Unseen

SKU: 2736110092
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Metal/Hard Rock
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Latest album will apparently be the last one with vocalist Rick Mythiasin. Well respected US power metal band that melds the crushing power of Nevermore with the dark progressiveness of Fates Warning. German digipak edition.

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  • Fine new release from this German power metal band featuring Andy Franck on vocals. The music is heavy but extremely melodic. This is real power metal but not in a slick Euro-way....it has an US power metal feel. So I guess the way to differentiate between Andy's two bands are this - Brainstorm heavy as hell, Symphorce melodic as hell.Metal Blade is trying something new, pricing this full length release at a mid-price point.
    $9.00
  • NTSC Region free double DVD set. Total annihilation from this long running German thrash band now reduced down to a core trio of Peavy Wagner, Victor Smolski and Mike Terrana. The first disc is a concert performance from Bochum, Germany on 1/25/04. The second disc features a studio documentary, archival live footage as well as a slew of video clips. This is hot!
    $8.00
  • Prog metal rock opera put together by Trent and Wayne Gardner of Magellan. Featured vocalists include, James LaBrie (Dream Theater), Josh Pincus (Ice Age), Mike Baker (Shadow Gallery), Robert Berry, Steve Walsh (Kansas), and Chris Shryack (Under The Sun).
    $8.00
  • "S.U.E. finalized their 2nd effort, "Anima", which is a strong follow up to the debut, showcasing the band from their finest side. The album was recorded by Charles Massabo during the summer of 2006 in Coxinhell Studio Studio and Kallaghan Studio in France and was mastered at Jailhouse Studios in Denmark by Tommy Hansen, giving the music of S.U.E. the extra powerful touch that is needed in today's music market. Artwork was this time around handled by Bjoern at Killustrations Media in Germany (www.killustrations.com). The album was released in May/June 2007 by Replica Records in France and through Sensory Records in the rest of the World. 2007 also saw the band open the ProgPower Scandinavia festival, which took place in Copenhagen, Denmark. The response from this show was so great that ProgPower USA festival decided to book the band for their edition, and in October 2008 the band hit the stage in Atlanta, Georgia, where they also introduced the audience to the newest SUE member, drummer-extraordinaire Christophe Briand. With some successful gigs under their belt, the band found time to write and record their third album, "Unreal", which will be released worldwide May 19th 2009 by Sensory Records. The new album sees the band adding another notch to their already spectacular music, which best can be described as technical and melodic metal, possessing a top-notch progressiveness, that can be compared to bands such as Dream Theater, Pain Of Salvation and Fates Warning, but filled with an incredible intensity and an original identity of their own."
    $13.00
  • Sweden’s PAIN OF SALVATION continue their ever-progressing, highly sophisticated musical journey with a double album project, “Road Salt”, which showcases this outstanding band at its most emotionally intense, but also leaning towards a more classic, yet extremely colourful 70’s Rock style. In a world governed by increasingly rigid rules and conformist conceptions of art, PAIN OF SALVATION have created their own niche on the international music scene. Their intelligently composed and cleverly arranged songs have mixed metal, pop, funk, disco, blues, goth and folk with Arabian and Oriental influences plus other more or less extreme musical styles into a homogenous whole. PAIN OF SALVATION consciously do without any kind of artistic compromise, the only criterion for their compositions being top quality and profound contents. “Skills and complexity should be part of the machinery, not the functionality or design,” says the band’s frontman Daniel Gildenlöw, “so I try to hide it away where the engine is supposed to be – under the hood of a machine built mainly to process ideas and emotions.” This is precisely why their albums go down so well with fans and media from a variety of camps, from the progressive metal scene through nu metal to prog rock and even world music.Since the foundation of his first significant band, Reality, in 1984, mastermind and bandleader Daniel Gildenlöw has consistently followed his own concept of diverse, technically accomplished and border- transcending progressive rock. He renamed the band to PAIN OF SALVATION in 1991 and has ever since released six studio albums and one unplugged recording, among them classics