You Lost Me At Hello (Digipak)

I stumbled on this band's debut, Cowboy Music, and they blew me away. It's a wild free for all guitar/bass/drums power trio that runs the gamut of free playing to metal skronk. The band has moved over to Rune Grammofon - expect more of the same!


"This is the second full-length release by Norway's Bushman's Revenge (Even Helte Hermansen, Gard Nilssen, Rune Nergaard). You Lost Me At Hello shows a distinct development from their debut Cowboy Music (Jazzaway, 2007). Founded by Hermansen and Nilssen in 2003 in their hometown of Skien, a couple of hours from Oslo, the trio aim to combine the jazz/improv background of the rhythm section with the rock/metal background of leader, composer and guitarist Hermansen to create their own expressive music inspired by names like Black Sabbath and Jimi Hendrix as well as Ornette Coleman and Albert Ayler. Hermansen is also a member of such diverse groups as Shining and Solveig Slettahjell's Slow Motion Quintet. Nergaard is from the northern town of Bodø and also plays in Humvee and the Eirik Hegdal Quartet, while Nilssen can be found in Puma, Humvee and Lord Kelvin. Both have a background at the Jazz Academy in Trondheim, breeding ground for musicians such as Arve Henriksen, Ståle Storløkken, Nils Petter Molvær, and many more. Musically, You Lost Me At Hello has an untamed energy, showing a looser and rougher side than the debut, yet with a more focused road-map towards free exploration. The production is quite heavy with a dark and dirty side to it, and within the Rune Grammofon catalog, this record is probably most comparable to Scorch Trio and Motorpsycho. Metal crunch, bass meanderings, free jazz space-drums, anthemic riffs, and bursts of scrawl and fire, Bushman's Revenge will lay to waste all other contenders."

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    $15.00
  • "Iridule pushes on the most abstract language derived from the avant-garde music of the Twentieth century (Ligeti, Xenakis, Nancarrow), but also on a typically rock rhythmical drive, thanks to a more aggressive drum-and-bass section and to heavier and multi-faceted sound, on the edge between Henry Cow, King Crimson and Frank Zappa, with the further novelty of the voice. You won’t miss, as in Labirinto d’acqua, great dynamical ranges, a scrupulous tymbrical research, an even more articulated and stratified rhythmical detail. Important guests as Elaine Di Falco, Dave Willey, Mike Johnson, Dave Kerman (practically speaking, the whole of Thinking Plague!), Guy Segers (Univers Zero), Michele Epifani (Areknames) and others make a kaleidoscopic and astonishing album."
    $16.00
  • District 97, is the only progressive rock band in the world to feature an American Idol finalist and a Chicago Symphony Orchestra virtuoso cellist.The band was formed in the Fall of 2006 by drummer Jonathan Schang, keyboardist Rob Clearfield, bassist Patrick Mulcahy and guitarist Sam Krahn. The foursome from Chicago honed a no-holds barred style of Liquid Tension Experiment-inspired instrumental rock before deciding the right vocalist was needed to complement their sound; enter 2007 American Idol Top 10 Femal Finalist, Leslie Hunt. With a look, sound and stage presence comparable to a young Ann Wilson, Leslie's dynamic performances pushed the band into a new direction that forged a unique marriage between accessible, cathy vocal melodies and an adventurous instrumental prowess.After attending a show and being highly impressed, Katinka Kleijn, cellist extraordinaire from the world renowned Chicago Symphony Orchestra joined the band. She was soon followed by one of Chicago's finest young guitarists, Jim Tashjian. With this new lineup of peerless musicianship in place, District 97 began wowing crowds and establishing a devoted fan base through packed shows at legendary Chicago venues such as House Of Blues, Schubas and Martyrs.Hybrid Child balances a meticulous attention to detail and studio-craft with the visceral power of a rock band that is firing on all cylinders. Running the gamut from Meshuggah-inspired metal, the epic majesty of Yes, and the melodicism of The Beatles, Hybrid Child unveils District 97 as a true force to be reckoned with, and one that is poised to take the music world by storm. With fans ranging from high school students to world class musicians, this process is clearly well underway.
    $14.00
  • "Esoteric Recordings are pleased to announce their next release in the continuing series of reissues of the entire catalogue by the legendary classical rock band Sky. Unavailable for over 20 years, "MOZART” has been newly re-mastered from the original master tapes and the original album artwork is fully restored. The booklet features a new essay."
