Hindsight (2LP Vinyl)

SKU: KSCOPE859
Label:
KScope Records
Category:
Post Progressive
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Double 180 gram vinyl edition.  Semi-acoustic interpretations of classic Anathema tracks.

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  • Ambient/prog reworking of Dead End Kings arrives in a limited edition 2 disc digibook.  You get the CD version as well as a DVD featuring a 5.1 and 24 bit hi-resolution stereo mix."After last year’s successful release of their 9th full-length Dead End Kings, Katatonia have returned with a special release entitled Dethroned and Uncrowned. This album is special for two reasons. Firstly, it was brought to life with the help of the so-called ‘Katatoniacs’; that is, the fans were the ones who financed this project through a pledge campaign the band had set up where fans could pledge for various album formats and other items such as drumsticks, lyric sheets, posters, backdrops and even one of Anders’s old guitars. Needless to say, the pledge campaign was highly successful and reached its goal in four days. Secondly, the album is special music-wise, as it contains the same tracks that were found on Dead End Kings, but all of them have undergone a major makeover. As Katatonia wrote on their website: ‘the drums will be dethroned and the distorted rhythm guitars will be uncrowned’. What they have basically done is that they have kept the vocal lines intact but have experimented with the rest of the music, creating stripped-down, semi-acoustic versions of the songs with the focus on ambience and atmosphere, showcasing the band’s progressive song-writing talent. Katatonia have masterfully and rather elegantly transformed the songs into totally different entities and have given themselves as well as the listeners the opportunity to discover different aspects of each track, by adding little interesting details or emphasizing some parts that were not as noticeable as in the previous version, like the Jan Johansson-esque piano touches in ‘Leech’, or the 70s prog vibe in ‘Dead Letters’. All in all, Katatonia have managed yet again to create a beautiful, melancholic and touching piece of work that will certainly fulfill the expectations of the majority of their fans. Those who were not very keen on Dead End Kings (if such people exist), might enjoy some of the songs in their new versions, and, who knows, they might even appreciate that album a bit more after listening to this." - Metal Recusants
    $9.00
  • New remastered edition of Sirens and The Dungeons Are Calling. Originally conceived as all of their debut album, the material was split up because it was too long for vinyl release. Jon Oliva states that this is the first time the material is appearing as it was conceived. This "complete session" release includes one new bonus track recorded by Oliva in 2010.
    $14.00
  • This version is not getting a US release.  It will only be available as an import (Yes we know its expensive).  Hardbound mediabook with 28 page booklet and a bonus 4 track EP.Killer UK spacerock/post-progressive hybrid."Less than three years after their magnum o(ctop)us, Amplifier return with an altered line-up (former Oceansize guitarist Steve Durose is now a permanent fixture) and another hefty dose of spaced-out space rock. After the longest fade-in history (beyond even the intro to the first Psychedelic Furs album), a heavily chorused guitar starts the gently meandering ‘Matmos’. Then, around seven minutes in, it all explodes with a shredding guitar and you know that Amplifier are once again firing on all cylinders. With just eight tracks and a running time of 61 minutes, they’ve produced a work that’s much more succinct than its predecessor. That isn’t to say ‘Echo Street’ is any less ambitious or epic than the sprawling ‘Octopus’. ‘Between Yesterday’ is the shortest track at 5:18: the 12-minute ‘Extra Vehicular’ is a prog rock monster of monumental proportions and is not so much a song as a journey through time and space. The title track is a high-octane slice of swirling space rock, and as a whole, ‘Echo Street’ is expansive and cinematic and, in short, classic Amplifier." - Shout4Music
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  • Its quite rare that a metal album gets proper care and attention when it comes to sound quality.  This Audio Fidelity hybrid SACD release of the classic Dio title was mastered by Steve Hoffman and Stephen Marsh.  This is about the best its every going to sound.
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  • One of the great Italian prog albums from the 70s.
