Tyranny And Mutation ($5 Special)

Remastered edition of the second album from the greatest hard rock band to come from Long Island.Comes with 4 bonus tracks and a price you can live with.

Product Review

Tue, 2010-06-08 09:55
Rate: 
0
Another classic Boc Album, not as good as the 1srt but well worth the price B.Ricci
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Product Review

Tue, 2010-06-08 09:55
Rate: 
0
Another classic Boc Album, not as good as the 1srt but well worth the price B.Ricci
You must login or register to post reviews.
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  • Riverside is a way of expressing reflections, dreams and fantasies through music. It is an idea for exposing emotions, for an escape from the grey or unnaturally overcoloured reality. It is music inspired by a time, a place, a thought and a word, a figment of their own and other people's imagination. It is joy and sadness, a whisper and a scream. This young Polish band has created an emotional musical journey through dark and moody atmospheres that find kindred spirits in Porcupine Tree, Opeth, Anathema, and Pink Floyd. With a sound that encompasses prog, psychedelia, metal and even alternative rock, Riverside is poised to break through to a wider audience. The gorgeous full color booklet, designed by award winning digital artist/graphic designer Travis Smith is the visual counterpart to Riverside's music, perfectly capturing the mystical spirit of "Out Of Myself". Riverside has been invited to perform at NEARfest 2005. They will be the opening band on the 2nd day of the festival.
    $14.00
  • Fifth album from this Viking metal band from the Faroe Islands. Lots of diverse elements crop up - pagan, folk, progressive, and obviously power metal. Vocals are clean and big sounding (lots of harmonizing going on). I want to slosh down a pint of grog while I listen to this. All kidding aside this is really well executed - might even appeal to fans of Wuthering Heights. Limited edition digipak comes with two bonus tracks.
    $13.00
  • Brilliant archival find from Long Hair Music. Cannabis India was a short lived prog trio that recorded this one radio session for SWF and then eventually dissolved with keyboardist Oliver Petry then forming the equally obscure Universe. Cannabis India is an organ/bass/drums trio that will freak out any fan of The Nice, the first Triumvirat or that great unreleased Swiss band Race. The session is short so you also get 2 unreleased studio tracks from Universe. I eat this stuff up night and day. Highly recommended!
    $18.00
  • Excellent new sci-fi prog metal project put together by Carptree mainman and keyboardist Carl Westholm. While Westholm is probably better known for his involvement with Carptree he has also been working in the metal field for many years in bands like Abstract Algebra, Krux, and Candlemass.Westholm has assembled an interesting cast of musicians for this larger than life Ayreon-style project. First off, Mats Leven in handling vocals. Right there that is enough for me. Leif Edling, the driving force behind Candlemass plays bass and helps with lyrics. What else do you need? Various members of Carptree and others fill out the heavily symphonic sound lending an epic scope and feel. Highly recommended.
    $3.00
  • "Rafał Paluszek, band’s keyboardist comments: “Our new album, just like it was with Particles (2013), is not a concept album. We abandoned that as a creative method. And when we came up with the title ‘The After-Effect’, it was partly as a joke. An after-effect is a consequence, the result of all that's going on in our lives. Every album sums up a certain episode in your life. It crowns a certain creative process, which is, after all, brought about by something, and which is a lasting phenomenon. We experience certain things, every event has some influence on what we do. Why shouldn't that apply to the music we create? In a relatively short period of time, 2/5 of Osada Vida's lineup has changed. Such changes are like a tsunami - there are losses, but there's also a reason to build something new, something we wouldn't dare to build back in the untroubled days. We don't know what effects today's events will have. Looking at it from a mathematical perspective, there's an infinite number of paths, each branching out into an infinite number of paths as well, and so on. That's what The After-Effect (2014) is.”"
