The Warrior's Spell

SKU: HCR16
Label:
Heavy Chains Records
Category:
Hard Rock
Add to wishlist 

Like Uriah Heep?  Deep Purple?  What about Black Bonzo?  Yeah???  Well we've got a band for you.  Tarot are a trio from Australia.  Using the pseudonyms of The Hermit, The Hierophant, and The Magician they whip up some awesome retro-hard rock/proto prog that will make you think you are listening to some recently unearthed archival album from 1972.  Heavy swirls of Hammond organ and analogue synths abound underpinning the old school guitar solos.  Is that a real 'tron?  No clue but it sounds close enough for me!!

This CD is actually a compilation that pools together the bands previous cassette releases and adds on 2 new tracks.

The spirit of Jon Lord wafts through the aether as you listen to this one.  Its got the vibe through out.  If they would have just added some flute I think they would have sent me over the edge but as is its a non-stop killer that pushes all the right buttons.  BUY OR DIE!

"Here's a very intriguing release brought to us by Australian label Heavy Chains Records, the latest from psych/prog/hard rock act Tarot (not to be confused with the veteran Finnish metal band of the same name). The Warrior's Spell contains songs from various 2014 cassette & compilation releases and brings them all together on one CD. Tarot are comprised of The Hermit (guitar, organ, synths, vocals), The Hierophant (bass), and The Magician (drums)...not household names by any means, but their music is just as mysterious as their stage names. "The Watcher's Dream" and "Twilight Fortress" offer swirling, '70s styled prog rock keyboards, effects laden vocals, and heavy rock guitars, and the nightmarish "The Wasp" gives the listener a heavy dose of occult rock mixed with some serious Deep Purple & Uriah Heep influences. You'll hear some vintage Wishbone Ash on the soaring "Eyes in the Sky" as well as the title track, two majestic rockers with plenty of searing lead guitar, Hammond organ, acoustic guitar, and emotional vocals. Other highlights include the heavy "Street Lamps Calling", complete with irresistible harmony guitar work, the gritty blues/prog rocker "Mystic Cavern" (which could have been a leftover from Deep Purple's Machine Head), the evil sounding "Dying Daze", the lumbering psych/doom that is "Life and Death", and the dark yet groove laden "Vagrant Hunter".

To be honest, there's not a weak track to be found here on The Warrior's Spell, an album full of surprises and more than a healthy nod to classic sounds of the '70s. Though a name change would probably be recommended to differentiate themselves from Finland's Tarot, either way this is a serious band with some serious talent, and this new release is going to get some major time in my CD player for the foreseeable future. Highly recommended, and a band to keep your eye on." - Sea Of Tranquility

 

There are no review yet. Be the first!

