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"AC/DC remained a popular concert draw throughout the '80s, although such albums as Flick of the Switch and Fly on the Wall failed to replicate their mass U.S. commercial success of 1980-1981 (Back in Black, For Those About to Rock, a reissue of Dirty Deeds).
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"Despite longtime AC/DC fans' immediate acceptance of replacement singer Brian Johnson(resulting in one of rock's all-time best sellers, 1980's Back in Black), there was still demand for Bon Scott-era unreleased tracks.
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"Stiff Upper Lip, AC/DC's 15th studio album, may not reach the heights of Back in Black or Highway to Hell, but it delivers strongly and satisfyingly.
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"Aerosmith prove that a band can be inspired by the blues and play the blues without ever feeling like a blues band. Then again, the nature of the blues is that every musician who plays it stamps his or her own identity on a set of familiar chord changes and songs.
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"Two words: Jack Douglas. That’s who’s got old-school Aerosmith fans excited about this album, their 15th. Who better to steer them back to the magic of the old days than the New Yorker who produced them from 1974 to ’78, a purple patch that made them legends.
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"When Alice in Chains' debut album, Facelift, was released in 1990, about a year before Nirvana's Nevermind, the thriving Seattle scene barely registered on the national musical radar outside of underground circles (although Soundgarden's major-label debut, Louder Than Love, was also released th
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"Dispelling rumors of their demise due to Layne Staley's heroin addiction, Alice in Chains is a sonically detailed effort that ranks as their best-produced record, and its best moments are easily some of their most mature music.
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"Upon its release, Sap was a revelation, a seemingly tossed-off EP of four mostly acoustic ballads (augmented with a goofy bonus track) that threw Alice in Chains' melodic gifts into stunning relief while exposing a gentler, more melancholy side of their sound, something that Facelift never even
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"Between the end of 1993 and a performance for MTV Unplugged in the spring of 1996, Alice in Chains performed no concerts -- they didn't even support the release of their eponymous third album with a minor tour.
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