Visions

SKU: SR3060
Label:
Sensory Records
Add to wishlist 

In their brief existence, Haken are already highly respected within the British metal community, and their unique and imaginative genre-bending approach to music has garnered praise from all corners of the globe.

Haken’s debut “Aquarius” was well-received by world wide media including Classic Rock Presents Prog, Outburn, Decibel, Progression as well as webzines. Their new release, “Visions” is yet another conceptual work encompassing sci-fi themes. Haken seamlessly meld metal with progressive rock, drawing influences from contemporary bands like Dream Theater and IQ as well as “old school” icons Genesis and Queen. Often bombastic and over the top, “Visions” features the addition of a string section and audiophile production from Spacelab Studios in Germany.

During the past year, the band has toured extensively in Europe highlighted by an appearance in Germany at the prestigous Night Of The Prog festival in support of Dream Theater. The band made its US debut at ProgPower USA in September 2011.

Product Review

[email protected]
Sun, 2011-11-20 12:40
Rate: 
0
Wow. This CD has blown me away and is definitely in my Top Ten for 2011. Nice mixture of British metal (Threshold) and Dream Theater. Think progressive symphonic metal and you've got it. Highly recommended.
[email protected]
Sun, 2011-12-04 18:37
Rate: 
0
This CD is simply Brilliant. Their first disc was also very good and here they have taken it to another level. This is what progressive music is all about. GH
[email protected]
Wed, 2012-02-15 17:16
Rate: 
0
What can one say regarding Haken, that hasn't already been said, they're a dynamic band that continues to push the boundaries of progressive music sans genre. Stylistically, they remind of the likes of King Crimson, Pink Floyd, early Genesis, Rush, latter period Beatles, with a smattering of Metallica. Though they're never a derivative of any of the aforementioned. To me, they are what bands like Transatlantic, and even the mighty, vaunted Dream Theater haven't been, for a long time.... namely original, exciting, and innovative. Simply put, the new Genesis, has arrived, with a swagger all they're own, Haken. Chalk up another winner for Progressive music's most prolific, finest label. Easily co-album of the year, along with Symphony X great ICONOCLAST. THANK GOD FOR KG, AND LASER'S EDGE, SAVING THE WORLD FROM MINDLESS POP DRIVEL, ONE BAND AT A TIME..
You must login or register to post reviews.

Product Review

[email protected]
Sun, 2011-11-20 12:40
Rate: 
0
Wow. This CD has blown me away and is definitely in my Top Ten for 2011. Nice mixture of British metal (Threshold) and Dream Theater. Think progressive symphonic metal and you've got it. Highly recommended.
[email protected]
Sun, 2011-12-04 18:37
Rate: 
0
This CD is simply Brilliant. Their first disc was also very good and here they have taken it to another level. This is what progressive music is all about. GH
[email protected]
Wed, 2012-02-15 17:16
Rate: 
0
What can one say regarding Haken, that hasn't already been said, they're a dynamic band that continues to push the boundaries of progressive music sans genre. Stylistically, they remind of the likes of King Crimson, Pink Floyd, early Genesis, Rush, latter period Beatles, with a smattering of Metallica. Though they're never a derivative of any of the aforementioned. To me, they are what bands like Transatlantic, and even the mighty, vaunted Dream Theater haven't been, for a long time.... namely original, exciting, and innovative. Simply put, the new Genesis, has arrived, with a swagger all they're own, Haken. Chalk up another winner for Progressive music's most prolific, finest label. Easily co-album of the year, along with Symphony X great ICONOCLAST. THANK GOD FOR KG, AND LASER'S EDGE, SAVING THE WORLD FROM MINDLESS POP DRIVEL, ONE BAND AT A TIME..
You must login or register to post reviews.
Laser Pic

