Picture You (Vinyl)

SKU: PTKF2111-1
Label:
Partisan
Category:
Psychedelic
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Third album from this Swedish ensemble that features Reine Fiske as a member.  It has a soft and gentle vibe that touches on psych, folk, and pop with undercurrents of prog creeping in (thanks to Reine).  Beautiful stuff.

"On Picture You, The Amazing incorporates traces of psychedelic rock, ’60s pop, and even twee, mostly in the soft-spoken, accented vocals of lead singer Christoffer Gunrup. If that all sounds like chaos, it isn’t. The Amazing has a plan, and they’re rewarded for following it to its furthest conclusion.

Almost every track on the band’s third album finds itself on the far side of the five-minute mark, and that’s because no one in The Amazing is in any kind of rush. Their ability to combine all of the aforementioned disparate elements not only into one album but into one song is jaw-dropping.

Even though Gunrup rejects terms like “prog” for his band’s work, that doesn’t mean they don’t apply. The seven-and-a-half-minute “Fryshusfunk” screeches over from hazy summer nap music into something much more complex and challenging in a moment of disruption that’s unparalleled throughout the rest of Picture You. The song is as easy to slip into as a dream, but once you’re inside it’s nearly impossible to extract yourself.

The nine-minute title track forms the record’s gooey center, shimmering and changing shape from an airy hymn to lush, free-form instrumentation. The song’s ethereal qualities belie its muscle; about halfway in, the tone shifts to a faster pace, propelled by a swift, driving beat. It’s a song that unfolds as it goes, demanding that you spend more time with it only because it’s a hard piece of music to map after only a few listens.

The languid, easy “Circles” and “Safe Island”, the former sliding into the latter, create a kind of tropical hurricane eye in the album’s first half, invoking a high-energy euphoria that could just as easily wash over listeners or whip them into a frenzy. This is big music, meant to be played over a quality sound system or, even better, live; tinny laptop speakers can’t possibly do it justice.

Maybe due to the nature of its formation — the band’s lineup features members of Swedish-language bands Dungen and Granada — the band has never struggled to define its sound like other nascent bands do. It sprung forth fully formed, like Athena from Zeus’ forehead: powerful, lovely, hard to wrap your mind around sometimes, but all the more intriguing because of it." - Consequence Of Sound

