Eternity (2LP Vinyl)

SKU: VILELP434
Label:
Peaceville Records
Category:
Doom Metal
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2LP reissue of the band's classic 1996 comes with 2 acoustic bonus tracks.  This is where the Pink Floyd influence really starts to creep in.

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  • "Not many tunes delivered by bands from my southern neighbors, within the borders of Germany, are haunting my mind during these grim and frostbitten cold days of wintertime. Only melodies of Andy Kuntz & Co from prog metal act Vanden Plas, and one of last year’s best prog metal debuts “The Old Man and the Spirit” created by Beyond the Bridge are still able to cradle me to sleep. The question is then how the hell has prog rock/metal act Dante gone unnoticed by my eyes and ears so many years? That is still a mystery to me. I guess it’s time for some changes now. After watching the official trailer of the full album “November Red” describing it as “A New Masterpiece of Progressive Music” and getting my face slapped by words like Power, Passion, Epic, lyrical, Progressive and Breathtaking, I have packed my gear and ready for a great adventure into their musical universe. Will you follow me on my musical adventure? I’ll leave that up for you to decide, but if this has sparked your curiosity, then please keep on reading our fellow reader. You will not regret…Let us start from the beginning. Seven years ago guitarist & bassist Markus Berger, who sadly passed away early this year (R.I.P. metal brother), teamed up with his longtime friend Markus Maichler on keyboards & piano, and created prog rock & metal act Dante after playing around with some of their own musical ideas in Berger’s own studio. Two positions were still left open, so they recruited vocalist Alexander Góhs (former frontman of Berger’s previous act “Twelve”) and drum machine Christian Eichlinger to complete their crew of musicians in control of this new German prog machinery. With some fine tuning of this machine based in Berger’s recording studio, they unleashed after two years their self-produced & self-financed debut “The Inner Circle”, which was applauded and met with great respect by many metal reviewers all around our globe. Same year bassist Michael Neumeier was hooked up, and took over the bass duties of Berger, and then became a permanent member of the band. Two years later in 2010, and the sophomore album “Saturnine” saw the light of the day, released by their new label ProgRock Records, continuing the success of the band. The following year bassist Michael decided to leave Dante, and they welcomed guitarist Markus A. Bader on board their prog metal flagship instead, and Berger returned to his old role as the bass player of the troop.So finally here they are, welcoming 2013 with their long awaited third craftsmanship entitled “November Red”, ready to quench the thirst of many progheads out there…My great adventure through the challenging musical landscapes created by Dante has sudden come to an unexpected end after counting more than one hour of total playing time. It was a continuous bombardment of my ears with strange & complex rhythms, tempo changes, awkward time signatures, mellow passages, gorgeous 70’s styled keyboard sounds blended with heavy and crunchy guitar riffs and solos, all complemented with symphonic influences to make it an interesting and pleasant listening experience. Maybe they borrow some ideas from legendary prog titans Fates Warning and Dream Theater, but arresting them for being a copycat would not hold up in court. It’s a roller coast ride through the whole album, and each of the seven songs is molding our ear wax as different as night and day. The opener “Birds of Passage” is a soft and mellow introduction, whereas the following song “The Lone And Level Sands” is exploring the more heavier and aggressive sound of Dante. “Beautifully Broken” is walking on a total different path, and is the only ballad song included. It’s a melancholy song told with beautifully and mesmerizing piano melodies and by the voice of Alex singing with great control and emotion in his preferable low to mid range registers. Fourth song, and the star of the show is “The day That Bled” a tune delivering myriads of shades and musical colours for you prog enthusiasts to delve into. Next on the list is the song “Shores of Time” following in the footsteps of its predecessors, followed up by the softer and slower song “Allan”. The title song “November Red” is the final destination of our journey, and closing of with a big bang. It’s the epic of the album, delivering some of the most heavy and aggressive moments, broken up by mellow passages.Production-wise, this is wrapped into a high quality package, and the musicianship is first class, but it still suffers in the vocal department. Vocalist Alexander Góhs would not be my first choice in the front seat of a traditional prog band, because of his lacking range and dynamics in his vocal performance. He knows his weaknesses and strengths, and mostly stays in his comfort zone the low to mid range registers, and then actually becomes quite enjoyable. His voice definitely takes time to get used to, but is one of the band’s signature sounds for better and worse.So let’s cut to the chase. The latest creation “November Red” delivered by Dante is not a quantum leap forward for progressive music, but they still have a huge and very unique distinct sound of their own. It’s a moody and melodic progressive music experience, and if your ears find comfort in listening to the likes of Fates Warning and Dream Theater, then don’t let this release slip through your fingers. “November Red” takes time to grow on you, but stay open-minded, and it will bury itself deeper and deeper under your skin. It’s definitely one of those progressive bands I’ll keep my eyes and ears locked on too for many years to come." - Power Of Metal
    $15.00
  • Long awaited 5.1 remix of the classic Rush album in a limited  "super deluxe" edition comes housed in a hardbound book.  Here is what you get...CD:1. Remastered edition2. 3 previously unreleased live tracksBLU-RAY:1 5.1 remix in 24/96 PCM and DTS-HD2. Stereo mix in 24/96 PCMEXTRAS:40 page comic book by story artist Tom Hodges (Star Wars "The Clone Wars," The Simpson's "Treehouse of Horrors #17") and a 24 page book with expanded artwork, liner notes, lyrics and unreleased photos. New liner notes written by David Fricke, Rolling Stone.
