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Unarmed

SKU: TE156-2-CL
Label:
The End Records
Category:
Power Metal
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"UNARMED Best Of 25th Anniversary is Helloween's thank-you to millions of fans old and new and will prove their exceptional position on the international metal scene. Instead of putting together a regular greatest hits compilation featuring their most successful tracks to celebrate this anniversary, the five band members completely rearranged the greatest melodies they had written in the course of their career to date. The album features Supercharge s exceptional saxophonist Albie Donnelly, Hellsongs s vocalist Harriet Ohlsson, pianist Matthias Ulmer, plus the 70-piece Prague Symphonic Orchestra and the choirs of the Gregorian singers!

As a special surprise, Helloween have come up with 'The Keeper´s Trilogy,' a stunning 17-minute medley of the songs 'Halloween,' 'Keeper Of The Seven Keys,' and 'The King For A 1000 Years,' recorded in cooperation with the Prague Symphonic Orchestra and likely to send shivers of delight down the spine of every Helloween fan."

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  • Remaster of the band's third album comes with 5 bonus tracks. This one has some of their best toons...
    $7.50
  • "Christianity and Heavy Metal have never really been the most obvious of bedfellows. Ever since the formation of the genre at the end of the 1960's, the relationship between Heavy Metal, in particular the more extreme variations of it, and the established Church, have been, for the most part, frosty. This doesn't mean that the two cannot come together though; There are countless great bands that have been playing great music that pays homage, rather than expressing outright hatred, to Christianity; TROUBLE, MORTIFICATION, HORDE, CRIMSON MOONLIGHT and DIVINEFIRE are the first bands that spring to mind for me every time I hear some closed minded moron quote that old, cringe-worthy and wholly incorrect adage about the Devil having the best tunes. Slovakian Power Metallers, SIGNUM REGIS, are one such band that are not only proving this phrase wrong, but are also using their knowledge of their faith to create great themes and concepts for their albums. Their last full length, for example, was based around Moses' liberation of the Israelites and their trials in the desert. This latest EP is full of the sort of classic Power Metal that many have grown to love, and it sounds amazing.This EP opens with a very solid, powerful opener, "Living Well". This is a great piece of Power Metal, with all the hallmarks of the genre; with a few harder aspects peppering the classic sound, which gives it it's own unique flavour. All this track’s elements work well together; it's really well mixed, and doesn't wander into the realms of cheesiness as some Power Metal has a tendency to, and above all, it's a great way to kick the record off. "Through the Desert, Through the Storm" treads down a much more straightforward Heavy Metal path, with razor sharp guitar lines, angelic vocals and some fairly interesting keyboard parts thrown in for good measure. The chorus is great, with some genuinely hair-raising parts that were just made for singing along to. "My Guide In The Night" is another really good piece of Power Metal with brilliant vocals and guitar work, punishing drums and some really cool keyboard sections. The fourth track, "Come and Take It", is perhaps the most straight forward Power Metal song on here, with plenty of great hooks to keep the listener interested. The penultimate track, a re-recorded version of "All Over the World", sounds even better for having been redone, and sits very well among the bands newer material.  "Vengeance Liar", which closes this EP, is perhaps the strongest song on this record apart from "Through the Desert, Through the Storm", and has a really cool, classic Power Metal sound with some genuinely inspired guitar playing and really spectacular vocals to match. It sounds awesome, and is a very good high note to end this record on.This EP is very good. Anyone who loves Power Metal will most likely enjoy this. This sounds like a band that have honed their style and perfected their image, now ready to take their music to the world at large. I'd highly recommend this EP, and indeed the rest of this bands awesome back catalogue, to anyone who loves, powerful, uplifting Metal music." - Metal Temple
    $10.00