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  • "Esoteric Recordings are pleased to announce the release of the first ever boxed set celebrating the solo work of Genesis founding member Tony Banks. A CHORD TOO FAR is a deluxe 4 CD set comprising 48 songs and pieces, all personally selected by Tony. Many tracks have been remixed exclusively for this collection and have been drawn from his seven solo and two orchestral albums; A CURIOUS FEELING, THE FUGITIVE, THE WICKED LADY (film score), SOUNDTRACKS , BANKSTATEMENT, STILL, STRICTLY INC. and his orchestral albums SEVEN – A SUITE FOR ORCHESTRA and SIX PIECES FOR ORCHESTRA.A CHORD TOO FAR also includes four previously unreleased tracks, three of which are keyboard demos of his orchestral suites. The fourth is a piece originally written for the album STILL. Inducted into the Rock and Roll Hall of Fame in 2010 as a member of Genesis, Tony is one of the most respected songwriters and keyboardists in the world. His career spans almost 50 years and has seen him sell in excess of 130 million albums . His body of work is as innovative as it is eclectic. Genesis’ avant-garde style made them one of progressive rock’s founding fathers in the 1970s, creating an experimental style of rock music never before seen. They went on to produce music with a greater pop sensibility in the 1980s that saw them become one of the biggest selling bands of the decade, and play stadiums throughout the world.Tony Banks’ solo work has continued in the same vein. His rock albums have included collaborations with some of the world’s most respected musicians including singers Toyah Wilcox, Fish and Nick Kershaw , bassist Pino Pallodino , and drummers Steve Gadd and Vinnie Colaiuta , as well as long time Genesis collaborators Daryl Stuermer and Chester Thompson . He has composed original scores for four films The Shout (1978), The Wicked Lady (1983), Starship (1985) and Quicksilver (1986) and most recently his orchestral albums, Seven: A Suite for Orchestra and Six Pieces for Orchestra, that were performed by the London Philharmonic Orchestra and City of Prague Philharmonic Orchestra."
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  • Third Ion is a Canadian quartet who's music is squarely in the prog metal domain with a bit of a tech edge.  Oh yeah - I should mention that they have a bizarre obsession with video games.  With a background of playing in Into Eternity and The Devin Townsend Band you know straight away these guys have chops from hell.  This is one of those albums that can leave you off kilter as its constantly shifting directions but it has a melodic base to work from.  Vocals are totally clean and quite good - maybe a bit of a Maynard influence crops up here and there.  Keys are mainly used for texture but its important as a bed for the sick fretwork.  The insertion of "chiptune" sounds add an oddball factor - luckily they don't over do it.  So far 2015 has been a solid year for prog metal.  I expect Third Ion's debut to sit highly on top 10 lists at years end.  Highly recommended."Where to begin? Introducing the band Third Ion or my blatant skepticism about them? Actually both converge. Third Ion is a progressive metal band consisting of former members of Devin Townsend Project and Into Eternity. Their common interests revolve around prog, science, video games, which informs their music. So much so that lyrically the songs consider physics and metaphysics and, musically, the title track is written in 13/8 time signature. Moreover, all the songs will be released in 8-bit as an homage to early video games.And that's where my skepticism reared it's ugly head. Cripes. Chiptunes meets metal. Nintendo and Super Mario and their sparkle and glitter music invading my ear drums. And MIDI too. I hate that shit. And then to think of the players' former band background. No, not death vocals, too.But. Behold. My fears were unnecessary. 13/8Bit is some pretty classy and inventive melodic progressive metal, and there's no death metal vocals. Yeah, in the title track they do some of that Nintendo wonkery, but it's a rather cool and entertaining song, even playful. The songs are large on massive, but not deathly technical, riffs, inherent melody and harmony, and sufficient intrigue in arrangements. Then they're spiced by Justin Bender's spry and fierce guitar solos. Even bass player Mike Young gets to do so as within the second half of Particle Displacement Mechanism or Capitol Spill, by example. You'll also find Young's keyboards in the mix, notably within Time Lapse Beta, varying between simple piano to ethereal synths. Underneath, yet also nearly ubiquitous, are Aaron Edgar's drums, providing beat and rhythm, but also offering some flurries of poly-rhythms. Things do get slightly weird with the only instrumental, Van Halien. It sounds like chiptune, metal, and jazz fusion but, in the end, it's strangely convincing, even appealing. So my skepticism and fears were largely unfounded. Third Ion's 13/8Bit is creative and intriguing progressive metal, defintely worth your time and consideration. Recommended." - Dangerdog.com