    $15.00
  • "Formed in 2008 under the (thankfully dropped) name Rightdoor, Within silence are a melodic power metal band in the vein of Blind Guardian. As such you can expect huge swathes of guitar, souring vocals and banks of keyboards all vying for space amidst the pounding rhythms and heroic soloing. Growing steadily, the band have taken their time to draft their debut offering, the gleaming ‘gallery of life’, and it appears that it has been time well spent because the rehearsals, the time spent writing and then honing material on the road with the likes of Blaze Bayley has paid off with this confident and powerful album.Opening with a short, choral ‘intro’, ‘gallery of life’ immediately sets out its stall as an ambitious body of work designed to be heard as one contiguous piece. The intro builds nicely to the powerful guitars of ‘silent desire’. A perfect opening song, ‘silent desire’ immediately highlights the fact this is a production that oozes quality. The guitars are razor sharp, the choruses soar memorably and the playing is ultra-precise. It shows that Within Silence will settle for nothing less than perfection and there’s a sparkling ambition here that is impossible to ignore. ‘Emptiness of night’ is a fast-paced rocker with blazing guitars and a full-on vocal performance that is both powerful and brimming with confidence. There’s a strong Iron Maiden influence underpinning the cracking pace and guitar work, and it’s clear that the band have nothing less than world domination in their sights. Keeping the energy levels high, ‘Elegy of doom’ is another taut rocker with a rampaging riff and just the right amount of keyboard to add atmosphere without overpowering the song. It’s an early highlight of the record and make no mistake, within silence are a band who like to rock! It’s a trend that continues on the equally stunning, ‘The last drop of blood’, a full-on belter of a track that sounds like the band channelling Metallica, Maiden and Judas Priest all at once. It’s one of those adrenalin packed tracks that will get the blood pumping no matter what, and it must surely be a live favourite with its brutal riffs and memorable chorus. The track reaches its peak, however, with the excellent extended solo that runs wild over the second half of the song. Showing a lighter touch, ‘Love is blind’ keeps the energy levels maxed out but offers up a more pop-infused side of the band than found elsewhere, and whilst it still remains on the metallic side of the musical spectrum, it shows that Within silence have both the talent and confidence to fully explore their genre.The band briefly slow their pace for the more subtle opening strains of ‘anger and sorrow’, although the song does not take long to explode into a typically multi-stranded beast complete with extended solos and deft changes. Representing Within Silence at their most commercial sounding, ‘Judgement day’ is the sort of rollicking heavy metal ride that would have been all over the radio back in the eighties. Powerful and driven by a chorus that is only slightly less addictive than crack, ‘judgement day’ is a beast of a track. Next up, pounding drums lead us into ‘the world of slavery’, a song with a strong folk influence. Another track that benefits from some stunning guitar work, ‘the world of slavery’ is a metal epic that only gets better with repeated listens. The album concludes with ‘road to paradise’ which dips into ‘seventh son…’ era Maiden for inspiration. Another epic length track, it is a last chance for the musicians to spread their wings and soar, something which they duly do in impressive fashion. A short ‘outro’ sees the disc spin to a halt with choral voices echoing in the dark. It is a suitably dramatic ending for a CD that takes the listener on a wonderful journey from start to finish.Power metal can be, all too often, a genre where the keyboard elements overshadow the metallic elements. Thankfully, Within Silence, perhaps because of their lengthy time spent out on the road, keep their sound hard-edged throughout and the result is an album that packs a similar punch to the classic Maiden albums of the early eighties. There are crunchy riffs galore, endless solos and the sort of huge, soaring choruses that have made Blind Guardian such a powerful force. Talented, oozing confidence and with a wonderfully powerful set of songs, Within Silence have arrived and metal fans had best sit up and take notice, because these guys have the skill and the burning ambition to go far." - Sonic Abuse