    $16.00
  • First release apart from the long out of print Japanese edition from many years ago. Great "one and done" supergroup of sorts taht featured keybardist Graham Field (Rare Bird) and drumer Andy McCulloch (King Crimson) as well as guitarist/bassist/vocalist Alan Barry (who played with the Giles Bros.). Pure ELP worship in places as Fields dons his Emerson maks and rips up the Hammond. Barry is an adequate vocalist and even tosses in some Mellotron. This edition from Esoteric is 24 bit remastered and features 2 bonus tracks and extensive liner notes. Highly recommended.
    $17.00
  • After a 10 year absence Enchant are back.  The band started in 1993 making them one of the earliest prog metal band.  Actually they are sort of an interesting band in that they seem to exist in both the prog rock and prog metal realms.  Some metal fans think of them as a bit lightweight and some prog rock fans think they are too heavy!  One thing is for sure they are wildly successful.  This is definitely prog but it never loses sight of the melody.  Fronted by the great Ted Leonard (who is now doing double duty with Spock's Beard) this one is a no-brainer - whether you are metal or prog head.  "irst impressions are the similarities to Spock’s Beard. Hardly surprising since Ted Leonard has been singing with them since 2011. He’s been with Enchant longer; their first CD came out in 1993. And familiarity doesn’t breed contempt here, fortunately.Bay area progressive rockers, they steer a straight course composing guitar-structured songs that they extemporise over. Guitarist Douglas A Ott is also the band’s main producer, with The Great Divide having been recorded at his own studio, but if in the past the band’s followed his direction they’re now more involved after a ten year gap working on other projects. Also, while integral, Ott doesn’t dominate Enchant’s sound but flows in and out adding a hard rock bias to their generic musical flavouring. Drummer/percussionist Sean Flanegan and bassist Ed Platt have the solidity of early Kansas and musically there are some pretty snazzy and often too brief keyboard solos from Bill Jenkins.A rolling cyclical bass line forms the basis of opening number ‘Circles’ with Leonard pondering life going round well, like a circle – while the lyrics aren’t profound they feel right and though this isn’t a concept album, despite the band stating otherwise, there are common themes concerning the human condition in a loosely existential manner. Mainly straight verse and choruses ‘Circles’ breaks out into more complicated time signatures before an acoustic comes to the fore, vocals return, an electric guitar take over and it concludes with a nicely warm keyboard solo. ‘Within An Inch’ follows with a steady rock backbeat over which Ott’s playing echoes Camel’s Andy Latimer interrupted briefly by some John Ellis punk-styled sirening. ‘The Great Divide’ follows suit in a more epic manner, the arrangement akin to Genesis in their golden period.Enchant don’t play with the fairies, despite what their name suggests. If anything they’re two steps removed from an AOR sound leaning in towards early Asia with some latter day Beatles thrown in, and a less grandiose take on Spock’s Beard. One might refer to them as technically proficient rather than emotionally overwrought, meaning there is a heartfelt flavour to their songs, and they tend to grow on you.The subdued opening to ‘Life In A Shadow’ throws a brief curveball echoing the Canterbury sound of Hatfield & The North before a heavy chorded chorus takes this into a rocking tune with soulful harmonies. ‘Deserve To Feel’ pours on the technical drumming and dribbling triplet bass figures with some flashy pyrotechnics predominantly on guitar but with keen keyboard flourishes, moving into a more intricate musical score as Jenkins and Ott trade inspired lines towards its conclusion. Likewise, ‘Here And Now’ builds reflectively moving towards emotional drama.Finely composed, played well, Enchant’s The Great Divide might not have you falling under its spell, but you may well be surprised how you find yourself being drawn to playing it." - The Midland Rocks
    $12.00
