Correlations In Concert

SKU: MGART006
Label:
MG Art Records
Format:
NTSC
Region:
Region 0
Category:
Progressive Rock
Add to wishlist 

Wow!!  Pro-shot live performance of Manuel Gottsching, Harald Grosskopf, and Steve Baltes filmed in concert in Berlin on June 8, 2012.  Over two hours long and features material drawn from Blackouts and Correlations.

There are no review yet. Be the first!

Product Review

You must login or register to post reviews.
Laser Pic

customers also bought

SEE ALL
  • Digipak edition with one bonus track"Fans of gothic metal, rejoice! Tristania, one of the genre’s true pioneering bands, has just released their seventh studio album entitled Darkest White. The Norwegian powerhouse act has a storied fourteen year history stretching back to their 1998 debut – and they haven’t lost a step thanks to some much needed lineup stability. Darkest White contains all the near-theatrical arrangements, darker moods, and diverse tones that fans of the band would expect – delivered with a solid three-singer attack and technically tight musicianship. After numerous line-up shuffles, the now stable group has really hit their stride again, producing an album that clearly outshines their previous effort (2010’s middling Rubicon).Tristania has always focused on delivering solid vocal performances, and continue on with the duet of the angelic Mariangela Demurtas and the theatrical Kjetil Nordhus. Demurtas has a silky, clear voice and she remains her own singer rather than pushing towards the operatic stylings of other Gothic bands. Nordhus delivers with great emotion and depth, whether singing softly and clearly or doing some Broadway-style emoting. Guitarist Anders Høyvik Hidle now contributes a good amount of growled / death metal vocals, giving the band a bit of “beauty and the beast” sound at times. Overall, Tristania continues to deliver the clear and precise metal that has won them a worldwide following. Excellent musicianship backs up the great vocal harmonies, delivered by guitarists Hidle and Gyri Losnegaard, keyboard player Einar Moen, and bottom end Ole Vistnes (bass / backing vocals) and Tarald Lie (drums).“Number” opens the release with growled vocals and a kicky drum line, intense bass and great guitar hooks. Demurtas and Nordhus also contribute well done duet vocals making this track the quintessential example of the rebuilt Tristania. The heavy and intense “Darkest White” showcases the male vocalists. This track has a more conventional heavy metal feel to it, with strong contributions from guitars, bass and drums. “Himmelfall” is a slower, darker rock tune with hooky guitars and a great rolling rhythm line, and theatrical vocals by all. “Requiem” is a sweeping, epic soft track – very different from the previous songs. Demurtas’ voice is at its best here, and the softer keys and guitars combined with multi-layered vocal harmonies make it arguably the best track on the album. The languorous vocal lines of “Diagnosis” contrast nicely with the high speed rhythm lines, and both carry emotional intensity.“Scarling” starts off as almost an old school rocker, but becomes a moody progressive / Gothic track driven by vocals and drums. The vocal chorus, and interplay amongst the three leads is quite impressive. “Night on Earth” features great growl vocals over a simple but effective guitar riff and a real head banging rhythm line. The haunting “Lavender” is a major contrast, filled with soft guitars and mellow, soft vocals – the epitome of dramatic rock. “Cypher” is a somewhat gloomy sounding rocker with very well done male vocals and a brooding rhythm line. “Arteries” wraps up the CD, and features great back and forth between growl and clean voices along with top notch drum and bass.Darkest White is a very good release from a veteran band. The returning lineup now has a good deal more experience working as a team and has gelled into something special. Although the band’s technical abilities were never in doubt, they have addressed the weaknesses apparent in their last album – the song structure is better, the lyrics and themes more consistent, and the members of Tristania now seem more comfortable working together. They are tight and confident, once again pushing musical boundaries. Diversity in song style, tempo, and tone highlight the band’s superb use of multiple singers, and keeps the album interesting throughout. The excellent production values and strong engineering allow the many subtleties and great depths of the music to flow without seeming forced or unnatural.Highly recommended for fans of the genre." - Hard Rock Haven
    $13.00
  • The third album from the French instrumental ensemble led by multi-instrumentalist Francois Thollot.  Scherzoo's instrumentation is pretty straight forward - sax, guitar, bass, and drums.  Thollot is the bassist and also provides keyboards.  As you would expect from any of Alain Lebon's Soleil imprints, there are undercurrents of zeuhl but it doesn't bash you over the head with it.  Instead you get a very intricate hybrid of Canterbury influenced prog and jazz rock.  Perhaps "03" is a bit jazzier than on the previous efforts.  As a bonus you get three tracks from Thollot's other ensemble Dissonata, in which he plays drums.  Its quite a different animal all together - incorporating piano, hurdy gurdy, bass, and cello.
    $17.00
