Once Above A Time

SKU: GR054
Label:
Gramy
Format:
NTSC
Region:
Region 0
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Recorded in Hungary in April 2004. This is the electric band and the set list is filled with goodies from Steve's back catalog including four Genesis tunes.

So I just finished watching this disc and I have to say it is quite amazing. It features stellar production values, great sound and the performance simply kicked my ass real hard. Hearing "Blood On The Rooftops" is worth the price alone. Highest recommendation.

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  • Newly remixed by Steven Wilson. Lots of stuff here. The CD features the original stereo mix plus three bonus tracks - trio versions of "Red" and "Fallen Angel" plus the full version of "Providence". The real action takes place on the 5.1 DVD remix. In addition to the album completely remixed into 5.1 you get bonus video taken from that legendary French television performance from 1974. That in itself is worth the price of the set. As far as the DVD goes there are lots of options in terms of audio playback. If you are one of the 3 people on the planet with a DVD-Audio player you can play this back in 24/48 5.1 or 24/96 stereo. Any DVD player can play back the 24/48 DTS 5.1 surround mix but there is also a 24/48 LPCM stereo mix as well.
    $19.00
  • "It only seems like a couple of weeks since Caravan announced in August 2013 that they were to record a new album that would be financed by money pledged by fans, and yet here it is already!What should have been a joyous time for the band and fans alike was sadly marred by the death of long-time drummer Richard Coughlan on December , however it is fitting that the digital download of the album was released to fans who had pledged on December 20, the day of Richard’s funeral!Musically this has classic Caravan stamped all over it. It is not, however, a hark back to the halcyon days of the 70′s and In the Land of Grey and Pink or For Girls Who Grow Plump in the Night, there are not anywhere near as many long instrumental sections in there for a start and the longest song I’ll Be There For You clocks in at a mere 6:14. What we do have here is a stripped down, and updated 2013 version of everything that Caravan fans look for. The classic songwriting is there, as is the excellent musicianship and whimsical lyrics, and let’s face it, with that instantly recognisable, trademark voice, Pye Hastings could re-record Never Mind The Bollocks and it would probably still sound like Caravan.All This Could Be Yours is a belter of an opener, and despite what I said above, this is one track that would not have been out of place on Grey and Pink or Girls Who Grow Plump! With an excellent, albeit short, viola solo from Geoffrey Richardson, and a great hook in the chorus, it skips along merrily in classic Caravan style.One of the ways of financing the album was to get people to pledge extra to go to the studio and get involved in the recording, I don’t want to pour cold water on anything but sadly I think this is where the band have shot themselves ever so slightly in the foot. Despite being a great song, I’m On My Way, has some awful, flat backing vocals in the chorus which almost ruin the song. The same applies to This Is What We Are where a slightly naff chorus comes close to ruining what is otherwise a very strong song, being slightly heavier than we are used to from Caravan including an infectious piano motif and an excellent, soaring guitar solo towards the end.The slower Dead Man Walking is the perfect pacer, leading into the very emotive Farewell My Old Friend. As an ode to the passing of a close friend, this song is made all the more poignant following the death of Richard Coughlan and brings a lump to the throat!In typical Caravan style, no-one is allowed to get too maudlin, as the next two songs Pain in the Arse with the vitriolic closing line ‘I don’t care if you sue me now, you are insane’, and Trust Me I Am A Doctor put the collective tongues firmly back in the cheek. Doctor takes an irreverent stab at a GP, who I’m quite sure, given the amount of names dropped in the song is a real person and should have no difficulty in identifying himself! But it is all done in good fun and I’m sure no umbrage will be taken!The album finishes on a mellow note with the wistful I’ll Be There For You and the title song Paradise Filter which kicks off  really slow and  melancholy with a late night jazz feel, before breaking out into a middle section that is very reminiscent of the instrumental break in The Dog, The Dog, He’s At It Again!Overall this is an excellent return for a band that has been absent from the recording studio for too long (it is ten years since the release of The Unauthorised Breakfast Item in 2003). Not that they have been resting on their laurels as they have still been playing live gigs, but it is nice to know that they can still cut it and write well crafted, catchy and extremely listenable songs.It also proves that the pledging route is a very viable way of financing studio time and album releases, sadly, however, I doubt very much that would work for new bands as you would have to have a name for yourself in order to create the initial interest. Maybe extensive gigging and as the old saying goes ‘paying your dues’ would help. Now there’s an idea (take note potential XFactor and The Voice contestants)!" - jonb52
    $20.00
  • First time on CD - now available as a mini-lp sleeve version as well. Luna was a quartet put together by Osanna guitarist Corrado Rustici after their breakup. Released in 1981 it didn't have much success. The music has progressive overtones and Rustici offers his usual great playing but overall I would put file this one under the melodic rock category and leave it for Italian prog completists only.