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  • "Are we being manipulated? Who would benefit from us, to follow pre-established rules? Careless. As sheeps. Political parties? Religious organisations? Commercial companies? TV networks? Beware of everything, even NEMO...NEMO is one of the leading Prog Rock bands in France, and after 13 years of existence they conquered the world community of Prog lovers with their previous albums (Si, Barbares, R€volu$ion…). Their 8th studio album is about every kind of manipulation. On 2 CDs, 12 songs, they warn you about everyone, even them! Musically you will hear a varied and strong blend of what Nemo is all about, featuring a big dose of experimentation and new exploration. Beware of this album, you will succumb to its charms! "CD1:01. Stipant Luporum 2.0102. Trojan (Le ver dans le fruit) 8.5303. Milgram, 1960 5.5904. Verset XV 7.5505. Un pied dans la tombe 7.1106. Neuro-Market 6.3407. Le fruit de la peur 9.43CD2:01. A la une 5.0802. Triste fable 7.4603. Allah Deus 5.0804. Opium 9.1005. Arma Diania 17.19
    $22.00
  • First time on vinyl - now spread out over 6 sides of beautiful 180 gram vinyl.  Comes with the album on 2CDs as a bonus."A legendary band in their own right, The Flower Kings have been at the forefront of progressive rock since their formation in 1994 by guitarist, vocalist, composer, astronaut, chef and veteran nut head icon Roine Stolt. Dedicating themselves to producing a strain of prog they like to call symphonic rock‘, they incorporated classical music, movie soundtracks and both jazz, ethno, blues and seventies metal elements to much success - and building themselves a dedicated fanbase in the process over ten studio albums before taking a break.After a triumphant return to action in 2012 - following an almost 5 year hiatus, The Flower Kings released "Banks Of Eden" in the summer of that year to a brilliant reaction from fans and critics alike. In celebration they toured the world for the better part of a year, visiting locations including Europe, Japan, Russia, Israel & USA. The following year the band hit the road once again, this time with old friends Neal Morse & Mike Portnoy to celebrate the 20th Anniversary of label InsideOut Music, where they played a hugely successful prog extravaganza to packed venues across Europe and the US.Never ones to rest on their laurels however, The Flower Kings immediately entered Fenix Studio in Sweden to start work on the recording of a brand new album. Recorded "live" in this classic, but modern, studio and on reel to reel tape, the album features a glut of grand vintage keyboards such as Hammond B3, Mellotron M 400, Fender Rhodes, Minimoog and a whole host of Tube amps.The band even decided to try a new approach to writing and recording, assembling music on the spot and arranging it as a team.The result of this wonderfully collaborative effort is an epic 10 song cycle entitled ‚Desolation Rose‘; an album that revolves around some of the more disturbing observations of mankind's failure to create the paradise they once hoped for – and the greed, fear and ignorance that caused that failure. The scenario is an observation by an angel who resides in a mysterious tower, looking down on all this ongoing perpetual insanity, yet unable to reach out and help.The band is very much back to their cinematic and melodic symphonic rock best, but with a heavier edge no doubt honed while on tour for the past year. The 10 songs contained within are to be heard as a sequence and the lyric thread is wonderfully cinematic, but again it is more of an observation that works both as a whole or as separate parts. It might be considered one of their most focused efforts to date, such is the impact the tracks have on the listener from the very beginning. From the opening 14-minute tour-de-force that is ‚Tower‘, right through the moody swagger of ‚White Tuxedo‘ and beyond, this album sees the band crafting what might be their most varied album yet.The Flower Kings are truly back where they belong, at the beating heart of the modern day progressive rock scene, and ‚Desolation Rose‘ is testament to their continued vibrancy, sonic potency and determination to keep the music driving forward."
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  • "Sündenfall II from the Kevelaer area at the Lower Rhine played a mixture of folk and jazz, influenced by Jethro Tull. While their predecessors, Sündenfall, exclusively dedicated themselves to jazz, the group included folk after a change in line-up and band name (following the example of Amon Duul II). In 1972, Hubert Schmitz invited the band into his Trepitia film and sound studio in Alpen-Druept for free recordings, as he wanted to test the newly installed equipment after a recent move into the new location. Thus the recordings were made for the album Sündenfall II (Trefiton HS 1017), which was released in a small edition of 200 copies at the end of 1972. Today it is sold at a price of about 500 to 1000 Euros in mint condition. The LP re-issue is a limited edition of 1000 numbered copies and comes with a four-page color insert in LP size, including a detailed band history in German and in English language, many band photographs, and information about the Trefiton label etc." PLEASE NOTE WE CAN ONLY SHIP VINYL TO OUR USA CUSTOMERS.
    $36.00
  • Latest release from Crippled Black Phoenix is marketed as an EP but at 45 minutes in length its anything but.  Longtime vocalist Joe Volk is gone, replaced by John E. Vistic.  The core sound is intact, an expansive, cinematic blend of post rock and early 70s Pink Floyd.  The 12 minute tune "How We Rock" sounds like an instrumental soundtrack piece Floyd would have recorded for a Sergio Leone film.  As far as I'm concerned these guys can do no wrong.
    $16.00