    $14.00
  • "One word to describe Universal Totem Orchestra would be unique. This Italian band, formed in 1998 by Uto G. Golin (drums) and Dauno Buttiglione (bass), who has since left the band, is anything but boring. The Magus is their second album, the first being Rituale Alieno. There is so much going on here, so many layers to peel back, that this music is extremely difficult to describe. For a record based in the Zeuhl genre there are a surprising number of melodic moments that find their way to the surface. Subtle guitar phrasings here, a beautiful piano melody there, well you get the idea. Do not get me wrong though, this is not what I would call easy music to digest. It is another one of those albums that will probably take a little time to fully grasp and appreciate, especially if you are unfamiliar with esoteric progressive music.Musically, the band combines a number of styles under the Zeuhl umbrella, such as jazz, classical, symphonic, opera and metal. Probably the most unique attribute of this band are the vocals performed by Ana Torres Fraile and various male performers. You will hear choirs, operatic (tenor and soprano) and traditional vocals all done very well. There is so much happening instrumentally that the listener really needs to pay attention. This would not be good background music as it is one of those albums that demands your full attention. Odd time signatures and sudden stops and starts allowing for different movements to take place is the norm not the exception. It is clear these musicians know how to play and a tremendous amount of work has gone into this piece of music. After all, there are not many albums just short of 80 minutes long so you know you are getting your money's worth. Sometimes with albums this long, the music gets tiresome and boredom starts to set in prematurely but that is not the case here. I never got the sense they made a long album just for the sake of it. All of the pieces fit the musical puzzle and nothing seems excessive or irrelevant. What makes this even more rewarding are some of the nice melodies provided by piano, guitar and saxophone."De Astrologia" gets things rolling with some electronic sounds before delving into some power chords and chanting vocals and a really cool, although short lived, synth solo. An angular lead guitar solo follows and that is just in the first 4 minutes. We also get to hear rollicking piano, some lovely melodies, a variety of singers, and dynamic tempo changes There is a marching rhythm underlying much of the song allowing us to use our imagination as to what the song is about. There is just a lot happening musically, it really is something that you need to hear for yourself, and I can say that for the entire album.One of the shorter songs on the album, "Les Plantes Magiques", begins with a lovely piano melody and great female vocals. This is the most delicate song on the album although the song does have some passionate moments especially in the vocals and drumming. This one has a lot in common with classical music and how movements are allowed to gradually build up in intensity. Sax provides the melody in "Ato Piradime" with nice playing throughout. Electric piano, sax and the voice of Fraile gradually intertwine creating some wonderfully listenable moments.Universal Totem Orchestra must be commended for making an album of such magnitude and scope. While this will not appeal to everyone, those of you who like to take musical adventures outside of the norm, would do well do give this a shot. I found this to be a fascinating and enjoyable listen. Highly recommended." - Sea of Tranquilty
    $16.00
  • Iron Mask is the power metal band led by Belgian guitarist Dushan Petrossi. You may know him from his other band Magic Kingdom, although I would hard pressed to understand the musical distinction. Petrossi worships at the feet of Malmsteen and Romeo - total neoclassical bliss for those interested in this sort of thing. Mark Boals is front and center solidifying the Malmsteen comparison. The dude can certainly blow that's for sure!
    $15.00
  • Second album from this fusion outfit led by former Passport members Curt Cress and Kristian Schultze. Bassist Dave King only appears on part of the album and Roye Albrighton is long gone, replaced by Frank Diez. The problem with the album is that about half of it has too much funk and is really commercial schlock. The rest of the album is pretty much on par with Defroster...although I could live without Eddie Taylor's vocals. Your move.
