Tappeto Volante

SKU: BBXL10009
Label:
BTF
Category:
World Music
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"Exclusive LP reissue of "Tappeto Volante", third and last one release by Aktuala, an 'open musical collective' from milan, a fixed nucleus with many different contributes from guest musicians. As the Third Ear Band have always been inserted in the international prog panorama, the same happened with Aktuala, who were real music pioneers able to blend world, ethnic, jazz and avantgarde music.

"Tappeto Volante", published in 1976 always on Bla Bla record label, was the swan song for Aktuala, an unique ensemble who often suffered a lot of criticism, often unjustified, from colleagues and critics. In a period of great social and cultural changes, Aktuala consistently continued in the making of their third album, an LP that consists of several short tracks that do not reach the cohesion of previous releases, albeit in line with what had already been proposed earlier."

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  • A couple of years ago I scored some of these in a warehouse find and they blew out of here immediately.  Some more turned up but how long they will last is anyone's guess.Dadawa is the stage name of Chinese singer Zhu Zheqin.  Think of her as China's answer to Enya.  No Celtic influences here - its purely Asian.  She collaborated with producer/composer He Xuntian on Sister Drum (and later titles) and he knows what he's doing.  The music builds and builds and draws you in.  Her voice is purely hypnotic.  The production is such that it unfolds in layers and layers - of vocals and instrumentation.I have to make a point of discussing the audio aspects of this set.  Its simply unbelievable.  While compatible with standard Redbook CD, the dynamics on this album are utterly insance.  If you crank this one up you are in danger of smoking your woofers - the bottom end on this recording is cavernous but tight as can be.  This is an XRCD24 disc.  It is a special pressing utilizing JVC's proprietary mastering process.  You want to be a show off?  This is the disc to play.  A total lease breaker and gorgeous music to boot.  BUY OR DIE!
    $12.00
  • "Exclusive LP reissue of "Tappeto Volante", third and last one release by Aktuala, an 'open musical collective' from milan, a fixed nucleus with many different contributes from guest musicians. As the Third Ear Band have always been inserted in the international prog panorama, the same happened with Aktuala, who were real music pioneers able to blend world, ethnic, jazz and avantgarde music."Tappeto Volante", published in 1976 always on Bla Bla record label, was the swan song for Aktuala, an unique ensemble who often suffered a lot of criticism, often unjustified, from colleagues and critics. In a period of great social and cultural changes, Aktuala consistently continued in the making of their third album, an LP that consists of several short tracks that do not reach the cohesion of previous releases, albeit in line with what had already been proposed earlier."
    $16.00
  • Brief Nocturnes is the band's 11th album.  It marks their return to Inside Out and quite frankly its the best album they have released in a very long time.  Chalk it up to Ted Leonard handling vocals or Neal Morse contributing writing to a couple of tunes?  Not sure.  I am definitely hearing more vitality and overt progginess in the compositions.  Ryo is going off his nut here - keys are whizzing all around - organ/'tron/the whole schmear - and Alan's guitar runs are matching him step for step.  Maybe I haven't been paying attention as closely as I should have for the past few years.  I do know that I'm enjoying the hell out of this.  Highly recommended.
    $14.00
  • Fourth album from this outstanding metal band from Tunisia.  Myrath follow the template of old Symphony X but they infuse it with Middle Eastern modalities.  The band has sick chops and a phenomenal vocalist that has dialed himself in perfectly.  There is nothing else out there like Myrath and this one may well be their best one yet.If you were fortunate enough to see the band perform at ProgPower USA you know how incendiary this band can be - they blew the roof off the joint and were the talk of the festival.  BUY OR DIE!
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  • The third album from Haken once again demonstrates why they are at the forefront of the progressive metal scene.  The first two albums Aquarius and Visions are quite different.  Aquarius is a much quirkier album - lots of twists and turns that kept you off balance through out.  It had more of a prog rock feel and some real oddball approaches that resulted in some reviewers referring to it as circus meteal.  Visions was quite different.  It was much more linear and clearly defined in terms of content.  It was a prog metal album and wonderful one at that.The Mountain is the first release for the band's new home at Inside Out.  The direction of the band takes a bit of a u-turn.  The music falls somewhere in between the first two.  There is a quirky, prog rock vibe but you get the heaviness and complexity of prog metal.  One particular track I keep going back to is "Cockroach King" which essentially pays homage to Gentle Giant's counterpoint vocals.  Regardless of which direction you preferred, The Mountain has enough diversity to go please everyone.If you want to keep track of where progressive metal is headed then climb the mountain - this is where its at.  Highly recommended.US jewel box edition with the same two bonus tracks included on the import digipak.
