Unseen

SKU: 2736110092
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Metal/Hard Rock
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Latest album will apparently be the last one with vocalist Rick Mythiasin. Well respected US power metal band that melds the crushing power of Nevermore with the dark progressiveness of Fates Warning. German digipak edition.

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  • How many of you remember Tritonus?  Back in 1995, there was a Norwegian sampler CD called simply "A Gathering of 8 Norwegian Progressive Metal Bands".  Besides Spiral Architect, Trivial Act, and Manitou there were other bands that managed to score record deals.  Most of them disappeared.  Tritonus was on the sampler.  Despite having some of the strongest material on the CD the band never signed with a label, and despite years of trying, never released any material.  Band leader/virtuoso guitarist Carl August Tidemann would time to time mention that Tritonus was working on its debut, but after almost 2 decades everyone pretty much took it with a grain of salt.  Well...better late than never!If you've been listening to prog metal for a long time you know that the sound has changed a bit over the years.  Tritonus' debut turns back the hands of time.  This is a stunning example of prog metal the way we used to know it.  Stunning musicianship with plenty of jolts of technicality.  At this point, the lineup has changed over the years.  In addition to Tidemann, Tritonus now consists of Rolf Kristensen (vocals), Ole Devold (drums) and Thor-Axel Eriksen (guitars).  Lots of guests contribute (my guess is many of these were past members).  Keyboards (courtesy of Circus Maximus' Lasse Finbraten) tend to be put to good use - you hear the occasional solo but mostly its there for texture - the twin guitars weave together with incredible proficiency and dominate.  I have to point out the vocals of Rolf Kristensen.  This guy is amazing!Its a shame that its taken so many years for Tritonus to release this.  Its quite a great album and in a way it makes me a bit sad.  Had it come out 15 years ago, they could have easily risen through the scene.  We are lucky we have it.  Is it closure for Tritonus or the opening of a new era?  Let's hope for the later.  They deserve a better fate and damn I'd want to hear more music from them.  BUY OR DIE!
    $15.00
  • Fourth album from this Swedish power metal band finds them with a new lineup and new label. The music emphasizes melody and crunch with a good amount of galloping rhythms as well.
    $10.00
  • Limited ediiton with O-card slipcase.  Comes with multitrack versions of 3 songs that you can remix on your own."I have an odd history with this band, first being introduced to them through their debut album Sanctus Ignis, which was described to me as Symphony X, only not quite as good. I agree with that statement, but the next material I heard from this band was this, Archangels In Black, which is so dramatically different from their debut album that I was wondering what the hell happened to them. So I went on a journey through the rest of their discography in order to discover what had happened. The style in this album is very heavy. Much heavier than their first two albums, and maybe just a bit more so than their previous recording, Dominate. It has more death metal growling and dark, crunchy riffs, whereas their first two albums were very neo-classical, symphonic, and progressive with lots of piano usage and more progressive elements. Previously, it may have sounded like Symphony X, but now they have turned in a whole new direction, towards what I would consider to be progressive/power metal with melodic death elements thrown in for effect.What really entrances me about this album – and make no mistake, it’s a great album – is how the softer bits and orchestral parts are woven so tightly around the raw power of the rest of it. The atmosphere of this album is really dark, gothic, and creepy; the orchestral arrangements really enhance that atmosphere and provide an excellent balance between heavy and light while still maintaining that atmosphere. This, my friends, is some top-notch song writing. I’ve heard a lot of people knocking this album, saying it should have been better, but I really don’t agree with that. It’s a great improvement over Dominate, though I suppose it could be longer.Of course, albums are judged by their songs rather than their overall sound. “Vamphyri” is the explosive opener as well as the chosen single for this particular album which you’ll understand the moment you hear this song; it begins with a very heavy riff building up into a scream/growl from Christian Palin (whom incidently is my favorite Adagio singer so far) that immediately tells you this is some seriously heavy metal and not for the faint of heart. Vamphyri is definitely one of the better songs from this with a great melody and chorus that is sooo much fun to sing; this song should be very pleasing to power metal fans.