    $69.00
  • "The first DVD by Primordial is a fact and the band delivers something really good. When all bands would release a DVD this way, the medium DVD could be very interesting for the record industry.‘All Empires Fall’ consists of two discs of which the first one contains the complete show that the band did on January 24th 2009 at the Button factory in Dublin in front of 800 fans. Quite a good number for a gig in Ireland. The show was recorded with five cameras and has been edited in a great way that is easy on the eyes. Some minor criticism is that at some points it’s perhaps a bit too dark. They probably used a filter making it all a bit darker, which fits the band of course but is a bit tiring after a while. Concerning the choice of songs there’s no complaints, every album is represented.The second DVD is perhaps the most interesting for the fans as it contains the complete history of the band, they tell it themselves with al the ins and outs. Really good to watch. This disc also contains songs from the shows at Ragnarok Festival in Germany, Hove Festival in Norway and Graspop in Belgium. From the last two mentioned w only get a couple of tracks and I guess that has a bit to do with the sound recording of these gigs that aren’t too good. Other than that this is a great DVD of which there is even a special edition containing two CD’s with the complete live show of the Dublin show in audio." - Lords Of Metal
    $14.00
  • The madcap French jazz metal trio return with their sixth album.  Morglbl consists of guitarist Christope Godin, bassist Ivan Rougny, and drummer  Aurelian Ouzoulias.  The band has toured extensively around the world – USA, Europe, Russia and even China!  They have shared the stage with Liquid Tension Experiment, Bumblefoot, and Umphrey’s McGee among others.These three virtuosos are also well endorsed clinicians and have developed a following individually but when they come together the fireworks really start.  Tea Time For Punks doesn’t deviate from the tried and true Morglbl formula.  Take equal parts fusion and crushing metal power chords, then inject a healthy dose of tongue in cheek humor and you’ve got the perfect Morglbl album. The band is often described as Primus meets Steve Vai and Allan Holdsworth, with flavors of Frank Zappa! 
