Falling Deeper (Vinyl)

SKU: KSC-LP-820
Label:
KScope Records
Category:
Progressive Rock
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Vinyl edition. Falling Deeper finds Anathema reworking older material, backed by a 26 piece orchestra. The band is complemented by former Gathering vocalist Anneke van Giersbergen.

Anathema - Danny talks us through Falling Deeper from Kscope on Vimeo.



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  • High quality Japanese SHM-CD in a mini-LP sleeve."Sucessfully experimental album ahead of it's time.Influenced by the cutting edge musical experiments that abounded in late '70s New York Daevid radically changed direction from his previous acoustic troubadour style. Utilising the then embryonic sampling and video technology he radically cut-up, re-mixed and over dubbed the New York Gong LP 'About Time' to produce 'Playbax 80'. It resulted in this stunning and at times assaulting set, and it's still way out there."
    $14.00
  • "The Contortionist are really speaking my Language (PUN!) on their first full-length with Last Chance to Reason's Michael Lessard on vocals.Last year I went to see Between The Buried and Me and one of the openers was The Contortionist. I knew of them vaguely from my college radio days, but couldn't recall much. I was mainly interested in seeing them because Michael Lessard of Last Chance To Reason had just been announced as their permanent vocalist, and I fucking LOVE(D?) Last Chance To Reason. The set was mostly (if not entirely) from their album Intrinsic and was pretty solid, but I felt like Lessard was a little out of place. He wasn't quite at his full potential. This brings us to Language, and this is Lessard and existing Contortionist members at their best.Language opens with a melodic piece comprised almost entirely of vocal layers that I could really only compare to something on the level of Imogen Heap. The album keeps the melody going on the following track "Language I: Intuition" and it is fucking gorgeous. With the exception of a few parts the song suppresses the metal, instead opting for a rhythmic post rock feel. The heaviness does pick up as the album progresses, but there is definitely and ebb and flow (an idiom that appears a lot in the album) happening that favors the prettier side of the band, and I don't have a problem with it. There is still quite a bit to headbang to with the very next tracks, "Language II: Conspire," "Integration" and more.  So don't fret, they haven't gone soft by any means.It's unclear to me how much of the album is the added influence of Lessard, and how much is natural growth here. The band was able to progress their sound enough while staying grounded in who they are. I find this is rare for a band in general, but especially rare for a band often lumped into the "djent" category. This record is a lot more of everything that worked. It is heavier when it needs to be, it is bigger when it needs to be, it is prettier when it needs to be, etc. For example, "Thrive" could have easily fit anywhere into Intrinsic for about the first minute or two, but then Lessard soars and the song crescendos into pure atmospheric metal glory to a level they hadn't achieved before.I realize much of this review is praising Michael Lessard's vocal abilities, and if Level 3 didn't already cement him as one of the best voices in modern metal/rock/whatever, this album should (I mean, just listen to him on "Ebb & Flow"!). However, this band is really tight and unique regardless of who is the voice. Often bands in the rhythmic, atmospheric, progressive blah blah blah, genre will give in to tropes of the genre, The Contortionist either avoids them or spins them enough to make them seem outside of the box. So many bands will have one guitarist chugging along in wacky rhythms with the bassist and drummer while the other guitarist noodles over the top, and it's just so overdone. These guys will either have everyone noodling in a cool way interweaving with one another, or they just go different directions completely. This could be said about previous records as well I'm sure, it's just especially notable here.This album is not everyone. If you're quick to lazily label any rhythmic progressive band out there as "djent" and dismiss them accordingly, you should probably just not bother here. This album is for fans of progressive music, atmospheric metal, theory nerds, and especially the previous work of either LCTR or The Contortionist.I was a much bigger Last Chance fan going into Language, but this has really turned me on to The Contortionist more. This is a fantastic release that is best digested as one long piece." - Metal Injection
    $13.00