“Fear Circus” is another noteworthy track, as it is the only music video from this album. It’s got a very cool groove that makes it easy to fall in love with. Actually the part of this song that captivated me the most was the middle section when the metal backs off and the orchestra comes in with a rather haunting melody that leads into a fantastic keyboard/guitar solo. “Undead” is also a great song, with a very well done piano solo introduction which is actually kind of misleading, because when the metal part kicks in it does so with an immediate and not even remotely subtle bang. The melo-death growls are very prevalent in this song, more so than most of the other songs; while I’m not a huge fan of melodic death metal, I don’t mind it as much when they are used sparingly in collaboration with normal vocals mostly for effect; Adagio has really managed to find a good balance in this album. “Codex Oscura” is the epic here, and it’s quite good, combining an orchestral opening with creepy atmospheric effects, memorable melodies, and exciting dynamic changes.For the most part, all but one song is great: “Twilight at Dawn”. It starts off well enough, but around the two minute mark it introduces the chorus, which is the least melodic chorus and the least enjoyable of the album. It’s not bad, but it repeats over and over again more than any chorus really should. With all the repetition of death grunting, it just gets old (though I think a melo – death metal fan would be able to appreciate it more).Overall, Archangels In Black is a great album, and the band’s finest to date. Adagio has managed to create a unique sound and make it their own. The orchestrations they use are some of the best I have heard on any metal album (Blind Guardian’s At The Edge Of Time might have a slight edge), and with it, they’ve managed to produce something special. Honestly, with the constant vocal lineup changes (three singers in four albums), I’m amazed they have managed to stay as consistent as they have. This is one incredibly talented group of Frenchmen, and I can’t wait to see what they bring out next." - Black Wind Metal
    $12.00
  • Trillium is the new project from Amanda Somerville. You may not be overtly familiar with her but you've heard her work. In addition to the Aina album, she has collaborated with Avantasia, Kamelot, and Epica among others. In fact she filled in for Simone Simons on one of Epica's US tours. In addition to being a songwriter she is a prominent vocal coach.Trillium is a collaboration with Sander Gommans (ex-After Forever) and noted metal producer/musician Sascha Paeth. Musicians from the Paeth universe are featured through out. Most notable are duets with Jorn Lande (!) and Matt Sinner. The music is an amalgam of hard rock, symphonic metal, and perhaps even a smidgen of gothic metal. Ms. Somerville is a great singer and is adaptable to all the styles she presents. Shockingly good!
    $7.00
  • Darker is the long awaited second album from Swiss progressive rock band Dawn. It has been 6 years since the quartet rocked the prog world with their expert take on old school symphonic rock.Dawn formed in Montreux, Switzerland in 1996.  Since then the band has performed at the famed Montreux Jazz Festival, as well as at Swiss prog rock festivals Progsol, and Montreux Prog Nights.  The band has also opened for Kansas and Fish.  After a series of line up changes the band began to focus on their sophomore release in 2010 and perform them in concert.Dawn’s music is riddled with vintage keyboard sounds and flowing guitar solos.  Plaintive vocals ascribe a kinship to the British Canterbury prog family tree.  The album is conceived as a series of compositions dealing with Man in the 21st century: his fears, his conception of life, his reaction to technology, nuclear power, and the planet’s suffocation.  Darker was recorded in 2013 by Olivier Charmillot and mastered by noted audiophile engineer Bob Katz.