such as “Scarsick” (2007), “BE” (2004) and “Remedy Lane” (2002). Each of these releases has impressed as a multi-layered concept album, dealing with tough socio-political themes, while manifesting very intimate, individualist views at the same time.PAIN OF SALVATION’s latest release in November of 2009, the “Linoleum” EP, marked the advance introduction of the “Road Salt” double album project and served as small forecast of greater things to come. The band backed up the launch of the EP with a string of headlining tourdates throughout Europe and Russia, a run of support shows for Dream Theater in Australia as well as with the participation in the Swedish Melodifestivalen, the national competition for the Eurovision song contest, an event followed by Millions of viewers in national TV. PAIN OF SALVATION appeared in the contest with the new album’s atmospheric title track ‘Road Salt’ and the quality of the song as well as its performance not only left an impressing note with the audience despite the band’s rather untypical character for such event, but also catapulted the band into mainstream media attention. The band successfully moved into a “second chance” next round of the event but in the end didn’t manage to qualify for the finals. Nevertheless, the song ‘Road Salt’ acquired massive praise from all corners within Sweden, climbed the national single charts up to # 12 (as digital only release!) and consequently sets a great pace to kick off the new album’s release.“Road Salt One” (previously also referred to as “Road Salt Ivory”) includes not only the album’s magnetic title track alongside the previously mentioned ‘Linoleum’ EP track (for which the band shot an energetic performance video clip), but also features other instant highlights like the captivating opening song ‘No Way’, the awe-inspiring ‘Sisters’ (which will serve as second single release) or the acute ‘Where It Hurts’ (which will be the second video clip), making “Road Salt One” a creative rollercoaster of the highest quality and strongest impact, sure to once more please the band’s committed followers but also likely to reach new listeners due to the music’s versatility and its richness of texture as well as lyrical depth.Gildenlöw further comments: “Road Salt One is twelve tracks of sweaty gravel, asphalt butterflies, untrodden paths and brave decisions. It will not beg for your liking, it will not make excuses, it will not carry you safely across the dangerous waters. If you don't pick up its pace it will leave you stranded at the curb of the road. Yes, Road Salt One might indeed be a harsh lover, but if you have the guts to follow it whole-heartedly and dare to surrender to its voice, it will take you places you need to visit.” 
    $5.00
  • German true metal featuring Mike Tirelli (Holy Mother) on vocals. Fist pumping stuff - not my bag. Yours?
    $15.00
  • "I have often likened being an author for an online music webzine as similar to being a treasure hunter, we sift through hours of detritus trying to find that gem of music composition that strikes a chord and has meaning, unlike the bubblegum pop of the mainstream world where it is all about money and marketing. True, the music that we champion and review may have little commercial success but, for the artist, this is the culmination of many hours of soul searching and downright hard work.These little gems of music are what I live for as a reviewer and, when you get a surprise release from out of the blue that simply knocks your socks clean off then, it makes it all worthwhile and puts a huge smile on my face.  That sensation of the hairs standing on the nape of my neck started again when I first heard Anton Roolaart’s new release ‘The Plight of Lady Oona’. This time, it wasn’t my discovery, this record was sent my way by Lady Obscure herself and, upon seeing the album cover, I was immediately hooked, as you should know by now, I’m always a sucker for an impressive album sleeve (showing my age there). As I worked my way through multiple listens, it wasn’t just the cover that impressed me.Anton Roolaart is a Dutch artist who lives in America, he has one previous album release, ‘Dreamer’ in 2007. Anton’s music is said to portray the quintessence of melodic progressive rock accompanied with lush orchestration, and this new release is certain to capture the listener’s attention once again. He does this with the help of some talented friends and musicians including Vinnie Puryear, Kendall Scott, Pieter van Hoorn, Rave Tesar and Michael Frasche. Renaissance’s Annie Haslam provides additional vocals on the title track. All songs were composed and produced by Anton with the help of co-producer Rave.You are immediately drawn into Anton’s lush cinemascapes and soundscapes