Wild Orchids

SKU: 79172
Label:
Inside Out Music
Category:
Progressive Rock
Add to wishlist 

New electric band effort from Mr. Hackett was long overdue. Wild Orchids marks the return of keyboardist Nick Magnus to the fold. The rest of the band are the cats that Steve has been recording and touring with for years now but there are augmented by the "Underworld Orchestra". The music has a subdued laid back vibe but of course we get those trademark withering solos that are unmistakably pure Hackett. Some world music influences creep into the mix in spots reminding of Peter Gabriel's solo work, while other tracks evoke the feel of Please Don't Touch. One curious inclusion is a cover of Bob Dylan's "The Man In The Long Black Coat" - Steve slays on it but...

There are no review yet. Be the first!

Product Review

You must login or register to post reviews.
Laser Pic

customers also bought

SEE ALL
  • "Brothers and Sisters, the Allman Brothers Band's first new studio album in two years, shows off a leaner brand of musicianship, which, coupled with a pair of serious crowd-pleasers, "Ramblin' Man" and "Jessica," helped drive it to the top of the charts for a month and a half and to platinum record sales. This was the first album to feature the group's new lineup, with Chuck Leavell on keyboards and Lamar Williams on bass, as well as Dickey Betts' emergence as a singer alongside Gregg Allman. The tracks appear on the album in the order in which they were recorded, and the first three, up through "Ramblin' Man," feature Berry Oakley -- their sound is rock-hard and crisp. The subsequent songs with Williams have the bass buried in the mix, and an overall muddier sound. The interplay between Leavell and Betts is beautiful on some songs, and Betts' slide on "Pony Boy" is a dazzling showcase that surprised everybody. Despite its sales, Brothers and Sisters is not quite a classic album (although it was their best for the next 17 years), especially in the wake of the four that had appeared previously, but it served as a template for some killer stage performances, and it proved that the band could survive the deaths of two key members." - Allmusic Guide
    $5.00
  • New 2CD live set recorded in North America 1998 and Japan 1999.
    $6.00
  • This is kind of a shocking release to turn up on Napalm Records. It looks as though they are joining the ranks of Nuclear Blast and Century Media in picking up progressive metal bands...and that can't really be a bad thing. Serenity hails from Austria. They've been kicking around for awhile but this is their debut release. The music is a mix of melodic and progressive metal with some power touches. Georg Neuhauser's vocals have a plaintive, emotional feel that suits the music quite well. They focus on melody but are smart enough to lure a prog head like me in with occassional instrumentals of the Dream Theater variety. Savatage, Vanden Plas, Threshold, DT - these guys have their bases covered. Solid debut. Highly recommended.
    $12.00
  • This one has been out of print forever and has now been properly remastered by EMI. At this point the band experimented with a more direct sound bordering on metal at times. I always loved that great Rodney Matthews cover.Please note this disc incorporates EMI copy control technology which seems to allow you to do whatever it is you would normally do with a CD but you can't rip it. Bummer.
    $11.00
  • Double live CD recorded on the 2010 US tour in support of The Incident.  The set includes a complete live performance of "The Incident" recorded in Chicago as well as additional material recorded at the Royal Albert Hall in London.
    $7.00
  • Kingfisher Sky is a new Dutch ensemble put together by former Within Temptation drummer Ivar De Graaf along with classically trained vocalist Judith Rijnveld. Ivar left Within Temptation to pursue other musical interests. His collaboration with Judith produced a brilliant debut that encompasses progressive rock, gothic metal and mystical Celtic themes. At times the music bears some similarities to the more mainstream direction that Within Temptation went with their latest release, but the music has more of a prog rock feel. There is a heaviness that permeates the album due to the background of the rhythm section (bassist Eric Hoogendoorn was in Orphanage) but despite the crunch of the guitars it never quite crosses over into metal. Judith's vocals are simply amazing - she sings with incredible control and range - somewhere between Sharon Den Adel and Christina Booth. This is not hyper-complex prog. It relies on moods created by the vocals and writing. The moodiness of the ballads evokes Kate Bush, Tori Amos, Peter Gabriel which the more agressive tunes suggest Porcupine Tree, Within Temptation and even Pink Floyd. For my particular taste this is a different kind of album that pushes the right buttons. If it was a bit heavier we'd probably be referring to it as a metal album but it's not (I do love that crunch though). The band's label is trying hard to not ride the Within Temptation connection too heavily, hoping that the band's music will stand on its own - it does and then some. Having said that it's impossible to deny the musical connection. Highest recommendation! Kingfisher Sky on Myspace