    $21.00
  • Latest release from Crippled Black Phoenix is marketed as an EP but at 45 minutes in length its anything but.  Longtime vocalist Joe Volk is gone, replaced by John E. Vistic.  The core sound is intact, an expansive, cinematic blend of post rock and early 70s Pink Floyd.  The 12 minute tune "How We Rock" sounds like an instrumental soundtrack piece Floyd would have recorded for a Sergio Leone film.  As far as I'm concerned these guys can do no wrong.
    $16.00
  • The Nektar catalog is now being bounced around like a ping pong ball.  This is now the third version that Cleopatra has made available.  Beyond the original classic album you get a bonus disc which features a large portion of the Academy Of Music 1974 show.
    $15.00
  • "In 1977, after the negative experiences of Uno and Città Frontale, founder members Lino Vairetti, Danilo Rustici and Massimo Guarino reformed Osanna with a new line up featuring Enzo Petrone on bass and Fabrizio D'Angelo Lancellotti on keyboards and synthesizers. "Suddance" was released in 1978, when the Halcyon Days of prog were coming to an end... This album could be very disappointing for old fans since Osanna here were trying to find a new musical direction blending rock, soul and jazz with the traditions of Naples, but in my opinion the result is not bad at all..."Suddance" is very different from Osanna's early works (the album features also some guest musicians like Benni Caiazzo on sax and Antonio Spagnolo on electric violin), nonetheless here you can find at least one outstanding track, the suggestive and melancholic "A zingara" (The Gipsy woman) featuring a mysterious mood... Lyrics are sung in the dialect of Naples and describe the desperate life of gipsy woman with "music and hope in her heart" who is rejected by the society... "She's a gipsy and she causes fear / That's why everybody avoids her in the street / She is so desperate to bang her head against the wall / But every time she asks for help people pretend they don't see her..."...There are other good tracks, like the opener "Ce vulesse" and the instrumental title track, more in a jazz rock vein, or the long and desperate "Chiuso qui" (the only one sung in Italian and featuring "claustrophobic" lyrics that describe the feelings of an inmate)... However, the overall sound is closer to the genre that is known as "Neapolitan Power" (very successful in the early Eighties and spearheaded by Pino Daniele) than to the peculiar prog of the early Osanna albums...Although it is not an essential album, at length "Suddance" is a good work released by an excellent group of musicians who were trying to explore new musical paths to go further... It's a pity that they had to stop!" - ProgArchives
    $15.00
  • Second album from this Italian band dips heavily into the Genesis school of progressive rock. Former PFM vocalist Bernardo Lanzetti fronts the band for the entire disc and VDGG saxophonist David Jackson contributes to two tracks. Parts of this album sound so much like Genesis it's scary. Highly recommended.