  • "Dream Evil's third album, Book of Heavy Metal, is a brazen tribute to this always controversial genre -- as likely to invoke blind devotion from its fans as it does outright dismissal from its antagonists. In fact, Dream Evil, much like loin-clothed metal warriors Manowar, care not for the latter category of sniveling vermin! No sir, their mission to metalify (is that a word?) the realm is fueled by far grander ambitions and deeper commitments than those non-believers could possibly fathom. Or so one would gather from the meaty staccato riffs, dazzling guitar solos and soaring vocals (everything classic metal is known and loved for) to be found in über-metallic offerings such as "Into the Moonlight," "Crusader's Anthem," and the over-the-top title track, which incidentally begins with vocalist Niklas Isfeldt's piercing scream of: "metaaallll!" Noted metal producer Fredrik Nordström is the main architect of Dream Evil's castle -- a castle also embattled by bassist Peter Stalfors and legendary drummer Snowy Shaw (King Diamond, Notre Dame, etc.), but it's Greek guitar-shredding sub-legend Gus G. (Mystic Prophecy, Firewind, etc.) who consistently shines through with his ever-explosive, but surprisingly restrained and well-timed leads here (and on album highlight "No Way" he pulls a few Zakk Wylde tricks, surprisingly enough). Also to their credit, Dream Evil doesn't pave their glorious road with the easy but by now rote clichés of power metal. There's virtually zero thrash-like speed to be found here, and many songs ("The Sledge," "Let's Make Rock" and "The Mirror," in particular) actually come closest to old-school hard rock than later-day metal for inspiration. Throw in the mandatory power ballad (the decidedly syrupy "Unbreakable Chain") and an absolute metal classic in the Accept mold named "M.O.M. (Man or a Mouse)," and you have the ingredients for a damn fine, pure metal album. In short, fans of Judas Priest, Dio, and especially Manowar will likely find themselves lapping up this seriously corny document, and the fact that the members of Dream Evil often have their tongues planted firmly in cheek should also forgive most of their excesses in the name of (deep breath now...) metaaaaallll! [Book of Heavy Metal also features a 60-minute bonus DVD packed with behind-the-scenes footage and the title track's brilliantly over-the-top promo clip.]" - Allmusic
    $14.00
  • Slimline set with CD wallets for A Change Of Seasons, Scenes From A Memory, and Octavarium.
    $15.00
  • Following two highly successful tours with established Progressive metalists PAIN OF SALVATION and two years of exacting work, DARK SUNS have finished their third album "Grave Human Genuine.""Grave Human Genuine" – this unconventional title was chosen with care and purpose, as it represents the three characteristic elements of this work: "Grave" signifies darkness, the sinister force, and the inevitable fate. "Human" is synonymous with the music’s inherent soul-depth, while "Genuine" means "real" or "authentic" and hence refers to DARK SUNS’ uncompromising approach to music.But what about the music? DARK SUNS don’t merely pick up where the successful predecessor "Existence" (2005) left off, they present themselves as many-facetted as never before. A clear nod to Doom, complex polyrhythms, unusual and diverse instruments and, last but not least, drummer NIKO KNAPPE’s characteristic yearning vocals comprise the album’s cornerstones. The variety of sounds stretches from angular Metal riff attacks via atmospheric ambient soundscapes and Techno reminiscences to Avant-garde influences – despite this complexity, an accomplished musical mosaic of enormous expressiveness.Exciting nuances are created by the incomparable bass of Pain Of Salvation’s long-time member KRISTOFFER GILDENLÖW, a friendly turn that resulted from the tours mentioned above, and DISILLUSION’s SCHMIDT’s guest vocals in "Flies In Amber."With "Grave Human Genuine," DARK SUNS have created a haunting album full of autonomy and instrumental class, self-consciously charting new musical territory. In this, the band from Leipzig embodies the essence of every true progressive band: compositional genius coupled with advancement. The dark suns radiate: gloomy, human and egregiously genuine.
    $6.00
  • New remastered edition of Sirens and The Dungeons Are Calling. Originally conceived as all of their debut album, the material was split up because it was too long for vinyl release. Jon Oliva states that this is the first time the material is appearing as it was conceived. This "complete session" release includes one new bonus track recorded by Oliva in 2010.