    $18.00
  • This is a limited edition release that combines the regular 2 CD live set with a complete DVD (NTSC format) of the concert!In addition to a load of bonus material the DVD concert features the following tracks:Intro/Lift OffSet Your ControlsHigh MoonDreamtimeEyes of TimeSongs of the OceanDawn of a Million SoulsThe Dream SequencerKeyboard soloInto the Black HoleActual FantasyValley of the QueensIsis and OsirisAmazing Flight in SpaceBass soloIntergalactic Space CrusadersCastle HallThe Eye of RaStarchildThe Two Gates 
    $17.00
  • "France's Darktribe makes their return to the power metal arena with their second effort, The Modern Age, now signed to Italy's Scarlet Records. It's basically a return to form for the band, generally a melodic metal foundation bumped up by power metal speed with some prog nuances thrown in.In this sense, there's nothing new under the sun for Darktribe. Yet there's some subtleties worth mentioning. Whether by the mixture of riffs, some keyboards tossed in, or the vocal arrangements, the songs sound really busy, like there's too much going on. Maybe it's the swell of layers. Possibly it's an artificial sense of business, even technicality. My Last Odyssey, No Train To Earth, and Anthem For A Planet are just a few songs that give me this feeling. If anything, in this mixture, guitarist Loïc Manuello riffs and leads seem to be predominant element within the band in each song. The riffage is large and sharp throughout, which probably twists the "artificial business" towards the more natural wall of sound.There's also a significant keyboard development within this album, mostly underneath and by accent. It seems larger than the previous album, but was three years ago and memory and my ears my be misleading me. You'll notice some of this at the beginning of My Last Odyssey or the middle of The Modern Age in a symphonic texture. But the latter could be merely guitar synths. Additionally, there's nice vocal harmonies, larger in arrangement, in some songs, like No Train To Earth (nice groove as well) and A Last Will, especially in the final moments.In the end, The Modern Age left me with a conundrum: it's more of the same from Darktribe, yet seems to be an advancement for the band as well. Alternatively, though interesting enough for several spins to review, I'm not so sure it's remarkable enough to listen again in the future. You may feel differently." - Dangerdog.com
    $15.00
  • Amazing how these guys are still able to bring it. A Night For Baku turns it up a notch and then kicks it into overdrive finding the boys from Cali unleashing their usual assortment of psych-tinged progressive mayhem. Somewhere...someplace...the Progressive Gods are looking down on us with a big grin on their faces...Djam Karet have delivered the real goods again.
    $15.00
  • Gnô is a French power trio whose style is often described as Pantera meets The Beatles. After releasing Trash Deluxe (Janvier records) in 2002, Gnô is back with a new opus entitled Cannibal Tango, even more brutal though more melodic as well. The three piece combo play heavy rock with a good balance between metal riffs and catchy melodies. Their stock in trade is daredevil chops highlighted by insane stunt guitar. The rhythm section, powered by the roaring bass of Gaby Vegh and thunderous drumming by Peter Puke, provides an ideal foundation for the wizardry of Christophe Godin (Morglbl), considered one of the finest guitar players today! Not one, but three lead singers is another characteristic of the band, and they pay great attention to vocal harmonies à la Beatles or Kings X. While the musicianship will leave you shaking your head in disbelief, the humorous lyrics will have you laughing out loud. These three French maniacs revolve around the same planet as their musical brethren Freak Kitchen. If Frank Zappa had made a metal album it would sound something like this.
    $13.00
  • Long awaited second album from this Finnish progressive death metal bands.  Pressure Points music bears some resemblance to Soilwork and Opeth.  Lots of prog rock influences are present as well."Coming at us from Heinola, Finland is Pressure Points. Weighing in at just under 57 minutes is their brand new, sophomore effort, False Lights, released through 7hard Records.The result is something rather unique, but -as with many prog releases of this nature- may require an investment of your time and an open mind.False Lights is an atmospheric offering that showcases a number of progressive influences, often falling far more on the “rock” side of prog, rather than within the ranks of accepted “progressive metal”. Within is a package of six meaty tracks guaranteed to please fans of the progressive rock genre, while listeners looking for something a bit more extreme may be left feeling rather unsatisfied. Make no mistake, Pressure Points draws the line much closer to Leprous or Spock’s Beard than to Into Eternity, and frankly tend to only use “death metal” as a tool in their arsenal, rather than the hallmark of their sound.And this isn’t a bad thing.In spirit, False Lights feels quite spacey, and at worst can seem a bit ambiguous for the uninitiated listener. It proudly wears its respect for seventies prog on its sleeve (check out “Sleepwalk”), which may prove challenging for some, and charming to others. Each track, however, when properly dissected, offers the full gamut of musical indulgence we come to expect from a truly progressive band. Beautiful piano pieces, soaring vocals, and baby-maker guitar solos are brought to bare in this fine collection of six tracks that all clock in at 8 minutes or more. Invoking a compositional style at times similar to Opeth, the harshest bits come unpredictably, and hit hard, as you can hear in the release’s single, “Electric Shadows”.Never overly indulgent, Pressure Points offer something incredibly solid with False Lights. With each listen, one will notice elements and passages that they may have overlooked before. It’s about getting to know this album. And it’s that kind of relationship building with their music that I believe should be rallying prog fans the world over to this promising Finnish five piece." - It Dents
    $15.00