Vapor Trails Remixed (2LP Vinyl)

SKU: RRM183740
Label:
Roadrunner Records
Category:
Progressive Rock
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The fans hated the way it sounded...and the band as well.  Rush finally took matters into their own hands and gave the album over to David Bottrill who completely remixed the album and breathed new life into it.

Double LP vinyl edition.

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  • "It's a strange thing, but hardly uncommon in the Internet age. I had to find out about Pennsylvania's Mindaze through a German promotion outfit distributing promotional packages for Swedish label Inner Wound Recordings. Mind you, Mindmaze's roots are in Allentown, a mere hour drive from Dangerdog HQ. Here we have their sophomore effort Back From The Edge, soon to get more and better interest thanks to this international promotion.Mindmaze works from the roots of traditional melodic heavy metal, and then throws in female lead vocals with a good mixture of progressive power metal. The band is essentially a trio, led by siblings Jeff and Sarah Teets, with guests filling the bass guitar chair. For the album session recording that duty fell to Symphony X's Mike LePond. They get additional support from Stratovarius keyboardist Jens Johansson (Moment of Flight), Pharaoh guitarist Matt Johnsen (The Machine Stops), and Lord guitarist Lord Tim (Onward Destiny Calls II).Keeping good company with talented musicians is one thing, but delivering the heavy metal goods is another. And Mindmaze does. I was particularly impressed at the depth of the songwriting and arrangements. All the songs are thick with groove, harmony, and melody, yet sufficiently intriguing thanks to shifts and twists from tempo to instrumentation. Significant to the latter is Jeff Teets' impressive guitar lines. His riffs and leads are rather rather large, rousing and entertaining. So much so, one might call this a guitar-oriented metal album. If you like sharp guitar work, you will definitely enjoy this album. As for sister Sarah's voice, her vocals are essentially straight foward, easily in the range of hard rock and heavy metal. What she's not is some crazy operatic singer trying to impress you with her range and pierce your eardrums. She reminds me of A Sound of Thunder's Nina Osegueda, but not as screamo. With that reference, I would suggest that, if you like ASoT, you're going to love Mindmaze.As for individual songs, I won't bore you with minutae. You can listen to a few tracks below. I was immediately pleased with Dreamwalker, Moment of Flight, and The Machine Stops. The latter two having perhaps the most 'proggish' moments of the album. Not so much for Consequences of Choice. It's not a bad song, but just seems more riff driven and even-handed, with little intrigue. But it in no way diminishes the strength of the whole as Back From The Edge a fine listen from start to finish. Easily recommended." - Dangerdog.com
    $15.00
  • "Marbles was originally released on the band's own Racket Records label and attracted a lot of attention when it was released as the album had been funded by donations from fans who had pre-ordered the album before they started recording in return for having their name printed within the album artwork (over 18,000 names). This new 2CD Madfish edition of the album is packed in a deluxe 36 page digibook re-worked by original designer Carl Glover. The book features unseen pictures not used in the original artwork. The tracks on the second disc have previously only been available through the band's own website."
    $13.00
  • Swedish power metal offshoot from Steel Attack. Quite melodic and actually pretty well done. Perhaps a bit similar to recent Nocturnal Rites. A steal!
    $11.00
  • Overlooked gem marked Fripp's proper solo debut. To detail all of the contents on this 2 CD set would almost be confusing. In a nutshell you get the original version of the CD from 1979 on disc 1. Disc 2 includes the version that Fripp remixed in 1983 and released on CD in 1985 as well as 3 of the unreleased Daryl Hall vocal mixes that were originally recorded for the album but pulled by Hall's management. Also you get 4 bonus tracks consisting of alternate tracks. Great remastered sound courtesy of Simon Heyworth - detailed liner notes from Fripp as well as previously unpublished photos. This is the exhaustive and definitive version of Exposure - an album that has held up after 27 years. Easily worth you revisiting.