customers also bought

SEE ALL
  • Reissue of the first album from this eclectic British neoprog band. Red Jasper always stood out from the crowd. They drew equally from the genres of progressive rock and folk rock. You get this weird hybrid of Fairport Convention meets Marillion. Instrumentation included electric mandolin and tin whistle so you get this sound that was somewhat like late 70s Jethro Tull but with much more elaborate song forms. Lead vocalist Davey Dodds is like a cross between Geoff Mann and David Bowie. Long out of print, this new edition comes with three bonus tracks.
    $18.00
  • "Four years in the making, Norway's Triosphere returns with their third album, The Heart of the Matter. It was worth the wait. While reviewed previously on this site by another reviewer, this is my first experience with the band.There's many things to like about Triosphere. Not the least of which, for a female-fronted band, is that vocalist and bassist Ida Haukland is a pure melodic metal singer, not swaying to the extremes of operatic or death vocals. Another significant element is simply their superb sense of songwriting. They have an arsenal of weapons to draw from whether an abundance of catchy riffs, a strong melody, vocal harmony, notable rock groove, or sizzling leads. I think, more than anything, the guitar structure, riffs and leads, are rather immense and attractive, propelling the album. You can't avoid the swell of riffs and leads within songs such as Steal Away The Light or As I Call, melodic and inspiring. But Triosphere wraps all these elements up in imaginative and entertaining arrangements, nearing progressive metal, that make for essential melodic metal listening.While the entire album is a rich tapestry of melodic metal, a few songs deserve some attention thanks to some interesting passages within. One is Breathless, a steady sturdy number that has this interesting breakdown after the half way point. The riffs collapse for this light guitar work, almost fusion, over equally slight drums. Another terrific song follows in Departure. It has its share of riffs and some staccato drums, but once more, it's the latter guitar segue that grabs you. More emotive and lighter leads over subtle bass and drums. A third song of interest is the later Remedy with a smooth melody and enormous vocal harmony. But the kicker, once more, is the guitar breakdown in the latter half. Different than the previous songs, it's sharper and heavier, riff based yet fiery, and propelled by some intricate drumming. Finally, the entire swail of riffage is abandoned at the end of the album for the acoustic and gentle ballad Virgin Ground. A respite perhaps? All in all, Triosphere, with The Heart of the Matter, has turned out a rather terrific and enjoyable album of melodic heavy metal. Easily recommended." - Dangerdog
    $16.00
  • "Riot has always been ahead of the curve, be it their powerful riff machine, or their unapologetic status as pioneers in the speed metal genre. I would like to take an opportunity to differ once again with the common viewpoint here, this is not “almost” Painkiller 2 years before; it is its doppelganger, at least in terms of kick ass aggressiveness and image. It is a more musical and complex answer to the thrash genre that it fathered; its spirit is that of a triumphant warrior cutting down its foes. While the heroic Painkiller soared through the sky putting fear into the hearts of his enemies, Thundersteel’s half-cyborg/half-tank body stood tall to face them on the ground.In 1988 metal was mostly known by its image, and if you judge these guys by that alone, they look like the bastard sons of Motley Crue and Judas Priest. But when Tony Moore blasts his high banshee voice into the microphone, he sounds like a crazed Viking Berserker ready to behead an army of frightened Romans. Mark Reale, the only remaining originator of this outfit, wields his guitar like a battle axe and challenges the likes of K.K. Downing, Dave Murray and Ross the Boss. Bobby Jarzombek, who is well known for his work with Rob Halford’s solo project, as well as several other bands, gives the performance of his life on here. Don Van Stavern keeps the bottom end solid and has a wicked bass intro in “Johnny’s Back”.There is never a dull moment on this album, from start to finish it grabs you by the throat and commands you to praise the Gods of Metal. Be it the fast as hell title track, which rivals anything Judas Priest has ever put out, or the more moderated Deep Purple riff monster “Sign of the