  • "The story gets kind of complicated, so stick with me. In 2010, then-Iowa-based psych/prog five-piece Mondo Drag released their Alive Naturalsound debut, New Rituals (review here), which was full of ’70s-style lysergic serenity, open spaced guitars and heady vibes. It was, in short, a winner. The next year, Mondo Drag‘s labelmates Radio Moscow — who also have their roots in Iowa — imploded. It was the stuff of viral video. Radio Moscow bassist Zack Anderson and drummer Cory Berry moved home shortly thereafter, to Iowa, and got together with Mondo Drag vocalist/keyboardist John Gamino, guitarist Nolan Girard (also synth), and guitarist Jake Sheley. At the same time they were recording as the new rhythm section of Mondo Drag, Anderson and Berry were also putting together Blues Pills with Swedish vocalist Elin Larsson. That band took off, and the bass player and drummer moved to Sweden as a result, but not before Mondo Drag had recorded — mostly live — the seven tracks of their self-titled sophomore outing, which also found Gamino taking the vocalist role, using a host of vintage gear and analog tape to further play into a classic feel. After the departure of the rhythm section, the remaining three members of Mondo Drag picked up and headed for the West Coast, where swing-drummers and warm-toned bassists looking for psych rock acts to join rule the land, and in Oakland, California, they met up with bassist Ventura Garcia and drummer Andrew O’Neil, who along with Gamino, Girard and Sheley, comprise the current lineup of the band.Got all that?When you whittle down all the complexities of comings, goings and relocatings, what you’re left with is the fact that Mondo Drag‘s Mondo Drag (released on wax by Bilocation Records) captures a very special moment in the life of the group. It’s a credit to Mondo Drag that it exists at all, and not just because Anderson and Berry would go on to attain a higher profile in Blues Pills (Berry has since left that band as well), but also for the cohesion they managed to make out of all that flux. With ultra-organic atmosphere across the board — guitar, bass, keys, drums, vocals — the seven-song/35-minute run of Mondo Drag is gripping on side A, hypnotic on side B and wonderfully progressive throughout. Later moments like the penultimate instrumental “Pillars of the Sky” call to mind a wash of keys Astra might be able to conjure, but the analog spirit of the recording is relentless, and the album winds up with its own character, warm and welcoming. No need for pretense here, whether it’s the key-led fade-in and shuffle of “Zephyr” or the organ-soaked build of side A closer “Plumajilla,” which comes brilliantly to an instrumental head after swinging verses and choruses that foreshadow the sleazier side B finale “Snakeskin,” the guitars providing a highlight solo to transition into the quiet start of the build. Second cut “Crystal Visions Open Eyes” brings Gamino‘s vocals forward to create an immediately memorable impression, moving quickly through verses of subtle intricacy toward a descending instrumental finish in an early showing of how well the guitar and synth work together throughout, and of course how well that work rests atop the rhythmic foundation of the bass and drums.Some jabbing starts and stops pervade the three-minute “The Dawn,” but nothing about its garage psych roll is abrasive or interrupting the overarching flow, a boogie solo and run emerging in the midsection to help ease the way into “Plumajilla”‘s two-movement run, which in linear form — i.e. digital — makes a fitting centerpiece solid transition into the second half of the record, which slips into more exploratory material with the tense undercurrent of synth and bass on “Shifting Sands” and the interwoven lines of keys and synth on “Pillars of the Sky,” which follows, taking the best of pre-noodling progressive heavy psych and topping it with a bluesy-but-not-overdone plotted guitar lead. A peaceful mood emerges, the song in conversation with the back half of “Plumajilla,” and the richness of Mondo Drag‘s layering becomes a hook unto itself, despite no actual chorus present. Closer “Snakeskin” arrives quietly but unfolds a Doors-style throb given bluesy fervor not unlike the echoing output of Maryland’s The Flying Eyes, but perhaps more atmospherically dense. A final reaffirmation of swagger at the heart of Mondo Drag‘s Mondo Drag only makes the album more impressive, both in the actual listening experience and in context when one considers how quickly such fluid chemistry emerged between the five players involved, two of whom would soon enough be gone. As Mondo Drag was recorded in 2011/2012, and since the band has moved to the fertile psych ground of the West Coast, one can’t help but wonder what conjurations they may have come up with since these songs were written, and when those might appear and follow-up the lush but humble resonance of this self-titled. More important right now, however, is the achievement Mondo Drag managed in capturing this fleeting incarnation of the band, which will be plainly evident to any among the converted whose ears it reaches." - The Obelisk
    $14.00
  • The official title of this amazing Spanish quartet is actually One Of These Days & Thee Heavy Random Tone Colour Lab.  This is the band's debut release and is only available on vinyl.  It arrives on 180 gram vinyl in a numbered limited edition of 500 copies.  Gorgeous artwork form Iria Rodriguez.  You also get a download code for mp3s of the album.This is pure retro/prog/psych plain and simple.  Beyond the tip of the cap with their name, the band draws some musical influence from Atom Heart Mother era Pink Floyd.  The album consists of 4 long tracks.  When the band stretches out I'm also reminded very much of early Nektar - say Tab In The Ocean.  Organ, 'tron, analogue synths - all the good stuff is here.  Guitars have the right sound.  Its not like metal guitars grafted onto an old school sound (some of the new Italian retro bands seem to get this wrong).  This album reeks of the early 70s.Quite a stunning release.  If you can play vinyl you have no choice...BUY OR DIE!