  • Gorgeous new album from Fabio "Finisterre" Zuffanti's side project. Wonderful production highlights delicate progressive music that will bring a twinkle to the eye of any fan of Celeste or the lighter moments of White Willow. Mellotron, violin, fragile female vocals - the latest from Hostsonaten is one of the year's best prog albums. The whole thing comes in an over the top package. Highly recommended.
    $16.00
  • At War With Self - sounds more like a psychological diagnosis than a band! This new group is an instrumental power prog trio leaping onto the progressive scene. The project is the brainchild of guitarist / multi-instrumentalist Glenn Snelwar. Torn Between Dimensions, the band's debut recording, features Snelwar on guitar, mandolin, and keyboards; Michael Manring on fretless bass and e-bow; and Fates Warning's Mark Zonder on drums and percussion. Zonders solidly tasty drumming firmly anchors the trio along with the melodically propulsive bass work of Manring, all wonderfully adorned by Snelwars fierce playing. The band serves up intense, emotional pieces in a wide variety of musical styles. Snelwars intention is to open doors to listeners who may be unfamiliar with progressive rock, classical guitar or metal. At War With Self have an equal passion for such diverse types of music as progressive and metal bands like King Crimson, Voivod and Pink Floyd; classical composers such as Bartok and Villa Lobos; as well as bluegrass and jazz. Torn Between Dimensions takes these influences and combines them into something undeniably progressive and strikingly original. The end result is a dense wall of sound, with different textures and feels within each number, one song flowing seamlessly into the next.Guitarist Glenn Snelwar is perhaps best known for his contributions to Gordian Knots eponymous debut, a project led by Chapman Stick player Sean Malone that featured guest performances by Trey Gunn (King Crimson), Sean Reinert (Cynic) & John Myung (Dream Theater). Snelwar helped co-write three of the songs for Gordian Knot, as well as contributing guitar work. Since his involvement with Gordian Knot, Snelwar has been incorporating mandolin, keyboard and string section programming into a foundation of classical, steel string and electric guitar arrangements to great effect. Michael Manring is a world-renowned, Grammy-nominated bassist who has appeared on over 100 studio projects, including recording and performing with Michael Hedges and Attention Deficit Disorder (with former Primus drummer Tim "Herb" Alexander). Michaels fretless bass parts play a vital role on Torn Between Dimensions, melodic but never overwhelming. For over 15 years, Mark Zonder occupied the drum stool for progressive metal legends Fates Warning. As Zonders fans would expect, he continues to push new boundaries on Torn Between Dimensions. Marks playing on the disc covers a lot of territory - from double bass drumming and odd time signatures, to jazz and Middle Eastern flavors. Snelwar describes Torn Between Dimensions as a concept album, but not in the strict sense of the word. I wanted to create a collection of songs where each would stand on its own, but exist as part of a greater whole. I strived to create something that would impact the listener, and incorporate many stylistic influences. Torn Between Dimensions is a tour de force of powerful, fluid prog rock that should appeal to progheads and rock fanatics alike! Torn Between Dimensions is housed in a digipak and features stunning artwork from noted surrealist Travis Smith.
    $5.00
  • Remastered edition of the band's second album comes with four bonus tracks.
    $9.00
  • "When I did my first listen to the opening and title track of Secret Sphere’s upcoming release, Portrait of a Dying Heart, I knew instantly that I was going to run out of adjectives for “awesome” before the review was done. It opens with a soft chime, then another, a quick announcement of something amazing to come, and it does. With a quick buildup, the textbook thunderous opening chord is hit, and the song goes from zero to hell yeah in a heartbeat. There is a personal term I like to use, an ”epic moment”, that describes those moments in a song, especially in prog songs, when all the jumping around and teasing and tension that is inherent in prog music is released and all the instruments come together, creating that personal release, that little moment of music that I thrive for. The opening track, Portrait of a Dying Heart has about five of these, and it’s an instrumental overture. The album kicks it up another five notches when the vocals enter the mix.Founded in 1997 by guitarist Aldo Lonobile in, Secret Sphere has been showcasing their own brand of symphonic power metal over a span of fifteen years and six albums, and even the departure of long time lead singer Ramon Messina didn’t stop them, as they found the amazing pipes of Michelle Luppi to take over on their new album.  