    $13.00
  • New 2022 digipak edition features a remix and remaster courtesty of Jacob Hansen.  Includes one bonus track."You've got to give Signum Regis founder and bass player Ronnie Konig some credit. He keeps trying to up his game with each new Signum Regis album. With his third album, Exodus, he tackles another concept album: the slavery in and exodus of the Israelites from Egypt from the Biblical book of the same name. Additionally, rather than a single lead vocalist, namely Goran Edman, Konig brings in no less than nine notable vocalists. (See the list below.) Whether this amounts to a good thing will be in the ear of listener.Something that has not changed is Signum Regis' sound, remaining traditional European melodic heavy and power metal. Considering the nature and significance of the Biblical story, some properly composed power metal could give the listener a lively interpretation of that story. Often it does.For instance, in pace, lyrics, and vocal arrangement there's a feeling of urgency within Let Us Go!, as the Hebrews seek release from their Egyptian masters. If you recall your Biblical history, you'll remember that Pharaoh was not to happy with Moses, becoming royally pissed and stubborn. Wrath of the Pharoah gets some of that with it's heavy and raging sound and piercing vocals. Of course, Pharaoh and all Egypt was warned of what would happen if they did not comply with Yahweh's wishes. The Ten Plagues offers some bracing straight power metal, with some ripping guitar work, to emphasize the drama of the event.Curiously, I would have thought the song Last Days in Egypt, which would have included the first passover ceremony (and foreshadowing Christ's atonement later), to be a more somber and introspective piece, perhaps acoustic guitar driven. Rather, it's basically electric guitar driven instrumental. There's some drama to the centerpiece song, Exodus, as it has a marching feel, thinking of the Israelites marching to their freedom.Finally, but not the final song, Song of Deliverance, based on Moses' song after crossing the Red Sea from Exodus 15, is likely the best and clearest reference to this profound and true story. It's also one of the better songs on the album because it's not all charging power metal. No, there's rather light breakdown just before the middle and also at the end that adds a reflective character to the story and song.The album comes with a bonus track, Mountain of God. Though the lyrics are hard to define, this song may have something to do with Israel arriving at Mount Sinai and the giving of the ten commandments.While this is probably the best Signum Regis album to date, some might find it too familiar, and there for redundant, thanks to the predictable, or typical, as the case may be, European power metal throughout. Nevertheless, it's also still very good melodic heavy power metal from some talented fellows who know how to get it right. Recommended." - Dangerdog.comExodus Guest VocalistsLance King [ex. Pyramaze, Balance of Power], Michael Vescera [Obsession, Animetal USA], Matt Smith [Theocracy], Daísa Munhoz [Vandroya, Soulspell], Eli Prinsen [Sacred Warrior, The Sacrificed], Samuel Nyman [Manimal], Thomas L. Winkler [Gloryhammer, Emerald], Göran Edman [ex. Yngwie Malmsteen, John Norum] and Mayo Petranin [Castaway].