    $12.00
  • ONE OF A KIND TITLE FROM THE LASER'S EDGE ARCHIVE"Bask consists of flautist Jonas Simonson, saxophonist/percussionist Sten Kallman and fiddler Hans Kennemark. This unique instrumentation brings a freshness to their self-titled debut album, which arranges original and traditional melodies originally intended for solo fiddle into acoustic trio pieces. Bask's deceptively simple counterpoints and harmonies make for enjoyable listening, as background music or with closer scrutiny." - ALLMUSIC
    $8.00
  • Its been a couple of years but from the back of the warehouse, 8000 miles from here, we were able to exhume additional copies of the XRCD24 edition of this world music/new age classic.  While compatible with Redbook CD standards (this means it will work in your CD player) it is manufactured using JVC's proprietary mastering process.  There are lots of versions of this audiophile reference disc but this may well be the definitive one.Last time we had these they sold out immediately.  I would expect the same again. 
    $12.00
  • James LaBrie once again that there is life outside of Dream Theater.  His solo band features a stable lineup consisting of Matt Guillory (keyboards), Marco Sfogli (guitars), Ray Riendeau (bass), Peter Wildoer (drums, death vox).  Jens Bogren once again mixed. An interesting twist to the mix is the inclusion of Soilwork's Peter Wichers who contributes some guitarwork and also collaborated on songwriting with LaBrie.While the music is square on prog metal and all in all not too dissimilar to Dream Theater its different enough to have its own vibe.  Wildoer's coarse vocal approach offers an interesting counterbalance to LaBrie's upper midrange clean voice.  The limited digipak edition comes with two bonus tracks.  Highly recommended.
    $13.00
  • In Crescendo is the fourth studio album from this Italian progressive band.  While originally working in a purely metal direction, the band has expanded the scope of their sound to encompass elements of progressive rock as well.  There is a very strong atmospheric component similar to Riverside, Porcupine Tree, and Pink Floyd but the heavier, metallic side of Opeth and Dream Theater is clearly present as well.Over the past two years Kingcrow has expanded their fan base with a European tour in support of Redemption and Jon Oliva as well as appearances at ProgPower Europe and ProgPower USA.  An announcement about 2013 US tour dates is imminent. 
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  • “Let us begin where it all began...”Progressive rock band Big Big Train return with Folklore, their first full-length studio album since the award winning English Electric. Folklore contains nine new songs with a total running time of 68 minutes.Despite the album title, Folklore is by no means a collection of traditional-sounding folk music pieces. On Folklore, Big Big Train are reimagining and breathing new life into traditional themes, and also creating a few new ones along the way. The crafts of songwriting and storytelling beat strongly at the heart of the Big Big Train and inform every track on the new album.Folklore features the same line up (eight piece band and brass quintet) that performed three sell out shows at Kings Place in London last summer, with the addition of a string quartet. The experience of bringing this complex music to the concert stage has honed the band’s sound, making Folklore a focussed and exciting listening experience. All the hallmarks of the Big Big Train sound can be found here: powerful and emotional vocal delivery, and dramatic extended song arrangements which showcase the musical ability within the band.Big Big Train proudly present Folklore: an epic progressive rock tour de force.“Heigh-ho, so we go. We pass it on, we hand it down-o...”Folklore Ancient stories told by our ancestors around the camp re, being passed down from generation to generation. The passage of time sees the coming of written language and electronic communication, but still we tell our stories and pass them on.London Plane Once upon a time, a great tree took root on a river bank, and watched through the years as a city grew around it.Along The Ridgeway A journey along an ancient pathway, where legends are reborn.Salisbury Giant Big Big Train tell the true story of a medieval giant.The Transit Of Venus Across The Sun When the astronomer lost the love of his life, he set a course for the stars. Inspired by the much-loved British TV astronomer and educationalist, Patrick Moore.Wassail The old ways get a 21st century reboot in this pagan- inspired progressive-folk groove. The title track from Big Big Train’s Wassail EP, it was nominated in the “Anthem” category at the 2015 Progressive Music Awards.Winkie A ripping action adventure story about a true life war heroine, the  rst to receive the Dickin medal in honour of her achievement. To the best of our knowledge, this is the  rst prog epic about a pigeon...Brooklands John Cobb, racing driver, lived life at high speed on the racing line. Time passes, but the ageing driver yearns for one more adrenaline  lled lap of the track... Cobb died in 1952 while attempting the world water speed record at Loch Ness.Telling The Bees Traditionally, bees were told of births, deaths and marriages within the bee-keeper’s family, as it was believed that otherwise they would leave the hive. When his father is killed in the First World War, a young boy takes on this responsibility, grows up to become a man,  nds love and starts his own family. “The bees are told... and we carry on...”