  • "Transformation is a very apt title for Canadian Prog veterans FM, for not only has their music transformed numerous times over the years, so has their line-up. Joining bassist/keyboard player Cameron Hawkins this time round is drummer Paul DeLong (Roger Hodgson/Kim Mitchell), violinist/mandolin player Edward Bernard, who has performed with Druckfarben and violinist (yes, there are two violinists here) Aaron Solomon. The recording group being completed by legendary Rush, Dream Theater, Fates Warning producer/engineer Terry Brown, who does an excellent job.So you'll gather then that the first proper FM album since 1987's Tonight still follows in its predecessors footsteps of placing violin front and centre. Yet while that may sound risky in today's often sanitised Prog world, Transformation sounds remarkably contemporary and, at the same time, true to this band's 70s roots. More beautiful than punchy, in places the songs on this album feel like Yes with copious amounts of violin strung over it, the air being light, melodic and captivating. DeLong is stunning throughout, his rare ability to be ridiculously busy and intricate, underpinned by a solidity which fixes everything in place. Nary a second goes by where the percussionist isn't whispering a ghost beat, paradiddling the toms to within an inch of their lives, or alternating between snare, hi-hat and cymbals at break neck speed. However, amazingly, he never interrupts the beautiful flow of the vocals provided by Hawkins, Solomon and Bernard; the trio causing another reason for celebration in the process. However no album was built on drums and voice alone, so the stunning, varied violin, viola and mandolin work which weaves and dances across Hawkins deep resonant bass and darting, lilting, pointed synth contributions, are as impressive as they are vital to the unbridled success of this album.There's a real depth of sound and arrangement across the nine tracks on show, the likes of "Tour Of Duty" a journey from fragile art through fractured beauty, into controlled frenzy. "The Love Bomb (Universal Love)" and "Brave New Worlds" contrast this approach excellently, a sparse framework thriving on roaming bass, while gentle string stabs allow the vocals to express the emotions of melancholic introspection, but overriding hope and belief displayed in every one of the songs on this album. And it's that uplifting feeling which really infuses Transformation with the power to captivate and control your attention from start to finish, whether through the harsher attack of the bristling "Re-Boot, Reawaken", unsettling pulse of "Children Of Eve", the almost jauntily optimistic "Safe And Sound" or idyllic "Heaven On Earth".Often when a band reappears from the past, as if by magic to reclaim their past glories, the results are safe and deflating. Transformation however falls far from that trap, instead announcing itself with a triumphant confidence which never fades once as its beauties unfold, and vitally it just gets better with each and every luscious visit to the land of hope and understanding it creates." - Sea Of Tranquility
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  • AlieNatura is the second album from this superb band playing in the classic "rock progressivo italiano" style.  The band is led by keyboardist Elisa Montaldo, who is as impressive on the ears as she is on the eyes (pardon the sexist comment).  One of the strong points of the band's debut was the inclusion in the lineup of former Museo Rosenbach vocalist Lupi Galifi.  With MR reforming he's left Il Tempio Delle Clessidre.  The obvious concern is who could fill his shoes?  Apparently the unknown Francesco Ciapica.  Truth is he does a fine job.  The guy can sing.  He has that expressive style that fits this music so perfectly.  Beautiful symphonic keyboards, liquid guitar runs, phat Moog solos - this band has the sound down pat.  The Italian scene seems to be burgeoning with new RPI bands and I would classify Il Tempio Delle Clessidre right up there with La Maschera Di Cera.  That's saying something.  BUY OR DIE!
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  • Remastered and remixed version of the album arrives on 180 gram orange vinyl in a gatefold sleeve with new artwork."Our world was very different 5 years ago. The Pineapple Thief was very much an underground affair, with a small but loyal band of followers. Kscope, a name conjured up by Steven Wilson as a play on kaleidoscope, didn't exist as a label back then. It was only when Steven introduced us that the concept of a dedicated label was born, and we were lucky enough to be their first signing. The band was effectively reborn on that day. Now, after 5 years, the label has become a huge part of the post-progressive renaissance. As I sit here in my studio remixing this album, my mind is cast back to 2008 when we were playing a launch gig for Tightly Unwound, in front of 40 people in pub in London. How different our world is now." - Bruce Soord
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  • Hardbound mediabook edition with one bonus track."I haven't had anything similar on my musical plate for a while, so Gazpacho's eighth album Demon was an interesting, beautifully surprising and absolutely brilliant variation. Again Gazpacho mixes progressive sounds with electronic elements and folk instrumentation with the addition of dynamic riffing and amazing vocals. The outcome is a unique sound that is quite inimitable and rare to find. How much you enjoy the new record will mainly depend on how you respond to this incredible mix and the singing style used by the vocalist. Anyway Gazpacho rules, especially at night.I'm a great fan of these guys and for those of you that still don't know who they are, Gazpacho is a band formed in Oslo, Norway in 1996 by childhood friends, Jon-Arne Vilbo and Thomas Andersen, along with Jan-Henrik Ohme - later joined by Mikael Krømer, Lars Erik Asp and Kristian Torp; they released their debut album Bravo in 2003.Demon, the upcoming record, is a concept album based on the true story of a manuscript found in an apartment in Prague where the writer, a previous resident, had detailed his chase of an evil, “The Demon”. Demon is for sure full of emotion and humanity and the way the Norwegian band reproduces in music the diabolical story and the psychosis of the protagonist is wonderful.The story is told in four parts and it starts with 'I've been walking – part 1' and it couldn't start in a better low-key fashion way. There’s something disarmingly powerful about loud vocals from Jahn Henrik Ohme that add incredible depth to a song. The intermittent piano notes are just perfect and the delicate violin sound is like a nice shade of color you don't notice on painting but that painting wouldn't be the same without it. A great bonus.The second part of 'I've been walking' – that is the third track of the album – starts exactly where the first movement of