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Whatevershebringswesing

SKU: 07243-584354
Label:
EMI Harvest
Category:
Progressive Rock
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Deluxe remaster with bonus tracks of Kevin Ayers' third solo album. Fantastic lineup including Mike Oldfield, David Bedford, Robert Wyatt, Didier Mahlerbe and others.

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  • TRANSATLANTIC — the multinational progressive rock supergroup featuring vocalist/keyboardist Neal Morse (SPOCK'S BEARD, THE NEAL MORSE BAND), drummer Mike Portnoy (SONS OF APOLLO, DREAM THEATER), bassist Pete Trewavas(MARILLION) and guitarist Roine Stolt (THE FLOWER KINGS) — will release its fifth studio album, "The Absolute Universe", on February 5, 2021 via InsideOut Music. Representing the band's first new music since 2014's "Kaleidoscope", with "The Absolute Universe" the band has done something unique and created two versions of the record: "The Absolute Universe: The Breath Of Life (Abridged Version)" and "The Absolute Universe: Forevermore (Extended Version)".As Portnoy explains: "We've got two versions of this album. There is a two-CD presentation, which is 90 minutes long, and a single one — that's 60 minutes. However, the single CD is NOT merely an edited version of the double CD. They each contain alternate versions and even in some cases, new recordings. We wrote fresh lyrics and have different people singing on the single CD version tracks as compared to those on the double CD. Some of the songtitles have also been changed, while others might remain the same, but compositionally, what you'll hear has been altered."You must appreciate that what we have done is unique. We revamped the songs to make the two versions different."Trewavas adds: "We did write some new music for the single CD. What's more, there are also differences in the instruments used on some of the tracks across the two records."Each album will be available on CD, LP and digitally. But there will also be what has been called "The Absolute Universe: The Ultimate Edition", which collects both versions together in one lavish package that includes 5LPs, 3CDs and a Blu-ray that contains a 5.1 Surround Sound mix with visuals and a behind-the-scenes documentary. All editions have unique artwork created by Thomas Ewerhard.Initial tracking began in September 2019 when the band met up in Sweden to write and arrange the new material. As Portnoy explains: "Over a period of 10-14 days, we mapped out the songs. Then we all went back to our home studios and did the recording. That's the way we always do it. At one point, though, it was suggested that instead of doing what was by that time going to be a double album, we should just be content to do a single CD.""What happened was that everything kept expanding and expanding," recalls Stolt. "Therefore we decided it made sense to make it a double album. It was Pete and Neal who then came out and said they felt this would be too long, and we should reduce it to one…But we were already recording, and it didn't seem feasible to cut it back. There were so many pieces that each of us loved in what we were planning and didn't want to lose. That's when we ended up in discussions over the best way forward."This album also marks a return to the concept album for TRANSATLANTIC."Well, the idea of TRANSATLANTIC deciding to do a concept record this time around won't shock anyone, right?" laughs Portnoy. "What we have is essentially one giant composition, split into chapters. The storyline is about the struggles facing everyone in society today.""We didn't start out with the idea of this being conceptual," admits Stolt. "The way things work with us is that we have a load of ideas, and these are developed spontaneously when we meet up. Everything happens in the moment."So, how does this new groundbreaking album compare to TRANSATLANTIC's previous four albums?"I always try not to compare albums as much as possible," insists Morse. "It's very difficult when you're trying to be creative, because your natural instinct is to constantly compare. But in order to create you have to kind of step away from that. Having said that, I would say this would have more in common with 'The Whirlwind' album [the band's third, from 2009] than others that we've created."For Trewavas, "The Absolute Universe" is a momentous project. "I think it is right up there with the very finest albums we've done," he says. "As the others have said, it compares very well to 'The Whirlwind', which I believe represents TRANSATLANTIC at our best. As on that album, we took our time to write and arrange everything, and that shines through. I am very excited for people to hear it."TRANSATLANTIC formed in 1999 and released its debut album, "SMPT:e", the following year. Sophomore effort "Bridge Across Forever" followed in 2001, but the group went on an extended hiatus after Morse left SPOCK'S BEARD in 2002 to focus on his newly launched career in the Christian music industry.The group reunited in 2009 and released third album "The Whirlwind", which consisted of a single 77-minute track, that same year. A fourth album, "Kaleidoscope", was recorded in 2013 and released the following year, when it debuted at No. 6 on the German top album charts. The band has also released several live albums and live videos, most recently 2014's "KaLIVEoscope".Portnoy and Morse are frequent musical collaborators, having recorded more than a dozen albums together outside of TRANSATLANTIC, including three FLYING COLORS releases, three by THE NEAL MORSE BAND and seven Morse solo albums."