.-------------------------------------------------------------------------------------------------Big Big Train: BackgroundDavid Longdon: vocals and  ute; Rachel Hall: violin; Dave Gregory: guitars; Rikard Sjöblom: guitars and keyboards; Danny Manners: keyboards; Andy Poole: guitars and keyboards; Greg Spawton: bass; Nick D’Virgilio: drumsFormed in Bournemouth, UK, in 1990 by Greg Spawton and Andy Poole, Big Big Train has charted an independent course through the British progressive rock scene, slowly developing a richly arranged blend of electric and acoustic instruments that mixes prog, rock, post-rock, folk and classical in uences. 2009’s The Underfall Yard was the band’s  rst album to feature the powerful vocals of David Longdon, alongside the guitar of Dave Gregory (XTC) and the drums of Nick D’Virgilio (Spock’s Beard), since when critical and public acclaim for the band has grown rapidly.The two-volume English Electric (2012-13) further developed Big Big Train’s favourite themes of English history, industry and landscape, and the band won the Prog magazine Breakthrough award in 2013. The following year, the Classic Rock Society awardedBig Big Train their Best Band and Best Track awards, while David Longdon won Best Male Vocalist, a feat he repeated this year.After 17 years as a studio-only outfit, Big Big Train returned to the stage in 2015 with three London performances which topped the Prog magazine Readers’ Poll for Best Event, with several band members also featuring in the instrument sections of the poll. The band has just released Stone & Steel, a Blu-ray featuring songs from the London gigs along with performances recorded in 2014 at Real World Studios. 
    $12.00
  • "Song For Everyone heralds the return of the groove in Shankar's East-West-minded music, with former Shakti colleague Zakir Hussain on tabla, Trilok Gurtu on percussion, and Shankar's own manipulation of a drum machine tending to the rhythms. The result is a brighter, more outgoing record than its predecessor Vision, veering between Western acoustic and electric grooves and the complex beats churned out by the tabla. Jan Garbarek again shines beams of light on soprano and tenor, engaging Shankar's 10-string double-necked electric violin in some complex interplay on the title track. Some tracks are driven entirely or partially by the drum machine; "Paper Nut" has a particularly infectious revolving pattern. But sometimes Shankar overdoes it; the lengthy "Watching You" has an overly mechanized feeling that can be either mesmerizing or infuriating, depending upon your mood. On another track, "I Know," the Western percussion is gradually swallowed up by the Indian tabla. Fascinating, free-thinking music, beautifully recorded as usual by ECM."- All Music Guide
    $11.00
  • Fourth studio album from Leprous reinforces the fact that they are one of the most innovative and cutting edge bands working in the prog metal idiom.  The music of Coal has already kicked up a bit of controversy from the early listeners.  The music isn't quite as angular and frenetic as Bilateral.  Atmospheric passages similar to Tall Poppy Syndrome are perhaps a bit more prevalant as well.  All in all it's clearly identifiable as Leprous.  Ihsahn guests on one of the tracks - don't forget Leprous is his backing band.  Nice guys - great band.  Highly recommended."Considering Leprous‘s previous album Bilateral is considered by many to be a masterpiece of progressive metal; Norway’s Leprous had a tall order in front of themselves. Coming up with a followup to such a critically acclaimed and beloved album is no doubt a daunting task. Despite that, after two long years of waiting, Leprous have conjured the successor to Bilateral, and it’s called Coal. Usually, when bands release an album after their magnum opus, the result is either a “version 2.0″ of the previous album, or it’s a return back to the normal style of the band. Leprous have taken a bold turn instead, and they have reinvented themselves. Coal is clearly a Leprous album, carrying all their trademark touches, but it’s also very fresh and unique.With Bilateral, the band were clearly rooted in a sound that has been defined by the big names of progressive metal. By applying their characteristic syncopation, moody riffs and singer Einar Solberg’s haunting and powerful vocals, they were able to perfect an already existing sound. With Coal, the band have taken a different direction. The album is very dense, emotional, and quite avant-garde at times. While there are some more traditional songs similar to Bilateral, there’s also an air of neo-80s on some songs, while others carry some characteristics of modern Scandinavian indie bands. Longtime fans of Leprous will definitely see the direction that has been present