    $9.00
  • In recent times there has been very little new music coming from the Magma camp.  "Slag Tanz" is a new composition that the band has been performing and its finally been recorded in the studio.  Its got the classic Magma sound and if you are a zeuhl fan this is indispensable.Funny that their new label is referring to this as jazz metal.  Perhaps they should try a different marketing ploy."Powerful, hypnotic, unclassifiable, incomparables. MAGMA are in a class of their own. Finally, music to set the cat among the pigeons... Magma are the dynamite that will explode the conventions of a music scene that is becoming rather too self-satisfied with its own beauty... Magma are unlike anything that has gone before...So people were saying in 1970.In 2015, nearly half a century later, this is truer than ever and the new mini-album Slag Tanz (pronounced schlag tanz), this veritable symphony of jazz metal that has erupted from nowhere, radiates with all Magma s singular intensity!"Slünd AImëhntösz - Alerte ! (2:19)Slag (3:03)Dümb (2:57)Vers la nuit (3:30)Slünd BDümblaë - Le silence des mondes (2:58)Zü Zaïn ! (2:16)Slag Tanz (2:29)Wohldünt (1:23)Lyrics & Music : Christian VanderStella VANDER : voiceIsabelle FEUILLEBOIS : voiceHervé AKNIN : voiceBenoît ALZIARY : vibraphoneJames MAC GAW : guitarJérémie TERNOY : pianoPhilippe BUSSONNET : bassChristian VANDER : drums, piano, voice on "Wohldünt"Recorded and mixed between september 2013 and september 2014 at UZ Studio by Francis LINON
    $13.00
  • "Clive Nolan (Pendragon, Arena) returns with his new solo project - ‘Alchemy – a musical”, a Victorian adventure set in 1842. Next to Clive Nolan himself, the album feature the artists well known in the world of progressive rock including Tracy Hitchings (Landmarq, Strangers on a Train), Andy Sears (Twelfth Night), Paul Manzi (Arena), Damian Wilson (Threshold), Paul Menel (ex-IQ), David Clifford (Red Jasper) as well as the leading lady of Nolan's previous musical 'SHE', Agnieszka Świta and Noel Calcaterra - a Uruguayan singer/actress and the voice of Clive Nolan South American 'Otra Vida' project from 2010. The Caamora Company musicians - Clive Nolan (keyboards), Mark Westwood (guitars), Scott Higham (drums), Claudio Momberg (keyboards) and Kylan Amos (bass) will once more take charge of the instrumental part of the project. The core members of the company will be joined by special guests and a chorus. This release will be preceded by the world premiere of 'Alchemy' show at the famous Wyspianski Theatre in Katowice, Poland on February 22, 2013, where it will be recorded and released on a DVD by Metal Mind Productions in Autumn 2013."
    $17.00
  • Founded in 1974 and derived from the legendary group Q65, Finch is still regarded as one of the most leading Dutch ‘second generation’ bands. Complex and harmonic orientated long compositions with lots of space for guitar and synthesizers fill up three albums and one seven inch. Their debut album Glory Of The Inner Force was also released in the United States.Especially Finch’ live reputation is often remembered as legendary. ‘Nuff said for the ones who were eyewitnesses. Others can now enjoy Vita Dominica, an album that not only relaunches their Colossus-7”, but also presents three recently unearthed pieces that were recorded by Dutch radio station VPRO. Paradoxical Moods, Pisces and Register Magister capture Finch on stage shortly after the release of their debut, featuring the first definitive line up of Joop van Nimwegen (guitar), Peter Vink (bass), Cleem Determeijer (keyboards) and Beer Klaasse (drums). The recordings were made in December 1975 in De Tagrijn in Hilversum. A demo version of Remembering The Future, recorded in 1977, is included as a bonus track.This 180 gram vinyl LP is housed in a deluxe fold out cover full of rare memorabilia. The recordings have been exclusively remastered from the original mastertapes.Side A1. Paradoxical Moods 11:01 – live2. Pisces 10:27 – liveSide B1. Register Magister 9:28 – live2. Colossus – part I 3:263. Colossus – part II 3:354. Remembering The Future 5:01 – demoTracks A 1 – 2 & B 1 previously unreleased, live at Tagrijn, Hilversum, December 21, 1975Track B 2 - 3 from the 1975 single Colossus NEGRAM NG2024Track B 4 previously unreleased 1977 demoFINCHJOOP VAN NIMWEGEN – Electric Guitar (Gibson Les Paul-Custom, Gibson RS Artist), Electro Harmonix Guitar Synthesizer, Acoustic Guitar (Martin D35)CLEEM DETERMEIJER – Organ (Hammond L100), Mellotron, Grand Piano (Steinway), Electric Piano (Wurlitzer), Synthesizer (ARP Axxe), Solina String-Ensemble, Honky Tonk PianoAD WAMMES – Synthesizer (ARP Axxe), Minimoog, Electric Piano (Wurlitzer), Electric Harpsichord, Organ (Hammond L100), Solina String-Ensemble on Chapter B track 4PETER VINK – Bass Guitar (Rickenbacker 4001 De-Luxe), Pedal Bass (Moog Taurus)HANS BOSBOOM – Drums (Slingerland), Percussion on Chapter B track 4BEER KLAASSE – Drums (Gretsch) 
    $28.00
  • 2 on 1 budget set combines the band's first and third albums.  All of their output was quality flute led Rock Progressivo Italiano but the third one for whatever reason was even a notch higher.
