Hindsight (2LP Vinyl)

SKU: KSCOPE859
Label:
KScope Records
Category:
Post Progressive
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Double 180 gram vinyl edition.  Semi-acoustic interpretations of classic Anathema tracks.

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  • I guess miracles do happen. Incredible to think that its been 18 years since Epilog was released. The long promised third album is finally here and it does not disappoint. The boys and girl are back in town and they sound exactly the way they did on Hybris and Epilog. Essentially Anglagard infuse their music with the best elements of 70s prog from Sweden, Germany, and England and do it at the same high standard as the original bands that influenced them. Viljans Oga consists of 4 epic tracks of Mellotron laded symphonic rock bliss.After the band's triumphant return to the stage at Nearfest Apocalypse, the band generously divided up their remaining stock of the new album among the various vendors. For the moment we have a limited stock that we expect to sell out very quickly. More will be on the way shortly. For the moment - if you are reading this grab it because it won't be here the next time you look.BUY OR DIE!
    $22.00
  • With new kid on the block, Mike Mangini, fully assimilated into the group, Dream Theater has come up with a stunning new album.  Expect nothing less than full on prog (with a nice tip of the cap to Rush in spots). Enigma Machine may be the best instrumental piece they've cooked up yet.  Highly recommended.This is the CD/DVD deluxe edition.  It arrives in an embossed digipak with expanded artwork from Hugh Syme.  More importantly, the DVD contains a 5.1 mix of the album. 
    $19.00
  • "Tracer release their new album ‘Spaces In Between’ on October 3rd (UK release) on the Cool Green recordings label.  The Australian desert rockers, who are based in Adelaide, comprise of brothers Michael and Leigh Brown and Andre Wise. They have had success with two previous independent releases, but ‘Spaces In Between’ will I feel launch Tracer to new heights.Tracer’s blend of 90’s stoner and 70’s classic rock is steeped in epic guitar sounds, clever hooks and raw, uncompromising vocals.I hope (and imagine) that Tracer can reproduce live on stage the intensity and passion and raw rock n roll that is so evident in this album. With the UK tour coming up I think we should all go and check out these Aussie contenders!“So what’s the album really like?” I hear you say.   The album starts with ‘Too Much’ and a great start it is. A guitar riff straight from the 70’s classic-rock bible. A solid, constant rhythm throughout. A very catchy rock song, which is understandably the first single from the album.Check out the video belowTrack two; ‘Push’ has a more laid back feel. It still rocks, but in a groovier kinda way. If Jimi Hendrix and Paul Rodgers had a lovechild, it would sing like this!‘Walk Alone’ continues the 70’s rock vibe. A solid drum beat throughout which has a simple yet traditional guitar riff over the topThe fourth track, ‘Louder Than This’ is stoner rock at its finest. Distorted vocals over a solid pounding drum beat, with guitars turned to eleven. There is almost a Slade vibe to this song. I can imagine Noddy Holder belting this out in the 70’s.The next track ‘Devil Ride’ goes back to the rockier tempo of track one. Definitely the catchiest chorus on the album so far.  I have a feeling that ‘Devil Ride’ might just be the next single.Track six is another thumping tune. ‘ The Bitch’ is the song which will get the crowd going wild in the mosh-pit, although they will still sing along to the chorus, with devil-horns flying high.The seventh track, ‘Voice In The Rain’ has a much slower pace than most on the album. The Paul Rodgers comparison to Michael Browns vocal is most evident here. A great performance.The album’s title track ‘Spaces In Between’ is the stand out track. The bass line complements the raw guitar sound and you find yourself singing along to ‘The Spaces In Between’ line of the chorusTrack nine is ‘Dead Inside’. This starts slow and Bluesy, rocks in with screaming vocals and guitar solos, slows back down again then totally rocks out towards the end. A clever song, which highlights the bands musical talents.‘Save My Breath’ is another pulsating rocker with some nice stop/start moments and even a little psychedelic middle eight!‘All In My Head’, the eleventh track, is a mellow rocker with another catchy chorus.The album closes with ‘Won’t Let It Die (Run Mary)’. A shot of Bad Company, a dash of Led Zeppelin and topped up to the brim with Jimi Hendrix.  Get the idea? A laid back song but with great guitar work, especially the solo. This will have you singing along by the end." - I Review Rock