    $6.00
  • "A new interpretation of a classic RPI title! This is quite an undertaking, but it comes off in an outstanding way, giving new life to old friends. In contrast to so many reworkings of old pieces that I've heard in recent years, this one does not leave me only wishing to listen to the original. Rather, the new work stands well on its own, not only helping me listen to the original with new ears, but also bringing new insights and experience.In 1972, Latte e Miele released their debut, an incredibly ambitious work based on the Passion of St. Matthew, "Passio Secundum Mattheum." This is one of the seminal titles of 1970s RPI and has rightfully stood the test of time. The band would never equal this album, although the subsequent title, "Papillon", came close. After that the band broke up for a time, until drummer Alfio Vitanza reformed the band, with new members including bassist Massimo Gori. Their only album, "Aquile e Scoiattoli", has its moments but is inferior to the first two, and the band disbanded a few years later after moving toward more commercial music.In 2008 the band reformed, including all three original members (Vitanza and songwriter/keyboardist Oliviero Lacagnina, as well as guitarist Marcello Giancarlo Dellacasa) and Massimo Gori, bassist from the second generation of the band. The quartet released "Live Tasting", an excellent live album that portended of the good to come. Their time together also produced a wonderful new album, "Marco Polo: Sogni e Viaggi" in 2009.Over the years, Lacagnina never stopped composing his masterpiece, his "Passio". Now the quartet has recorded anew their masterpiece, adding those "new" compositions into the narrative. For example, "Il Pane e il Sangue dell'Alleanza" has been inserted right after "Ultima Cena", and "Il Rinnegamento di Pietro" and "Il Prezzo del Sangue" between "Il Pianto" and "Giuda". Also, the ending has been fleshed out significantly, with four new songs, and the final song, "Come un Ruscello che..." includes the final themes previously entitled "Il Dono della Vita". Also of note, a solo organ piece entitled "Toccata per organo" is placed just before "Calvario"--this is special, as it is an original take from 1972!The instrumentation is true to the spirit of the 1972 piece, although with an updated sound. Ditto the choir, which sometimes on the 1972 version is muted and thin--here the choir parts are strong, lush, and vibrant. The majority of the pieces that were rerecorded for this edition also maintain their compositional structure, although there are a few changes inserted (notably in "I Falsi Testimoni", the new version of "I Testimoni" parts 1 and 2). There is nothing that violates that spirit of the original work, though it is impossible to duplicate its wonderful innocence.Another unique feature of this album is the presence of several prominent figures from RPI providing the spoken Evangelist parts. These include Alvaro Fella (Jumbo), Lino Vairetti (Osanna), Silvana Aliotta (Circus 2000), Paolo Carelli (Pholas Dactylus), Aldo de Scalzi (Picchio dal Pozzo), Sophya Baccini, Elisa Montaldo (Il Tempio delle Clessidre), Giorgio D'Adamo (New Trolls), Max Manfredi, Simonluca, and Paolo Griguolo (Picchio dal Pazzo). It's a nice touch that really rounds out the album.The CD comes in a jewel case with a lyric booklet. I'm told that the pending Japanese version will contain a newly recorded composition as a bonus track. But don't wait for that one--go out and grab this one. You won't be disappointed. Four plus stars (Gnosis 13/15).Edit: I can't stop listening to this! Though it's not quite as good as the original, it's very close. I'm bumping it up to Gnosis 14/15, which is five stars on PA." - ProgArchives
    $25.00
  • "Steve Thorne returns with his fourth album, playing the majority of the instruments bar Nick D’Virgilio (Cirque Du Soleil/ex-Spock’s Beard) and Bob White on drums with Tony Levin and Gary Chandler (Jadis) also guesting. Also former IQ member Martin Orford pops out of musical retirement to play flute on two songs.What I like about Steve Thorne is his strong and topical lyrics, coupled with melodies that transcend the prog rock genre he is often lumped in. A bit like It Bites, Steve Thorne’s music can take in many musical influences to create an entertaining and enjoyable listen.‘Already Dead’ looks at modern culture and how modern technology can turn us into a nation of zombies. Good way to start the album with the heaviest and most aggressive song on the album. ‘Everything Under The Sun’ is a lovely piece of music, albeit rather sad as an older person looks back on their life and realises how alone they are now. The melodic vocal and subdued music add greatly to the song. ‘Distant Thunder’ is the nearest to classic Brit prog rock on the album, whilst Martin Orford’s flute expands the sound of ‘Moth To A Flame’ nicely. ‘Bullets & Babies’ again sees the heavier side of Steve Thorne’s work come to the fore tackling the subject of boy soldiers and how war affects people from an early age.An artist where you can start with any of his albums to date and not be disappointed. As mentioned previously Steve Thorne can appeal to the prog rock fans but also a wider audience who appreciate melodic rock with thought provoking lyrics." - Get Ready To Rock