since the band’s inception, but listeners who know of them only via Bilateral might be slightly confused. In the end, Leprous have always been about mood, and Coal is oozing with it.In terms of structure, Coal is more similar to Tall Poppy Syndrome than Bilateral (but not too similar to either in the end). The songs are slow burners, setting up a mood, then deliberately building on it until overwhelming the listener with the climax. Everything is very subtle, the production making every hit of every instrument matter. Each song is an exercise in building an atmosphere by slowly adding layers to form a very powerful sound. Einar Solberg is at his best here, he has taken his voice to the next level. He was already an amazing vocalist, but Coal sees him becoming a master of expression. There are many progressive metal bands nowadays with clean singers who can hit insanely high notes and execute amazing melodies. But what is often lost is the soft touch, the control over timbre that makes one’s voice special. Einar is a master of timbre, and he uses his abilities to their full extent in Coal. While this is an album about the big picture and constructing an ambiance with the convergence of all instruments, his unparalleled vocal skills definitely deserve a special mention, because he is what hammers down the emotions and makes this album so special.As mentioned before, Coal is a deliberate album, where attention is paid to every instrument. And the production, by Ihsahn (who also has a stellar guest appearance on the closing track), is perfect for this. Especially of note are the drums, they sound very real and quaint. The intimate feeling of some of the songs can directly be attributed to the unconventional drum sound. The drumming has also taken a turn for the more subtle, with small flourishes and cymbal runs building tension in the more atmospheric sections of some songs. The bass is also clearly audible and adds to the sound. The guitar work isn’t as flashy as Bilateral for the most part, but it also has more character because of that. It should come as no surprise to longtime followers of the band, but Leprous are masters of doing more with less, and all of the instruments reflect this. Another production detail worth noting is the presence of keyboards. The keyboard work is more prominent now. In Bilateral it was used mostly to add some extra layers to parts driven by the guitars, but here the keyboards form the building blocks of the sound. This is perhaps what sets the album apart from Leprous’s previous work, the heavier focus on atmosphere and a dense aural landscape. This might be disappointing to some who preferred the more direct approach of Bilateral, as Coal is less “metal”, but the more developed sound suits the band.In terms of songs, Coal is a very diverse album. The first three songs and the closer can be interpreted as a direct evolution of the band’s sound from their previous work, then there is the extremely moody and emotional masterpiece “The Cloak”. This is where the album takes a turn for the introspective, as the rest of the songs are quite experimental and ethereal. Overall, the album has a very clear journey with a defined start and end, and it works quite well. Some of the later songs can feel like they last half a minute too long, but the deliberate pacing of the album makes more sense as is.In the end, it’s hard to deny that Coal is yet another masterpiece by Leprous. The songs ooze character and deliberation. Coal is expressive, emotional and brave. It might not be what everyone expected after Bilateral, but Leprous have defied expectations and raised the bar again." - Heavy Blog Is Heavy
    $9.00
  • WE ARE NOW ACCEPTING PREORDERS FOR THE 2LP SILVER VINYL/CD REISSUE OF HAKEN "VISIONS".  PLEASE NOTE STREET DATE IS SET FOR FEBRUARY 3RD.  PLEASE DO NOT COMBINE PREORDERS WITH YOUR REGULAR ORDER AS IT WILL CAUSE DELAYS IN PROCESSING AND LOTS OF LONG FACES...Ten years since the band first formed, 2017 will see Haken’s first two albums, ‘Aquarius’ & ‘Visions’, reissued through InsideOutMusic after being unavailable for a lengthy period of time. Remastered by the renowned Jens Bogren (Devin Townsend Project, Between The Buried & Me), who worked with the band on their last two studio albums ‘Affinity’ & ‘The Mountain’, this reissue sees the albums brought up to the sonic quality of their most recent output.Originally released back in 2010, the band’s debut album ‘Aquarius’ capitalised on 3 years of work from the band which saw them staking their claim as one of the most exciting new progressive metal bands, playing with the likes of King’s X, Riverside & Bigelf. A 72-minute concept record that touched on themes of global warming, this album has long held a place in their fans’ hearts & the lengthy 17-minute closing track ‘Celestial Elixir’ remains in their set lists now.Arriving just a year on from their debut, ‘Visions’ cemented the bands reputation as one of the most solid progressive metal bands of recent years, bringing them to the US on tour for the very first time in 2011. Another detailed concept album conjured in part from a dream that vocalist Ross Jennings experienced, ‘Visions’ captured the imaginations of both fans and critics alike. Haken have also announced that they will be revisiting the album in full, live at Prog Power USA in September 2017.‘Aquarius’ and ‘Visions’ will be available as a remastered double CDs, each featuring a bonus disc of instrumentals, as well as on heavyweight vinyl for the very first time.HAKEN “Visions”:1 Premonition (00:04:17)2 Nocturnal Conspiracy (00:13:09)3 Insomnia (00:06:03)4 The Mind’s Eye (00:04:04)5 Portals (00:05:27)6 Shapeshifter (00:08:08)7 Deathless (00:08:06)8 Visions (00:22:07)