    $14.00
  • "If you’re a fan of Melodic/Gothic/Prog Metal, you will certainly enjoy Envinya. Envinya’s album, “Inner Silence” starts off with the song, Faceless. It offers a nice array of synths/keys and samples, but things soon pick as the drums come in and thus signalling the band. This track is melodic yet carries a heavy side, as the guitar tends to be heavier in parts, the keys dance in the background at a very nice pace.Forlorn begins with a nice muted guitar riff and a growling vocals that just keeps the groove going until it breaks and gives way to angelic chorus. The title track, Inner Silence offers a nice single line riff in the beginning that’s greeted by her passionate vocals which adds so well to this song, she’s a real talent. This track is easily a standout track, and you will definitely be going back to listen to it again and again. In My Hands is another great track, in which she belts out the words with such passion and grace, it’s hard not to like and the added growling backing vocal are added so nicely to its overall effect on the listener, it’s a very nice heavy melodic track.Swallow has a really nice driving guitar riff that intertwines very well with the keys.It also offers the technical side that will have even the most classic of metal fans listening.What is possibly my favourite riff starter on the album comes from the song, Satin and Silk.The gritty growl that seems to be presence in the chorus adds to this song very well, it’s a nice array of technicality and melody the drums just crush on this song, such a great track. The piano and vocal opening to Mirror Soul is absolutely beautiful, and just gets more riveting as the drums and guitar cut in, she does such a great vocal track on this one, it’s hard not to get goose bumps.My personal favourite from this album, I can’t help but want to hear the chorus again, the beginning is another section that I love to listen to over and over. I’ve always been a fan of pedal tone guitar licks, and, Too Late is no exception of that. This track opens up with a nice high key pedal lick, which lends nice to the chorus riff in which is basicallythe same thing but on lower strings. The screaming is great on this song too, a real nice addition again. Beyond the Dark, does a nice trade of vocal styles that can’t help but serve well to the overall feel of this song. The drummer’s feet are flying on this song, as he really gives it to the bass drums.Demoralized ends off things for this CD in great fashion. It’s nice to see the bass and drums stand alone on some sections of this song, before the guitars and keys kick back in, the dynamics it creates is something to envy.Overall this album offers up some of the best Melodic/Goth Metal I’ve heard in quite some time.I really enjoy the angelic singing along with the crushing and technical aspect of this band.It really pulls at your emotions well, getting you caught up in her passionate singing and the other grittysinging, it works in perfect harmony. If this CD were lost I would definitely buy again, in a heartbeat." - Wolfhound Metal 
    $14.00
  • Crushing Swedish power metal. Band is now defunct.
    $20.00
  • This is the fifth and last in Ian Parry's Consortium Project all star project. Returning vets include Stefan Lill (Vanden Plas), Kristopher Gildenlow, Casey Grillo (Kamelot) among others. Parry is front and center but also augmented by female vocalists Lena Petersen and Ani Lozanova (Ani Lo Project).
    $14.00
  • "Another album---another vocalist. I feel badly for bands that just cannot seem to retain a lead vocalist. Italy's Soul Secret started out with a guest singer, progressed to Fabio Manda's amazing voice on their sophomore album, and now have turned to Lino Di Pietrantonio to lead them. This choice, much like the album, is a solid one, though flawed in some ways.Soul Secret's third album is called "4", and, yes, that is confusing as hell. It represents a slight change in sound for Soul Secret, due not only to the change of singer, but also to the maturity of these guys as musicians. Indeed, I hear stylistic changes across the board. Soul Secret, if you are not familiar, are definitely a progressive metal band in the vein of Dream Theater, though I'm sure that's a shadow they don't want. Either way, though, it is the truth, as they rely on strong guitars from Antonio Vittozzi, sizzling keys from Luca Di Gennaro, foundational bass from Claudio Casaburi, and the ever present structure of Antonio Mocerino's drums.Their styles have changed somewhat, though. I am a huge fan of their previous album "Closer to Daylight", and the band as a whole has moved on from shorter, more structured tracks to longer and more varied concepts. This is both good and bad, as you won't really find much to sing along to here, but you will certainly find incredible instrumentals to admire (something Soul Secret has always done well). In fact, it seems like each and every track has a noteworthy instrumental, and some, like "Traces on the Seaside", "On the Ledge", and "Our Horizon", have multiple sections that are incredibly sublime. This is partially due to the new sounds for this band, especially Luca's wonderful keys. He has moved on from the standard atmospherics