    $6.00
  • "In 2002 Klaus Schulze released the second part of his box set series "Contemporary Works". "Virtual Outback" is the first of five CD's from this set, which was only previously available online and has been sold out / deleted for years. This new CD comes with a new booklet ( with new liner notes ) plus the Bonus track "Chinese Ears", which Schulze recorded for the China Millenium Show in Beijng."
    $16.00
  • "A new interpretation of a classic RPI title! This is quite an undertaking, but it comes off in an outstanding way, giving new life to old friends. In contrast to so many reworkings of old pieces that I've heard in recent years, this one does not leave me only wishing to listen to the original. Rather, the new work stands well on its own, not only helping me listen to the original with new ears, but also bringing new insights and experience.In 1972, Latte e Miele released their debut, an incredibly ambitious work based on the Passion of St. Matthew, "Passio Secundum Mattheum." This is one of the seminal titles of 1970s RPI and has rightfully stood the test of time. The band would never equal this album, although the subsequent title, "Papillon", came close. After that the band broke up for a time, until drummer Alfio Vitanza reformed the band, with new members including bassist Massimo Gori. Their only album, "Aquile e Scoiattoli", has its moments but is inferior to the first two, and the band disbanded a few years later after moving toward more commercial music.In 2008 the band reformed, including all three original members (Vitanza and songwriter/keyboardist Oliviero Lacagnina, as well as guitarist Marcello Giancarlo Dellacasa) and Massimo Gori, bassist from the second generation of the band. The quartet released "Live Tasting", an excellent live album that portended of the good to come. Their time together also produced a wonderful new album, "Marco Polo: Sogni e Viaggi" in 2009.Over the years, Lacagnina never stopped composing his masterpiece, his "Passio". Now the quartet has recorded anew their masterpiece, adding those "new" compositions into the narrative. For example, "Il Pane e il Sangue dell'Alleanza" has been inserted right after "Ultima Cena", and "Il Rinnegamento di Pietro" and "Il Prezzo del Sangue" between "Il Pianto" and "Giuda". Also, the ending has been fleshed out significantly, with four new songs, and the final song, "Come un Ruscello che..." includes the final themes previously entitled "Il Dono della Vita". Also of note, a solo organ piece entitled "Toccata per organo" is placed just before "Calvario"--this is special, as it is an original take from 1972!The instrumentation is true to the spirit of the 1972 piece, although with an updated sound. Ditto the choir, which sometimes on the 1972 version is muted and thin--here the choir parts are strong, lush, and vibrant. The majority of the pieces that were rerecorded for this edition also maintain their compositional structure, although there are a few changes inserted (notably in "I Falsi Testimoni", the new version of "I Testimoni" parts 1 and 2). There is nothing that violates that spirit of the original work, though it is impossible to duplicate its wonderful innocence.Another unique feature of this album is the presence of several prominent figures from RPI providing the spoken Evangelist parts. These include Alvaro Fella (Jumbo), Lino Vairetti (Osanna), Silvana Aliotta (Circus 2000), Paolo Carelli (Pholas Dactylus), Aldo de Scalzi (Picchio dal Pozzo), Sophya Baccini, Elisa Montaldo (Il Tempio delle Clessidre), Giorgio D'Adamo (New Trolls), Max Manfredi, Simonluca, and Paolo Griguolo (Picchio dal Pazzo). It's a nice touch that really rounds out the album.The CD comes in a jewel case with a lyric booklet. I'm told that the pending Japanese version will contain a newly recorded composition as a bonus track. But don't wait for that one--go out and grab this one. You won't be disappointed. Four plus stars (Gnosis 13/15).Edit: I can't stop listening to this! Though it's not quite as good as the original, it's very close. I'm bumping it up to Gnosis 14/15, which is five stars on PA." - ProgArchives
    $16.00
  • Fourth and final studio album from the original lineup. Still plenty of good stuff here but marred a bit by an attempt at English vocals.
    $18.00