    $13.00
  • Evergrey are back and better than ever!  I think the general consensus is that as the band became more and more popular the music became a bit more commercial and the production slicker.  Tom Englund has gone back to the basics and its clearly the right move.  Jonas Ekdahl (drums) and Henrik Danhage (guitars) have returned to the fold and production has been handed over to Jacob Hansen.  This is a return to the "classic" Evergrey sound - that perfect balance of melody and heaviness with the right amount of "prog" injected when necessary.  COMEBACK ALBUM OF THE YEAR!  BUY OR DIE!"One of the leading names in the power/progressive metal world is the Swedish five-piece, Evergrey. Forming in 1995, the band has released eight full length albums, with number nine releasing this fall. The band has been known for relatively dark lyrics and concept albums since their debut, and because of this fact, it was very difficult for me to get into their music. I can easily count the amount of times I thought “I should listen to Evergrey” on one hand. Though I wasn’t well versed in their discography, what I had heard was moving quite slowly, was downright melancholic, and just couldn’t catch my attention. That was until the Hymns for the Broken album landed in my inbox.First off, the notable changes in the lineup, with the return of Jonas Ekdahl (drums) and Henrik Danhage (guitar) grabbed my attention immediately. Though the band briefly spoke about the addition of the two previous members on their Facebook, “What can we say? We missed each other.” I truly believe that this decision, and the amazing mixing by Jacob Hansen (Volbeat, Amaranthe, Primal Fear) and production quality are what set this album up for its coming success.The album kicks off with a very eerie intro track, then jumps into the first single and video, “King of Errors”. Even without being an Evergrey fan in particular, I have always known who Tom Englund was, as his voice is so unique and legendary in the industry that I couldn’t ever really escape it. This song is a great display of the power and ability he has as a vocalist to truly bring a wonderfully written song to an entirely new level. The blend of the guitar riffs and keyboard work is perfection to say the least, but when the awe-inspiring guitar solo hit, I knew this album had me by its teeth.Immediately following is another one of the strongest tracks on the album, “A New Dawn” with a strong and hard-hitting guitar and bass riff that doesn’t ever really let go throughout the song. This song features one of the more beautiful keyboard solos on the album, but yet again that guitar solo just comes out of nowhere and destroys any solo I have ever heard this band release. “Black Undertow” is another perfect example of why Englund is so well-respected in the music world. It begins with his chillingly lower vocal range, but builds back up to where he truly shines. This song not only features another soaring and strong chorus, but the rhythm work between all instruments keeps it dark and eerie, though the keyboard lightly dances above it all.The title track to the record explodes into this phenomenal musical intro, but fades just as quickly as it hits. Boasting some of the strongest, most emotional lyrics on the album, the song hits a chord in many personal ways. “Scream loud, these hymns are for the broken,” are just some of this crowd enticing chorus that Englund sings flawlessly throughout. Bringing the album to a close is the over seven minute song “The Aftermath” which begins in a ballad-like fashion, but builds to a very strong finale. The tempo remains slow, but the flawless movement in the instruments keeps it absolutely enthralling. The last half of the song is entirely instrumental, and the conversations between keyboard, bass, and drums is something that I could listen to on repeat for hours, especially when the haunting lead melody soars above it all.If you can’t tell, I can’t think of a single moment on this album I don’t absolutely love. As someone who could never get hooked by an Evergrey album, I can assure you this is not just ‘fandom’ talking. Hymns for the Broken is a perfect album that even after weeks of constant play, I can not get enough of. Perhaps it is indeed perfection, or perhaps it just hit me at the right time in my life, either way I am in love. Easily a current contender for album of the year, it’s so full of beautiful melodies and amazing arrangements that any fan of power or progressive metal will absolutely love. I don’t doubt that all previous fans of the band will appreciate this album as much as I do, but I sincerely hope that new listeners give this record a fair and objective chance as well.This is definitely their most ambitious release yet, and they absolutely nailed it!" - Metalholic 
    $15.00