    $10.00
  • "Tracer release their new album ‘Spaces In Between’ on October 3rd (UK release) on the Cool Green recordings label.  The Australian desert rockers, who are based in Adelaide, comprise of brothers Michael and Leigh Brown and Andre Wise. They have had success with two previous independent releases, but ‘Spaces In Between’ will I feel launch Tracer to new heights.Tracer’s blend of 90’s stoner and 70’s classic rock is steeped in epic guitar sounds, clever hooks and raw, uncompromising vocals.I hope (and imagine) that Tracer can reproduce live on stage the intensity and passion and raw rock n roll that is so evident in this album. With the UK tour coming up I think we should all go and check out these Aussie contenders!“So what’s the album really like?” I hear you say.   The album starts with ‘Too Much’ and a great start it is. A guitar riff straight from the 70’s classic-rock bible. A solid, constant rhythm throughout. A very catchy rock song, which is understandably the first single from the album.Check out the video belowTrack two; ‘Push’ has a more laid back feel. It still rocks, but in a groovier kinda way. If Jimi Hendrix and Paul Rodgers had a lovechild, it would sing like this!‘Walk Alone’ continues the 70’s rock vibe. A solid drum beat throughout which has a simple yet traditional guitar riff over the topThe fourth track, ‘Louder Than This’ is stoner rock at its finest. Distorted vocals over a solid pounding drum beat, with guitars turned to eleven. There is almost a Slade vibe to this song. I can imagine Noddy Holder belting this out in the 70’s.The next track ‘Devil Ride’ goes back to the rockier tempo of track one. Definitely the catchiest chorus on the album so far.  I have a feeling that ‘Devil Ride’ might just be the next single.Track six is another thumping tune. ‘ The Bitch’ is the song which will get the crowd going wild in the mosh-pit, although they will still sing along to the chorus, with devil-horns flying high.The seventh track, ‘Voice In The Rain’ has a much slower pace than most on the album. The Paul Rodgers comparison to Michael Browns vocal is most evident here. A great performance.The album’s title track ‘Spaces In Between’ is the stand out track. The bass line complements the raw guitar sound and you find yourself singing along to ‘The Spaces In Between’ line of the chorusTrack nine is ‘Dead Inside’. This starts slow and Bluesy, rocks in with screaming vocals and guitar solos, slows back down again then totally rocks out towards the end. A clever song, which highlights the bands musical talents.‘Save My Breath’ is another pulsating rocker with some nice stop/start moments and even a little psychedelic middle eight!‘All In My Head’, the eleventh track, is a mellow rocker with another catchy chorus.The album closes with ‘Won’t Let It Die (Run Mary)’. A shot of Bad Company, a dash of Led Zeppelin and topped up to the brim with Jimi Hendrix.  Get the idea? A laid back song but with great guitar work, especially the solo. This will have you singing along by the end." - I Review Rock
    $12.00
  • Founding keyboardist Ferdy Doernberg has reformed Rough Silk after spending the past few years touring with Axel Rudi Pell and doing countless sessions. Back in the day Jan Barnett was the vocalist and Rough Silk had a heavy Queen influence. Barnett left after the fifth album and Doernberg eventually took over on vocals as well. He's got a gruff bluesy voice that fits well when he tosses in the old school analog keyboard sounds. So toss the Queen thing out the window - instead the keyboard heavy/guitar crunch offers a sound much closer to Savatage.
    $9.00
  • Sixth album from Italy's best export since the invention of neapolitan style pizza. The band gets a bit of heat since they achieved break out success. Far from a sell out, Lacuna Coil is as heavy as ever. The band's focus remains on the co-vocalists Christina Scabbia and Andrea Ferro. Filled with chunky riffing and some slick production, not a hell of a lot has changed. Lacuna Coil's music has always been laced with hooks. You want to call it poppy? Go ahead but its what they have always done. Want to hear where Evanescence got their sound? Check out Lacuna Coil. They may not have been the first in the genre but they are certainly one of the standard bearers. Highly recommended.
