Correlations In Concert

SKU: MGART006
Label:
MG Art Records
Format:
NTSC
Region:
Region 0
Category:
Progressive Rock
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Wow!!  Pro-shot live performance of Manuel Gottsching, Harald Grosskopf, and Steve Baltes filmed in concert in Berlin on June 8, 2012.  Over two hours long and features material drawn from Blackouts and Correlations.

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  • Originally released in 1978, this was the band's second attempt at cracking the English speaking market. Like Follow My Dream, there is some extraordinary progressive rock going on here but you have to put up with Skrzek's intermittent vocals which are pretty drab. This set comes with extensive bonus tracks and has 24 bit remastering.
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  • I and Thou is a new band project put together by Renaissance keyboardist Jason Hart. If you've seen Renaissance on their recent tours you've seen Jason perform all the symphonic/orchestral parts that really filled out the sound in a way that the old lineup couldn't without the aid of an orchestra.Not only does Jason play all the keyboards but he also is the lead vocalist and contributes on sundry instruments. His overall sound is extremely reminiscent of Tony Banks. Jason brought in a bunch of ringers from Izz - John Galgano plays bass, Paul Bremner is one of the guitarists, and Laura Meade contributes on backing vocals. Most of the guitar work is handled by Jack Petruzzelli. Oh yeah Steve Hogarth actually makes a guest appearance providing vocals on the last piece "Go Or Go Ahead" - a cover of a Rufus Wainwright tune.The music has a laid back and refined quality but there are still plenty of undercurrents of complexity that are most evident during the instrumental passages. Consisting of 4 epic length pieces plus the one cover the listener will be reminded of Wind And Wuthering period Genesis, Renaissance, Echolyn, and Izz. Quite a beautiful album, rounded out with beautiful cover art courtesy of Annie Haslam. Highly recommended.
    $11.00
  • "German heavy metal marauders Scorpions recorded seven studio records before breaking in to the U.S. market in 1982 with Blackout. The album became the group's first platinum disc in the U.S., and the dynamic single "No One Like You" became a staple of album rock radio. While the Scorpions had created powerful anthems and epic rockers in the past, Blackout mixed the ingredients just right. The title track was an endorphin rush of fast-riffing guitars and electrified, high-pitched vocals that culminated with the sound of shattering glass. "Can't Live Without You" was a powerful melange of flash, firepower, and pure melody, and the slow, surging "China White" sounded like a psychedelic interpretation of Led Zeppelin's "Kashmir." After years of ignored visas, Scorpions had finally arrived in America."  -- Jon Wiederhorn
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  • "Forget the NWOBHM band name, CD title and cover art: Invisigoth's Alcoholocaust is not New Wave of British Heavy Metal. In fact, it's the antithesis of that. And it's actually quite terrifying, in a laid-back, arty sort of way. Think Porcupine Tree or Blackfield providing the soundtrack to slow torture. Yet, this is an engaging and imminently listenable spin. Consisting entirely of two members — Cage on all instruments and Viggo Domino on all vocals — Invisigoth sets out to make a primal musical statement with foundations in esoteric philosophy, hedonism and psychedelics. Domino takes his voice in so many multiple and moody directions that he often sounds like more than one vocalist, and Cage deserves a drink for his ability to make music epic, dense and sparse (and then somehow piece it all together effectively). The duo throws in a Led Zeppelin cover at the end, for some reason. Ultimately, this is one for goths, proggers and rockers that will leave them with a sense of uncomfortable satisfaction." - Sea Of Tranquility
    $3.00
  • "Pin-Up Went Down are a new French duo…- let it start at the beginning.The whole story started with a myspace friend request. Nowadays I’m getting tired of them due to the continuous indie bands’ request; wanting me to be their fan. And these guys just appeared from the unknown. Oh my god…another one *click*….. OH MY GOD!…so this is it. I was sceptic and became surprised like hell, that this is a great band. I asked them for a promo and they sent me one. Thank you!