  • "A tremendously popular act at home in the UK, their last album, Sensible Shoes (their first with Cuneiform) was a 2009 'Album of the Year' winner with the prestigious Mercury Prize. Led Bib regularly play large-scale festivals and concert halls in the UK as well as festivals and shows elsewhere in Europe. So, in the wake of the huge press attention lavished on them due to the Mercury, and having appeared on UK's Channel 4 News, performing their version of the theme music to literally millions in front of the telly, did the mighty Bib decide to tone it down? Turn it back a notch? Definitely not. If anything, Bring Your Own contains some of their hardest rocking material to date, mixing the full throated cry of the dual saxes over loudly amplified Fender Rhodes and heavy bass and drums. Those familiar with the Led Bib sound will recognize the trademark hooky melodies and idiosyncratic improvisation on this album. The raw energy and style remains, but it has never sounded so confident or accomplished, so genre-crossing and definition-defying. Here eastern melodies tumble into rock and roll grooves, there jazz phrases open up pastoral overtures, and elsewhere crescendos rise and disappear into whirring kraut-rock wormholes. I don't want to play up the association too much because Led Bib absolutely have their own sound, but their alto sax/Fender Rhodes/bass/drums sound will bring to mind the classic Soft Machine sound updated 40 years and with a big dollop of punk/jazz. The group has been playing together for over 7 years – and it shows. There’s an electricity here, a ‘group mind’ built out of a confidence in each of the member’s playing that means risks can be taken and their unique sound world cracked open and reassembled time and time again. The band has come a long way from their humble beginnings as Holub’s college music project! Led Bib were formed in 2003 and have had the same formation since their beginnings; Mark Holub, drums; Liran Donin, bass; Toby McLaren, Rhodes and Chris Williams and Pete Grogan, alto sax. "
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  • Justin Greaves continues to churn the lineup but the core sound of Crippled Black Phoenix remains the same.  Vocals are now helmed by Daniel Änghede and he's quite good.  Not sure why no one can hold down the fort at the microphone for more than one album but Greaves keeps finding quality voices.The sound of CBP is a modern twist on vintage Pink Floyd.  A mash up of post rock and old school prog rock.  No Mellotrons here but lots of splashes of organ at just the right time that will remind you of Richard Wright.  Contemporary but old all at the same time.  That's the enigma of Cripple Black Phoenix and what keeps me coming back for more, album after album.  Highly recommended.(Oh - apologies about the price.  The band is signed to Mascot Records, who for reasons unknown to either the band or their management, do not give CBP's albums a US release.  This is an expensive imported digipak)
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  • Killer retro-prog from Norway laced with strong elements of doom metal.  This band is an offshoot from the outrageous Procosmian Fannyfiddlers, a rather bizarre band that created a rather unique, expletive drenched form of burlesque prog.  This is something totally different and a hell of a lot better.  Highly recommended."Abandoned By The Sun’ is a non-linear narrative, its focal point being the dubious disappearance of a 15-year old girl, her disappearance securing a downward spiral and a grave ripple effect that threatens to ruin the lives of everyone close to her. The idea projected is that nothing can be worse than to lose someone dear without getting any answers.Opening track, ‘Sudden Dereliction’, establishes a link to the previous record and the album’s finale, ‘Finite’, offers a glimpse of what really happened that fatal day, though leaving the listeners sufficient interpretive space to make up their own minds. In-between these bookends, the music moves in multiple, unexpected directions, showcasing great melody lines, and a high degree of diversity, underlining the sadness and despair of the libretto’s protagonists.On ‘Abandoned By The Sun’, Mater Thallium explore the inter-human mechanisms at work when a person vanishes without a trace.This is old-school heavy progressive rock, with a twist of doom, topped with flourishes of Scandinavian folk music." 