so often found in prog metal to new heights of solos, even leading the music many times. Needless to say, I'm very impressed with the large range of key tones used, too. Besides this, I sense a change for Mocerino's drums, too, as he has opted for a more delicate touch than his blast beating past. In addition, Vittozzi's guitars seem much more deliberate and inspired in composition.Thus far, we have a great third album called "4" that features some notable changes in sound. This is where my slight issues with the album appear. First of all, I do feel that it is a bit long. At 72+ minutes long, I feel like some of the incredible effectiveness of the first half of the album wears off by the end. Indeed, I feel like they realize it, too, as most of the really amazing rhythms are found in the first half. This is not to say that the latter half is bad. It's actually great, especially songs like the instrumental "Silence" or the addictive ending to "My Lighthouse". Heck, "Downfall" might be my favorite song on the album! The first few tracks, however, just gel so well that you barely notice the time pass.My other issue with this album is the Dream Theater sound. This is primarily because of Lino's vocal performance. Indeed, I think the band actively tries to avoid the DT sound by including plenty of small oddities, like harsh vox, crazy synth, and a notable lack of overpowering guitar. Lino's voice, however, sounds SO much like Labrie's vox on "Images & Words". This isn't a bad thing, as I don't think Labrie has ever sounded better. Lino does avoid the pretentious wailing (thank God), but there are definitely a few times where I could have imagined that I was listening to DT.Overall, though, this is another solid album from Soul Secret, and they really show their instrumental chops. Indeed, the ending epic "The White Stairs" opens with a fantastic groove that always makes me stop everything else I'm doing. For progressive metal fans, then, I don't think there has been a better offering so far this year. Be sure to get your hands on this album!" - ProgArchives
    $14.00
  • Third album from this very fine Irish neo-progressive band.  Dead Heroes Club have that traditional sound down.  Frontman Liam Campbell's voice has an uncanny resemblance to Fish and Peter Gabriel (which one depends on the tune).  This one is ripped right out of the Clutching At Straws playbook but the band tends to stretch out a bit more.  I also noticed that the guitar is cranked up a bit more than in the past.  Good stuff.
    $15.00
  • Yet another triumph from one of the most innovative forces in progressive music today. Another conceptual work that offers up elements of past works like "Entropia" and "Perfect Element". Crushingly heavy at times but always melodic. Enough time changes to knock any prog fan on their ass.
    $12.00
  • Cynthesis is a new band that reunites three of the original members of Zero Hour (Jasun and Troy Tipton, and Erik Rosvold) along with Enchant drummer Sean Flanagan.ReEvolution is the middle part of a dystopian trilogy begun with 2011’s DeEvolution. The central character, a shaman, is sent out to gather more slaves. He comes across a tribe and senses a light within them that triggers a distant memory of his past.  He realizes this is the original tribe he was taken from.  He brings them back to the city and encounters what was done to the population and sets them free.While Cynthesis maintains much of the Zero Hour tech metal influence, it also demonstrates the more melodic and atmospheric side of Jasun Tipton’s songwriting.  ReEvolution will appeal to fans of both progressive rock and metal.
    $13.00
  • "S.U.E. finalized their 2nd effort, "Anima", which is a strong follow up to the debut, showcasing the band from their finest side. The album was recorded by Charles Massabo during the summer of 2006 in Coxinhell Studio Studio and Kallaghan Studio in France and was mastered at Jailhouse Studios in Denmark by Tommy Hansen, giving the music of S.U.E. the extra powerful touch that is needed in today's music market. Artwork was this time around handled by Bjoern at Killustrations Media in Germany (www.killustrations.com). The album was released in May/June 2007 by Replica Records in France and through Sensory Records in the rest of the World. 2007 also saw the band open the ProgPower Scandinavia festival, which took place in Copenhagen, Denmark. The response from this show was so great that ProgPower USA festival decided to book the band for their edition, and in October 2008 the band hit the stage in Atlanta, Georgia, where they also introduced the audience to the newest SUE member, drummer-extraordinaire Christophe Briand. With some successful gigs under their belt, the band found time to write and record their third album, "Unreal", which will be released worldwide May 19th 2009 by Sensory Records. The new album sees the band adding another notch to their already spectacular music, which best can be described as technical and melodic metal, possessing a top-notch progressiveness, that can be compared to bands such as Dream Theater, Pain Of Salvation and Fates Warning, but filled with an incredible intensity and an original identity of their own."
    $13.00