with the brilliant Gravity, gentle, lush instrumentation accompanied by a plaintive vocal infuses the music with a sci-fi feeling, future music if you like. The relaxed yet uplifting tempo is central to the pathos of the track, it is atmospheric with the textured keyboards central to everything. There are hints of 70’s progressive rock in the slow, measured moog solo but, to these ears, it is a song that is set in the stars and the emptiness of space.Stars Fall Down is introduced by a lilting piano and breaking vocal, when the keyboards and laid back drums slip into place it has a real synth pop ethos. That 80’s feel is emphasised by the organ and catching vocal that increases in power as the track runs on. Another song that is food for a healthy intellect, another nice touch is the pared back, distorted solo that gives a smooth, ambient haze to the proceedings. This guy has more than one string to his impressive bow.If you are after an atmospheric, multi-faceted prog epic full of wonderful melodies, plot turns and structures then, look no further than title track The Plight of Lady Oona. Flute and acoustic guitar drift in with the mist at the beginning of the song, a folk influenced vocal and piano carry on the ambience as the tale begins. There are multiple influences at play here that Anton moulds into his own unique sound around which, the addition of Annie Haslam’s dulcet tones is a clever touch. The mood take son a definitive 70’s Yes edge with the catchy guitar and expressive bass underscoring an urgent keyboard that ramps up the pace, a spiralling, complex guitar adds another layer of sophistication along with a fulsome organ and minstrel-like guitar. The interlude that follows, full of mystery and opaqueness, is leading the way for Annie’s refined and exquisite vocal. This part of the song is poignant and full of feeling as, eventually, Annie and Anton join forces to deliver an uplifting vocal experience followed by some delightful piano and exquisite guitar work which blossoms into an impressive instrumental section where church organ, soaring keyboards and chiming guitar all contribute to a smorgasbord of musical delight. That mediaeval minstrel effect returns at the end of the song with a short vocal and extended acoustic guitar section that John Williams would be proud of, this is a precise and complicated track that is delivered with verve and aplomb, sublime.There is a darker intensity to Standing in the Rain, it is ominous, evoking a dystopian spirit. The vocal delivery is heightened and impassioned, the guitar riffs are momentous and deep lying and the percussion is moody and profound. The violin touches are vivid and the song cuts through you like a knife, holding you in its hypnotic stare, unable to break free as the mesmerising guitar solo slowly works its way into your psyche.After the potent tension of the previous track, instrumental Memoires is a musical breath of fresh air, dainty and enchanting. The acoustic guitar dances around your mind before a luscious piano makes your heart sing. The heavenly keyboards and ululating guitar join forces to bring a lustre of hope to all around, a real ‘feel good track’ to my ears.This piquant treat for aural receptors comes to a close with The Revealing Light and, at the beginning it is rather enigmatic and secretive and a very slow burner. The flute sound signals the start of something as the cryptic vocals begin, ardent and fervid, backed by a distorted, acid guitar. Lush, electronic keyboard notes envelop you in their embrace as the song takes a psychedelic turn, all Sgt Pepper in its tone. Things change with a twisting, coruscating note delivered by a melancholic guitar  and the solemn drum beat giving a sober feel to the track as a sombre voice over closes out the album with just about the right feel.‘The Plight of Lady Oona’ is an album that gives up its delights bit by bit, there is no instant gratification on offer here, if you are prepared to invest time in the music it will deliver a cornucopia of musical delights. Anton Roolaart is a name to look out for, my first introduction to his music has been an intensive and incredibly impressive one and, it won’t be my last." - Lady Obscure
    $12.00
  • "Oceans of Mountain fans discovered them by witnessing one of their roaring rock shows, and this one's a doozy, captured in Osaka in '73. Pappalardi/West/Mann/Schwartzberg set fire to staples like Mississsippi Queen; Theme from an Imaginary Western , and Never in My Life plus an epic (nearly 32-minute) Nantucket Sleighride . Raging guitar solos all around!"
    $5.00
  • Fine german melodic power metal will appeal to fans of Angra, Vanden Plas. 2 CD set combines both Prediction and Golden Voices at a special price.