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  • "‘Map of the Past‘, the fifth studio album from Cumbrian prog rockers It Bites, will most likely inhabit a strange, disturbing place in your heart. It’s a release that is obscurely beautiful and tender, but also one that can occasionally sound incongruous and lost in time. Very often, when it comes to progressive music, people will often justify anything odd by defending it with its genre. In the case of It Bites, there is a temptation to lean on a sound from their 80s heyday, which occasionally makes ‘Map of the Past’ seem staid and not just a little cheesy.In places this album is a wonderful, soaring retrospect vision of a forgotten generation, built around the ‘discovery of an old family photograph’. Although not a concept album per se, ‘Map of the Past’ explores the idea of lives captured within photographs, and reflects these contemplative visions with equally thoughtful music; album opener, ‘Man In the Photograph’ opens with the fuzz of radio static and soon leads into sound of organs and John Mitchell’s recollections borne from this one picture. The song blends into the more progressive sounding fare of ‘Wallflower‘ and its indulgent synth solo. The title track is more engaging, with soaring chorus vocals and disorientating time signatures, showcasing the tight musicianship and richly mature songwriting ability that has grown from their 30 years of existence.The strength of this album falters with ‘Flag’ and its irrepressibly outdated smattering of 80s memorabilia and Sting powered vocal lines, although the lyrics are undoubtedly more engaging than any Police offshoot. The album does have a tendency to wander into these unpalatable territories, but more than often than not redeems itself; as the grandiose, irresistible flounce of ‘Send No Flowers‘ resurrects its orchestral bombast and moves into ‘Meadow and the Stream’s artistically detailed backdrop, it’s clear that this album is more rollercoaster than record. The album finishes, as it started, relying on simply constructed songs and that radio static to bookmark the end; ‘The Last Escape’ is honestly beautiful, and seems even more so in contrast to the tumult of the remainder of the record.‘Map of the Past’ shifts between temporal paradigms rather than changing between tracks; it’s a scintillating album that is honest to itself, and stays true to It Bites’ form, even if it does rely on sounds from their back backcatalogue occasionally. Despite this, the depth of the album is phenomenal and is genuinely rich in its storyline, with music that peaks and troughs fittingly. Well worth a listen if you find yourself pointed at the progosphere." - Bring The Noise
    $5.00
  • The band's fourth album but the first one to feature Al DiMeola on guitar (as the replacement for Bill Connors). A fusion classic featuring monumental tracks like "Vulcan Worlds" and "The Shadow Of Lo". Highly recommended.
    $12.00
  • New digipak edition of the rarest Italian prog album its certainly also one of the strangest... "This is one weird album indeed. Even more weird when you consider some of the musicians involved. For example you got keyboardist Charles Tiring. He was not your typical twenty-something like you usually expect in prog rock bands. At the time this album came out, he was said to be 68 years old (not likely alive these days) and married to an 18 year old, which meant that didn't exactly endear himself to the rest of the band (he left after this album and they became Antonius REX). The rest of the musicians included Anthony Bartoccetti on guitar, bass and vocals, Doris Norton (known as Fiamma Dello Spirito on this album) on vocals, violin, and flute, and someone named Franz Parthenzy conducting the medium. What's also weirder was they were exploring the occult, performing under séances. While other prog rock bands simply used keyboards like the Hammond organ, Charles Tiring went totally hog wild on the pipe organ, although he used the occasional Moog for sound effects, and harpsichord and piano on occasions. There are times that it's really difficult to call this prog rock, because it's not rock, and pipe organ is sometimes the only instrument used. The album opens up with "U.F.D.E.M." which is often regarded as the album's high point. Here you get pipe organ and harpsichord, with Doris Norton singing in Italian, sounding a bit like an Italian Anna Meek (of CATAPILLA fame). "Praesentia Domini" is largely pipe organ, but near the end comes some chanting in Latin, obviously a séance. "Jacula Valzer" is a nice, pleasant jazzy piece with that atmosphere of a bad early '70s horror film. This one features some nice flute and piano. "Long Black Magic Night" is another worth mentioning. Violin and flute dominates, and Doris Norton chants in English, and comes to demonstrate just how lousy her English is. This song even more just screams "bad horror film". Listening to this, you can just imagine the cobwebs, vampires, and a pipe organ. The last piece, "In Old Castle" is the most pointless piece, as it's all pipe organ and nothing else. "Tardo Pede In Magiam Versus" is a truly like or hate it album. Some just call this a bunch of Satanic nonsense, others call it spooky and Gothic. I can be certain GOBLIN had heard their share of JACULA and Antonius REX in their lifetime, especially since GOBLIN was best known for scoring gory Dario Argento horror flicks (luckily GOBLIN went for a more conventional prog/fusion direction, with normal instrumentations, even though they sometimes used pipe organ). The original LP of "Tardo..." isn't easy to come buy, but Mellow Records reissued it on CD, if you can find a copy for cheap, get it, for a curiosity, but I bet you that you'll probably be waiting for Halloween to play this. Weird album indeed that might scare a few people away." - Progarchives.com