Fellow founding member Andy Buratto on bass, Federico Pennazzato on drums, Marco Pastorino on rhythm guitar, and Gabriele Ciaccia on keyboards fill out the rest of the band. While they credit heavyweights such as Dream Theater, Helloween, and Savatage among their influences, Secret Sphere has definitely evolved a sound all their own.Portrait of a Dying Heart is a concept album, based on the short novel She Complies with the Night by author Costanza Columbo, and commissioned by Lonobile. The full text of the story is included in the release disc, but was unavailable at the time of this review; so many secrets will be awaiting the listener and this very anxious author. As to the album, holy crap is it good. Secret Sphere is classified as symphonic metal, but that term really doesn’t do justice to the sound of this latest release, it is a step beyond. Though symphonic elements are definitely present, they don’t by any means carry the musical timbre of the album, the sound presented here is one step up the evolutionary ladder from most symphonic metal fare.After the six minute overture is X, the track that introduces the story, and it does it in fantastic bard-like fashion. The opening guitar squeals are accompanied by expertly done flourishes from the rhythm and the drums immediately set a breakneck, frantic pace, setting up a suspenseful atmosphere for the coming events. Luppi’s vocals hit right away as emotional, powerful, and stellar across the board, whether he is in scream mode or in the more subdued narrator moments. This track uses its variant musical elements to set the stage, leading perfectly into Wish and Steadiness, which for me is the best track of the album. It opens with classic symphonic keys, and uses them perfectly to transition from the more subtle tension of X to this track, building up before literally exploding in a fiery wall of metal. Notes come fast here, very fast, drawing out the tension and angst of the listener quickly. The hints of the frantic drums in X are joined by all the other instruments, and the panicked despondency of Luppi’s voice can almost be tasted it is so palpable. Highlighting it is a soul wrenching solo by Lonobile, bringing the despair of the song to full front. I don’t say this often, but this song for me is near perfection, everything fits together so well.With the tone set, the album digs into telling the story in full, with a spectrum of styles and paces. It truly is a musical narrative, events and emotions ebb and flow throughout the album.  The next song, Union, takes on a softer tone, adding an organized edge to the metal. It is catchy as hell, and sets a silent fervor in motion for The Fall, which has epic all over it. All hands are in play in this one, another searing track that leaves the listener breathless.The album carries on in this fashion throughout its entirety. The multitude of musical styles and themes are performed wonderfully by every member of the band. Lonobile is a monster at lead, and Pastarino carries a heavy load on rhythm superbly. The drumming is frantic yet precise, the fills and rolls just fantastic. Bass is a subtle undertone of organized thunder, and the keys carry the heavy weight of the symphonic elements so well. Add to it Luppi’s vocals, which are emotional and powerful throughout, and Secret Sphere delivers all the requisite parts, firing on all the right cylinders. Collectively though, they combine to create a truly special piece of music.From beginning to end, Portrait of a Dying Heart is a musical narrative in every sense of the term, it carries the listener through a slew of emotional states. The album is not only a summation of its talented parts, but also has a touch of ethereal wonder, something uncommon in the genre. There is a hurried sense of desperation, almost akin to that feeling of trying to hang on to the world with a single string that is slipping fast, that is carried throughout the work. Artist strive to transmit emotion to the audience through their chosen medium, Secret Sphere uses this concept to take us on a thrilling ride of spiritual turmoil, and does it very, very well." - Lady Obscure
    $14.00
  • Live album that was originally only released in Japan. This is a remastered and expanded edition.
    $24.00
  • Third album from this Hungarian band finds them with a reconstituted lineup including a new vocalist in Matyas Harszti. Everwood are an interesting band. They aren't as technical as Perfect Symmetry or as crunch driven as Nemesis (or Age of Nemesis if you will). They mix elements of progressive metal with symphonic rock. One constant on their three albums is that there is a strong emphasis on melody with Eastern European themes sneaking in now and then. By the way , Haraszti acquits himself quite well in case you were concerned. He solidly conveys emotions in a way that reminds of Daniel Gildenlow.
    $3.00
  • Special edition of the 18th studio album from these British melodic hard rock stalwarts.  