Product Review

You must login or register to post reviews.
Laser Pic

customers also bought

SEE ALL
  • Originally released privately in 1978 and long sought after by collectors, III was the one off album by this Dutch progressive rock band. The dual guitar driven quartet injected a touch of anarchy into their mix of improv and Crimso influenced prog. This release marks the first time it has ever appeared on CD. It comes with extensive unreleased bonus material, detailed liner notes and unpublished photos. The album was mastered by audiophile engineer Bob Katz from the original analogue master tapes. This is a strictly limited edition of 500 copies and arrives housed in an old style mini-LP tip-on sleeve.
    $27.00
  • "Factory of Dreams is a project uniting multi-instrumentalist Hugo Flores and Jessica Lehto, on vocal harmonies and arrangements.Hugo Flores formed the band "Sonic Pulsar", which released two albums, 'Playing the Universe', in 2003, and 'Out of Place', in 2006. The success of the two albums further inspired Hugo to create a massive multi-album story project under the moniker "Project Creation", from which he released another two albums, 'Floating World' in 2005 and 'Dawn on Pyther' in 2007.In 2008 Hugo was once again inspired, this time by vocalist Jessica Lehto to create new music outside of the style he'd been working. In 2008, the duo released 'Poles'. It was received well critically, and they followed the success with 'A Strange Utopia', in 2009. 'Melotronical' followed in 2011.Jessica Lehto has performed on many outside projects, including recently on Beto Vazquez and Infinity's, 'Beyond Space Without Limits'. Lehto has her own project: 'Once There Was'. She's now also writing music and scripts for TV and movies."This is the kind of album that is a pleasure to experience.'Prelude' is a warning of a conceptual sci-fi future that follows the adventures of Kyra, a unique and mysterious character who holds the key to the Earth's fate. Angela Merrithew narrates the opening as Kyra, as she awakes exhausted and in distress from a dream, to a world in transition. The spacey synth sound effects are some of the best I've heard since last year's masterpiece, Atoma's 'Skylight' The rapidly increasing decibels of the pre-launch rocket sounds will take your mind out of this world. Close your eyes as you are listening to this one. It is as visual as it is an incredible aural experience.More cool spacey synths and keys, offered by Shawn Gordon as 'Strange Sounds' opens, before Jessica Lehto's beautiful soprano voice slices through the mix. Her siren calling sounds are simply ear-bending. Then piano – like keys take over along with growling lead electric guitar and pulsating drums and bass. "The stars are screaming. A storm is coming". Yes, a storm of vicious thrashing electric guitar…and it is fantastic set against Lehto's soprano. Excellent.Shawn Gordon is back to add some more very cool spacey synths as 'Escaping the Nightmare' opens slowly. Then Lehto's voice returns with male vocal support from Flores. The amount of spacey electric guitar solos flying around the soundscape will amaze you.'Angel Tears' opens with piano – like keys and Raquel Schüler on lead vocals. It is a soft song, full of emotion. "Kyra I wanna be with you. Kyra please let me through. Kyra share your dreams with me. Kyra don't shut me out", as destruction across the planet fills the storyline. Power keys, flashing electric guitar licks, heavy bass and drums overwhelm. Mark Ashby provides narration, as Kyra's boyfriend, as the two drive out of the destruction of the collapsing city to the seashore ahead.Nathan Ashby, as the child, opens 'Seashore Dreams' with story narration. Then, Tadashi Goto provides some awesome synth solos. Later Lyris Hung provides expert violin dashes which will be remembered long after the album completes. All this excellent music while Lehto's dream-like voice soars over the soundscape.'Dark Season' opens slowly with excellent synths before slowly growing drum pulses turn into full blown thunder. Magali Luyten's vocals provide a dark and powerful magic to this track.'Sound War' is full of brilliant keys at the opening, before piano like keys take over. Lehto's voice races to catch up to the keys fleetingly dancing across the soundscape as crushing bass, drums and grinding lead electric guitar roar forward.'Hope Garden' offers some of Chris Brown's guest slicing electric lead guitar soloing. Lehto's voice is consistently brilliant as she continues to deliver the spacey storyline. The thundering bass, drums and Brown's electric lead will make this track memorable long after the disc finishes."Show me the way to your mind" from the soft and beautiful voice of Lehto, as Chris Brown's roaring electric guitar solos and Tadashi Goto's synth solos electrify 'Traveling'. "Childhood memories. Hidden and now awaken. Reaching the deep corners of Space. Entering the realm of the Star's Mind..." Yes!'The Neutron Star' is full of Chris Brown's power electric guitar grinding, while Lyris Hung provides soft violin to balance the sound as Lehto and Flores help provide the continuing storyline and vocal effects.Mark Ashby returns