Future Sequence: Live At The Fideltorium (Blu-Ray/CD)

"I am no stranger to the awesome might of Between the Buried and Me. Back when I first started writing for MetalNuhUh, as the scant old school among you may remember, I endured a not-so-sexy injury bike accident which resulted in a broken shoulder, and it was shortly after said injury that I first got to witness the glory of a BTBAM show, on Halloween no less. This was back in the Colors days (probably still my favorite offering from the band), and I’ll be damned if the music — and a handful of whiskeys, as well as the cute flirty smile of the bartender — didn’t make me wanna throw caution to the wind and fight my way through the pit with a broken shoulder.

Thankfully I restrained myself – hard to find the motivation when some poor bastard was carried out of said pit with a protruding ankle bone sticking out of his leg – but the real lesson to take away here is that this is a band with the ability to conjure up such a wicked level of excitement with a stupendous live performance…

CUT TO:
Several years and a couple noodley records later, my perception of BTBAM’s current music had become slightly underwhelmed, but catching the band earlier this year on tour with Intronaut and Deafheaven reminded me just how sickly tight the playing is.  And this is a similar feeling I get when watching new Blu-ray DVD release Future Sequence: Live at the Fidelitorium; to see these dudes crank it out live reminds me every time where the magic lies.

Sure, it’s easy to dismiss some of the tunes as a bit too proggy, ostentatious, melodramatic even — there are several decidedly clowny video game/carnival/musical theater-inspired moments (which actually makes quite a bit of sense since the group recently alluded that it will be embarking on a journey to create a rock opera), but these guys are such gifted individual musicians that truly elevate to a whole other level together that no matter how you may feel about any of their material, the impression they leave will drop your jaw every time.

In watching Live at the Fidelitorium, as seeing the band live, it’s almost impossible not to fawn over BTBAM’s tightness. There are several moments that sound pretty impossible, but wait a second—I just saw five humans make that happen…  Drummer Blake Richardson is a beast who straddles the magnificent line between heavy hitting and ripping jazzy groove chops, the guitarists and bassist display jaw-dropping dexterity for days, and Tommy Rogers once again astonishes with his pearly singing timbre that somehow escalates into one of the most br00tal growls I’ve ever seen from a little dude.

And this particular performance also features some additional players, special guests including bassist Dan Briggs’ saxomophone cohort from fusion outfit Trioscapes, a tuba player, a string quartet, and a glockenspiel/marimba player.  For some reason, these guest performances are presented in such a matter-of-fact way (cutting into their footage all of a sudden when their parts drop in) that it’s hard to get a sense of where these additional players are situated geographically. One assumes that they are somewhere in the same studio as Tommy and the boyz, but from a directorial/editing perspective it’s difficult to tell where they are are situated.

Overall it’s a real pleasure to watch such a simple, barebones performance from such a crazy band — aside from the extras (some additional pretty pointless “behind-the-scenes” footage documenting the studio setup and some interesting interviews explaining the impetus for the DVD), Future Sequence: Live at the Fidelitorium is a mostly no-frills studio recording, meant to show the band in a subdued, intimate setting without the distractions of a crowd or the chaos of a live show. And it’s definitely a treat to see the guys do their thing. Any BTBAM fanboy (or fangirl, but c’mon—let’s get real here) will be psyched to lay eyes on this DVD, but I’d be pretty surprised if anyone new to the band was extremely bowled over by this largely ho-hum studio “concert” setting. At this point in such a killer band’s impressive career that probably doesn’t matter much though; it’s just nice to sit back and watch BTBAM do its thing." - Metal Sucks

There are no review yet. Be the first!

