Perhaps it is the most suitable soundtrack to unearthing the secrets of the past that you will come across this year – that’s what this is. Personal favourites and highlights include the Baroque-ish ‘Fuglehviskeren‘ and the sprawling (not to mention dazzling) epics that are ‘Skumring i Karesuando‘, ‘Beitemark‘, and closing track ‘Jord III‘. Every tune contains plenty of light and shade and so things never turn stale or boring here; there is always something exciting going on. The lyrics and words are in their native tongue, which lends an air of authenticity and authority to the compositions, and the title of the record, Pastoralia, is meant to signify a fictional place where the forest people dance around campfires on warm nights in northern Norway.While there are subtle parallels and nods to Jethro Tull, Van der Graaf Generator, and Camel throughout, Jordsjø possesses a musical identity that is entirely their own. Pastoralia does require time and patience on the part of the listener as there is an awful lot to absorb here and it only really starts to makes sense once you have spun the disc several times. It is darkly magical and strangely enchanting albeit with ever so slightly sinister textures shimmering underneath it all. This is the perfect album to immerse oneself in if you require solitude and/or escapism, and this eight-track offering is one of the finest and most adventurous and musically explorative Norwegian works within the field of progressive rock yet, which is saying something. I simply cannot detect any flaws here and this is Nordic prog rock with a folk-ish twist to it that leaves nothing to be desired." - Velvet Thunder
    $11.00
  • The box set contains: 2LP (180g bright gold vinyl, exclusive gatefold sleeve), Limited 2CD/Blu-ray Artbook,Zoetrope Slipmat, Beanie, Enamel Keychain, Poster,8 x Artcards & Certificate of Authenticity in lift-off lid box"Two-time GRAMMY-nominated and millions-selling progressive music titans Dream Theater announce the forthcoming worldwide release of their 15th studio album, A View From The Top Of The World on October 22nd. A View From The Top OF The World is Dream Theater at its musical finest expanding on the sound they helped create while maintaining the elements that have garnered them devoted fans around the globe. The 7-song album also marks the second studio album with InsideOutMusic / Sony Music.The artwork was created by long-time cover collaborator Hugh Syme (Rush, Iron Maiden, Stone Sour). A View From The Top Of The World was produced by John Petrucci, engineered and additional production by James “Jimmy T” Meslin and mixed/mastered by Andy Sneap.Dream Theater – comprised of James LaBrie, John Petrucci, Jordan Rudess, John Myung and Mike Mangini – was in the middle of a sold-out world tour in support of their last release Distance Over Time and the 20th anniversary of Scenes From A Memory when a Global Pandemic brought the world to a stop. The musicians found themselves at home with LaBrie in Canada and the rest of the group in the States. As fate would have it, they’d just finished construction on DTHQ (Dream Theater Headquarters) —a combination live recording studio, rehearsal space, control room, equipment storage, and creative hive. With LaBrie in Canada, he initially wrote with the band via ZOOM on a monitor in DTHQ. In March 2021, he flew down to New York, quarantined, and recorded his vocals face-to-face with Petrucci. The album ultimately threaded together lean and uncompromising hooks with tried-and-true technical proficiency.“We just love to play our instruments,” observes Petrucci. “That never goes away. I love to be creative, write, and exercise that part of my mind. We’ve been able to do this for a long time, and we don’t take it for granted. Whenever we get together, we know we can’t disappoint ourselves or our fans, so we manage to try even harder.”“We approach every album like it’s our first,” adds LaBrie. “It’s been such a great ride, but we’re not going to stop.”"