    $15.00
  • "The title of Even in the Quietest Moments... isn't much of an exaggeration -- this 1977 album finds Supertramp indulging in some of their quietest moments, spending almost the album in a subdued mood. Actually, the cover photo picture of a snow-covered piano sitting on a mountain gives a good indication of what the album sounds like: it's elegant yet mildly absurd, witty but kind of obscure. It also feels more pop than it actually is, despite the opening single, "Give a Little Bit," their poppiest song to date, as well as their biggest hit. If the rest of the album doesn't boast another song as tight or concise as this -- "Downstream" comes close but it doesn't have the same hook, while "Babaji," a pseudo-spiritual moment that falls from the pop mark; the other four tracks clock in well over six minutes, with the closer, "Fool's Overture," reaching nearly 11 minutes -- it nevertheless places a greater emphasis on melody and gentle textures than any previous Supertramp release. So, it's a transitional album, bridging the gap between Crime of the Century and the forthcoming Breakfast in America, and even if it's not as full formed as either, it nevertheless has plenty of fine moments aside from "Give a Little Bit," including the music hall shuffle of "Loverboy," the Euro-artiness of "From Now On," and the "Fool on a Hill" allusions on "Fool's Overture."" - All Music Guide
    $8.00
  • Moon Safari’s illusive comeback album following a decade of silence. Almost 70 minutes of no nonsense symphonic rock spread over nine tracks filled with soaring vocals, explosive guitars, thunderous low-end and those unwaivering romantic lyrics fans have come to expect. Mixed and Mastered by Rich Mouser.1. 198X (Heaven Hill) (3:55)2. Between the Devil and Me (10:38)3. Emma, Come On (3:19)4. A Lifetime to Learn How to Love (8:28)5. Beyond the Blue (2:12)6. Blood Moon (5:44)7. Teen Angel Meets the Apocalypse (21:03)8. Forever, For You (10:08)9. Epilog (3:22)
    $16.00
  • "English neo-progressive rock spear-header IQ has been furthering the genre in the 21th century with much acclaim. Sound-wise the band hasn't changed much since ' The Seventh House', but on this album the band has finally revolutionized their composition style, arrangements and production. The symphonic layering by Neil Durant has this adult feel, reminding me of 'Tilt' era Scott Walker or 'Blackstar' era Bowie ' yet drenched in a Bladerunner like delicate sci-fi universe. Somehow this album sounds like a collaboration of the band IQ and... well a new 'force' that can look beyond its songs, its verses, its solo's and its refrains. Because of this 'force' the band has also given new meaning to the prog epic. On 'Resistance' a prog epic isn't just a multi- song. Don't take me wrong ' I really like a track like 'The Narrow Margin' ' but on this album the longer tracks really make sense from a songwriting point of view. Bare with me. Like a in a small song, where a bridge can add to strengthening the final refrain ' IQ manages to intelligently intervene and keep the song growing towards that final refrain. Furthermore, the first cd, which is 'the album', flows like a continues experience. Almost like a movie, including some modern cinematic sound-effects. What also becomes apparent after a few spins is the absence of leaning on catchy refrains, which gives the music a modern feel ' at times almost hinting at modern classical music. Peter Nicholl's voice doesn't allow for much variation, but because of the distinctive atmospheres of the songs his performances do tick the box every time. This material doesn't need catchy line A or B, it needs a performer. The rhythm section of the band has found a perfect balance between fusion styled sophistication and adding to the effectiveness of the material. Guitar player Mike Holmes somehow comes off as a bit left behind in the old IQ with his Marillion/Floyd styled guitar solo's. On acoustic guitar his contributions strike me as more imminent ' like on 'Perfect Space'. If the band ever aims to top this album in the future ' which would prove extremely difficult I guess - the electric guitar will need to contribute in more diverse ways. Now about that second disc, which I will describe in a bit more detail because most reviewers will probably focus on the first disc. If that were an album; the 22 minute 'The Great Spirit Way' alone would suffice for an indispensable purchase. Personally, I think this song is placed right after the rather dark and soundtrack-like first disc because it matches best stylistically. 