to narrate the opening of 'Join Us Into Sound', as Tadashi Goto provides stellar synth solos, while the rushing electric lead guitar, bass, and pounding drums deliver their consistent rhythm.'Playing the Universe' closes the album with soft and dramatic accelerating keys that are some of the best on the album. Then the lead electric guitar explodes as the bass and drums build a powerful wall of sound surrounding the soft flute like keys in the middle. Lehto's siren – like vocals call you from the center of the mix as those electric riffs cut and bend all around you. Nice effect. ;^)This is an album filled with great music and excellent female lead vocalists. The storyline is interesting and the lyrical development is well conceived. Definitely an album you will want to experience with headphones in the comfort of your easy chair…with your eyes closed. Venefica Luna's artwork is simply out of this world. Some of the best I've seen since the 'Master', Ed Unitsky. Let the story unfold as you bask in the glow of the surrounding soundscape." - Sea Of Tranquility
    $3.00
  • Deluxe CD/DVD edition includes bonus DVD.2012 release, the fifth official solo album from the AOR/Melodic Rock singer/songwriter. Jeff Scott Soto has more than 60 albums under his belt along with numerous collaborations and recordings around the world and has established himself as a consummate professional who sings masterfully in all musical genres, from Metal to Hard Rock to Funk and even Disco. His career spans nearly thirty years, beginning as the vocalist for guitar virtuoso Yngwie Malmsteen leading to frontman for many bands such as Talisman, the legendary Journey, Soul SirkUS and more recently Trans-Siberian Orchestra.
    $7.00
  • "Esoteric Recordings are pleased to announce the release of a newly remastered anthology featuring the best of the recorded output by the legendary Danish band BURNIN RED IVANHOE, drawn from the recordings made for Sonet Records between 1969 and 1974.Burnin Red Ivanhoe are legends of the Danish Progressive Rock scene of the late 60s / early 70s. Formed in Copenhagen in 1967, the band initially featured the talents of KARSTEN VOGEL (Saxophones), STEEN CLAESSON (Guitar, Vocals), STEEN LANGE (Bass) and BO THRIGE ANDERSEN (Drums). Signing to Sonet Records in Denmark in December 1969, the band issued their first album "M 144” in 1969. Over the next few years the band’s line-up varied, but the string of albums such as "Burnin Red Ivanhoe”, "WWW”, "Miley Smile / Stage Recall” and "Right On” released between 1969 and 1974 gained many admirers throughout the world, including John Peel (who signed the band to his Dandelion label). Burnin Red Ivanhoe’s unique fusion of Jazz, Rock and the Avant Garde was as imaginative as anything emerging from the embryonic German rock scene of the time and remains impressive forty years later.This anthology has been newly remastered from the original master tapes and features an illustrated booklet with new essay."
    $19.00
  • Digipak edition with one bonus track"Fans of gothic metal, rejoice! Tristania, one of the genre’s true pioneering bands, has just released their seventh studio album entitled Darkest White. The Norwegian powerhouse act has a storied fourteen year history stretching back to their 1998 debut – and they haven’t lost a step thanks to some much needed lineup stability. Darkest White contains all the near-theatrical arrangements, darker moods, and diverse tones that fans of the band would expect – delivered with a solid three-singer attack and technically tight musicianship. After numerous line-up shuffles, the now stable group has really hit their stride again, producing an album that clearly outshines their previous effort (2010’s middling Rubicon).Tristania has always focused on delivering solid vocal performances, and continue on with the duet of the angelic Mariangela Demurtas and the theatrical Kjetil Nordhus. Demurtas has a silky, clear voice and she remains her own singer rather than pushing towards the operatic stylings of other Gothic bands. Nordhus delivers with great emotion and depth, whether singing softly and clearly or doing some Broadway-style emoting. Guitarist Anders Høyvik Hidle now contributes a good amount of growled / death metal vocals, giving the band a bit of “beauty and the beast” sound at times. Overall, Tristania continues to deliver the clear and precise metal that has won them a worldwide following. Excellent musicianship backs up the great vocal harmonies, delivered by guitarists Hidle and Gyri Losnegaard, keyboard player Einar Moen, and bottom end Ole Vistnes (bass / backing vocals) and Tarald Lie (drums).“Number” opens the release with growled vocals and a kicky drum line, intense bass and great guitar hooks. Demurtas and Nordhus also contribute well done duet vocals making this track the quintessential example of the rebuilt Tristania. The heavy and intense “Darkest White” showcases the male vocalists. This track has a more conventional heavy metal feel to it, with strong contributions from guitars, bass and drums. “Himmelfall” is a slower, darker rock tune with hooky guitars and a great rolling rhythm line, and theatrical vocals by all. “Requiem” is a sweeping, epic soft track – very different from the previous songs. Demurtas’ voice is at its best here, and the softer keys and guitars combined with multi-layered vocal harmonies make it arguably the best track on the album. The languorous vocal lines of “Diagnosis” contrast nicely with the high speed rhythm lines, and both carry emotional intensity.