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  • ""It has happened to me twice here in 2009. You stumble upon a band that you have never heard of which totally blows you away. The first time was with the band Anima Mundi out of Cuba. Now, it has happened a second time.From Germany comes the band AtmOsfear with their third release called Zenith. After hearing this one, I am now they have me on a mad search for their past two discs. I cannot believe that they have been ignored by the prog metal world if the past music is as good as this album. Any fan of groups such as Dream Theater, Symphony X or Evergrey whom they have shared a stage with, are in for a treat that is the equal of any of these bands.The disc kind of lulls you in with the short instrumental intro titled "Beginnings". Aptly titled as this is only the start of what is about to fill your senses. The five remaining songs fill the remaining 70 minutes of music and it culminates in the almost 30 minute epic "Spiral Of Pain". Along the way you are treated to a group of five musicians that can hold their own with anyone you would like to name. Stephan Kruse on keyboards, vocalist Oliver Wulff, bassist Burkhart Heberle along with drummer Tim Schnabel and guitarist Boris Stepanow form one of the most dynamic group of musicians ever assembled. They seem to draw off each other and interweave their individual talents into one of the best musical offerings of 2009 or any year for that matter.When music has the power to make you stop what you are doing and listen then you know you have something special. As the very metal opening to "Loss Of Hope" hit me I perked up the ears. When the vocals started, I knew this was no run of the mill offering. Then as the band swelled to their full magnitude, I was completely absorbed. Who are these guys? It is still amazing that music of this caliber can fly under the radar for this long. All you have to do is listen to the exchange between the keyboards and guitars during the extended instrumental section of this song and you will become a fan without a doubt. These guys are the real deal.I have been trying to think of what I can tell you are the highlights of this disc. Well it could be the terrific instrumental piece "Reawakening" with its powerful piano that sets a mood that the guitar plays off of so well, or it may be the enthralling "Generations" which is a roller coaster ride of sound. Then there is the edgy "Scum Of Society" which shows that they are as powerful lyrically as they are musically. Of course all this is setting you up for the epic "Spiral Of Pain" where they take you on a 30 minute quest for musical perfection. They leave nothing on the table as this vast work captures all that we prog metal lovers dream of. Intoxicating from beginning to end this is a classic piece of art. Where Michelangelo used many different mediums to project his art, AtmOsfear similarly uses many different musical approaches to convey their message, melancholy when called for, melodic where needed, brooding and harsh as the story calls for and totally mesmerizing throughout.This is a must have disc. For anyone who has a love of great music this is one that needs to be given a chance. You will not be disappointed." - Sea Of Tranquility
    $3.00
  • "The successor to "Obsessions" (2011) was mixed and mastered by Jacob Hansen at Hansen studio in Denmark (Volbeat, Pretty Maids, Amaranthe a.m.m.)Beside band leader Samuel Arkan, the following vocalists and musicians contribute to"Fantasmagoria": Tom S. Englund (Evergrey) Henning Basse (ex-Metalium, ex-Sons Of Seasons, Mayan) Ida Haukland (Triosphere) Matt Marinelli (Borealis) Tezzi Persson (Between The Silence) Mike LePond (Symphony X) Léo Margarit (Pain Of Salvation) Julien Spreutels (Ethernity) Simone Mularoni (DGM)The quite unusual thing is that all these guests came to the Noise Factory studio (Belgium) to track down their parts. Nobody recorded his/her parts at home, like with some many other projects."I wanted the whole thing to get a real "band" feeling", Arkan says. "Therefore having all vocalists and musicians here was very important to me. We got to know each other better and better while spending time together. The new material sounds very fresh, dark, heavy, modern and "true" with "straight in the face" guitar riffs, intense voices and melodies, massive work on progressive atmospheres and orchestral parts. All the artists who participated in this album gave their soul to it, gave their best, they travelled deeper into sensitivity and sincerity. That's probably the best words which define this next album... sincerity & spontaneity! This album comes from the heart of each musician and vocalist who worked on it, and you can feel it when you listen to this new EPYSODE album."Compared to the debut "Obessions" the new material is a step forward in