    $10.00
  • "This is an interesting crossover in that this album is reflective of a storyline that runs in the lyricist's recently published allegorical fantasy novel, The Edge of the World. Based on two opposing religions that consider the same city as a holy element, they agree to sign a peace treaty. But, as strife will have it, this ends in the literal burnt ashes of the city as an all consuming fire destroys the city setting both religious sides against each other yet again. The author was drawn into a music rendition of his story and supplied all lyrics while a coterie of prominent Prog Rock and Symphonic Rock form to create a band to present this story. Most prominent is the music-writing for the Anderson/Moesta lyrics supplied by Erik Norlander of Rocket Scientists. Vocally, the chores are shared between heavyweights like James LaBrie (Dream Theater), Lana Lane (a remarkable Ann Wilson sound-alike with a powerful voice, who has sang for many bands, and who is married to Norlander), Michael Sadler (Saga), and John Payne (later period Asia). The vocalists take on characters and throughout the album sing the appropriate parts. Musically, this band known as Roswell Six, have created a fine Prog/Symphonic effort named Terra Incognita: Beyond the Horizon. The clear influences are here. You'll hear Yes in the mix as well as the sounds of ELP, Kansas, Freedom Calls, and other usual suspects. The lean is toward symphonic rock with plenty of violin performed by David Ragsdale (Kansas), cello by Mike Alvarez, and flute by Martin Orford. The results are often grand. The works heard on Terra Incognita do the genre justice and are recommended for fans of such music. But when you bring such talents together, you're going to get great music. There are thirteen high-grade songs, two of them instumentals. The booklet is filled with enticing art, all lyrics, and a connecting storyline that brings the book and album together for those that want the full experience." - Matt Rowe/MusicTap.net
    $3.00
  • "Empire 21 is a new Swedish act featuring some native heavyweights in the hard rock and heavy metal venue, including CJ Grimmark (Rob Rock, Narnia, Fullforce, et al) on guitar and Tobias Enbert (Darkwater, Harmony) on drums. However, the one to watch in the band maybe Ricard Hulteke, a natural melodic vocalist with smooth voice and good range for rock and metal.Empire 21 sound also fits into that blur between melodic hard rock and heavy metal. The thickness of the riffs and the deep bottom end of the rhythm section may give some cause to a 'modern' rock or metal label. But their sound is hardly harsh or intrusive as current trends go. Instead, melody, harmony, and groove are all active and ambitious across this album, from vocal to guitar arrangements, admidst the hard and heavy wrapper. You'll find this within I Can't, This Is My Story, 100 Nights or Heard It All. Yet, that last song trips you up at the start with it's classical piano intro. Groove and metal heaviness combine any many songs as well. All Is Lost, Would You, and No Matter The Winds of Change have those sharp riffs and rumbling bottom end spun through catchy groove. All the while, Grimmark rips off some feisty solos and Hulteke keeps pace, raising above the heaviness. Althought sometimes, if only briefly, the density of the arrangement can squelch his vocals as within Traveler and Empire 21. Basically, then, Empire 21's sound is an interesting and entertaining one, putting melodic heavy metal in a contemporary context that should appeal both to fans of the both old and new schools. Recommended." - Dangerdog
    $15.00
  • New remastered edition comes with unreleased bonus tracks. Ian Parry's third C.P. project is a futuristic conceptual work steeped in the sci-fi tradition. Once again he has drawn together a nice assortment of musicians to pull off the musical adventure. Stefan Lill, guitarist from Vanden Plas returns as well as Casey Grillo (Kamelot), Jan Bijlsma (Vengeance), Elegy bandmate Joshua Dutrieux and others. Mike Chlasciak and Sascha Paeth make gueset appearances. Parry is perhaps one of the most under-rated of vocalists in the metal world. Now with the announced folding of Elegy, I imagine that he will concentrate on Consortium Project. Fine melodic symphonic metal of the first order...
    $14.00
  • Brazilian melodic metallers ANGRA celebrated the 20th anniversary of the release of their 1993 debut album, "Angels Cry", with a special concert on August 25 at HSBC Brasil in Sao Paulo, Brazil. The show, which was recorded for a DVD, featured guest appearances by Tarja Turunen (NIGHTWISH) and Uli Jon Roth (SCORPIONS).ANGRA's setlist was as follows:01. Angels Cry02. Nothing to Say03. Waiting Silence04. Lisbon05. Time06. Millennium Sun (intro w/ Kiko Loureiro on keyboards)07. Winds of Destination (intersection w/ Kiko Loureiro on keyboards)08. Gentle Change09. The Voice Commanding You (Rafael Bittencourt on vocals)10. Late Redemption11. Silence and Distance (intro w/ Kiko Loureiro on keyboards)Acoustic set12. Reaching Horizons (Rafael Bittencourt on vocals)13. Unholy Wars / Caça e Caçador (Rafael Bittencourt and Kiko Loureiro on vocals)14. A Monster in Her Eyes (Rafael Bittencourt and Kiko Loureiro on vocals)15. Make Believe (Rafael Bittencourt and Kiko Loureiro on vocals)Encore:16. No Pain for the Dead (with Familia Lima on strings)17. Stand Away (Tarja Turunen on vocals and Familia Lima on strings)18. Wuthering Heights (Kate Bush cover) (Tarja Turunen on vocals and Uli Jon Roth on guitar)19. Evil Warning (Amílcar Christófaro on drums)Encore 2:20. Unfinished Allegro (Familia Lima on strings)21. Carry On22. Rebirth23. The Sails Of Charon (SCORPIONS cover) (Uli Jon Roth on guitar and Rafael Bittencourt on vocals)24. In Excelsis25. Nova Era 