    $11.00
  • "After  the success of the DVDs EPOK 1-2-3-4, published in 2006 and 2007, the Triton again welcomed Magma in June 2011. This was for a  nine concerts cycle to complete the DVD series "Myths & Legends ".EPOK 5 not only includes pieces from 1971, 1977 and 1978   but also Félicité Thösz , the latest MAGMA release, heard here in a version prior to the recording of the album. There are, in addition, 20 minutes of unpublished music.A dynamic and extremely musical edit enables the listener to enjoy the band at the height of its powers, showcasing the intensity of each composition and the technical prowess of the musicians. The exceptional sound quality was captured as usual by Francis Linon who knows, better than anyone, how to record the power and musicality of MAGMA."ATTAHK(Rétrovision)-RÏAH SAHÏLTAAHK-DONDAÏ-FELICITE THOSZ-SLAG TANZ-MAAHNT
    $30.00
  • "With a well-received studio album in the form of “The First Day” issued in summer 1993, Sylvian/Fripp took to the road for a lengthy tour to support the release. Trey Gunn reprised his role from the earlier tour and studio recordings as stick player, while Pat Mastelotto joined the group on drums, a position which led to his being offered a role in the 1990s King Crimson, a band in which he has remained a member of every line-up since. Producer and recordings artist Michael Brook completed the touring ensemble.“Damage” was recorded at the final London concerts in December 1993 and issued in 1994. Whereas the studio album had a measured grace and power, the live album was even more muscular on the rock pieces, drawing some extraordinary performances from all contributors. This made the contrast with the quieter, more ambient material even more pronounced, with audiences able to hear every nuance of the material. David Sylvian had rarely sounded better or more comfortable in a live setting. Robert Fripp provided some of his most blistering solos. Songs from the recent studio album were featured as were fan favourites from David’s solo albums and Rain Tree Crow, alongside one new song “The First Day”.Initially released as a limited edition in 1994, the album quickly sold out and became a highly sought after recording. The album was remixed by David Sylvian and issued in 2001 with a slightly altered track-listing and running order.It is this second edition of the album that is now being reissued.""Damage is derived from the closing shows of the 1993 Road to Graceland tour, which heralded the collaborative reunion of King Crimson's Robert Fripp (guitar) with David Sylvian (guitar/keyboards/vocals), the former leader of Japan. This hour-plus set finds Sylvian in tremendous voice and Fripp sonically enveloping spaces and respecting silences in a bout of well-manicured fretwork. The pair is augmented by soon-to-be Krim members Pat Mastelotto (drums) and Trey Gunn (Chapman stick/vocals) as well as former Martha & the Muffins axeman Michael Brook (guitar). The contrast in styles from Fripp's ethereal Soundscapes and edgy guitar inflections to Sylvian's smoother and refined demeanor is reminiscent of Brian Eno's early collaborations with Roxy Music. The fact that both know how to manipulate the spaces between the notes unites them further. Damage is full of those moments; so many, in fact, it is amazing that Fripp and Sylvian do not make the time to work together more often. "Firepower" contains a premier example of exactly how each craftsman is able to compliment the other. Fripp's extended solos at the end of the piece are definitive and singularly his own, yet the context in which he approaches his role as soloist yields an overwhelmingly palpable symbiosis between music and musician(s). Likewise, listeners who consider Fripp a calculated and overtly technical guitarist might be shocked by his cerebrally funky additions to tracks such as "God's Monkey" and "20th Century Dreaming (A Shaman's Song)." The syncopated nature of the melodies allows for a great deal of interplay and collaboration between Gunn and Mastelotto -- a trait they'd further incorporate into the mid-'90s version of King Crimson." - Allmusic
    $9.00
  • Second album, from 1970, by this great British psych/proto-prog band led by guitarist Tony Hill. Kind of a shame that Hill never became anything other than a cult figure because he was a lethal player - as good as any other popular guitar God of the day. Comes with 4 unreleased bonus tracks.
    $17.00