    $145.00
  • APOLLO: The ancient Greek and Roman God of music and poetry.SONS OF APOLLO: The new supergroup featuring members of Dream Theater, Mr. Big, Guns ‘N Roses, and Journey.In early 2017, rumors began circulating about a new secret project including former Dream Theater members Mike Portnoy and Derek Sherinian. Finally, on August 1st, the duo revealed the details to the rest of the world, introducing their new band, SONS OF APOLLO.Reuniting to form SONS OF APOLLO, Portnoy and Sherinian join forces with guitarist Ron "Bumblefoot" Thal (ex-Guns N’ Roses), bassist Billy Sheehan (The Winery Dogs, Mr. Big, David Lee Roth) and vocalist Jeff Scott Soto (ex-Journey, ex-Yngwie Malmsteen's Rising Force). Their debut album, Psychotic Symphony, will be released October 20 on InsideOutMusic/Sony Music. Psychotic Symphony was produced by the dynamic production duo of Portnoy and Sherinian, also affectionately known as “The Del Fuvio Brothers,” the nickname given to them over 20 years ago during their time together in Dream Theater.SONS OF APOLLO formed very organically, its seeds planted with a predecessor group, as Portnoy explains: “Derek and I reunited shortly after I left Dream Theater in 2010 and we put together an all-instrumental touring band with Billy Sheehan and Tony MacAlpine. That was my first time working with Derek since the ‘90s when he was in Dream Theater, and it was just great to be working with him again. Ever since that tour, which was really just a one-off live thing, he has been nudging me to start a real, original, full-time band. The timing just had never been right, because I had too many other things on my plate. Long story short, the time was finally right to take the bait and put together a band.”“Mike and I work at a relentless pace in the studio,” continues Sherinian. “The music is modern, but we have an old-school soul. What is unique about SONS OF APOLLO is that we have true rock n’ roll swagger along with the virtuosity-- a lethal combination!”But what to call the next great supergroup? “Derek was mainly the one behind the name,” says Portnoy. “I have a list that I keep on my phone of about a hundred different band names, which I constantly have to refer to every time I have a new band every year (laughs). So I pulled up the list and Apollo was one of the names on the list. It was a word that both of us really liked. We started fiddling with different variations of the word. One of the original band names we were working with was Apollo Creed, the character from the Rocky movies, but after lots of different discussions on different variations, Derek suggested SONS OF APOLLO and it seemed to stick. Apollo is the god of music, so with that in mind it seemed like a fitting name.”With Portnoy, Sherinian and Sheehan having previously toured together in the aforementioned lineup that came to be known as PSMS, playing instrumental versions of various songs drawn from each member’s history, SONS OF APOLLO was the next logical step. They kept that fire burning and stoked it higher by bringing in a different guitarist, adding a vocalist, and creating all original material. The nine songs comprising Psychotic Symphony incorporate the progressive style and individual technical prowess Portnoy and Sherinian shared together in Dream Theater, combined with the swagger and groove of Van Halen, Deep Purple and Led Zeppelin.“I have known Mike and Derek for a long time, so when they came to me with SONS OF APOLLO, I jumped on this straight away,” says Thomas Waber, Label Manager/A&R International of InsideOutMusic. “However, the album they ended up recording exceeded my already high expectations by a long mile! We couldn’t be happier about it!”SONS OF APOLLO will hit the road in 2018 for their first worldwide tour.“This is a real band,” Portnoy declares. “This is going to pick up for me and Billy where The Winery Dogs left off, in terms of this being the next logical full-time thing for us. I’m not saying The Winery Dogs have broken up, because we haven’t, we’re just on a break. SONS OF APOLLO is absolutely going to be a full-time band and we plan on touring all over the world throughout 2018 and, honestly, it is the priority for all five of us.”Sherinian agrees, “We will go on a worldwide crusade in 2018 to bring SONS OF APOLLO to as many people as possible. Apollo was the God of Music, and we are his mighty offspring!”SONS OF APOLLO ARE:Mike Portnoy – drums and vocalsDerek Sherinian – keyboardsBilly Sheehan – bassRon “Bumblefoot” Thal – guitar and vocalsJeff Scott Soto - vocals 
    $16.00
  • Originally formed on Long Island, NY, Ice Age began in 1991 when the four members clicked over a mutual passion for classic and progressive rock with a penchant for heavier music undercurrents.The band was signed by the noted progressive label Magna Carta resulting in 1999’s THE GREAT DIVIDE.  This ambitious debut stands the test of time, acclaimed and sought-after by progressive rock and metal fans alike.  2001 saw the release of the band’s sophomore record LIBERATION, pushing the boundaries even further with melodic heights and metallic crunch.  The band supported the release with festival performances and tours of Europe and the USA.  At that point the band took an extended break but the members stayed in contact.Now 22 years later Ice Age is back with their third album WAVES OF LOSS AND POWER. The material that comprises the release finds the members of Ice Age wearing their varied influences confidently on their collective sleeve.  Once again the band conjures the spirits of Kansas, Genesis, Styx, fleeting shades of Queensryche, Rush, and Fates Warning.  In the true prog tradition, Ice Age continues their epic sagas begun on their first two albums.  In all respects, WAVES is a seminal masterwork of catchy, thoughtful, progressive songwriting.The album was mixed and mastered by Rich Mouser (Transatlantic, Dream Theater, Spock’s Beard).  The cover art concept and booklet design were brought to life by Killustrations, with a fresh new band logo by Thomas Ewerhard.Ice Age will see the band returning to the US festival stage by kicking off ProgPower USA XXII on September 6, 2023 in Atlanta.