    $13.00
  • The Yes Album is the second in a series of remixed and expanded Yes albums.Presented in a mini vinyl replica gatefold card sleeve (with protective inner sleeves) with booklet featuring new sleeve notes by Sid Smith, along with rare photos and archive material, the album has been mixed for 5.1 Surround Sound from the original studio masters by Steven Wilson and is fully approved by Yes.The CD features a new stereo album mix by Steven Wilson, the studio version of Clap and an extended version of A Venture.The blu-ray features:- 5.1 PCM Surround Sound and High Resolution Stereo mixes (24bit 96khz).- the original album mix in a hi-res flat transfer from the original stereo master tape source (24bit/192khz).- a complete alternate album running order drawn from live tracks, singles edits & an extended mix.- exclusive instrumental versions of all new mixes in DTS-HD Master Audio stereo (24bit/96khz).- exclusive needle-drop of an original UK vinyl A1/B1 pressing transferred in 24bit/96khz audio.The ultimate way to enjoy the album that helped establish Yes's reputation as a creative force to be reckoned with.CD - New Stereo Mixes:1. Yours Is No Disgrace2. Clap3. Starship Trooper: Life Seeker / Disillusion / Wurm4. I've Seen All Good People: Your Move / All Good People5. A Venture6. Perpetual ChangeAdditional Tracks:7. Clap (Studio Version)8. A Venture (Extended)Blu-Ray (Region 0, NTSC):Presented in DTS-HD Master Audio- Album mixed in 5.1 Surround- New Album mix- Original Album mix (flat transfer)- New Album mix (instrumental version)- Alternate version of The Yes Album drawn from live tracks, singles edits & an extended mixPlus further audio extras some exclusive to the Blu-Ray edition.NTSC, all regions, LPCM playable in all Blu-Ray players & Blu-Ray drivesBlu-Ray - Full Track Listing:New Stereo Mixes 24/96 MLP Lossless:1. Yours Is No Disgrace2. Clap3. Starship Trooper: Life Seeker / Disillusion / Wurm4. I've Seen All Good People: Your Move / All Good People5. A Venture6. Perpetual ChangeSurround Mixes (24/96 MLP Lossless):1. Yours Is No Disgrace2. Clap3. Starship Trooper: Life Seeker / Disillusion / Wurm4. I've Seen All Good People: Your Move / All Good People5. A Venture6. Perpetual ChangeOriginal Stereo Mixes (Flat Transfer from original master 24/96 MLP Lossless):1. Yours Is No Disgrace2. Clap3. Starship Trooper: Life Seeker / Disillusion / Wurm4. I've Seen All Good People: Your Move / All Good People5. A Venture6. Perpetual ChangeAdditional Material:The Alternate Album :1. Yours Is No Disgrace (Live, London 1971)2. Clap (Studio Version)3. Starship Trooper (single edit)Life seeker4. I've Seen All Good People (Live, London 1971)5. A Venture (extended mix)6. Perpetual Change (Live, New Haven 1971)Blu-Ray Exclusive:Single versions, edits & live:1. Your Move - single version, stereo2. Clap - single version, mono3. America - Live, London 19714. It's Love - Live, London 19715. Your Move - single version, monoNew Stereo Instrumental Mixes (24/96 LPCM):1. Yours Is No Disgrace2. Clap3. Starship Trooper: Life Seeker / Disillusion / Wurm4. I've Seen All Good People: Your Move / All Good People5. A Venture6. Perpetual ChangeNeedle-drop (A1/B1 UK vinyl transfer 24/96 LPCM):Original stereo, archived master transfer (Flat Transfer 24/96 LPCM):1. Yours Is No Disgrace2. Clap3. Starship Trooper: Life Seeker / Disillusion / Wurm4. I've Seen All Good People: Your Move / All Good People5. A Venture6. Perpetual Change 
    $25.00
  • Digipak edition - limited to 5000 for the world."Prophets Cynic are not, yet they did see the writing on the death metal wall around the mid-90’s, so that counts for something. At that particular point in time, the death metal scene was swelling to uncontrollable proportions, with creativity at an all-time low and labels signing anyone who could mimic Cookie Monster and palm-mute some diminished chords. Pair that with the then-burgeoning black metal scene, and death metal circa 1994 to 1997 essentially had no chance. As it stands, Cynic officially broke up in 1994 and formed the short-lived Portal, which is the point of discussion for this review.Comprised of the core members of Cynic’s Focus lineup (drummer Sean Reinert, guitarist/vocalist Paul Masvidal, guitarist) Jason Gobel, bassist Chris Kringel), Portal added vocalist/keyboardist Aruna Abrams, who was the benefactor of the band’s new-found “trippy” sound. And that’s really the defining term when it comes to Portal – they’re very light, not so metal or technical…just trippy and highly atmospheric.One could see where Cynic wanted to go with Portal for their eventual reformation album, 2008’s Traced In Air. The lush dynamics of “Endless Endeavors,” “Costumed in Grace,” and “Road to You” demonstrate the band’s ability to take prog rock and make it flow like a river, a cerebral river at that. Abrams’ vocals are suitably poised and reserved, blending in seamlessly with supple keyboard strokes and ambient uh, ambience. There’s a dearth of the progressive metal flair the band showed on Focus, as the songwriting mode of “Karma’s Plight” and “Crawl Above” showcase a jazzier, more free-form side to Cynic that was practically itching to come out a few years prior.Cynic’s new-age crowd might find something of value with The Portal Tapes, as it’s a direct reflection of Traced In Air and last year’s Carbon-Based Anatomy EP. The old death metal crowd that helped break the band won’t have anything to do with this, and methinks had they heard something like this in 1995, then they’d be running back to their Broken Hope and Monstrosity albums almost instantly." - Blistering.com
    $15.00
  • Its been decades since The Gathering would be associated with the metal genre so look elsewhere if you are expecting that.  Afterwords is a bit of a hodge podge release.  Its a follow up to last year's Disclosure.  It features re-recorded/deconstructed versions of material from that album as well as new tunes and tracks that were on the Afterlights EP from 2012.  The album also features a guest appearance by founding member Bart Smits, sounding quite different from how he did in the early days of the band.