Crimson Storm”, it screams metal. You’ve got an anthem of rebellion and non-conformity at warp speed like “Johnny’s Back” in the running, or the Manowar inspired heavy ballad “Bloodstreets”, which gives Heart of Steel a run for its money. “Fight or Fall” and “Flight of the Warrior” have memorable choruses and plenty of amazing lead work, all done by the original speed metal riff man Mark Reale, while “On Wings of Eagles” is a better produced version of something you might find on Kill Em’ All.We’ve got two highlights on this album, both of which are a good bit different than the lion’s share of speed driven songs on here. “Run for your life” is an upper mid-tempo crusher with tons of great lead guitar work, but it’s true charm is the chorus, which reminds me a bit of the high/low vocal interchanges that you hear on Dio’s early material. “Buried Alive (The Tell Tale Heart)” is actually a bit reminiscent of Crimson Glory’s work on Transcendence, which came out the same year that this did. You’ve got a rather odd spoken intro with a clean and somber guitar line, followed by some brilliant twin guitar soloing (all done by one guy, just the same way Tony Iommi did it). After 3 minutes of mind-blowing, we get a slow and evil sounding groove that grows into a brilliant homage to the NWOBHM, names like Iron Maiden and Angel Witch come to mind.In conclusion, this is a piece of metal history that demands to be listened to. If you are a power metal fan who lives for speed and melody, get your tight jeans wearing ass to the store right now. If you’re a holdover from the glory days of traditional metal and you don’t have it, get it now or risk having your credentials as a metal head questioned. If you love thrash with attitude, this gives the bands that carry that label a run for their money. Fans of Judas Priest, Manowar, Helloween, Running Wild, and Iron Maiden in particular will love this. There is a new power alive in the distance, carrying a fully charged plasma cannon, followed by an army of true metal warriors, and his name is “Thundersteel”." - Metal Archives
    $7.00
  • Great double live album available at a budget price.
    $11.00
  • "German heavy metal marauders Scorpions recorded seven studio records before breaking in to the U.S. market in 1982 with Blackout. The album became the group's first platinum disc in the U.S., and the dynamic single "No One Like You" became a staple of album rock radio. While the Scorpions had created powerful anthems and epic rockers in the past, Blackout mixed the ingredients just right. The title track was an endorphin rush of fast-riffing guitars and electrified, high-pitched vocals that culminated with the sound of shattering glass. "Can't Live Without You" was a powerful melange of flash, firepower, and pure melody, and the slow, surging "China White" sounded like a psychedelic interpretation of Led Zeppelin's "Kashmir." After years of ignored visas, Scorpions had finally arrived in America."  -- Jon Wiederhorn
    $5.00
  • One of the great Italian prog albums from the 70s.
    $14.00
  • "Recorded live over 3 nights in October 2003 (17th-19th).In the summer of 2003 Cardiacs were charged with the unenviable task of casting a wincey eye back.Way back to before Sarah hung up her little saxophone, before Tim Quy broke the nausea rule, before THE CONSULTANT and Miss Swift held the reins. Way, way back.For that coming October’s ‘Special Garage Concerts’, Cardiacs were expected to wipe the grime of the dusty archive from thirty-two tunes everyone had long since forgotten about. Cardiacs dutifully frittered away the waning days behind locked doors, exhuming songs from clanking, obsolete machinery and reams of faded manuscript. Music from the band’s conception in 1976 to their ‘coming of age’ in 1983 was given the dressing down THE ALPHABET BUSINESS CONCERN had always wisely insisted it deserved.With the arrival of autumn the songs had somehow taken on a raw, definitive bent. Haphazard approximations you may have previously heard performed by wide-eyed, puny youths were given deftness, muscle and swagger by the four grizzled and worldly-wise men proudly standing their ground under the Cardiacs banner today.This nostalgic arsenal was duly recorded over three consecutive nights at London’s sizeically challenged ‘The Garage’ concert venue. Privileged witnesses described the spectacle as "one-fifth loving recreation, two-fifths exercise in futility and four-fifths sheer brute force."Cunningly encrypted on to two Compact Discs, as never they were meant to be, Volumes One and Two are a unique testament to pure bloody mindedness and musical irrelevance.Both volumes contain music that has never previously been recorded and re-workings of other tunes that many of the faithful claim to have ‘insider knowledge’ of.They don’t have a clue."