    $4.00
  • Peculiar but interesting band from Belgium. Oceans Of Sadness mix progressive, death and doom metal influences freely and even incorporate some 70s flavors as well. The music is a bit off-kilter in the same way that Pain Of Salvation used to be. Vocals are a mix of clean and coarse. The odd use of Hammond organ in places is a weird stylistic choice that just helps to set these guys apart from the norm. If you like your prog metal to the left of center check these guys out.
    $8.00
  • First time on vinyl - now spread out over 6 sides of beautiful 180 gram vinyl.  Comes with the album on 2CDs as a bonus."A legendary band in their own right, The Flower Kings have been at the forefront of progressive rock since their formation in 1994 by guitarist, vocalist, composer, astronaut, chef and veteran nut head icon Roine Stolt. Dedicating themselves to producing a strain of prog they like to call symphonic rock‘, they incorporated classical music, movie soundtracks and both jazz, ethno, blues and seventies metal elements to much success - and building themselves a dedicated fanbase in the process over ten studio albums before taking a break.After a triumphant return to action in 2012 - following an almost 5 year hiatus, The Flower Kings released "Banks Of Eden" in the summer of that year to a brilliant reaction from fans and critics alike. In celebration they toured the world for the better part of a year, visiting locations including Europe, Japan, Russia, Israel & USA. The following year the band hit the road once again, this time with old friends Neal Morse & Mike Portnoy to celebrate the 20th Anniversary of label InsideOut Music, where they played a hugely successful prog extravaganza to packed venues across Europe and the US.Never ones to rest on their laurels however, The Flower Kings immediately entered Fenix Studio in Sweden to start work on the recording of a brand new album. Recorded "live" in this classic, but modern, studio and on reel to reel tape, the album features a glut of grand vintage keyboards such as Hammond B3, Mellotron M 400, Fender Rhodes, Minimoog and a whole host of Tube amps.The band even decided to try a new approach to writing and recording, assembling music on the spot and arranging it as a team.The result of this wonderfully collaborative effort is an epic 10 song cycle entitled ‚Desolation Rose‘; an album that revolves around some of the more disturbing observations of mankind's failure to create the paradise they once hoped for – and the greed, fear and ignorance that caused that failure. The scenario is an observation by an angel who resides in a mysterious tower, looking down on all this ongoing perpetual insanity, yet unable to reach out and help.The band is very much back to their cinematic and melodic symphonic rock best, but with a heavier edge no doubt honed while on tour for the past year. The 10 songs contained within are to be heard as a sequence and the lyric thread is wonderfully cinematic, but again it is more of an observation that works both as a whole or as separate parts. It might be considered one of their most focused efforts to date, such is the impact the tracks have on the listener from the very beginning. From the opening 14-minute tour-de-force that is ‚Tower‘, right through the moody swagger of ‚White Tuxedo‘ and beyond, this album sees the band crafting what might be their most varied album yet.The Flower Kings are truly back where they belong, at the beating heart of the modern day progressive rock scene, and ‚Desolation Rose‘ is testament to their continued vibrancy, sonic potency and determination to keep the music driving forward."
    $32.00
  • Killer retro-prog from Norway laced with strong elements of doom metal.  This band is an offshoot from the outrageous Procosmian Fannyfiddlers, a rather bizarre band that created a rather unique, expletive drenched form of burlesque prog.  This is something totally different and a hell of a lot better.  Highly recommended."Abandoned By The Sun’ is a non-linear narrative, its focal point being the dubious disappearance of a 15-year old girl, her disappearance securing a downward spiral and a grave ripple effect that threatens to ruin the lives of everyone close to her. The idea projected is that nothing can be worse than to lose someone dear without getting any answers.Opening track, ‘Sudden Dereliction’, establishes a link to the previous record and the album’s finale, ‘Finite’, offers a glimpse of what really happened that fatal day, though leaving the listeners sufficient interpretive space to make up their own minds. In-between these bookends, the music moves in multiple, unexpected directions, showcasing great melody lines, and a high degree of diversity, underlining the sadness and despair of the libretto’s protagonists.On ‘Abandoned By The Sun’, Mater Thallium explore the inter-human mechanisms at work when a person vanishes without a trace.This is old-school heavy progressive rock, with a twist of doom, topped with flourishes of Scandinavian folk music." 
    $17.00