    $15.00
  • After a 10 year absence Enchant are back.  The band started in 1993 making them one of the earliest prog metal band.  Actually they are sort of an interesting band in that they seem to exist in both the prog rock and prog metal realms.  Some metal fans think of them as a bit lightweight and some prog rock fans think they are too heavy!  One thing is for sure they are wildly successful.  This is definitely prog but it never loses sight of the melody.  Fronted by the great Ted Leonard (who is now doing double duty with Spock's Beard) this one is a no-brainer - whether you are metal or prog head.  "irst impressions are the similarities to Spock’s Beard. Hardly surprising since Ted Leonard has been singing with them since 2011. He’s been with Enchant longer; their first CD came out in 1993. And familiarity doesn’t breed contempt here, fortunately.Bay area progressive rockers, they steer a straight course composing guitar-structured songs that they extemporise over. Guitarist Douglas A Ott is also the band’s main producer, with The Great Divide having been recorded at his own studio, but if in the past the band’s followed his direction they’re now more involved after a ten year gap working on other projects. Also, while integral, Ott doesn’t dominate Enchant’s sound but flows in and out adding a hard rock bias to their generic musical flavouring. Drummer/percussionist Sean Flanegan and bassist Ed Platt have the solidity of early Kansas and musically there are some pretty snazzy and often too brief keyboard solos from Bill Jenkins.A rolling cyclical bass line forms the basis of opening number ‘Circles’ with Leonard pondering life going round well, like a circle – while the lyrics aren’t profound they feel right and though this isn’t a concept album, despite the band stating otherwise, there are common themes concerning the human condition in a loosely existential manner. Mainly straight verse and choruses ‘Circles’ breaks out into more complicated time signatures before an acoustic comes to the fore, vocals return, an electric guitar take over and it concludes with a nicely warm keyboard solo. ‘Within An Inch’ follows with a steady rock backbeat over which Ott’s playing echoes Camel’s Andy Latimer interrupted briefly by some John Ellis punk-styled sirening. ‘The Great Divide’ follows suit in a more epic manner, the arrangement akin to Genesis in their golden period.Enchant don’t play with the fairies, despite what their name suggests. If anything they’re two steps removed from an AOR sound leaning in towards early Asia with some latter day Beatles thrown in, and a less grandiose take on Spock’s Beard. One might refer to them as technically proficient rather than emotionally overwrought, meaning there is a heartfelt flavour to their songs, and they tend to grow on you.The subdued opening to ‘Life In A Shadow’ throws a brief curveball echoing the Canterbury sound of Hatfield & The North before a heavy chorded chorus takes this into a rocking tune with soulful harmonies. ‘Deserve To Feel’ pours on the technical drumming and dribbling triplet bass figures with some flashy pyrotechnics predominantly on guitar but with keen keyboard flourishes, moving into a more intricate musical score as Jenkins and Ott trade inspired lines towards its conclusion. Likewise, ‘Here And Now’ builds reflectively moving towards emotional drama.Finely composed, played well, Enchant’s The Great Divide might not have you falling under its spell, but you may well be surprised how you find yourself being drawn to playing it." - The Midland Rocks
    $12.00
  • "In 2012 Katatonia released Last Fair Day Gone Night on vinyl (and vinyl only), which is a live compilation of shows the band played in 2011 and includes a performance on the band's 2001 Last Fair Deal Gone Down album in its entirety. Now the band will be releasing the same set on September 30 via Peaceville Records, which will also include two DVDs! One of the DVDs will be footage of the shows from the audio CD above and a second DVD will be a 20-year retrospective for the band.While the music portion is pretty damn good, I'm interested in the retrospective and to hear the band chronicle their history! Especially how they went from being a band playing stuff like Dance of December Souls to what they are now. A lot of that history is readily available online, but hearing the stories from the group will really bring it to life!"