    $14.00
  • Steve Hackett returns to his roots.  This is the second time he's revisited the Genesis years.  This two disc set features reworking of material that Steve co-wrote.  In addition to members of his touring band, he has assembled an amazing array of guest musicians to help reinterpret classic Genesis compositions: Roger King, Amanda Lehmann, Christine Townsend, Dave Kerzner, Dick Driver, Francis Dunnery, Gary O’Toole, John Hackett, John Wetton, Mikael Akerfeldt, Nad Sylvan, Nik Kershaw, Phil Mulford, Roine Stolt, Steve Rothery, Nick Magnus, Neal Morse, Jeremy Stacey, Conrad Keely, Nick Beggs, Steven Wilson, Rob Townsend, Jakko Jakszyk, Simon Collins, Lee Pomeroy, Djabe.Tracklisting Disc 1:The Chamber of 32 Doors (6:00)Nad Sylvan: VocalsSteve Hackett: GuitarsDick Driver: Double bassRoger King: KeyboardsGary O'Toole: DrumsChristine Townsend: Violin, ViolaRachel Ford: CelloJohn Hackett: FluteBenedict Fenner: Additional ProductionHorizons (1:41)Steve Hackett: GuitarsBenedict Fenner: Additional ProductionSupper’s Ready (23:35)Mikael Akerfeldt: Vocals (1)Simon Collins: Vocals (2)Steve Hackett: Guitars, Vocals (3)Conrad Keely: Vocals (4)Francis Dunnery: Vocals (5)Lee Pomeroy: BassRoger King: KeyboardsJeremy Stacy: DrumsDave Kerzner: additional Keyboards & programmingBenedict Fenner: Additional ProductionThe Lamia (7:47)Nik Kershaw: VocalsSteve Rothery: GuitarsSteve Hackett: GuitarsLee Pomeroy: BassRoger King: KeyboardsGary O'Toole: DrumsJohn Hackett: FluteBenedict Fenner: Additional ProductionDancing With The Moonlit Knight (8:10)Francis Dunnery: VocalsSteve Hackett: GuitarsLee Pomeroy: BassRoger King: KeyboardsJeremy Stacey: DrumsJohn Hackett: FluteRob Townsend: Soprano Sax, WhistleFly On A Windshield (2:54)Gary O'Toole: Vocals, DrumsSteve Hackett: GuitarsRoger King: KeyboardsLee Pomeroy: BassBroadway Melody of 1974 (2:23)Gary O'Toole: Vocals, DrumsSteve Hackett: GuitarsLee Pomeroy: BassRoger King: KeyboardsThe Musical Box (10:57)Nad Sylvan: VocalsSteve Hackett: GuitarsLee Pomeroy: BassRoger King: KeyboardsGary O'Toole: DrumsRob Townsend: Soprano SaxCan-Utility And The Coastliners (5:50)Steven Wilson: VocalsSteve Hackett: GuitarsNick Beggs: BassRoger King: KeyboardsGary O'Toole: DrumsChristine Townsend: ViolinRob Townsend: WhistlePlease Don’t Touch (4:03)Steve Hackett: GuitarsDick Driver: Double BassRoger King: KeyboardsGary O'Toole: DrumsJohn Hackett: Flute- Total: 73:20 Tracklisting Disc 2: Blood On The Rooftops (6:56)Gary O'Toole: Vocals, DrumsSteve Hackett: GuitarsDick Driver: Double BassPhil Mulford: BassRoger King: KeyboardsRachel Ford: CelloChristine Townsend: ViolinRob Townsend: Soprano SaxThe Return Of The Giant Hogweed (8:46)Neal Morse: VocalsSteve Hackett: GuitarsRoine Stolt: GuitarsLee Pomeroy: BassRoger King: KeyboardsGary O'Toole: DrumsJohn Hackett: FluteBenedict Fenner: Additional ProductionEntangled (6:35)Jakko Jakszyk: VocalsSteve Hackett: GuitarsRoger King: KeyboardsAmanda Lehmann: Harmony VocalsEleventh Earl Of Mar (7:51)Nad Sylvan: VocalsSteve Hackett: GuitarsNick Beggs: BassRoger King: KeyboardsGary O'Toole: DrumsRipples (8:14)Amanda Lehmann: VocalsSteve Hackett: GuitarsPhil Mulford: BassRoger King: KeyboardsGary O'Toole: DrumsUnquiet Slumbers For The Sleepers … (2:12)Steve Hackett: GuitarsRoger King: KeyboardsGary O'Toole: DrumsBenedict Fenner: Additional Production... In That Quiet Earth (4:47)Steve Hackett: GuitarsNick Beggs: BassRoger King: KeyboardsGary O'Toole: DrumsRob Townsend: Soprano SaxAfterglow (4:09)John Wetton: VocalsSteve Hackett: GuitarsPhil Mulford: BassRoger King: KeyboardsGary O'Toole: DrumsAmanda Lehmann: Harmony VocalsA Tower Struck Down (4:45)Steve Hackett: GuitarsDick Driver: Double BassRoger King: KeyboardsRachel Ford: CelloJohn Hackett: FluteChristine Townsend: ViolinsCamino Royale (6:19)Steve Hackett: Guitars, VocalsAttila Egerhazi (Djabe): GuitarRoger King: KeyboardsNick Magnus: Keyboards; AtmospheresGary O'Toole: DrumsSzilard Banai (Djabe): DrumsTamas Barabas (Djabe): BassZoltan Kovacs (Djabe): PianoFerenc Kovacs (Djabe): TrumpetBenedict Fenner: Additional ProductionShadow Of The Hierophant (10:45)Amanda Lehmann: VocalsSteve Hackett: GuitarsSteven Wilson: GuitarNick Beggs: BassRoger King: KeyboardsGary O'Toole: DrumsRob Townsend: Soprano Sax, Flute 
    $17.00
  • "If there is one band who has captured the sound of the golden age of Progressive Rock (1969 – 1975) without sounding regressive or copycat, it is the Norwegian band Wobbler. The band has always had an energetic and youthful approach to the classic prog era, and has managed to blow new life into the genre. Wobbler´s fifth offering is an exciting blend of carefully planned and jammed material that encompasses everything the band has done up to now. Dwellers of the Deep consists of four distinctive pieces and is a broad looking glass into Wobbler´s creative whims and playful exuberance. The album showcases the band´s mastery of dynamics and flow, with passages and themes veering from the scenic and serene to the downright rocking. On the final track, Wobbler is in full blast, with a 19 minutes suite taking the listener through aspects of the darker sides of Wobbler´s sound. The lyrical themes on the album deals with human emotion, and the ongoing struggle between juxtaposed forces within the psyche. An introspective voyage among the realms of memories, feelings and instincts, where the light is brighter, and the dark is darker. The concepts of wonder, longing and desperation permeates the histories told, and the currents from the deep are ever present. The production is open, detailed, warm and punchy, making the soundscape put together by the now seasoned sound alchemist Lars Fredrik Frøislie to an aural feast. New musical directions further the quintet’s burgeoning aural idiosyncrasies and solidify the band stature as one of the most exciting and interesting bands on the global music scene, independent of genre."TRACK LISTING:1. By the Banks2. Five Rooms3. Naiad Dreams4. Merry Macabre
    $15.00