  • "A while back I reviewed a “live” album that sounded like it was recorded in a pub in the middle of nowhere on a wet Tuesday, attended by one man and his dog.  It was awful.  If you’re going to produce a live album there are rules.  First, the sound has to be good, there’s no point if it isn’t studio quality.  Second, and this is vital, if you are recording an album in front of a live audience, the sound of that audience must make it onto the album.  If you can’t hear them cheering, clapping, singing along you’d have been as well staying in the studio.  After the disappointment of the aforementioned review, I was keeping everything crossed that Live With the Curse would reflect the electric atmosphere at Glasgow’s Classic Grand on that night back in November.  You see, I know the crowd was rocking that night, and I know the band sounded great, because I was there.So, I sat down today to listen to the album, hoping against hope that Eden’s Curse had got it right.  Man have they ever got it right.  I defy anyone to listen to this without feeling like they were actually there.  Mixed and mastered by Dennis Ward, who has worked with the band throughout their career, every bit of the live experience is included, from their onstage introduction by Tom Russell to the little chats with the crowd and the unholy racket the crowd made at every opportunity.Tom Russell, Godfather of Rock is a legend in these parts, he’s been presenting rock radio for longer than I’ve been alive (sorry Tom!) and having him announce you is quite an honour.  From that point on this album is relentless.  Nikola’s vocal never misses a note, Thorsten plays guitar like a man possessed and Paul, John and Steve bring it all together into something pretty close to perfection.  Nikola does a brilliant job of bringing the crowd into the show as well, introducing songs, explaining what they’re about and getting some crowd participation going.  It all adds to the atmosphere, which as I’ve already said is crucial to a live album.Highlights for me include opening track Symphony of Sin, which sets out the bands intentions from the very beginning.  This gig, this album is going to break you.  The pace and energy is non stop, as Nikola roars at the crowd and they roar back.  Covering tracks from all four Eden’s Curse albums the band powers through a set list which translates to a two disc album of over 100 minutes.  It’s long, but it never drags, as the energy refuses to drop.  Towards the end of disc one look out for an extended guitar solo from Thorsten.  Now, I don’t play guitar, but I know enough to know that this man is one of the best guitar players you will see.  He rarely lifts his head, lost in the music but he plays as if he has two pairs of hands.  One of my favourite things about Eden’s Curse is the storytelling in each song, from Masquerade Ball to Rock Bottom.  It means that the songs improve with each listen, as you move from listening to the tune to actually taking in the lyrics.  I have to also mention my personal favourite Eden’s Curse track Evil and Divine.  I don’t know why I love it, I just do.  And that’s what it’s all about.As final track Angels and Demons ends the crowd begin to chant, “Eden’s Curse, Eden’s Curse, Eden’s Curse,” and I sit here straining my ears because if I just listen hard enough I might hear myself.  I cheered them that night, and I’ll be cheering this album from the rooftops.  It’s out on Friday, March 13th and I will personally Curse any of you who don’t buy it!" - Planet Mosh
    $15.00
  • Once upon a time there was a brilliant Canadian composer musician named Franck Dervieux. In 1971 he recorded a great album of classically influenced progressive rock called "Dimensione M". Dervieux passed away at an early age due to cancer. The members of his ensemble essentially formed Contraction upon his passing. The main drivers behind contraction was vocalist Christiane Robichaud and bassist Yves Laferriere. While the self-titled debut didn't hit the lofty heights that their second album reached it's not without it's charms. The focus is on Robichaud's ethereal vocals with all the firepower a bit in the background. Start with "La Bourse Ou La Vie" first.
    $12.00
  • Volume 6 in this amazing series is a 3CD set that covers the time period 1976 through 1979. Arthur Brown appears on the performance culled from a gig in Brussels in 1979. Awesome!
    $17.00
  • Christina Booth is the charismatic vocalist for British symphonic rock band Magenta.  Her voice has always brought about comparisons to Annie Haslam (and in fact they recorded together).  Christina had a well documented successful battle with breast cancer.  It was during this time that she wrote the material for her second solo album.  The music doesn't have the complexity or full on "prog" nature but she is helped out by members of the prog community including Rob Reed, Chris Fry, JOhn Mitchell, Andy Tillison, and Theo Travis.  It would be difficult to call this commercial music.  I guess they call this adult alternative these days.  Its a great showcase for her wonderful vocal talents and is filled with tons of atmosphere.  Good late night listening.
    $14.00
  • Third album from this Dutch progressive band is a conceptual work.  This one has strong political leanings so it might bother some of you out there.  It basically deals with changes in the geopolitcal climate since the late 90s.  While the band's first album was squarely in the metal camp, the subsequent albums find them moving more and more into the prog rock arena but maintaining an underlying heaviness.  Plenty of keyboards featured throughout the mix in a way that complements the guitar driven heaviness.  For me the stand out is vocalist Dennis Binnekade.  He has a stunning voice and I noticed that this time around someone coached him on his pronuciation. Rock solid contemporary prog. Highly recommended.
    $14.00
  • Well I guess the Odin tape vault has been opened after all these years. In addition to Long Hair Music's SWF release we get this live recording from Maxim club in Schweinfurt, Germany in September 1971. Its a mix of original and voer tunes. Detailed liner notes from Jeff Beer round out the package.
    $23.00