    $12.00
  • "One of the interesting and strangely rewarding things about being a power metal enthusiast in 2015 is the fact that, due to the general indifference shown by media outlets and the metal population at large, particularly within the United States, fans don’t really get hit over the head with an uninterrupted outpouring of releases 8 days a week as you might for, say, death and black metal. Perhaps that seems like a strange thing to celebrate, but during an age where glut has become the new standard, it’s refreshing to exist in a realm where you often don’t have much of a choice but to really get to know the releases you count as triumphs. To illustrate the point: While there have been a few noteworthy power metal releases in 2015, there haven’t been enough to completely overshadow what's still getting regular play from 2014's sufficient crop. In this sense, power metal is defying the "churn & burn" mandate that seems to govern much of music today.The shortage of a comprehensive power metal vogue also means that, for the most part, the bands that commit to the genre are by-God in it for a true love and obligation to the game. In other words, there’s little evidence of bandwagoning, which is equally refreshing.With that in mind, if you’re lucky enough to resonate with power metal and haven’t been paying attention to what’s been rumbling down the chute from the U.S. lately, you’re doing yourself a great disservice. Releases haven’t exactly been dropping from the trees, per say, but a good portion of what we’ve gotten certainly qualifies for medal contention. To keep things pinned to 2015, consider Artizan’s The Furthest Reaches, Tanagra’s None of This is Real, and Judicator’s ludicrous At the Expense of Humanity. Three high-quality PM records from one country in one year might typically be sufficient, but St. Paul, Minnesota’s Chaos Frame apparently prefers to kick the festivities up to a deafening roar, because Paths to Exile, their sophomore effort, is nothing short of extraordinary.First of all, are you shittin’ me with this thing? Who? Wuh? Where’d?There's nary a bad tune to be found on this record. Seriously. That fact alone should be enough to inspire some of you to pound some samples into your ears and free the tight velcro grip on those wallets, but just in case it’s not: Chaos Frame shares current, ex- and guest members from Noble Beast, a band that released one of 2014’s most sublime examples of exhilarating, aggressive modern power metal. And while Paths to Exile certainly shares some of that band’s Blind Guardian-galvanized strut, particularly in those exquisitely stacked choruses, Chaos Frame is an entirely different beast altogether. An even more... noble beast, one might wager? Inconceivable. Just a more proggy, less dungeon-inspired incursion that shares the same level of skill in terms of first-string musicianship from a relatively unheralded act.Something a number of American progressive/power metal acts seem to be managing in excess lately is the idea that you can be uplifting without being overly bubbly, and Chaos Frame nails that notion home with a one-ton hammer. There are no “Heavy Metal Hamsters” or squirrelly circus jigs within a hundred miles of these dudes. Outside of the opening track, every song flashes moments where things seamlessly break off for a stretch of surprisingly dense or FAST execution that strikes with as much oomph as Brian Blessed charging atop a Clydesdale. For comparison’s sake, think Pharaoh, Falconer, Manticora and Spirit of Ukko era Kiuas all balled into one. Now add one of the better vocal performances this side of a Daniel Heiman-fronted Lost Horizon/Heed record and you’ve got the basic gist.Lofty praise, for sure, but Paths to Exile delivers, front to back. And as satisfying as the entire picture manages to be, the weight delivered in its midsection via “Terra Firma,” “Paper Sun” and “Giantkiller” is just staggering. Nimble acoustic picking blends with