    $20.00
  • "Inevitably, I find myself coming across bands that I "wish I had found all those years ago". WHILE HEAVEN WEPT is one such band. Born in 1989 in Virginia, US, the brainchild of multi-instrumentalist Tom Phillips, the current line-up is a strong and long-standing one; 2014 sees the release of "Suspended At Aphelion", which is essentially a single, 40-minute track split up into 11 parts. This is one of those bands that seemingly woke up one day, and decided to do a complete 180 on their tried-and-true style, and recent albums see Progressive, Epic… I'm not even going to try and name just how many genres the band's style fits into. Sufficed to say, the new album is big; very, very big. One needs only to glimpse the cover art to know that one is set on course for a cosmic journey.I must put this out there immediately; it is imperative that you listen to this album from start to finish, because the flow from piece-to-piece is what sets this album on its axis. From the haunting, classical guitar introduction provided by guest Christopher Ladd, the sweeping ambiance experiences a momentary decrescendo, and "Icarus And I" makes its grand entrance. For the most part, it is kept at a light-hearted and airy marching pace, with intricate melodic arrangements courtesy of the band's 3 keyboard players and stringsmen, taking the place of metallic riffs, beginning to sound like a graceful amalgamation of BORKNAGAR, ARCTURUS and ANGRA. In dramatic moment of panic and surprise, the track picks up in speed and heaviness, impacted by a delivery of coarse vocals. Now, the band's primary vocalist, Rain; I'm a little shocked that he has not yet become a world-renowned vocalist, because the man's talent is phenomenal, seemingly borrowed the genes and vocal powers of SERENITY's Georg, SEVENTH WONDER's Tommy Karevik, with even a few ROY KHAN moments thrown in. You can see where I'm going with this: a voice that varies markedly in intensity, with a massive range capable of emotive singing at either end of the pitch spectrum.There is no doubt that individual tracks in this 'song' are part of a grand thematic design, but they manage to stand out on their own. For one, "Indifference Turned Paralysis" tantalises us with exquisite Progressive Power musings with Neoclassical flourishes, and many a KAMELOT moment here and there; entirely instrumental, the instruments sing us their song. "Souls In Permafrost" is one of my favorite moments on the record, with melodic harmony the focus of the arrangement, but this time Rain's vocals are even more powerful and less restrained, delivering both memorable and unpredictable vocal progressions; at times, the band's Doom roots began to show; those will never fully disappear. "Lifelines Lost" is the part to wait for, to best experience the excellent guitar work of helmsman Tom, but additional beauty is found when closely examining the ambiance and atmospherics in the background.Time and time again this record washes us over with inescapable pleasantries and harmonies that resonate infinitely in the mind. I'm genuinely having difficulty getting my head around the scope of this creation, and it's doing my head in because I cannot coherently describe its grandeur in entirety. I might never be able to, no matter how many times I loop it; what a deliciously excellent excuse to have it on repeat.Remember: start to finish, and no skipping. You won't regret it." - Metal Temple
    $15.00
  • Since the release of 2013’s In Crescendo, Kingcrow toured North America in support of Pain Of Salvation, and headlined a European tour.  Kingcrow kept busy in 2014, touring Europe with Fates Warning and at the same time crafting the material that would become Eidos.“Eidos” is a new conceptual album about choices, consequences, dealing with regret and disillusion. Their earlier album Phlegethon dealt with childhood and In Crescendo about the end of youth.  Eidos can be considered the third part of a trilogy about the path of life. Musically it sees the band exploring new territories and pushing the extremes of its complex soundscape with a darker atmosphere and a more progressive attitude.Describing the band today is quite a difficult task, but one could state that the influence of such artists as Porcupine Tree, Riverside, Opeth, Anathema, Radiohead , King Crimson and Massive Attack are all present in the music of Kingcrow.With each release Kingcrow has taken a step further away from their original roots as a classic metal band and is now one of the most personal and exciting bands that Italy has to offer.