Product Review

You must login or register to post reviews.
Laser Pic

customers also bought

SEE ALL
  • "Dangerdog has been inundated with female led metal bands since the beginning of the year. Here's another one: A Sound of Thunder, from Washington DC, with Nina Osegueda at the microphone. Out of the Darkness is their second release.Thankfully, Ms. Osegueda and the band don't fall into the operatic symphonic metal category, nor the weepy melancholy of gothic metal, although I'm sure she could easily do both. And, believe it or not, there's no moron offering death growl accents. This is pure, no bullshit, classic American heavy metal, equally vital in the Eighties as much as it's need today.For Nina's part, think a mix of Dickinson, Halford, and Dio in metal diva form. Or for something more outlandish, imagine if country singer Faith Hill went metal. (Listen to the opener, The Day I Die, and you may hear what I mean.) Osegueda will probably laugh at that comparison.Otherwise, from start to finish, Out of the Darkness kicks serious metal ass. It's an unexpected pleasure of traditional metal genius. ASoT can be fervent and blistering as on Murderous Horde, epic and inspiring as on Calat Alhambra, or unexpected and glorious on Discovery. Then they bring the groove (and psychotic girlfriend) on the catchy and fun, Kill That Bitch. Throughout Osegueda shows her effortless vocal strength, control, and range; take note of how easily she dials it down on the ballad, This Too Shall Pass. Look out boys, the next great metal singer is here.A Sound of Thunder's Out of the Darkness is premium, kick ass, classic heavy metal. " - DangerDog.com
    $13.00
  •  "After over two years from the event, we can still hear today the echoes of that memorable Italian progressive rock night.That Saturday 6th November 2010 the same Locanda delle Fate went first on stage, playing their masterpiece “Forse le lucciole non si amano più” almost in its entirety, adding the then-unreleased songs “Sequenza circolare” and “La giostra”, later included in the recent “The missing fireflies” (2012). Locanda delle Fate's today line-up includes four original members - Leonardo Sasso (vocals), Oscar Mazzoglio (keyboards), Luciano Boero (bass guitar) and Giorgio Gardino (drums).Once available only as vinyl, “Live in Bloom” is here reissued on CD/DVD; the first 1000 copies come in a special lavish format, comprising a hard-cover mini-booklet inside a horizontal slipcase (15 x 25cm).Compared to its previous release, this edition finally contains, both on the CD and the DVD, the entire Locanda delle Fate’s concert, which could not be included as a whole in the space of a single LP. The sound quality is excellent, and the visual part has been professionally recorded with a 4-cam system.To sum it all, this is a release not to be missed by Italian prog fanatics, especially who was present during that Progvention 2010 night, and also an important document that testimonies how the genre is still today very much alive!"
    $24.00
  • "From Finland comes Overhead, a five piece band that occupies the heavier end of the prog spectrum. Their latest CD Of Sun and Moon is a pretty bombastic release that has some pretty huge sounding guitar riffs and plenty of catchy choruses. I'm reminded at times of a less extreme Amorphis and a less technical Scar Symmetry, but their music overall is very addictive and engaging much like those two acts. If that sounds like your cup of tea, then read on...Opening tracks "Lost Inside Pt. 2" and "Berlin" contain some catchy choruses and super crunchy guitar riffs, with just the right amount of keyboards for that progressive element. Lead singer Alex Keskitalo has a really good, memorable voice, and all the thunder is provided by guitarist Jaakko Kettunen, who really knows how to create riffs that grab you by the throat. The band loses some of the momentum of the first two hot tracks by the time "An Afternoon of Sun and Moon" kicks in, a spacey, trippy pop song that almost sounds like a different band after the first two heavy songs. Crushing metal guitars meet up with Porcupine Tree/Pink Floyd styled psychedelic pop/prog on the exciting "Aftermath", which contains some great atmospheric keyboards courtesy of Tarmo Simonen, and "Syriana" is a great slice of hook laden progressive metal. The short instrumental "Grotte" lets Kettunen rip on the guitar and Keskitalo get in on some wild flute solos, and the moody "Last Broadcast" takes the band into atmospheric prog settings quite nicely. The final two songs on