    $16.00
  • First part of a trilogy from this German band enamoured with the idea of the rock opera.  Perhaps similar to an Ayreon album, it straddles the line between progressive metal and rock but with an overarching symphonic angle.  Like all traditional rock operas, various singers perform roles of characters in the story.  Lots of guest musicians/vocalists on this one."The world is under siege by an alien force –The Minders. They have declared war on the earth because they know that the humans will soon destroy the “mighty equation” in space. Humanity has become intelligent and technologically advanced but lacks the imagination and wisdom to see the devastation they wreak. The Magistrate has decided to annihilate the entire human race before its greed and pursuit of power can reach beyond its own planet. They send devastating solar storms to snuff out all life on Earth. The last surviving human “elite” fight to liberate their world and vow to “turn over a new leaf.” But a brave soldier named John believes that they have a very different plan…Beside the core of Flaming Row, Kiri Geile, Martin Schnella, Marek Arnold and Niklas Kahl, there are a lot of well-known guest musicians like Jimmy Keegan (Spock’s Beard, Santana), Leo Margarit (Pain Of Salvation), Kristoffer Gildenlöw (Ex-Pain Of Salvation / Rust), Ted Leonard (Spock’s Beard / Enchant), Magali Luyten (Ayreon / Beautiful Sin), Johan Hallgren (Ex-Pain Of Salvation), Dave Meros (Spock’s Beard), Eric & Nathan Brenton (Neal Morse), Arjen Anthony Lucassen (Ayreon / Star One), Gary Wehrkamp & Brendt Allman (Shadow Gallery), Diego Tejeida (Haken) and many more playing and singing on „Mirage“.So this time Martin Schnella reached his aim again. Putting the high musicality of unknown and famous musicians of the progressive rock/metal scene on one CD."
    $15.00
  • "Early pioneers of Norwegian black metal, the band have continually evolved throughout their career and now inhabit a place entirely their own, blending rock, pop, electronica, symphonic and classical traditions along with progressive and/or avant-garde forms to create ground-breaking material.Ulver returned earlier this year with their new album Wars of the Roses. Early pioneers of Norwegian black metal, the band have continually evolved throughout their career and now stand as living legends of the dark music industry, blending rock, electronica, symphonic and chamber traditions along with noise and experimental music to create ground- breaking material.Until recently however the band had remained exclusively within the studio. This changed in May 2009 when the band accepted an invitation to appear at the Norwegian Festival of Literature. The success of this gig lead to them embarking on a string of other gigs in 2009 and 2010, selling out prestigious venues such as the Queen Elizabeth Hall in London, Volksbühne in Berlin and La Cigale in Paris before they returned to their homeland for this landmark gig at The Norwegian Opera House.The 2 hour concert marries tracks from throughout the band’s catalogue to stunning visuals to create a spectacle fitting for such a grand venue. The evening was captured on 6 HD cameras and the audio has been mixed for this release in the band’s own Crystal Canyon Studios."
    $20.00
  • Subsignal is the new progressive rock band put together by former Sieges Even singer Arno Menses and guitarist Markus Steffen. The rest of the band has a great prog pedigree - Ralf Schwager and David Bertok from Dreamscape as well as Roel Van Helden from Sun Caged. It doesn't have the overall heaviness or rhythmic pyrotechnics of Sieges Even but fans of Art Of Navigating The Stars and Paramount should dig this immensely. When needed Steffen coughs up the goods - lots of great guitarwork through out. Oh yeah - I really enjoyed Bertok's keyboard work. Its tasteful and is spotlighted when necessary.