knotty riffing and ample time signature shifts; infectious choruses swirl into falsettoed, King Diamond-inspired “oh-ohhhs”; bolts of blast-beating drums run like hellfire; pretty leads split the sky without ever being overblown; and there’s even a bloody saxophone solo that winds up resting so perfectly within the overall scheme of things that you’ll wonder why more bands of this nature don’t work this oft-maligned instrument into their own blueprint. Embrace your inner Tim Cappello, heavy metal.It’s been a while since I’ve come across a prog/power metal record as altogether satisfying as Paths to Exile. In the end, however, one probably needs some level of appreciation for the style to fully acknowledge what’s going on here. It’s too bad, really, because above all else, Chaos Frame simply succeeds at delivering great heavy metal – energetic, exciting, empowering heavy metal that’s perfectly suited for those who appreciate impeccable musicianship, towering vocals and just generally feeling fucking fantastic after listening to one of the better records that 2015 has to offer." - Your Last Rites
    $12.00
  • Last May the band set up camp for a series of gigs at Le Triton in Paris. The four weeks of gigs was in essence a retrospective of the band's recorded work. This is the first of a projected series of 4 DVDs chronicling the event. The band is augmented by legendary vocalist Klaus Blasquiz as well as 3 sax players. The material on this particular disc focuses on the earlier period of the band: Malaria, Stoah, "Iss" Lansei Doai, Aurae, Kobaia, Theusz Hamtaahk 1st movement, Sowiloi, KMX B12. Over two hours long. Essential.
    $18.00
  • New CD/DVD edition is considered by Mr. Fripp to be quite a revelation due to the remix of Steven Wilson. The standard CD has a new stereo mix of the album as well as 3 bonus tracks. The DVD features a 5.1 remix of the album plus hi-resolution stereo mixes of the bonus tracks. This was always the oddball album in the King Crimson canon - equal parts jazz to rock. Jon Anderson's guest vocal appearance on "Prince Rupert's Lament" still induces chills. Highly recommended.
    $22.00
  • New remastered edition of Sirens and The Dungeons Are Calling. Originally conceived as all of their debut album, the material was split up because it was too long for vinyl release. Jon Oliva states that this is the first time the material is appearing as it was conceived. This "complete session" release includes one new bonus track recorded by Oliva in 2010.
    $14.00
  • Ambient/prog reworking of Dead End Kings arrives in a limited edition 2 disc digibook.  You get the CD version as well as a DVD featuring a 5.1 and 24 bit hi-resolution stereo mix."After last year’s successful release of their 9th full-length Dead End Kings, Katatonia have returned with a special release entitled Dethroned and Uncrowned. This album is special for two reasons. Firstly, it was brought to life with the help of the so-called ‘Katatoniacs’; that is, the fans were the ones who financed this project through a pledge campaign the band had set up where fans could pledge for various album formats and other items such as drumsticks, lyric sheets, posters, backdrops and even one of Anders’s old guitars. Needless to say, the pledge campaign was highly successful and reached its goal in four days. Secondly, the album is special music-wise, as it contains the same tracks that were found on Dead End Kings, but all of them have undergone a major makeover. As Katatonia wrote on their website: ‘the drums will be dethroned and the distorted rhythm guitars will be uncrowned’. What they have basically done is that they have kept the vocal lines intact but have experimented with the rest of the music, creating stripped-down, semi-acoustic versions of the songs with the focus on ambience and atmosphere, showcasing the band’s progressive song-writing talent. Katatonia have masterfully and rather elegantly transformed the songs into totally different entities and have given themselves as well as the listeners the opportunity to discover different aspects of each track, by adding little interesting details or emphasizing some parts that were not as noticeable as in the previous version, like the Jan Johansson-esque piano touches in ‘Leech’, or the 70s prog vibe in ‘Dead Letters’. All in all, Katatonia have managed yet again to create a beautiful, melancholic and touching piece of work that will certainly fulfill the expectations of the majority of their fans. Those who were not very keen on Dead End Kings (if such people exist), might enjoy some of the songs in their new versions, and, who knows, they might even appreciate that album a bit more after listening to this." - Metal Recusants