the CD are the longest, each one close to 8-minutes in length, and feature plenty of symphonic arrangements and catchy melodies. "Alive" contains some bubbling keyboards and flute to go along with Keskitalo's endearing vocals, but then closes out with some huge guitar mayhem from Kettunen, while "Angels and Demons" borrows some dramatic themes from the legendary Kansas and mixes them with modern rock and prog arrangements.Overall, Of Sun and Moon is a pretty polished and enjoyable record from Overhead. As this is album number four from the band, you can tell they've been around the block and really know how to create memorable songs with intelligent instrumentation. Some though might find the album a tad schizophrenic at times, as there are often too many styles going on here. I would have liked to hear the heavier end of their sound reveal itself a little more throughout the CD and the more pop based elements lessened, but this is still a very cool album from a talented band." - Sea Of Tranquility
    $15.00
  • "The successor to "Obsessions" (2011) was mixed and mastered by Jacob Hansen at Hansen studio in Denmark (Volbeat, Pretty Maids, Amaranthe a.m.m.)Beside band leader Samuel Arkan, the following vocalists and musicians contribute to"Fantasmagoria": Tom S. Englund (Evergrey) Henning Basse (ex-Metalium, ex-Sons Of Seasons, Mayan) Ida Haukland (Triosphere) Matt Marinelli (Borealis) Tezzi Persson (Between The Silence) Mike LePond (Symphony X) Léo Margarit (Pain Of Salvation) Julien Spreutels (Ethernity) Simone Mularoni (DGM)The quite unusual thing is that all these guests came to the Noise Factory studio (Belgium) to track down their parts. Nobody recorded his/her parts at home, like with some many other projects."I wanted the whole thing to get a real "band" feeling", Arkan says. "Therefore having all vocalists and musicians here was very important to me. We got to know each other better and better while spending time together. The new material sounds very fresh, dark, heavy, modern and "true" with "straight in the face" guitar riffs, intense voices and melodies, massive work on progressive atmospheres and orchestral parts. All the artists who participated in this album gave their soul to it, gave their best, they travelled deeper into sensitivity and sincerity. That's probably the best words which define this next album... sincerity & spontaneity! This album comes from the heart of each musician and vocalist who worked on it, and you can feel it when you listen to this new EPYSODE album."Compared to the debut "Obessions" the new material is a step forward in every way, with even better songwriting, a massive sound, powerful production and an intensity you rarely find these days.With the top notch vocalists that are gathered here (a.o. Evergrey’s Tom S. Englund, who is contributing to 5 songs) the "Fantasmagoria" concept story comes to life in a very intense and thrilling way, with lots of facets, expressive singing, deep & dark emotions. Englund’s duet with Ida Haukland (Triosphere) on the album’s title track especially gives goosebumps to the listener. There is also a plot to the "Obsessions" album and many fans of concepts will have their pure delight in discovering the story behind the story.The "Fantasmagoria" recordings took place from December 2012 to end of April 2013. Responsible for all keyboards, piano, arrangements was again Julien Spreutels, "my brother in crime, without him Epysode would not be as it is", Samuel says. "He did one more time an outstanding job and gives magic to Epysode, It's always a pleasure and very inspiring to work with him". "
    $15.00
  • "“Where Dreams Are Forgotten” is the sixth album by Swedish power metal quartet “AXENSTAR” and is their first to be released under “Inner Wound Recordings”.Power metal is one of my favourite metal genres; I love the energy, the melodies, the vocals, everything about power metal never fails to get me pumped up, and that’s exactly what AXENSTAR achieve from the very start of this album, “Fear” opens up “Where Dreams Are Forgotten” with speed and intensity, and sets the attitude for the album perfectly. What I love about this album is the diversity; frequently you will hear that signature power metal sound of harmonised guitar melodies and pretty ‘cheesy’ choruses, whilst surrounding all of the typical ‘happy’ sounding power metal genius, you also gets tastes of darker and moodier music, and AXENSTAR seem to blend the two attitudes well without causing too much musical conflict and confusion within a song.