“Scarling” starts off as almost an old school rocker, but becomes a moody progressive / Gothic track driven by vocals and drums. The vocal chorus, and interplay amongst the three leads is quite impressive. “Night on Earth” features great growl vocals over a simple but effective guitar riff and a real head banging rhythm line. The haunting “Lavender” is a major contrast, filled with soft guitars and mellow, soft vocals – the epitome of dramatic rock. “Cypher” is a somewhat gloomy sounding rocker with very well done male vocals and a brooding rhythm line. “Arteries” wraps up the CD, and features great back and forth between growl and clean voices along with top notch drum and bass.Darkest White is a very good release from a veteran band. The returning lineup now has a good deal more experience working as a team and has gelled into something special. Although the band’s technical abilities were never in doubt, they have addressed the weaknesses apparent in their last album – the song structure is better, the lyrics and themes more consistent, and the members of Tristania now seem more comfortable working together. They are tight and confident, once again pushing musical boundaries. Diversity in song style, tempo, and tone highlight the band’s superb use of multiple singers, and keeps the album interesting throughout. The excellent production values and strong engineering allow the many subtleties and great depths of the music to flow without seeming forced or unnatural.Highly recommended for fans of the genre." - Hard Rock Haven
    $13.00
  • "Il Segno del Comando began life in Genoa in 1995 as a studio project with the aim of reproducing the sound and the atmospheres of bands from the seventies such as Goblin, Il Balletto di Bronzo or Jacula. In 1996 an eponymous album was released on the independent label Black Widow Records, inspired by the novel of the same name by Italian writer Giuseppe D'Agata. In 2001 the band released e second album, Der Golem, inspired by a novel by Austrian writer Gustav Meyrink. In 2013, after a long hiatus and with a renewed line up featuring founder member and main composer Diego Banchero (bass, keyboards, Theremin) along with Giorgio Cesare Neri (guitars), Maethelyiah (lead and backing vocals), Fernando Cherchi (drums, percussions), Maurizio Pustianaz (keyboards, piano, organ), Roberto Lucanato (guitars) and Davide Bruzzi (giutars), the band released another concept album inspired by a novel by Gustav Meyrink, Il volto verde (The Green Face). Many prestigious guests contributed to enrich the sound, among others Claudio Simonetti from Goblin, Gianni Leone from Il Balletto di Bronzo, Martin Grice from Delirium, Vinz Aquarian from Il Ballo delle Castagne or Sophya Baccini. The result is excellent and the music and lyrics perfectly fit the concept although I fear that is almost impossible to completely appreciate this complex work without having read the book that inspired it.The Green Face was written in 1916 and is set in a surreal Amsterdam post World War I. It is is pervaded by a strong sense of mysticism and spirituality... "I want to see a fresh, unknown world, I want a new sense of wonder such as must strike an infant if he were to become a grown man overnight... I want to be a full-stop rather than eternally a comma in the punctuation of time... ".The opener "Echi dall'ignoto" (Echoes from the Unknown) is a short instrumental, provided by the guest Federico Pedichini a.k.a. Freddy Delirio from Death SS, that sets the atmosphere. It leads to the nervous, hypnotic "La bottega delle meraviglie" (The Hall of Riddles) that describes a visit to a very strange shop where the borders between reality and dream are blurred. Here the protagonist of the novel, Fortunatus Hauberrisser meets for the first time the strange, haunting character with the green face portrayed in the beautiful art work by Danilo Capua... "It was smooth, with a black strip of cloth tied over its forehead, and yet it was deeply furrowed, like the sea, that can have waves but not wrinkle on its surface. The eyes were like chasms and yet they were the eyes of a human being and not empty sockets. The skin was a greenish olive colour and looked as if it were made of bronze, such as the races of ancient times may have had of whom it is said they were like dark-green gold..."The dark, Gothic "Chidher il Verde" (Chidher the Green) focuses on the peculiar character with the green face, vaguely based upon the legendary figure of The Wandering Jew. He's been on earth ever since the moon has been circling the heavens and is the one who can show you the way leading to a hidden spirituality... "Prophecy or circularity, claustrophobia, psychic undertow / You are just one step from the gallows / It's the turn of madness to rule over men...".The following "Trenodia