    $24.00
  • "There is definitely something in the water over in Gothenburg, Sweden that encourages the creation of superb music. Stratosphere is one of the latest in a long line of powerful Scandinavian bands, and will be releasing their debut CD entitled Fire Flight on Escape Music. Masterminded by well-respected keyboardist Jeppe Lund, Stratosphere blends elements of orchestral and progressive metal together with a huge dose of melodic rock to come up with a tight and polished sound that is sure to impress anyone who likes melodic metal. Fronted by the familiar and distinctive voice of Goran Edman (Malmsteen, Street Talk, John Norum), Stratosphere makes classically influenced metal that is not overly pretentious or highbrow and is easily accessible to the casual listener. The music from start to finish is dominated by vocals, guitar and keyboards, and each song is well crafted and well performed. The engineering is crisp and clear giving the entire album a polished and unified sound no matter the intensity or musical arrangement. The members of Stratosphere are all immensely talented and work together as a team. Goran Edman’s voice is as solid as ever whether singing softly or pushing the limits of his range. He gets to sing with varying levels of intensity across a broad range of rock styles and handles everything well. Guitarist Jonas Larsen is a fine classical player, but he is not a one trick pony. Larsen can lay down wonderful Malmsteen-esque classical fills, and just as easily blast out some super heavy but simple lines. He is a fine soloist and is not hung up on playing “fast” and adjusts his style to suit the music. Jeppe Lund’s keyboard work is awesome without doubt. His work is a solid counterpoint to Larsen’s guitars and is as important to the overall feel and structure of the music as any other member of the band. Jim McCarty (drums) and Anders Borre Mathiesen (bass) are both capable players as well, but are so overshadowed by the other members of the band that they only really get to shine during the band’s two instrumentals. “Russian Summer” opens the disc and sets the tone for the balance of the album. The keys dominate the intro while the guitars lay down a simple but hooky rhythm line. Once Edman’s vocals kick in there is no doubt that this is razor sharp Scandinavian metal. “The Battle Within” is a high-energy track with a very classical feel that provides an introspective look at a soldier’s post-duty life and the problems he may face. The intro to “Enemy Of My Soul” is a quiet and haunting symphonic passage that breaks out into a huge vocal chorus, but the band switches to a more conventional hard rock style when they visit the “Streets Of Moscow.” Edman’s vocals are particularly strong and expressive on both tracks. The instrumental “Rendezvous” gives Edman a breather and lets the other guys really show their chops. It is very classical and very intense, allowing everyone to blend together in layer upon layer of music. “Shining Star” opens the second half of the disc. It is a very arena friendly AOR love song – a bit syrupy and overly sentimental, but Edman’s vocals are at their best throughout, and Larsen lays down some great guitar fills. “China Girl” has a “pop metal” feel to it, not fitting in fully with the rest of the album, perhaps added as a time filler, but it does feature some nice guitar work. “Princess of the Night” is a very soft ballad built around the vocal but featuring amazing guitar and keyboard teamwork underneath it all. “VIP” starts off light and melodic, but quickly becomes a very gritty song that paints a less that flattering look at the “celebrity” lifestyle and gives Goran a chance to growl a little. The sweeping instrumental “Fire Flight” wraps the album in fine style – big keyboards, soaring guitar riffs, great bass and drum rhythm lines, and is musically the strongest track on the release. On the whole, Fire Flight should be on the “must have” list of every orchestral / classical / symphonic metal fan. The big hooks and catchy rhythms will easily appeal to any hard rock fan, and be instantly familiar to anyone who has ever listened to Yngwie. The quality of performance, solid teamwork and overall enthusiasm make Stratosphere’s debut a winner all around. Even though some of the elements of Fire Flight are a bit predictable, the plusses easily outnumber the minuses. A good listen from start to finish, and very highly recommended!" - hardrockhaven.com
    $15.00