“Inside The Maze” kicks off with a very catchy melody which slightly makes me think of bands like “HELLOWEEN” or “EDGUY”, this is a great song with a moody verse and a typical catchy power metal chorus along with some great riffing from Joakim and Jens. “My Sacrifice” is next and is one of the highlights of this album. It starts off with possibly my favourite riff on this album, when the drums come in under this main riff you cannot help but bang your head to its galloping aggressiveness! Some of the lead work in this song is pretty amazing too!I love when a power metal band like AXENSTAR can showcase a lot of aggression along with that signature power metal ‘cheese’; It gives an album and/or band a lot more personality with the type of diversity shown here on “Where Dreams Are Forgotten”. I feel as if this album can easily reach my top 10 power metal releases this year; it is a brilliant well structured, well written, well recorded work of art and I urge you to not let this go without your attention, buy it and support AXENSTAR. I’m already eager to see what these guys do next." - Metal Temple
    $15.00
  • The release of 2012's critically acclaimed Trouble With Machines ushered in an exciting era for Chicago-based Progressive Rock band District 97. In 2013, the band toured both Europe and the US with legendary bassist and vocalist John Wetton (King Crimson/UK/Asia), which was documented on 2014's live release, One More Red Night: Live in Chicago. 2013 also saw the band nominated for a Limelight Award by Prog Magazine. Rather than rest on their laurels, District 97 took to the studio in 2014 to record the new material they'd been honing at home and on the road. The resulting album, In Vaults, continues and accelerates the upward trajectory of great songwriting and incredible musicianship that's been evident since the band's 2010 debut, Hybrid Child. One listen perfectly illustrates why John Wetton says, “I've said it before, and I maintain that D97 is the best young progressive band around right now. Gifted players, great material, and a brilliant, charismatic singer in Leslie Hunt."In addition to its evocative and powerful songwriting and performances, In Vaults features the immaculate mixing of Rich Mouser (Spock's Beard, Transatlantic), mastering by Grammy winning engineer Bob Katz and the stunning imagery of Björn Gooßes of Killustraitions. 
    $13.00
  • Out of print limited edition mediabook comes with 2 bonus tracks."Doro has long been the reigning queen of metal, and with her 12th solo studio album, Raise Your Fist, she continues to reinforce that notion. Her new album has a thicker feel than her previous release, Fear No Evil (2009). Packed with her trademark anthems and velvet ballads, Raise Your Fist is Doro at the top of her game.Sure Doro has a weakness for the occasional Velveeta lyrical theme, but it is her passion for metal, her fans, and the music that keep her among heroes of the genre. On Raise Your Fist, Doro brings the traditional bang your head, throw up your horns metal, with memorable sing along choruses. The album’s opening track, “Raise Your Fist in the Air”, is a perfect example. A lyrical theme all metalheads can get behind, with air-guitar worthy riffage and an anthemic chorus.Motörhead mainman, Lemmy Kilmister drops by to show a surprisingly tender side on the ballad, “It Still Hurts”, and guitar icon Gus G (Ozzy Osbourne, Firewind) makes an appearance on the track “Grab the Bull (Last Man Standing)”, giving it some extra swagger.On the song, “Freiheit” she tackles the issue of human rights. She noted that this particular song is very close to her heart. Tracks like “Rock Till Death”, “Take No Prisoners”,  and “Revenge” are some of Doro’s meatier sonic assaults, and remind us that heavy metal need not be void of melody.Doro also pays homage to her dear friend, Ronnie James Dio on the album closer, “Hero”. The song was the first one written for the record, and hits home with serious emotional impact. Doro’s vocals are poignant and emotive, filled with admiration, loss, and angst.Raise Your Fist is a confident, well crafted, classic metal album, which offers a slab of horn-throwing anthems, with just the right amount of sentiment. Doro heads into a new decade with another load of rock and roll ammunition in her arsenal." - Metallic
    $6.00