    $9.00
  • "A more ruminative effort than Sanguine Hum’s well-regarded 2010 debut, The Weight of the World is post-prog in both the most “post” and the most “prog” sense of the words.Recorded at Evolution studios in Oxford, The Weight of the World finds Joff Winks, Matt Baber, Brad Waissman and Andrew Booker absorbing, and then brilliantly modifying, some of the best of what’s come before, imbuing The Weight of the World with the impressive gravitas of very familiar antecedent influences.For instance, dreamscape reminiscences associated with Radiohead (“System For Solution”) find a home here. There are whispers of Steven Wilson (“From The Ground Up”), too. You’ll recall the wonders of Gentle Giant (“Phosfor”), and the mesmerizing sound collages of Boards of Canada (“Day of Release”), as well. Yet, on free-form, ambient-meets-jazz-meets-math rock moments like “In Code,” Sanguine Hum never sounds like anything so much as itself.That holds true even when the band swerves into the murkier waters of epic songcraft, though — like much of this project — the title track takes shape slowly, or at least more slowly than Diving Bell. As it does, however, there is a lot to recommend about The Weight of the World — so much that reveals itself, so much that rewards repeated listenings.Even as its most complex, Sanguine Hum retains an approachability that steers these proceedings well away from any polyester-era excesses. In other words, The Weight of the World remains all proggy, but also all post-y — in the very smartest of ways." - Something Else! Reviews
    $15.00
  • New CD only edition arrives in a digipak.Remember when the latest album we bought was more than just a click of a mouse?Remember when music meant something - the excitement and anticipation as the needle came down...not knowing what we were about to hear...?Nothing else mattered at that moment...Our undivided attention was given to the music - music which would become the soundtrack of our lives...THOSE DAYS ARE NOT OVERBeneath The Waves melds the talents of over two dozen artists and ensembles into an astonishing album of rare depth, emotion and intensity.  Held together by a vocal performance of spine tingling power from Steve Balsamo (Jesus Christ Superstar) and co-ordinated by celebrated producer / composer Rob Reed (Magenta, ChimpanA) , the album features a jaw-dropping array of musical talent including:Steve Hackett (Genesis) - Nylon Guitar; Gavin Harrison (Porcupine Tree) - Drums; Nick Beggs (Steve Hackett Band, Kajagoogoo) – Chapman Stick; Troy Donockley (Nightwish, Bad Shepherds)  Uilleann Pipes, Whistles; Nick Barrett (Pendragon) - Guitar, Neil Taylor (Tears for Fears, Robbie Williams) - Guitar; Jakko Jackzyk (20th Century Schizoid Band) - Guitar; Francis Dunnery (ex It Bites) - Guitar, John Mitchell (It Bites, Frost*) - Guitar, Mel Collins (King Crimson, Camel) - Sax, BJ Cole (Elton John, David Gilmour) - Pedal Steel Guitar, Chris Fry (Magenta) - Guitar and Christina Booth (Magenta) - Backing Vocals  - and introducing the vocal talents of Angharad Bryn in the role of Lily.Adding to the epic quality of the album are celebrated vocal ensemble Synergy, The English Chamber Choir conducted by Guy Protheroe, the London Session Orchestra conducted by Dave Stewart plus renowned opera singers Rhys Meirion and Shan Cothi.The album also features lyrics by Steve Reed (Magenta) and artwork by Geoff Taylor (War of the Worlds).This stunning concept album by Kompendium is in the spirit of all those great albums from the 70s without sounding like any of them. 
    $15.00
  • This is a 2DVD set culled from Pete York's German TV specials focusing on great drummers. These shows were broadcast in 1987-1989. Featured performers include Bill Bruford, Simon Philips, Bill Cobham, Louie Bellson, Dave Mattacks, Jon Hiseman, and many many more. The backing bands are quite phenomenal - Brian Auger, Wolfgang Schmidt, Peter Woelpl, Miller Anderson, Colin Hodgkinson, Eddie Hardin, Jon Lord (!), and others.