-…a new French duo consisting Asphodel, the mistress of female activities and Alexis who is responsible for all the instruments can be heard in their music – guitar, bass, keys, electronics, etc. The project started less than one year ago as Carnival in Coal split up and former live drummer Alexis Damien launched this new project, called that time Esthete Piggie. Soon he was joined by Asphodel who can be known from Penubmra or Nowonmai.So I was surprised even more when I saw that big Ascendance Records banner on their profile, I couldn’t believe in my eyes. Ascendance Recs. is a label with the aim of collecting the progressive, experimental or just talented acts having a female voice. It’s a rather new label but already made deals with bands like Stolen Babies and unexpecT. So the name may sound familiar to some of you. - Get to the band!The name itself (which was created in the December 2007) evokes the era(s) of models who got into fashion and became covergirls posing in front of the camera. The words in the name can be considered as an oxymoron (up/down). And the second part of the name has the negative side, the final outcome is the fall of these beautiful creatures.The cover is unusual for an experimental/AG metal band but I suppose I just got used to weird, mindfucking artwork. I would say this is "mirror-avantgarde" quoting Tentakel P.’s Sigh review. It already gives a bit of music, it truly has a gothic line and this cover would perfectly fit a gothic metal band’s album of high standard.Seeing it we will notice the cold, metallic colours. The second thing one sees the vase with a sip of dirty water and the flower. Flower, really? No. It’s a piece of wire put in this glass vase…love is never easy.In the background a left hand’s shadow can be observed trying to grab the heart which is created by mirroring the title’s 2 to the left side. Contrary to the dominating rigid colours, the title is full of life and power with its bloody red appearance.And the music. So as it is written before, it surprised me. The first bit of this mass was a song I have listened on their myspace named Nearly Dead Bat Make up. Particularly, the vocals were the most interesting and outstanding. While listening to it I felt I am in a kind of wonderland. Asphodel is one of the most talented singers I have ever heard. She can sing rigidly, violently but on the other hand she has a definitive gothic background which teaches the girls to sing in a method can be recognized with ease (this style of singing can be heard near the end of the song). But. Yes…these buts. But she has a unique jazzy, though profile and another diverse which is something undefinable, smooth and soft disco styled one and not forget mentioning her childish one. And it’s just the tip of the iceberg. I can’t tell another girl who are able to sing in these ranges…and she combines it with continuous changing of the pitch. Alexis delivers aggressive guitars and drums along with male growled/shouted vocals. 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Only Some Shitty Chemical Stuff explains love only as a hormonal procession.The lyrics aren’t about one theme and message, they call up for situations, characters and images. Due to this, the music always changes differently and evolves, it follows the lyrics. There isn’t a central style, except the rock and metal basics. Pussy Worship is like pussy pop-punk with a gospel-like inlay. Only Some Shitty Chemical Stuff is an electronical, industrial metal song and first reminded me of the grotesque attitude to love presented in vocals and atmosphere one may know from the music of Rammstein. However, it becomes an acoustical ballad later.To sum up Pin-Up Went Down’s musical debut I must say I am extremely happy to know these two talented musicians with weird fantasies to turn them into reality. Their first album is surprisingly eclectic and delivered with overwhelming musical and vocal production, it’s one of the most promising first-time debut releases of all time of avantgarde music. Not joking." - Avant-gardeMetal.com
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  • Exile is the long awaited third album from this British progmetal band.  To-Mera is fronted by Julie Kiss with the principal songwriting coming from guitarist (and her husband) Tom MacLean.  Some of you may recognize Tom's name from his membership in Haken as their bassist.  It gets slightly more confusing as Haken's main composer/guitarist/keyboardist is To-Mera's keyboardist Richard "Hen" Henshall.  Yes life can get complicated sometimes.The new album is a conceptual work about human existence.  Ms. Kiss' vocals flow like a constant river over some real bad ass and complex prog metal.  At times MacLean breaks out some incredible fusion leads taking the band in a whole different direction.  Hen's keys have a very specific sound.  At times you will be reminded for a moment of the Haken sound but in general this doesn't sound like a Haken album.  The album does feature some special guests...Marcela Bovio (Stream Of Passion), Stefan Forte (Adagio), and Ray Hearne (Haken) all make appearances.  An intricate and involving listen, this is easily going to be one of 2012's best metal releases.  Highly recommended.