'Fire and Security' is a more traditional IQ piece ' albeit a bit bleak - with a balled type opening, some darker passages and a melancholy ending section with some strong lead guitars. On 'Perfect Space' the band drives its jazz/fusion influences to the max, which will perhaps turn of some ' but I like it. The second epic, the 20 minute 'Fallout' is a bit more relaxing, abstract and dreamy. In its second halve the band experiments beautifully with sophisticated chord progressions, which also allows for Holmes' most interesting guitar solo. Conclusion. Without a doubt this will become the progressive album of 2019 and I hope it will inspire a lot of other neo-progressive bands to elaborate and expand on their Marillion/Genesis/Floyd roots and take the music to a next level of artistry. This album will probably outshine the nostalgic likings of many of its listeners, but it may also attract listeners that have previously written off the neo-prog genre. " - ProgArchives
    $15.00
  • 2020 came to a close with LIQUID TENSION EXPERIMENT announcing their return and new album to be released on InsideOutMusic. Today, the legendary supergroup comprised of Mike Portnoy (Transatlantic, Sons of Apollo), John Petrucci (Dream Theater), Jordan Rudess (Dream Theater), and Tony Levin (King Crimson, Peter Gabriel) are pleased to officially announce that the new album ‘LTE3’ will be released on March 26th, 2021 via InsideOutMusic, twenty-two years after the bands’ last studio album. “After over 20 years since the last time we recorded together, the four of us stepped into the studio and it was as if no time had passed at all! All of the magic that made the first two LTE albums so special was still there and we had such a great time making this record. I’m extremely proud of what we created together and can’t wait for everyone to hear it!”-John Petrucci“The best thing to come out of 2020 was this long-awaited reunion! And it was surely worth the wait as after all these years, the magic chemistry was still there and stronger than ever!”-Mike Portnoy
    $39.00
  • "The Chronicles of Father Robin is a Norwegian prog-rock supergroup, with members hailing from Norway’s symphonic prog kings Wobbler, the ever non-definable Tusmørke, seasoned post-rockers The Samuel Jackson Five and the elusive prog gem that is Jordsjø. “The Songs & Tales of Airoea”, 30 years in the making, is a cohesive triple concept album with 18 songs set in an alternate archaic world for over a period of three decades.  The first album, “Book I”, will be released on September 15th.The Chronicles of Father Robin (TCOFR) emerged from the remains of the band Fangorn back in 1993- 94, mainly inspired by the classic bands and albums of the early 1970s progressive music scene, alongside contemporary bands like Änglagård, Anekdoten, White Willow and Landberk.During the years the boys created the story of the entity Father Robin. The root idea was that this creature embodied all the members of the band into one being. And as the members experienced challenges in life and their development as human beings, this translated itself into the story of Father Robin, sprinkled on top with a fair amount of inspiration from different mythologies and such. Through lengthy jam sessions and then more finely tuned arranging and structuring, the band developed an ongoing system where every song linked itself to the others. Holistic impulsivity and ideas, altruistic friendship, music, fantasies and coherent concept - all melded together in one pot, and everything took place in the archaic world of Airoea."