    $18.00
  • Adrenaline Mob is a new hard rock/metal band assembled by Russell Allen (Symphony X), Mike Portnoy (ex-Dream Theater), Mike Orlando, and John Moyer (ex-Disturbed).This style of music is a bit of departure for Allen and Portnoy. Adrenaline Mob seems to take its direction from their bassist who was a member of Disturbed. The music fits in the Disturbed/Godsmack vein. Allen's vocals are much more aggressive sounding than in Symphony X reminding a bit of Rob Zombie. Guitarist Mike Orlando plays with hyper-kinetic abandon. Mr. Portnoy...is Mr. Portnoy. What would you expect? This band is definitely going to be controversial with the Symphony X and Dream Theater crowd because it sounds so extremely different from those bands. Your move.
    $9.00
  • "The live recording was taken from their critically acclaimed performance at RoSfest USA at the beautiful Majestic Theatre in Gettysburg. Following the success of their award winning second studio album 'Moments', IOEarth present their first live album to the world, showcasing 11 tracks from their ground breaking albums including the sublime 'Cinta Indah' , the explosive 'Home' and the dynamic 'Harmonix'. "
    $7.00
  • "Although I had no idea what has been running inside his head, I have always known that Michael Kiske, once the leading vocalist of HELLOWEEN and one of the prime candidates that was suggested to replace Bruce Dickinson in IRON MAIDEN back when the latter left in 1993, would come back big. Along with his old partner in crime back in the hungry days of 80s HELLOWEEN, Kai Hansen, and with members of PINK CREAM 69, including the wonderful producer Dennis Ward on bass, and Kiske's other band PLACE VENDOME, the UNISONIC band was born. Though it's not the rebirth of old HELLOWEEN but more of a mix with melodic Hard Rock music following GAMMA RAY signatures, this joint force showed true class just as it was expected from these veterans with a superb self-titled debut under Edel / Ear Music. Just for the record, I had the feeling that I won't be stumbling upon a Power Metal album as for Kiske obvious Hard Rock notations over the years that kept him somewhat locked out from the Metal world. I can't count his guest appearances as those weren't enough for new fans to accumulate this guy's amazing abilities. Though his band of late, PLACE VENDOME, has been playing something that is near Metal and its second album, "Streets Of Fire", knocked me to my feet, I knew, just like many others, that no matter how soft Kiske would go and no matter his opinions regarding the evil side of Metal, that is where he belongs. The UNISONIC band proves it pretty well. Kiske might not have the long standing high pitches of the past, yet he has more than enough vocal qualities that top most of the old guard of vocalists. As for his partner and amazing artist, Kai Hansen, it seemed as if his place was to be next to Kiske all along, together they made wonders and I believe that two "Keeper Of The Seven Keys" albums are enough as elaborations. When it comes to UNISONIC, I must say that I was glad it wasn't a sort of continuance to the old HELLOWEEN era, even if the opening hit "Unisonic" blasted as if it was a blast from the past straight from the glory days, yet with the addition of a superstar second lead guitarist in the image of Mandy Meyer. Though heavier and more Metal than anything other thing that Kiske has been involved in the last two decades, UNISONIC still relies on the vibes of melodic Hard Rock. The Metal edge serves as an appetizer and a little spicy ingredient to energize things up. "I've Tried" and "We Rise" delivers true class right to your table. Kiske voice sounds so rich, still full of youth while spewing majestic singing rhythms and I can't also ignore the emotive and crunchy soloing of both crushing guitarists. To this fine selection of high quality features I can account also "My Sanctuary", "Never Change Me", "Never Too Late" and blazing "Star Rider". Kiske, Hansen, Ward, Meyer and Zafiriou delivered a well written Hard Rock / Heavy Metal album with plenty of taste. In general I felt the touch of Kiske rather tuned the band to treads a lightly than if Hansen was at the helm, but with a voice like this and such amazing talents, which also involved a striking production, only good can come from this." - Metal Temple
    $14.00