    $15.00
  • "The rise of Greek power metaller, Firewind, has give the world two new metal heroes. They are Bob Katsionis (keyboards) and Gus G. Both are skillful musicians, now world class respected. Bob released his solo album in 2012, but only in March 2014 that Gus G finally catch up with a release his long waited solo album. Gus G's solo album titled as I Am the Fire, he is well backed by world class musicians and singers. As Gus G was previously active in Ozzy Osbourne team, the styles of heavy metal and hard rock in this solo album is not surprising, a bit step further away from his main band of Firewind, which is a power metal band.Let's see the two most interesting tracks by observing the guess list. Vengeance is back by Megadeth's David Ellefson. This is instrumental track for sure, the riffs are heavy, fast double pedal drum and of course Gus' shred + David's bass attack was more than cool enough. The second instrumental is fall to "Billy Sheehan's track". Terrified is yet another ultra fast shreds with a title that reminds us to Scarified by Racer X. Both instrumental tracks is enough to made guitars fans demand an exclusive instrumental guitar album from Gus!On the vocalized songs, they are all excellence. Mat Levén is acting as host singer, he tackled four tracks. From the opener My Will Be Done, a straight forward modern rock tunes, then Blame It On Me, a happier glam metal one. On the later are Eyes Wide Open, this is kind of late '80s hair metal scenes feel. The last from Mat is End Of The Line, acoustic ballad in the style of wild wild west. Mat Levén was once Firewind singer also.I Am The Fire is a collaboration with Devour The Day / Blake Allison. The riffs quickly brings us to modern nu-metal feels, this concurred with the style of singing, the song's structures, and utilizing of choruses, which is in the spirit of alternative metal. Long Way Down on the other hand is the only female guess track with Alexia Rodiguez. Alexia is from the band Eyes Set To Kill. The song can be categorizing as a heavier version Evanescenes style. Jacob Bunton from Lynam / Adler fame contributed in Just Can't Let Go. This is yet again in alternative / US modern metal feel. Michael Starr from Steel Panther trusted with Redemption, a track that focused on wild glam metal form, fit the image of Steel Panther. Veteran singer Jeff Scott Soto is in the spiritful AOR track of Summer Days. Finally there at least an European feel in Dreamkeeper, where Evergrey singer Tom S. Englund delivered it epic-ly!What a great packed of quality materials in one album. Of all tracks not only Gus G able to fit the styles of his song to the respected guess, he also seem like outdone the guess' each band. For example in Tom Englund's track, we can feel Evergrey's music in it. There are enough punches on each song, added more  replay value to the album. Interestingly, Gus G decided to not gives any clue about his music from Firewind. A good choices, meaning his creativity in the area of power metal will still dedicated to the main band. I Am the Fire is a great album with fresh ideas stretching  from modern metal to oldies glam metal. A must have." - Metal Harem
    $12.00
  • Archangel is the side project of Ubi Maior (and former The Watch) keyboardist Gabriele Manzini.  Like the first album, this one is a concept piece.  I guess vampires are in vogue these days so we get stories of Countess Bathory, Nosferatu, et al.  The musicians on the album are drawn from Ubi Maior, Red Zen, and some other Italian bands.  The key to the album is the return of Damian Wilson who once again stands out as one of the featured vocalists.  The music is squarely in the prog rock vein with a keyboard orientation but with an overall harder edge.  The overall tone of the album is gothic dark.  Manzini includes two cover tunes - he takes his own spin on BOC's "Nosferatu" and Roxy Music's "My Only Love".
    $15.00
  • Take 4 members of Shaman, add in Angra's incredible drummer Aquiles Priester.  Have Russell Allen produce their album and what do you get?  Well not exactly what you would expect but ultimately maybe something even better.  Noturnall's debut touches on power, trash, and progressive metal and all blended together with a melodic modern edge.  Russell Allen even provides guest vocals on one tune.  Turn this one up to 11!"What do you all expect from bands with some praised members in their lineups?Of course, all of us have great expectations, and in Brazilian NOTURNALL, with members from KARMA, SHAMAN, HANGAR, ANGRA, ALMAH, TEMPESTT and others really is above all our expectations, and their first album, “Noturnall” is a heavy piece, an excellent amount of heavy music.They play a modern and heavy form of Prog Metal, with great vocals (Thiago Bianchi is in a great shape, singing both in high tunes as in low ones), abrasive and heavy guitars (both in aggressive riffs and melodic solos, and Léo Mancini shows a very good technique), bass in a technical and heavy shape (Fernando Quesada is a excellent bass player), fantastic drums (please, it’s a work from Aquiles Priester, one of Brazil greatest drummers), and the keyboards are simple great (creating great atmospheres and passages, a fine work from Juninho Carelli). And prepare your ears, for the album is a heavy weight champion, one of best works from Brazil.The sound production is wonderful, done by SYMPHONY X’s vocalist Russell Allen along with NOTURNALL members. You can hear all instruments loud and clear, but the modern and aggressive aspect is present all time. It’s a blow in your face!The Best moments: “No Turn at All”, the heavy and with some groove aspects “Nocturnal Human Side” (great vocals, in a duet of Thiago along with Russell), the wonderful “Sugar Pill”, and the abrasive “Fake Healer”.Perfection, nothing more to say, so remember what your dear Ol’ Big Daddy here always says: buy your physical copies, for MP3 is for sissies." - Metal Temple 
    $15.00
  • "Originally released in 1974, Slow Motion was another classic album in the catalogue of Welsh rock legends, Man. Touring extensively to support the record, Man delivered a stunning series of concerts and made a triumphant return to the USA early the following year. As part of Esoteric s reissue programme of the MAN catalogue we are proud to present the re-mastered album and with a selection of studio out-takes and four previously unreleased live tracks recorded in California in May 1975. With superbly re-mastered sound and lavish booklet with notes by Man s Deke Leonard, this is yet another essential release for fans of Man."