    $34.00
  • To commemorate their 10th anniversary, Riverside has recorded a new 3 song “mini-album”. This 33 minute work consists of three long tracks that segue into one cohesive whole. Stylistically it’s a return to the spacier melancholy sound of their debut “Out Of Myself”. Memories In My Head is a musical rollercoaster ride of deep emotional power. This new release also marks the band's return to the Laser’s Edge, the label that they began their incredible journey with. Recommended to fans of Porcupine Tree, Pink Floyd, and Anathema.
    $10.00
  • Been some time since I've caught up with Eddy Antonini's band. Fairytales is their 7th album and it still features Antonini's ornate keyboards and classical influences but it's blended in with traditional speed metal. I noticed that a female singer is now featured prominently so you get male/female lead vocals. They stomp out a cover version of Mike Oldfield's "Moonlight Shadow".
    $12.00
  • Remastered edition of the band's classic 4th album with two bonus tracks.  Its a concept album that literally defined classical rock.  Sure its pop oriented but the overarching progressive elements are prominent through out.  Highly recommended and at 5 bucks a steal.
    $5.00
  • Last studio album before the 70s lineup broke up. Ian McDonald returns.
    $15.00
  • Double live CD set with a bonus DVD of the performance. This was recorded at Metropolis Studios in London on 12/18/10. The DVD is PAL format (region 0) and also includes some interview footage. The 2 CDs feature the audio from the entire performance.
    $14.00
  • "While "Airbourne" (released in 1976) represents the declining years in terms of Curved Air's success and popularity, it does have some historical significance as it was the band's last official studio album. "Airborne" is also notable as Stewart Copeland, who went on to find superstardom as drummer with the Police, plays "heavy artillery" (i.e. drums) here. He had already appeared on Curved Air's "Midnight wire" album, which was released just after the reunion of (most of) the original line up for "Curved Air live". From that re-union, violinist Daryl Way remained in the band, the line up for "Airbourne" being completed by guitarist Mick Jacques, and Tony Reeves on bass.Copeland, who had recently married lead singer Sonja Kristina, participated in the song writing for the first time when he co-wrote the music for the opening track, "Desiree" (which was released as a single) along with Jacques, and the co-wrote lyrics with his new wife.The three Daryl Way tracks are the eye catchers here, in particular "Moonshine". This track stands head an shoulders above the other songs on the album, especially in prog terms. While not quite as appealing as previous Curved Air masterpieces such as "Vivaldi" ("Air conditioning"), or "Metamorphosis" ("Air cut"), "Moonshine", which runs to about 10 minutes, is an impressive piece of work. The pace and mood of the track change regularly throughout, moving from soft delicate passages, to virtuoso violin by Way, and some fine symphonic keyboards. At times, there are echoes of Gentle Giant among others.The rest of the tracks effectively play a supporting role. Side one consists of five short numbers. "Desiree", is a pop-rock opener, which features multi-tracked vocals by Sonja Kristina, and some decent, if brief, lead guitar. Quite why the band felt the need to multi-track Kristina's voice is something of a mystery, but it is a sound which features on several of the tracks here. Copeland's composition "Kids to blame" is a fairly innocuous piece of pop rock, but he took it with him to The Police, where it featured in their live act.The closing track on side one, "Touch of Tequila", is the antithesis of "Moonshine", being a dreadful pop influenced song, which sees Kristina sounding a bit too like Irish Eurovision star Dana!There are a couple of decent ballads, "Broken lady", co-written by Sonja Kristina, and Daryl Way's lullaby "Dazed", which closes the album."Airbourne" is an album of peaks and troughs, ranging from the excellent prog of "Moonshine" to the disastrous pop of "Touch of Tequila". In all though, a worthwhile effort, which will, in the main, please fans of the band." - ProgArchives
    $19.00