    $17.00
  • It s nice to hear a band like Siena Root playing it for real in this overly-processed world that we live in. Power to them, and I wish them all the success in the world! - Mick Box (Uriah Heep)"Siena Root is an experienced live act and an experimental project with its roots in analogue old school rock music. The group was founded in Stockholm in the late 90s. The sound is classic but yet original, based on heavy organ, howling guitars, bass riffing and big drums. It is also often enriched with bluesy soulful vocals, various guest musicians and psychedelic vibes.Siena Root is well known for its unique spectra of appearances, its many great guest artists, its broad musical range and its different interpretations of rock music. Yet, with a foundation in a traditional quintet, and a sound rooted in late 60s analogue gear. Don't expect to experience the same Siena Root show twice.In the sense that blues is blue, hard rock is black, and reggae is pan African coloured, this music has the colour of siena. It is a warm colour, originally from the muddy roots of the earth. Because this sound has roots that go deep, it was also natural to let root be a part of the bands name.Four full length studio albums, one live album, one DVD and two 7 singles have been released so far, each one marking the development and refinement of the bands diverse style. Through touring the music has developed in such a way, that jamming and improvising has become an essential element, always keeping you on the edge of your seat. A Siena Root concert is dramatic and exciting, visually, as well as emotionally. It's a dynamic root rock experience.""The musical world is rich and powerful and that is also a correct description of Siena Root's music. This is a Swedish hard rock band which aren't very progressive but still play in a progressive spirit or a psychedelic mood, without being psychedelic thankfully. "Pioneers" which is totally new is their fifth record and all their records has got very high (but few) ratings on this site. Especially their first "A new day dawning" from 2003 and their third "Far from the sun" from 2008. 2014 year's record follows a five year spectrum of now records. Their record has a lovely cover with a yellow landscape and the sillouettes of the five band-members heads in the background sky. Left from former line up is Love Forsberg, the band's drummer and Sam Riffer, the band's bassist. Otherwise the lead guitarist and organist KG West is gone as well as the lead vocalist Sartez Faraj. They are replaced by the keyboardist Erik Errka Petersson(who has played with my choir actually), the new vocalist Jonas Åhlén and the guitarist Matte Gustafsson."Pioneers" is a record of very high standard music which will please folk who like the hard rock of the late sixties and early seventies. The music is straight and melodic, filled with heavy organ sound and a caressing hard rock vocal. The musicians themselves has beautiful beards and it's obvious they love what they are doing. The only shame is that they have chosen to sing in English, that makes their music less interesting. I compare with the Norwegian band Höst which did a better choice. But still this music is lovely and very pleasurable. I think almost every track is similarily good but "In my kitchen" is absolutely the best(9/10), calmer and more atmospheric than the others. "Between the lines" and "Root rock pioneers" are two other songs I recommend(8/10). The record is extremely even so you won't find any bad or uninteresting tracks. This is specially a band and a record for fans of classical hard rock such as the late sixties' Deep Purple. This record is definitely at least a four star record. Recommended!" - ProgArchives
    $13.00
  • Christina Booth is the charismatic vocalist for British symphonic rock band Magenta.  Her voice has always brought about comparisons to Annie Haslam (and in fact they recorded together).  Christina had a well documented successful battle with breast cancer.  It was during this time that she wrote the material for her second solo album.  The music doesn't have the complexity or full on "prog" nature but she is helped out by members of the prog community including Rob Reed, Chris Fry, JOhn Mitchell, Andy Tillison, and Theo Travis.  It would be difficult to call this commercial music.  I guess they call this adult alternative these days.  Its a great showcase for her wonderful vocal talents and is filled with tons of atmosphere.  Good late night listening.
    $14.00
  • Oxhuitza is an all instrumental project from guitarist/composer Luca Bassignani.  He has a full band backing him and its all overseen by Fabio Zuffanti.  The music tends to focus on his guitar playing but there is also a strong symphonic element present including Mellotron.  If anything it has a bit of a Crimson vibe but with an evil element present.  The music juxtaposes dark and forboding guitar with symphonic keys and accents of flute.  Bassignani has suggested that future albums might have vocals.  Why ruin a good thing?  Highly recommended.
    $18.00
  • This is the limited edition digipak version.Bjorn Riis isn't exactly a household name but if you are a fan of the Norwegian band Airbag he's more familiar than you realize.  Riis is the band's lead guitarist.  For his debut solo album he's enlisted members of Airbag in all aspects of the production.  Riis himself says that the sound doesn't stray too far from Airbag but its a more personal affair.  This is pretty accurate.  Riis is an avowed disciple of David Gilmour.  In fact he set up a website dedicated to Gilmour and his iconic (and easily recognizable) guitar sound.Many aspects of Airbag's three albums owe a heavy debt to Pink Floyd and Riis' solo album fits neatly into the same box.  The album consists of six tracks - three of which run 10+ minutes.  The easiest and most concise way to describe "Lullabies" is that it sounds like a head on collision between Wish You Were Here and The Division Bell.  Nothing wrong with that!  BUY OR DIE! 
    $15.00
  • Fifth album from this incendiary Estonian ensemble.  Phlox play a hybrid of Canterbury influenced prog and fusion.  While this is a live album, 5 of the 7 tracks are new and the other 2 are revamped.  Pearu Helenurm keyboards have an overdriven sound that evokes Dave Stewart at his raunchiest.  Guitarist Kristo Roots is a bit more laid back this time but when he unleashes the fury - watch out!
    $16.00