    $18.00
  • 2 LP 180g vinyl in a gatefold sleeve.Riverside vocalist Mariusz Duda returns with his fourth Lunatic Soul project.  Duda plays all the instruments except drums which are handled by Indukti's Lawrence Dramowicz.  The last Lunatic Soul album, Impressions, was an all instrumental effort that explored ambient and post-rock territory.  Walking On A Flashlight Beam is a bit similar but Duda does provide vocals from time to time.  Like all of the Lunatic Soul albums that preceded it, WOAFB has a very dark and mysterious vibe to it.  Duda is moving away from exclusively using acoustic instruments.  Textural electronic keyboards predominate and I'm pretty certain he plugs his guitar in as well.  This is another one of his albums that will suck you in.  Highly recommended." I'll come right out and say that Lunatic Soul's new album "Walking on a Flashlight Beam" was my most anticipated album of 2014. Why? Well, Mariusz Duda (of Riverside fame) has created such a brilliantly natural sound in his side project that it has become one of my favorites, not to mention my family's, as well. We simply can't get enough of the acoustic, airy atmospheres combined with the dark, throbbing feelings that swing between transcendence and despair. Lunatic Soul's first three albums are masterpieces of emotion and epiphany, and so any follow-up would have to be something special. Duda, however, has delivered in the most unexpected, brilliant ways possible."Walking on a Flashlight Beam" (WOAFB) is an experience that is as much about lyrics and feelings as it is about music. You need the whole picture in order to understand it truly. Duda has been very forthcoming with theme for this album, as it seems to be rather personal. This album is about those people that prefer to shut themselves in their rooms/homes in order to immerse themselves in the creations of others: films, books, music, games, etc. I think it strays between this setting, however, and the same type of person that shuts themselves up, preferring to create art in private.Like I said, this theme is important to the music. WOAFB is full of bleak tension, cold sublimation, and beautiful simplicity. Duda was inclined to create this album with a wide variety of ethnic instruments, tones, and sounds; from cold trance beats contrasted against radiant acoustic guitar to world music influences combined with a new addition to the sound palette of Lunatic Soul: a subtle, heavily distorted electric guitar that crafts some charging, tumbling grooves. Duda has really expanded the sound of his pet project, and it impressed me to no end to hear the vast variety of sounds that were able to come together into a unified, cohesive mix. Sometimes it feels like Duda has gone post-rock, such as in the opener "Shutting out the Sun". Sometimes Duda simply sings a beautifully wrought melody, as in the spectacular "Treehouse" or one of my favorites, "Gutter" (the chorus will be in your head for weeks). Yet, sometimes Duda just wants to lay down an incredible bass-driven instrumental section, as in the winding, complex "Pygmalion's Ladder".Every track really feels just right. "Cold" feels, well, cold. It feels bare and desolate, with a simple melodic line added to enhance the stark feelings present. Duda is so good at expressing emotion in his music. Yet, this album has really impressed upon me how good he is at creating instrumental sections, as this album is full of them. The supremely subtle title track is an amazing example of this, as Duda builds and builds layers and layers of melody, harmony, tone, and effects. In the end, this album is so concentrated and makes so much sense from track to track that I can barely pick a favorite.This might be my album of the year. Don't be surprised if it is. I know I sound like a Duda fanboy (which I kinda am), but this album reaches the heights of the last three, and then expands on them. Incredibly catchy, wonderfully complex, and darkly eclectic, "Walking on a Flashlight Beam" is a journey into a confined consciousness of creativity, privacy, and enigmatic genius. Duda has once again proven his capabilities." - ProgArchives
    $29.00