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  • "This story began in 1973 when Museo Rosenbach recorded their magnificent debut album Zarathustra that still is one of the boldest and most beautiful work in Classic Italian Prog and in contemporary music in general. And now nearly forty years later this new Italian band Il Tempio delle Clessidre (name taken from one song on the Zarathustra suite) performs the Zarathustra album in its entirety and most importantly and luckily, they perform it with respect to the original feel with original (obviously true analog sound I guess) and don´t try to change it to today´s "standards" in any way, with exception of some jamming that features nice Moog soloing from the great Elisa Montaldo on Superuomo. She´s also a great vocalist and is another lead voice on the Zarathustra, with Stefano "Lupo" Califi the original voice in Museo Rosenbach. And yet the sound is their very own, it´s just a bit different in colour. Actually their performance of Zarathustra is so mature in everything that I couldn´t have had believed to expect. If an inexperienced listener doesn´t know Museo Rosenbach ever existed he/she would be completely fooled by Elisa & boys as playing their very own music, they are that good. Bravo ! What a nice surprise. The band gives the very best and Zarathustra revisited is a superb performance and does honor and does justice to legendary band Museo Rosenbach.Il Tempio delle Clessidre is an incredible debut album and for me is like a continuation to the Zarathustra epic, in a way. It represents the softer, female side of the subject, of course thanks to Elisa´s compositions and performance. Don´t get me wrong, it is far from mellow or dull passages. On the contrary, it contains some very heavy moments, like all great music does. The music of both Rosenbach and Clessidre have the power, grandeur and, most importantly emotion as the best Italian (prog) music always is so very special of. Clessidre is a bold evidence that RPI is very alive and kicking, so to speak. Because music is foremost and most importantly emotion, in the positive sense and that´s the essence of all .Oh yes, the second part of the show features they own songs from the superb eponymous first album. Elisa Montaldo is the main composer and I just can´t stop admiring her enthusiasm for classic Italian prog that is so clear in her compositions. She is the most important female instrumentalist and writer in Prog of today. There are many good prog bands in modern Italian scene but Clessidre is very hard to surpass, both musically and as a performing unit. They are unique in modern Italian rock and in Prog Rock in general, they create a universe of their very own. There are not so many bands lead by a woman, particularly in Prog and especially in Italian scene, aren´t there. With the vocalist of Museo Rosenbach, Stefano "Lupo" Califi and the lovely lady Elisa this is a magical line-up.Needles to say there´s no single dull moment. This is a fine document of a very special band in modern prog, namely the "Lupo" Califi era Clessidre. Alongside the Italian Prog Exhibition (4 DVD set from 2010) this the very best DVD release in modern prog rock music so far, obviously a very hard job for any band to make better, particularly musically. Il Tempio delle Clessidre nicely represents the New Generation of Italian Prog and reigns supreme.Another nice surprise, their very first live show, in Genova they hometown in 2009 with very good sound & picture quality is in the second disc.Italian is the perfect language for symphonic progressive music, it just suits beautifully. And it´s so great to see the veteran proghead enjoying performing with his young companions who respect and prefer the origins of progressive rock, the symphonic way. They seem to understand that it´s only the music who is the true protagonist. This is a perfect union of the old & the new. This is triumphant for new Italian Prog and music itself. This all is so wonderful and extraordinary beautiful. Thank you so much, Elisa & boys." - ProgArchives
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