  • Magenta's latest finds them returning to an overtly progressive rock sound and the music is all the better for it.  The Twenty Seven Club is a concept album based around famous rock stars that died at the age of 27 (Janis Joplin, Jim Morrison, Jimi Hedrix, Kurt Cobain, ao).  The core lineup is Rob Reed, Christina Booth, and Chris Fry.  For this album the band is rounded out by guest drummer Andy Edwards of IQ.  Reed's keyboard work is back in the fore and Fry's Howe-isms on guitar always bring a polish to the music (and grin on the face).  Christina Booth's voice is a real gift and she shines as always.  Overall the music makes some overt references to Yes and Genesis so you get that old school flavor that the band hasn't offered in many years.  The album arrives in a special edition with a bonus DVD.  You get the complete album in a 5.1 mix, documentary footage and a promo video for one of the tunes.  Highly recommended.
    $18.00
  • Possessed was the death metal band that featured Larry Lalonde before he went to play with Primus.
    $8.00
  • Obsidian Kingdom is a fascinating band from Barcelona that released Mantiis in 2012 in a limited run of 500 copies.  It's now picked up for worldwide distribution via Season of Mist.  This is definitely progressive metal - real boundary pushing stuff.  The band is categorized as post-metal and that is just one of the guideposts they touch on.  I hear more of a musical connection to Leprous and Arcturus.  If you are inclined towards the more avant garde side of metal you need to hear this band.  With the right push they could become massive.  Highly recommended."Cutting right to the chase, Obsidian Kingdom‘s latest release, ‘Mantiis‘ could very well be the most equivocal album I have reviewed to date. What this five piece post-metal band from Barcelona has put together with their latest genre-crossing, boundary pushing release is something few other bands can lay claim to accomplishing. I can’t even began to describe the number of different genres represented throughout this 47 minute monstrosity of an album.“Not Yet Five” is the album’s opener and starts things off with looming bass, light distortion, piano work and sporadic beeps and buzzes that all blend together to create an eerie ambiance that sets the mood for things to come. From here the album progresses forward with “Oncoming Dark” and “Through the Glass” which start off which crisp clean vocals and electric-accoustic guitar work before evolving into a wanderlust of heaviness that borders between post-metal and progressive death metal. Keyboards play on in an evil manner and when combined with chugging guitars and persistent drumming a doomsday like atmosphere forms. As the album moves forward through the short tracks, it gains in intensity through it’s evolving layers. By the time the album reaches its fourth track, “Cinnamon Balls” it has already spiraled into a dark, twisted place filled with harsh demonic vocals and djent style guitar work.A short piano interlude leads into “Answering Revealing” which brings the album full circle as clean vocals emerge as does a short but sweet return to Obsidian Kindgom‘s softer side. “Last of the Light” is where the album completely goes off of the tracks. While the beginning and end of the track are highlighted by violent vocals and double bass action, bookended between it is a several minute long section that features a classical guitar and with a very bluesy saxophone solo. You heard me right. This is without question one of if not the most unique song I have heard in years and definitely one of the most unusual combinations of instruments. From here ‘Mantiis‘ takes a stark transition to “Genteel to Mention”, a short track that opens with piano and clean vocals  that only last for a short while before the album returns right back to its doom and gloom heavier ways with the intro to “Awake Until Dawn”. The track does come to a crawl as it progresses when piano work mixed with synths present yet another unheard element to the album.‘Mantiis‘ moves forward with “Haunts of the Underworld” showcasing the best guitar work to be found on the album  and “Endless Wall”, which feels like the closest thing to a post-metal track found on the album despite the hints of more djent guitar work. Clean vocals amidst swirly ambiance make up “Fingers in Anguish” and demonic vocals and downtuned guitars return in “Ball-room”, both short tracks that barely cross over the five-minute mark combined. “Ball-Room” does a fantastic job setting the table for the closing track “And Then It Was”. Stark, aggressive drumming leads the way as everything the album has built itself up for comes to a head in this epic finale.One album I do think that compares particularly well to ‘Mantiis‘ is Crippled