Comes with a bonus disc with unreleased acoustic and live tracks from the band's vault. "There are some bands who just seem incapable of making bad albums, the odd inconsistent one maybe, the odd ill advised departure, but never bad. Well step up with pride those Brummie boys Magnum, who over the last 34 years (admittedly with a 5 or 6 year break) have regaled us with some of the best British pomp you could ever care to hear. Which judging by studio album number 17, is something that isn't liable to stop anytime soon!To be fair, On The Thirteenth Day isn't the sort of album that is going to change any minds, I doubt very much that was intention. Instead it builds and ever so slightly expands upon the impressive catalogue Magnum have amassed over the decades and stands tall and proud alongside their most revered releases. Only nostalgia will stop long term fans of the band proclaiming that this release is as good as On A Storyteller's Night, or Wings Of Heaven (or whichever is their fave reminisce), but it is. Yes the formula runs pretty close to the last three Magnum offerings, Princess Alice And The Broken Arrow, Into The Valley Of The Moonking and The Visitation, but considering how pleasing on the ear they all were, the fact that On The Thirteenth Day betters them is recommendation enough.Ease into the uplifting "Shadow Town", the ever building and instantly memorable "So Let It Rain" (the stick in your head song of the album), the wonderfully titled and welcomingly familiar "Blood Red Laughter", or stomping, melancholy intent of "From Within" for confirmation that this is a vintage motor still running at full tilt. Pleasingly there are a couple of curve-balls, with "Dance Of The Black Tattoo" having a chunkier riff than this band are known for, while "Broken Promises" follows a similar path, but with a bluesier edge.The voice of the band, Bob Catley, maybe sounds a little lived in these days, but few frontmen can offer up the warmth and emotion of his delivery, while long standing (someone get him a seat please!) keyboard player Mark Stanway adds the layers of atmosphere that mark out the Magnum signature sound. The new (a decade of service still denotes newbies in this band!) lads also stack up well, with Harry James on drums and bassist Al Barrow proving once again that having the most solid of rhythm sections is priceless in any band of any genre. However without guitar player and songwriter Tony Clarkin, this band simply wouldn't be, so let's all doff our caps to "The Hat" and pay reverence to yet another cracking set of songs and another stunning six string performance.On The Thirteenth Day is a fantastic blend of all of the elements with which Magnum have impressed, seduced and won our affection for almost as long as we can remember now and is an impressive statement from a band that would have every right to be sitting with their feet up and living off past glories at this stage of their careers. The fact that they are not is a reason to rejoice and so is On The Thirteenth Day!" - Sea Of Tranquility
    $16.00
  • Fantastic third album from Flower Kings bassist Jonas Reingold's side project. New lineup includes Lalle Larsson on keyboards - he's one of the sickest, badest mo-fo players on the planet. Classically trained and chops from hell but plays with real sensitivity - not just blazing fast runs. Goran Edman is back on vocals as is drummer Zoltan Csörsz and Krister Jonsson on guitar. FK keyboardist Tomas Bodin guests as does Andy Tillson and Theo Travis - both from The Tangent. The album opens up with the 20 minute "Send A Message From The Heart" - a monster track that out-Flower Kings the Flower Kings. All killer - no filler. 100% prog guaranteed. Highly recommended.
    $13.00
  • Jabs is settling in and it feels pretty good.  This one doesn't quite hit the heights of Lovedrive but all in all not a bad hard rock album.
    $5.00
  • I and Thou is a new band project put together by Renaissance keyboardist Jason Hart. If you've seen Renaissance on their recent tours you've seen Jason perform all the symphonic/orchestral parts that really filled out the sound in a way that the old lineup couldn't without the aid of an orchestra.Not only does Jason play all the keyboards but he also is the lead vocalist and contributes on sundry instruments. His overall sound is extremely reminiscent of Tony Banks. Jason brought in a bunch of ringers from Izz - John Galgano plays bass, Paul Bremner is one of the guitarists, and Laura Meade contributes on backing vocals. Most of the guitar work is handled by Jack Petruzzelli. Oh yeah Steve Hogarth actually makes a guest appearance providing vocals on the last piece "Go Or Go Ahead" - a cover of a Rufus Wainwright tune.The music has a laid back and refined quality but there are still plenty of undercurrents of complexity that are most evident during the instrumental passages. Consisting of 4 epic length pieces plus the one cover the listener will be reminded of Wind And Wuthering period Genesis, Renaissance, Echolyn, and Izz. Quite a beautiful album, rounded out with beautiful cover art courtesy of Annie Haslam. Highly recommended.
    $11.00
  • Everyone has their favorite Rush album...this one is mine. "A Farewell To Kings" is a pure masterpiece of progressive hard rock. Their use of dynamic shadings on this record are outstanding, most notably on "Xanadu". Essential prog.  Remastered edition.
    $5.00
  • Legit live 2CD radio broadcast recorded in at Sendesaal, Bremen, Germany on 2/6/74 by Radio Bremen.  Magma-philes have been clamoring for an official release for years and MIG Music made it so.It features one of the great touring lineups:Christian Vander - drums & vocalsJannick Top - bassMichel Graillier - keyboardsGerard Bikialo - keyboardsClaude Olmos - guitarKlaus Blasquiz - vocals/percussion"Recorded by Radio Bremen, this double-CD document of a high sonic quality contains a slightly shorter than usual version of MEKANÏK DESTRUKTÏẀ KOMMANDÖH, and represents with the remaining tracks SOWILOI, DRUM SOLO and THEUSZ HAMTAAHK an indispensable supplement to MAGMA's other live albums."
    $18.00