    $29.00
  • "Since returning to music from an eight year hiatus in 2013, Kari Rueslåtten is definitely making up for lost time. 2014 saw the release of Time to Tell, her finest solo album to date, with the soft wintry melodies and her beautiful voice making it one of the highlights of the 2014- and later in the year she teamed up with Anneke Van Giersbergen and Liv Kristine to tour as The Sirens – playing a range of material from her previous band The 3rd and the Mortal and her solo career. And only 18 months after Time to Tell she’s already back with her sixth solo album To to North, another beautiful album with a lovely atmosphere, sounding new while hearkening back to previous efforts, and now we’re in December I can confidently say is my album of the year.As usual with Kari, the album is centred around her beautiful voice – her soft ethereal vocals with a Nordic trill areas lovely as ever throughout To the North, a constant on a rather varied album. The sound throughout is crystalline, the production really accentuates her voice, and each of the instruments is clear as can be. The first track Battle Forevermore begins as a soft piano led ballad, with a beautifully sullen voice recounting the story of a love gone sour, with the swell of guitar in the middle building an electric, almost intense atmosphere. The electric guitar throughout To the North was almost absent in the former album Time to Tell, and it adds a lot throughout the album – as on the following rockier piece Mary’s Song – the guitar melodies and subtle synths creating a modern sounding track reminiscent somewhat of the Mesmerized album, with touches of Spindelsinn.The next handful of tracks, show her folkier side, one she’s shined at since her career first began in The 3rd and the Mortal days. The acoustic guitar, wind instruments and subtle percussion on Three Roses In My Hands make for a sombre piece of Nordic sounding folk, while the electric guitar comes in with a soft reverb-y wash in Dance With The King, a more mordern piece but another where her folk side is exemplary in the lyrics and her soft voice.Letting Go sees a return to the flirtations with electronic elements as explored on Pilot, drum loops and a slight effect on the vocals over a supremely catchy guitar riff drenched in delay see a small return to that experimentalism, with tremolo picked guitars and clashing drums coming in at the track’s great climax. Arrow in My Heart is the highlight of the album, the soft guitar creates such a lovely atmosphere, carried along by simple, but perfectly placed drums  serving to create a perfect backdrop to Kari’s voice which is as beautiful as it’s ever been in her whole career – her intonation on each line is perfect, especially the high notes near the end of the song. The bittersweet lyrics are lovely, and with the emotion in each one, this is the one you’ll be playing on repeat after the album ends.The last two tracks create a dark, brooding atmosphere that’s almost tangible. The penultimate, Turn, Turn, Turn is a cover of The Byrds track, but inverted from it’s upbeat pop to dark, folky moroseness. The crackle of distortion from the guitar creates a sombre fog, exemplified by a darker side to her voice and the plod of the piano that make it an intospective sullen, brooding piece. The closer To the North is the most atmospheric of the bunch, the otherworldly synths and slow brooding guitars create a thick icy atmosphere akin to being lost in a snowstorm. Her voice takes on a folky Nordic tone once again, and with the layering of synth and guitar it’s the closest in sound to Tears Laid in Earth than anything she’s done in the intervening years since leaving The 3rd and the Mortal. The guitar solo near the end is electrifying, and  it’s a cold, wintry closer that more than lives up to it’s name, true Nordic beauty.With such a short gap since Time to Tell, one could have been forgiven for anticipating a continuation of that album, but she’s pushed her sound once again. She takes elements of her previous albums, and even her time from The 3rd and the Mortal, but adds new elements and a crystalline modern production to create a fresh and brilliant release. Overall the album seems more sullen than Time to Tell, an upbeat album in places, but with a brooding atmosphere, more variation and that great production it’s a worthy follow up. And with hauntingly beautiful tracks such as Battle Forevermore, Arrow in My Heart and the title track in particular, it’s easy to fall in love with To the North, so much so that it’s certainly my album of the year." - Swirls Of Noise
    $15.00