delle dolci parole" (Threnody of the sweet words) features the beautiful vocals of the guest Sophya Baccini and draws a strong sense of loss and impending tragedy. It leads to the short, disquieting instrumental "Il rituale" (The ritual) and to the esoteric, threatening "La congrega delle Zee Dyk" (The Zee Dyk club) where the spectral vocals of another guest, David Krieg, contribute to draw a mystical delirium where the dangerous ritual of a cathartic, spiritual rebirth is consumed with deathly consequences."Il manoscritto" (The manuscript) is another track full of dark mysticism and visionary strength. There are some strong classical influences that could recall the Carmina Burana by Carl Orff and a constant flowing of raw energy waves. The protagonist discovers an ancient manuscript that helps him to go through some esoteric experiences... "The weapons of Death are: dream, daze and sleep / From one awakening to another, I live to find a new beginning...".The excellent instrumental "L'evocazione di Eva" (Eva's evocation) features the guests Claudio Simonetti (organ, Moog and Mellotron) and Martin Grice (flute sax). Along with the following "Retrospettiva di un amore" (Retrospective of a love) it depicts a love where spirituality prevails upon materialism. A strange magic binds the protagonist and his sweetheart, the strange prophecy of a perfect love that is stronger than Death..."Usibepu" was inspired by the character of the powerful necromancer and shaman of the same name, a violent and merciless Zulu warrior who wanted to possess Eva, the protagonist's fiancée... "Serving under the banner of greediness / I attend to the resurrection / I think again of the caste determination that prevented me from having you / Making even mockery of my magic...".The dazzling instrumental "L'apocalisse" (The Apocalypse) features the guest Gianni Leone (keyboards, organ, vocals) and describes with sudden vortexes of notes a storm so violent to conjure up the imagine of the end of the world. It leads to the final curtain of "Epilogo" (Epilogue), featuring narrative vocals and an obscure omen... "The walls of Jericho have crumbled / He's back from the Kingdom of Dead...".On the whole, an excellent, challenging work but beware! It takes many spins to be completely appreciated and, of course, you have to read the book!" - ProgArchives
    $16.00
  • Outstanding second album from this instrumental five piece from Finland. Scarlet Thread eschews keyboards for a lineup that features dual guitars, violin, bass and drums. There are two guest flautists. The music has a nice relaxed feel with some great soloing from violinist Erja Lahtinen. I'm not sure which of the guitarists play leads but whoever it is he offers up some nice grit that contrasts with the smoothness of the violin and flute. Some of the quietier moments have a folk feel but when these guys ignite it is more reminiscent of an early Dregs jam. I can listen to this kind of prog all day. Highly recommended.
    $15.00
  • Virtuoso keyboardist Vivien Lalu has created a new progressive metal epic featuring an all star cast:Band [A-Z]---Martin LeMar (Mekong Delta) - VocalsMike LePond (SymphonyX) - BassSimone Mularoni (DGM) - GuitarsVirgil Donati (PlanetX)- DrumsVivien Lalu (Shadrane) - KeyboardsGuests [A-Z]---Jens Johansson (Stratovarius)Joop Wolters (Shadrane)Jordan Rudess (Dream Theater)Marco Sfogli (James LaBrie)Mike Andersson (Cloudscape, Fullforce)Peter Wildoer (Darkane, James LaBrie)Born of Noelle and Michel Lalu, musicians from the ‘70s French progressive act Polene, Vivien Lalu has released a surplus of recordings through an array of different bands and projects since 1997, as the keyboard player for underground black/doom band Time For A Change. At the turn of the millennium Lalu played keys for two underground progressive metal bands from Paris, Sad Warden and then Mind’s Orchard, and in 2002 was hired by Hubi Meisel (ex-Dreamscape vocalist) to compose and record the keys for his solo album EmOcean, the following year doing the same for Meisel’s sophomore album Kailash, both of which were released by Lion Music.It was at this time Vivien Lalu begins recruiting his own associates from major prog and metal bands — some of which he shares time composing music alongside in progressive metal act Shadrane — and forms his own solo project, LALU. The first full-length Oniric Metal was released on Lion Music in 2005 and began an entirely new chapter for this composer and his insatiable need to create mind-expanding, cinematic music.These accomplishments helped Lalu to begin securing score and soundtrack work for film and television; over the last few years he’s written many cues for the orchestral soundtrack for the Warner Bros movie Seuls Two, for the show Science X made in association with Lucasfilm Ltd. Additionally he joined the production team behind Laszlo Jones in order to assist the recordings and production of Banana Nation (Universal Music Group). He’s composed many soundtracks for French television, music and sound effects for Neko Entertainment, worked as a sound designer for Ubisoft Entertainment and much more.After collaborating with Shadow Gallery for a song on their