    $14.00
  • "Islands is the new double album by progressive rockers THE FLOWER KINGS. After the group’s much celebrated return in 2019 and the highly successful “Waiting For Miracles”, creative mastermind Roine Stolt (Transatlantic, The Sea Within, Anderson/Stolt etc.) now presents 92 minutes of brand-new music with his competent line-up also featuring Hasse Fröberg, Zach Kamins, Jonas Reingold, Mirko DeMaio and special guest Rob Townsend. Due to the Covid-19-pandemic the album comes out quite a bit sooner than originally planned as Roine explains: “All shows and festivals were cancelled and the future didn’t really ‘unfold’ itself like we had hoped. To sit out the pandemic with no activities was not an option for us. We cannot be stopped by an evil virus. With members living in the USA, Italy, Austria and Sweden the only way was to use the magic of the ’net’ sending files and start building, what now became, a double album of 21 songs.” The 92 minutes long “Islands” features artwork by legend Roger Dean (Yes, Uriah Heep etc.) and all trademark sounds and melodies, the band is known for. From vintage keys to epic guitar solos, from odd drum patterns to symphonic elements, THE FLOWER KINGS present a superb, playful and complex record."
    $18.00
  • Steve Hackett returns to his roots.  This is the second time he's revisited the Genesis years.  This two disc set features reworking of material that Steve co-wrote.  In addition to members of his touring band, he has assembled an amazing array of guest musicians to help reinterpret classic Genesis compositions: Roger King, Amanda Lehmann, Christine Townsend, Dave Kerzner, Dick Driver, Francis Dunnery, Gary O’Toole, John Hackett, John Wetton, Mikael Akerfeldt, Nad Sylvan, Nik Kershaw, Phil Mulford, Roine Stolt, Steve Rothery, Nick Magnus, Neal Morse, Jeremy Stacey, Conrad Keely, Nick Beggs, Steven Wilson, Rob Townsend, Jakko Jakszyk, Simon Collins, Lee Pomeroy, Djabe.Tracklisting Disc 1:The Chamber of 32 Doors (6:00)Nad Sylvan: VocalsSteve Hackett: GuitarsDick Driver: Double bassRoger King: KeyboardsGary O'Toole: DrumsChristine Townsend: Violin, ViolaRachel Ford: CelloJohn Hackett: FluteBenedict Fenner: Additional ProductionHorizons (1:41)Steve Hackett: GuitarsBenedict Fenner: Additional ProductionSupper’s Ready (23:35)Mikael Akerfeldt: Vocals (1)Simon Collins: Vocals (2)Steve Hackett: Guitars, Vocals (3)Conrad Keely: Vocals (4)Francis Dunnery: Vocals (5)Lee Pomeroy: BassRoger King: KeyboardsJeremy Stacy: DrumsDave Kerzner: additional Keyboards & programmingBenedict Fenner: Additional ProductionThe Lamia (7:47)Nik Kershaw: VocalsSteve Rothery: GuitarsSteve Hackett: GuitarsLee Pomeroy: BassRoger King: KeyboardsGary O'Toole: DrumsJohn Hackett: FluteBenedict Fenner: Additional ProductionDancing With The Moonlit Knight (8:10)Francis Dunnery: VocalsSteve Hackett: GuitarsLee Pomeroy: BassRoger King: KeyboardsJeremy Stacey: DrumsJohn Hackett: FluteRob Townsend: Soprano Sax, WhistleFly On A Windshield (2:54)Gary O'Toole: Vocals, DrumsSteve Hackett: GuitarsRoger King: KeyboardsLee Pomeroy: BassBroadway Melody of 1974 (2:23)Gary O'Toole: Vocals, DrumsSteve Hackett: GuitarsLee Pomeroy: BassRoger King: KeyboardsThe Musical Box (10:57)Nad Sylvan: VocalsSteve Hackett: GuitarsLee Pomeroy: BassRoger King: KeyboardsGary O'Toole: DrumsRob Townsend: Soprano SaxCan-Utility And The Coastliners (5:50)Steven Wilson: VocalsSteve Hackett: GuitarsNick Beggs: BassRoger King: KeyboardsGary O'Toole: DrumsChristine Townsend: ViolinRob Townsend: WhistlePlease Don’t Touch (4:03)Steve Hackett: GuitarsDick Driver: Double BassRoger King: KeyboardsGary O'Toole: DrumsJohn Hackett: Flute- Total: 73:20 Tracklisting Disc 