Black Phoenix‘s ‘Mankind, The Crafty Ape’. The two albums share many similarities in how they flow, how they use music as a journey to tell an album spanning story and also how they infuse many different genres into their sound while never delving down too far into a particular one. While CBF opted for a more psychedelic, bluesy infusion, Obsidian Kingdom chose a much darker, louder progressive death metal meets doom metal approach.While fantastic in its storytelling, the album isn’t without its shortcomings. I found myself wishing the album flowed a little bit better as some of the transitions seemed a bit awkward. There are also times where I wished the clean vocals would have had a stronger presence throughout the album as the band’s softer material is among their strongest work. Still, I can overlook these minor nuances as I continually find myself coming back to this album time and time again. ‘Mantiis‘ is one of the more captivating albums I’ve heard all year and is without question a breath of fresh air. " - PostRock Star 
    $12.00
  • "For composer and keyboard player Carl Westholm humanity's future is bleak, and ends in death. The apocalypse is at hand, and Westholm's Jupiter Society tells its inevitable and fateful story in the third effort From Endangered to Extinction. Again Westholm is helped by members of several Scandi bands including Carptree, Krux, Candlemass, Soilwork, Opeth, and Evergrey.Needless to say, with the bleak concept, this is a dark and despairing album, from lyrics to music, with Westholm's ominous synth layers establishing the foundation. Lyrically, the story revolves more around the invaders and destroyers of the earth, led by the Queen of Armageddon, possibly aided by some satanic element, mentioned in the song Invasion, rather than the people of earth.The latter, the people of earth, get some reference in the last three songs, but with little hope. The song Fight back is crushed in the vice of No Survivors and Defeat. It's not good day on Planet Earth. And this is where Westholm's song composition comes to the fore. The music intentionally propels the frustration, devastation, and defeat of humanity in both tone and power. In other words, this dark and bleak story gets played out in a proper musical context and, therefore, makes From Endangered to Extinction creative and engaging. But considering the subject matter, again, entertaining may become a highly contested moot point. Recommended." - Dangerdog.comThird album in the futuristic prog metal series from Carl Westholm.  You may know him from his involvement from Carptree, Krux, and Candlemass.  Westholm always puts together an interesting cast of musicians for these projects.  This time he draws from bands like Krux, Carptree, Candlemass, Soilwork, and Evergrey.  Most notable are the great Mats Leven (as one of a few lead vocalists) and Leif Edling of Candlemass.  Intense apocalyptic stuff with a cyber metal angle to it.  Highly recommended. 
    $15.00
  • "ssa, the Norwegian Rock Diva, is back with a blistering new album Can't Stop . Since her debut Sign of Angels , she has often been compared to such music stars as Celine Dion, Avril Lavine and Amy Lee (Evanesence).Issa has created her own style and approach to Melodic Rock by mixing her peculiar and unique melodic sensibility with a rocking attitude which is not all too common in today's Pop singers: real rock with a commercial sheen.The new album Can't Stop sees Issa taking a stab at some obscure and classic Melodic Rock tracks originally performed by Mark Free, Aviator, 21 Guns, Atlantic, Regatta and othersProduced by Hardlines's Alessandro Del Vecchio, Can't Stop shows that Issa is a true rock diva on the rise, who is bent on alighting the hearts and minds of Melodic Rock fans for years to come."
    $7.00
  • Xandria have been around for quite some time and for whatever reason they seem to churn through vocalists - perhaps each one better than the previous.  Their new vocalist is Dianne van Giersbergen, formerly with the Dutch band Ex Libris.  She's a great one for sure.  Luckily the overall band sound hasn't changed very much.  This is pure bombastic symphonic metal that follows the Tarja-era Nightwish template very closely.  You may have to play this one in secret or the originality police may come after you but if you do play it loud!This is the deluxe mediabook edition.  It comes with a bonus CD that features an exclusive studio track as well as an instrumental mix of the album so you can karaoke to your hearts content.  
    $16.00