    $13.00
  • "Primordial are a band who need no introduction. I’m sure you’ve read that in plenty of reviews, but I can’t think of a better candidate to which that statement applies (for those who know them, at least). Their consistency is admirable, their passion is unmatched, and their brand of inspiring epic folk metal is almost unfailingly awesome. Everyone well-versed in the outfit's discography already knows this, but if there is one Primordial album that always seems to get lost in the shuffle of the band’s most celebrated releases, its Imrama. In fact, from some of the talk I’ve heard there are people who almost dismiss this record as “formative,” and not up to par with the bands following efforts. I for one can’t comprehend this viewpoint; this debut lives up to the band’s high standards with authority, and possesses a gloomy atmospheric quality that stands out from anything else this brilliant collective has graced us with.In fact, fans that grew attached to the band during the Gathering Wilderness/To The Nameless Dead era may be surprised at how dark and genuinely dispirited Imrama sounds. Don't get me wrong, Primordial have always walked a downtrodden path, but never again would they sound so grim and cryptic. The atmosphere created here is very hard to put into words; at times, it’s triumphant (“Let The Sun Set On Life Forever”), at others it’s downright frightening (“To The Ends of the Earth”). Primordial has never been a black metal band, but this is definitely the closest they’ve come, and while this record doesn’t sound too far removed from the rest of the band’s discography style-wise, it’s the delivery that sets it apart.The opening trio of “Fuil Arsa,” “Infernal Summer,” and “Here I Am King” quickly dispel any notions that Primordial were still finding their footing at this stage. The incredible power that these musicians are able to summon through their fairly simplistic compositions is a rare gift, and while the production on Imrama is a tad murky, the quality of the songs speak for themselves. Instrumental dynamics are reigned in beautifully thanks to the superb drumming of Simon O'Laoghaire (easily one of metal’s most underrated drummers), and Nemtheanga’s trademark blend of fiery aggression and elegant singing is instantly recognizable and unquestionably formidable even at this stage. His increased use of blackened screams sounds right at home with this album’s depressive vibe, and his unrestrained passion never fails to be compelling even when his voice doesn't take center stage.Metal Blade really nailed this re-issue, too. The artwork and packaging is beautiful and the band’s debut demo, Dark Romanticism, is included along with some great old concert footage. The band’s first four albums will apparently all receive this treatment in the near future, and if they all look this nice, it could very well be worth it for die-hard fans to plunk down the cash. Bottom line: don’t let Imrama pass you by. It’s a great look at the roots of one of modern metal’s greatest bands, and an excellent record in its own right." - Metal Review
    $15.00
  • Of all the Yes albums that needed a remix this is the one that needed it the most!"Relayer (1974) is the third in a series of remixed and expanded Yes albums.Presented in a mini vinyl replica gatefold card sleeve (with protective inner sleeves) with booklet featuring new sleeve notes by Sid Smith, along with rare photos and archive material, the album has been remixed into stereo and 5.1 Surround Sound from the original studio masters by Steven Wilson and is fully approved by Yes.The blu-ray also contains the original album mix in high-resolution, a complete alternate album running order drawn from demos and studio run-throughs. Additional exclusive Blu-Ray features include extra demo/studio run-throughs, full album instrumental mixes, a full album needle-drop of an original UK A1/B1 vinyl pressing, single edits, live tracks, and needle-drops of the banded tracks from the original US vinyl promo album.Restored artwork approved by Roger Dean, the release of which coincides with the 40th anniversary of the album’s original late 1974 appearance."
    $25.00
  • "Marbles was originally released on the band's own Racket Records label and attracted a lot of attention when it was released as the album had been funded by donations from fans who had pre-ordered the album before they started recording in return for having their name printed within the album artwork (over 18,000 names). This new 2CD Madfish edition of the album is packed in a deluxe 36 page digibook re-worked by original designer Carl Glover. The book features unseen pictures not used in the original artwork. The tracks on the second disc have previously only been available through the band's own website."
    $13.00