2: Blood On The Rooftops (6:56)Gary O'Toole: Vocals, DrumsSteve Hackett: GuitarsDick Driver: Double BassPhil Mulford: BassRoger King: KeyboardsRachel Ford: CelloChristine Townsend: ViolinRob Townsend: Soprano SaxThe Return Of The Giant Hogweed (8:46)Neal Morse: VocalsSteve Hackett: GuitarsRoine Stolt: GuitarsLee Pomeroy: BassRoger King: KeyboardsGary O'Toole: DrumsJohn Hackett: FluteBenedict Fenner: Additional ProductionEntangled (6:35)Jakko Jakszyk: VocalsSteve Hackett: GuitarsRoger King: KeyboardsAmanda Lehmann: Harmony VocalsEleventh Earl Of Mar (7:51)Nad Sylvan: VocalsSteve Hackett: GuitarsNick Beggs: BassRoger King: KeyboardsGary O'Toole: DrumsRipples (8:14)Amanda Lehmann: VocalsSteve Hackett: GuitarsPhil Mulford: BassRoger King: KeyboardsGary O'Toole: DrumsUnquiet Slumbers For The Sleepers … (2:12)Steve Hackett: GuitarsRoger King: KeyboardsGary O'Toole: DrumsBenedict Fenner: Additional Production... In That Quiet Earth (4:47)Steve Hackett: GuitarsNick Beggs: BassRoger King: KeyboardsGary O'Toole: DrumsRob Townsend: Soprano SaxAfterglow (4:09)John Wetton: VocalsSteve Hackett: GuitarsPhil Mulford: BassRoger King: KeyboardsGary O'Toole: DrumsAmanda Lehmann: Harmony VocalsA Tower Struck Down (4:45)Steve Hackett: GuitarsDick Driver: Double BassRoger King: KeyboardsRachel Ford: CelloJohn Hackett: FluteChristine Townsend: ViolinsCamino Royale (6:19)Steve Hackett: Guitars, VocalsAttila Egerhazi (Djabe): GuitarRoger King: KeyboardsNick Magnus: Keyboards; AtmospheresGary O'Toole: DrumsSzilard Banai (Djabe): DrumsTamas Barabas (Djabe): BassZoltan Kovacs (Djabe): PianoFerenc Kovacs (Djabe): TrumpetBenedict Fenner: Additional ProductionShadow Of The Hierophant (10:45)Amanda Lehmann: VocalsSteve Hackett: GuitarsSteven Wilson: GuitarNick Beggs: BassRoger King: KeyboardsGary O'Toole: DrumsRob Townsend: Soprano Sax, Flute 
    $17.00
  • "Men Who Climb Mountains 2019 is an updated version of the 2014 release. This version is the same as the one included in the First 40 Years box set and only now becomes available as a separate release double CD. All the drums have been re recorded by new drummer Jan Vincent Velazco, and the whole album has been remixed by Karl Groom and Nick Barrett."Disc 1Belle AmeBeautiful SoulCome Home JackIn BardoFaces Of LightFaces Of DarknessFor When The Zombies ComeExplorers Of The InfiniteNetherworld Disc 2 Live At TwigsThe VoyagerA Man Of  Nomadic TraitsThis Green And Pleasant LandNostradamusPaintboxKing Of The CastleIndigo FreakshowMasters Of IllusionSpace CadetEdge Of The WorldIt’s only MeOur original write up:Its been three years since the last Pendragon album.  To be honest I hadn't checked in on them in quite some time so it was interesting to listen to their latest - it was very different from what I expected.  Guitarist Nick Barrett has gone all Roger Waters on us - he wrote all the music and lyrics - so this really has evolved very much into a personal vehicle for him.  The usual bandmates of Peter Gee and Clive Nolan are on board and now joined by new drummer Craig Blundell.  Men Who Climb Mountains is a concept album but Barrett isn't spelling it out - you're going to have to work at this one.  The musical mission of the band has clearly changed over the years.  Don't have any hesitation - its full on prog but much more contemporary sounding.  The symphonic flourishes from the old days aren't quite so obvious - which isn't to say you won't notice Clive Nolan's presence.  Its simply that this is a bit more of a guitar driven vehicle than decades ago and Barrett's mournful solos have that nice Hackett-esque feel that always draws my attention.  I have to say I'm impressed.  Highly recommended.
    $21.00