the piece ends but adding a dark shadow to the overall atmosphere. There are still vocals but now are slower and they mix perfectly with the other instruments. The bass is gorgeous and the way the song turns into a more ambient and atmospherical dimension is great. It's such a damn good track and together, 'I've been walking' parts I and II, might be the best tunes that Gazpacho has ever written.The mix of sounds of the opening track changes completely in 'The Wizard of Altai Mountain' becoming electronic in the first part of the track and turning into a sort of gipsy or Yiddish sound in the second half. We are all crossing lands pursuing the demon.The story ends with 'Death Room' and the motifs of the 'The Wizard of Altai Mountain' come back like creating a circle with that song. Oriental sound, progressive rock and folk are all mixed together and the resulting fusion sound is incredible. I rarely make direct comparison among artists but this time I cannot avoid to think of Radiohead's music mixed with folk elements to create an intricate yet beautifully original tone. Other times they make me think of the Scandinavian prog-rock band Airbag but again Gazpacho find their way to be definitely unique.The story ends here and Demon too, a captivating and intriguing album that is absolutely brilliant. I like the way it flows song by song and the variety of sounds blended in it. Such experimentalism is the proof that the Norwegian guys are really talented and they deserve to be considered one of the best progressive rock bands on the scene today.Demon is an album that requires time and patience to be understood and to gain the listener's estimation and it will reward open minded audience. Play it in the dark to fully experience its great music." - Echoes And Dust
    $13.00
  • Beautiful limited edition vinyl reissue of the classic Dutch psych album.  Any fan of early Pink Floyd needs to own this.  Comes with the 3D glasses.  Taken from the original analogue masters.  Only 500 copies pressed - hurry!!"Agemo's Trip to Mother Earth was one of the most ambitious psychedelic albums to emerge from continental Europe in the late '60s. The LP's nominal concept was, like many early such endeavors, obscure, involving something like the journey of Agemo from a paradise-like planet to the more chaotic imperfection of Earth. Musically, the record owes a lot to late-'60s British psychedelia (particularly of the Pink Floyd school), with hints of the onset of progressive rock in its less-conventional passages. Although plenty of melodic shifts, celestial organ, wiggling distorted guitar, harmony vocals, Gregorian chant-like singing, Mothers of Invention-like horns, beatific respites (on "Reborn"), and general freakiness entertainingly convey the exploration of new psychic territory, it ultimately lacks the lyrical and musical cogency of, say, late-'60s Pink Floyd. At times the bold weirdness gets self-indulgent, throwing in phased drum soloing, solemnly intoned spoken female romantic exclamations, and multilingual murmuring." - Allmusic Guide
    $38.00
  • "With 'Home', for the first time since their critically acclaimed 'Posthumous Silence' of 2006, Sylvan have taken the chance to create another full-on concept album. Even though the Hamburg natives attach great importance to creating contextually comprehensive pieces of art with any of their albums, this time around Sylvan have upped their ambition another notch and taken on the mammoth task of building an overall concept around the never ending quest of the human condition for 'home' - that very special place that can provide a feeling of complete safety."
    $14.00
  • One of the great overlooked prog metal albums of the 90s made available again. This album with the odd name was only released in Japan by Toshiba-EMI in 1998. It was the debut album from this Swiss trio and featured the great Thomas Vikstrom on vocals. The music was keyboard driven, a bit off kilter and totally amazing. The band didn't release anything again until this year's Retrospective but the similarities are superficial. Retrospective is a great album but a bit more conventional. Cosmic Handball has a lot more personality. Its been remixed and remastered which can only help as the original production was a bit murky sounding. Highest recommendation.
    $5.00
  • ""RUSH: CLOCKWORK ANGELS TOUR" was filmed and recorded last November at the American Airlines Arena in Dallas, Texas, during Rush's highly successful Clockwork Angels Tour. The eleven month-marathon world tour crossed North America twice and ventured overseas to Europe in support of the band's acclaimed 2012 studio release "CLOCKWORK ANGELS."In capturing the tour's electrifying three hour set, "RUSH: CLOCKWORK ANGELS TOUR" pairs Rush classics ("Tom Sawyer," "The Spirit Of Radio," "2112"), with a nod to the 80's Rush era (The Analog Kid," "Territories," "Subdivisions") alongside newly reworked arrangements specifically for the tour featuring the Clockwork Angels String Ensemble ("Headlong Flight," "YYZ," "Red Sector A"). The string section marks the first time the trio has brought additional musicians on the road with them. To showcase their latest studio release, the epic set list also features nine tracks off "CLOCKWORK ANGELS." Other highlights include tracks rarely performed and never before recorded live ("The Body Electric," "Middletown Dreams"), in addition to three separate drum solos by the incomparable Neil Peart."
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  • Willowglass is the vehicle for British multi-instrumentalist Andrew Marshall.  He plays guitar, keys, and bass.  Accompaniment is courtesy of Hans Jorg Schmitz on drums and Steve Unruh on violin, flute, and guitars.The music is all instrumental and harkens back to the classic British progressive sounds of the 70s.  The album kicks off with the 20 minute "A House Of Cards Pt 1", which is a pure love letter to the Mellotron.  Reminds me a bit of King Crimson's Lizard.  The music never gets overly heavy.  Marshall tends to rely on acoustic guitar quite a bit and Unruh's violin figures quite prominently.  We always say they don't make 'em like they used to but apparently they still do.  If you miss the glory days of Genesis and Camel you need to fill that spot in your collection.  Highly recommended.
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