every way, with even better songwriting, a massive sound, powerful production and an intensity you rarely find these days.With the top notch vocalists that are gathered here (a.o. Evergrey’s Tom S. Englund, who is contributing to 5 songs) the "Fantasmagoria" concept story comes to life in a very intense and thrilling way, with lots of facets, expressive singing, deep & dark emotions. Englund’s duet with Ida Haukland (Triosphere) on the album’s title track especially gives goosebumps to the listener. There is also a plot to the "Obsessions" album and many fans of concepts will have their pure delight in discovering the story behind the story.The "Fantasmagoria" recordings took place from December 2012 to end of April 2013. Responsible for all keyboards, piano, arrangements was again Julien Spreutels, "my brother in crime, without him Epysode would not be as it is", Samuel says. "He did one more time an outstanding job and gives magic to Epysode, It's always a pleasure and very inspiring to work with him". "
    $15.00
  • With each successive release the question always is asked – How will the Tipton Brothers top their last album? The band’s fifth album, Dark Deceiver, is another jaw-dropping achievement of technical metal. The quartet of Jasun Tipton, Troy Tipton, Mike Guy, and Chris Salinas take their “chops from hell” attitude to a new level. In creating Zero Hour, the brothers envisioned a dark, heavy, emotional vibe, expressed through intricate arrangements, forceful vocals, and meaningful lyrics.2006 found the band in a curious situation. Although they were attracting attention and accolades around the world they were in need of a new vocalist. The problem was solved by the arrival of noted vocalist Chris Salinas, formerly of Power Of Omens. The resulting album “Specs Of Pictures Burnt Beyond” met with stellar reviews, a US tour and a headlining slot at the Headway Festival in Netherland. The year culminated in the band’s third appearance at ProgPower USA in Atlanta – the largest progressive metal festival in the world.For the recording of their new album the band once again collaborated with producer Dino Alden. Dark Deceiver finds the band experimenting with their already defined sound. The compositions are more technical than before. Alden took advantage of Salinas’ incredible vocal talents to apply some interesting and dramatic treatments, creating something very different from their previous recordings. This is without question the band’s crowning moment.
    $13.00
  • "Jolly is a real rising star in the world of rock music, combining elements of art pop, dark rock, progressive music and much more. After a terrible ordeal with losing their equipment in Hurricane Sandy, the band came out of that stronger than ever and released its brand new album, The Audio Guide to Happiness, part 2.Straight away you get a sense that this isn’t a typical band you’d expect to find on Inside Out. The start is almost that of an industrial band. We are then hit in the face by some power chords on the guitar. A beautiful gentle part follows, which seems to be the recurring pattern on the album – gentleness followed by aggression or vice versa. When you thought you couldn’t be surprised more, the band returns with some shattering metal riffs to take the intensity even further. Anadale’s voice adds an even more modern texture to the sound with its indie rock / new metal quality. The two Guidance interludes show Jolly capable of creating ambient pieces of real beauty as well. Lucky is on the verge of synth pop, were it not for the crunching guitars. It’s really fun observing Jolly playing around with so many genres. As Heard on Tape is another fascinating departure, with a folk motif and the use of bagpipes. The Grand Utopia brings the album to an epic close, with another wild ride on the rollercoaster of our senses.Jolly is a real sensual experience for musical epicures. You get an incredibly wide taste of their musical world. This is a band which is going places and I wouldn’t be surprised if they really make it huge in a few years. It is a real pleasure to listen to an album which is very easy to listen to and at the same time totally unburdened by any genre definitions." - The Rocktologist
    $12.00
  • The beauty and the beast wars are over and Epica has won. Until Floor Jansen comes through with her new project we have to consider Simone Simons the last woman standing. This is the band's fifth studio album and probably their most bombastic. Stunning female vocals mixed with death growls and a wall of synthesized orchestrations and power chords. You all know the drill by now. These guys are the masters of the genre.
    $14.00
  • "With 'Home', for the first time since their critically acclaimed 'Posthumous Silence' of 2006, Sylvan have taken the chance to create another full-on concept album. Even though the Hamburg natives attach great importance to creating contextually comprehensive pieces of art with any of their albums, this time around Sylvan have upped their ambition another notch and taken on the mammoth task of building an overall concept around the never ending quest of the human condition for 'home' - that very special place that can provide a feeling of complete safety."This is the deluxe mediabook edition.  Same track listing as the jewel box but in much nicer packaging.
    $17.00