  • Limited Edition Blu-Ray version featuring the 24bit / 96kHz stereo mixes and Dobly AC3 5.1 Surround mixes.So what does a heralded jazz organist do in his spare time?  Create an epic prog rock album of course.  Some of you may be familiar with Jim Alfredson and his organ jazz trio Organissmo.  Theo is a side project that must scratch Jim's itch to let loose with a whole arsenal of keyboards (don't worry - that Hammond figures quite prominently).  Its very clear that Jim is heavily influenced by the classic prog bands of the 70s. You can hear some elements of Yes, ELP, Pink Floyd and a host of classic rock bands in the DNA of the material but overall its a very contemporary sounding album.  In that way its similar to Beardfish in the sense that Jim takes the old school sounds and adds it to something modern so you here the echoes of the grand old days but it doesn't sound dated at all.  I can listen to stuff like this 24/7.  Highly recommended. "Formed by world reknown keyboardist Jim Alfredson (organissimo, Dirty Fingers, Janiva Magness, Greg Nagy Band, Root Doctor) THEO harkens back to the keyboard-centric superbands of the 1970s like Yes, Genesis, and Emerson Lake and Palmer, but with a distinctly modern and bold approach.THEO also represents a return to the concept of the keyboardist as a vital and irreplaceable part of the group, rather than a mere sideman.The intrepid and dynamic music is paired with auspicious lyrical themes of corporatization, consumerism, loss of innocence, exile, and the obsession with celebrity. Lead vocals are handled by Alfredson himself. Usually relegated to background duties, Alfredson's surprisingly flexible baritone voice shifts from soaring muscularity to intimate falsetto and everything between.The eponymous debut album features six tracks including an epic three song opening suite comprising 24 minutes."
    $17.00
  • First time on vinyl - now spread out over 6 sides of beautiful 180 gram vinyl.  Comes with the album on 2CDs as a bonus."A legendary band in their own right, The Flower Kings have been at the forefront of progressive rock since their formation in 1994 by guitarist, vocalist, composer, astronaut, chef and veteran nut head icon Roine Stolt. Dedicating themselves to producing a strain of prog they like to call symphonic rock‘, they incorporated classical music, movie soundtracks and both jazz, ethno, blues and seventies metal elements to much success - and building themselves a dedicated fanbase in the process over ten studio albums before taking a break.After a triumphant return to action in 2012 - following an almost 5 year hiatus, The Flower Kings released "Banks Of Eden" in the summer of that year to a brilliant reaction from fans and critics alike. In celebration they toured the world for the better part of a year, visiting locations including Europe, Japan, Russia, Israel & USA. The following year the band hit the road once again, this time with old friends Neal Morse & Mike Portnoy to celebrate the 20th Anniversary of label InsideOut Music, where they played a hugely successful prog extravaganza to packed venues across Europe and the US.Never ones to rest on their laurels however, The Flower Kings immediately entered Fenix Studio in Sweden to start work on the recording of a brand new album. Recorded "live" in this classic, but modern, studio and on reel to reel tape, the album features a glut of grand vintage keyboards such as Hammond B3, Mellotron M 400, Fender Rhodes, Minimoog and a whole host of Tube amps.The band even decided to try a new approach to writing and recording, assembling music on the spot and arranging it as a team.The result of this wonderfully collaborative effort is an epic 10 song cycle entitled ‚Desolation Rose‘; an album that revolves around some of the more disturbing observations of mankind's failure to create the paradise they once hoped for – and the greed, fear and ignorance that caused that failure. The scenario is an observation by an angel who resides in a mysterious tower, looking down on all this ongoing perpetual insanity, yet unable to reach out and help.The band is very much back to their cinematic and melodic symphonic rock best, but with a heavier edge no doubt honed while on tour for the past year. The 10 songs contained within are to be heard as a sequence and the lyric thread is wonderfully cinematic, but again it is more of an observation that works both as a whole or as separate parts. It might be considered one of their most focused efforts to date, such is the impact the tracks have on the listener from the very beginning. From the opening 14-minute tour-de-force that is ‚Tower‘, right through the moody swagger of ‚White Tuxedo‘ and beyond, this album sees the band crafting what might be their most varied album yet.The Flower Kings are truly back where they belong, at the beating heart of the modern day progressive rock scene, and ‚Desolation Rose‘ is testament to their continued vibrancy, sonic potency and determination to keep the music driving forward."
    $32.00