Digital Ghosts album, and working with Canadian drummer Chris Nalbandian for his Paralysis of Analysis solo album — recording all keys and sharing solos with Derek Sherinian and Alex Argento — Vivien finally settled in and began work on the second LALU opus. Handling all composition and songwriting duties, as well as all keyboards on the massive production, Vivien weaved the cloth of the new album with vocalist Martin LeMar (Mekong Delta), bassist Mike LePond (SymphonyX), guitarist Simone Mularoni (DGM), drummer Virgil Donati (PlanetX), the album’s parts recorded in several countries including the United States (Los Angeles and New York), Germany and Italy, produced by Lalu in his own studio, and mixed at Boumbox Studio in Paris by Yan Memmi (Dio’s Lock Up The Wolves, Marcus Miller’s The Sun Don’t Lie, etc.). Additional contributions from Jens Johansson (Stratovarius), Joop Wolters (Shadrane), Jordan Rudess (Dream Theater), Marco Sfogli (James LaBrie), Mike Andersson (Cloudscape) and Peter Wildoer (James LaBrie) were also carefully built into the album, the final product boasting over fifty minutes of exceptional, massive  cinematic, atmospheric metal Lalu has dubbed, Atomic Ark. 
    $13.00
  • We have some customers who collect digipaks. This is the import version of +4626 Comfortzone.  The content is identical to the much less expensive domestic jewel box version.  If you need to have a digi version jump on it as this is a limited edition and will definitely go out of print.Latest studio album from this outstanding band from Sweden.  The best thing about Beardfish is their ability to be contemporary but they blend in just enough old school sounds to appeal to the entrenched prog fan base.  The band never quite sounds retro yet they incorporate vintage keys and guitar sounds. Chalk this up to great songwriting. On their previous album, The Void, something went amiss and it didn't sit well with their fans.  The band had taken on a heavier edge touching on metal.  Well have no fear - the band has jettisoned all metal trappings and have returned to the sound of the earlier albums.  Swirls of organ and Mellotron are everywhere and the unmistakeable sound of the Rickenbacker bass will slam you in the gut.  Are you are fan of Anekdoten, Gentle Giant, King Crimson, or even The Flower Kings?  You need to hear this.With regards to the bizarre album title here is a clue from the band:“The comfort zone is the invisible protective suit of negative thinking, almost like an entity of itself. It’s been with you since birth: your parents and your teachers and your friends and your neighbours all teaching you the way the world works – this is how it is and will be and there’s nothing you can do about it. The negative vibe is like a voice living inside of you, a companion through life. With time you start to like that voice and the place it takes you to: your comfort zone. I’m so sick and tired of it and I want to address it and maybe in that way start to work my way out of it”+4626 Comfortzone comes with a bonus CD featuring 13 previously unreleased demo and outtake tracks spanning 2002-2008.BUY OR DIE!
    $17.00
  • This is the CD/Blu-Ray version of Steven Wilson's remix of the 1974 classic.  Track listing is as follows:CD - 2014 Steven Wilson Stereo Mix:1. Proclamation (6:48)2. So Sincere (3:52)3. Aspirations (4:41)4. Playing the Game (6:46)5. Cogs in Cogs (3:08)6. No God's a Man (4:28)7. The Face (4:12)8. Valedictory (3:21)Bonus Tracks:9. The Power And The Glory10. AspirationsBlu-Ray (NTSC, Region 0):Mixed by Steven WilsonAlbum with VideosAudio Formats:96/24 Stereo LPCMDTS 5.1 Master AudioProclamationSo SincereAspirationsPlaying the GameCogs in CogsNo God's a ManThe FaceValedictoryBonus Track:The Power and the GloryInstrumentals -Album with screen saverAudio Format:96/24 Stereo LPCMProclamationSo SincereAspirationsPlaying the GameCogs in CogsNo God's a ManThe FaceValedictoryBonus Tracks:The Power and the GloryAspirations (out-take)Extra:Original 1974 Studio MixTransferred Flat - 96/24 LPCMProclamationSo SincereAspirationsPlaying the GameCogs in CogsNo God's a ManThe FaceValedictory"The group's first U.S. release in two years featured ornate playing from Kerry Minnear on keyboards and Gary Green's loudest guitar work up to that time. The Power and the Glory is also a fairly dissonant album, yet it made the charts, albeit pretty low. There seems to be a unifying theme having to do with one's place in the social order, but it's very vague in contrast to Pink Floyd's re-creations of the post-'60s drug experience, Yes' sweeping album-length suites, and ELP's sci-fi epics. "No God's a Man" is an infinitely more challenging piece of music than anything on Jethro Tull's Aqualung, but that wasn't a commercial virtue; nor could the electric violin break on "The Face" or the rippling electric guitar passages throughout cover the effort involved in absorbing these songs. The Power and the Glory vaguely resembled Genesis' early art-rock albums, but without any presence as charismatic as Peter Gabriel. "Playing the Game" and "So Sincere" were the most accessible tracks and ended up as key parts of their concert set." - Allmusic
    $19.00