The Tragedy Of Innocence ($2 SPECIAL)

Second album from this California based prog metal band with ties to Redemption. The Tragedy Of Innocence is a far more mature and developed release than their debut. It's a conceptual work dealing with a very heavy subject - Valerie Quirarte (wife of drummer Chris) and her experience with child abuse. The music is a reflection of the story - its darker and more intense. All in all Prymary are a progmetal band. You can expect some serious complex arrangements and stand out playing. Kudos to the band for tackling a difficult subject and also jumping up to the next level musically. Recommended.

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    $5.00
  • Their first album was laid back psychedelic folk with a female singer. Quite beautiful.
    $16.00
  • A great album perhaps beaten to death by radio airplay of "Spirit Of The Radio" and "Freewill".  Remastered edition.
    $5.00
  • Reissue of the bands third album, originally released in 1993. No-Man is the collaboration between Tim Bowness and Steven Wilson (Porcupine Tree). The music falls into the art-rock category sounding somewhat like a cross between Japan and Porcupine Tree. Very expansive and atmospheric. The supporting musicians on this disc are amazing Robert Fripp, Ian Car, Mel Collins, Ben Coleman, Lisa Gerrard, and Porcupine Tree members Richard Barbieri, Steve Jansen and Chris Maitland. This is the remastered edition in a digipak and two bonus cuts the 9 minute Angeldust and the 12 minute Born Simple.
    $8.00
  • ""SKIN” is the latest album from CLASSIC ROCK PROG Poll winners PANIC ROOM and is one of the most eagerly anticipated albums by a band on the new wave of British Progressive Rock groups. The album, the band’s third, is arguably the finest yet by ANNE MARIE HELDER (Vocals, Guitar, Keyboards, Flute), JONATHAN EDWARDS (Keyboards), PAUL DAVIES (Lead Guitar, Backing Vocals), YATIM HALIMI (Bass) and GAVIN GRIFFITHS (Drums). "SKIN” is a dark and shimmering jewel, featuring 11 new and original tracks which all bear the hallmark sound of Panic Room - both powerful and intimate, passionate and playful, epic and yet truthful and heartfelt.

The album has a vast and expansive feel : gracefully weaving its way through rock-solid riffs and potent grooves, there are moments of intense power, heart-stopping gravity, and delicate beauty.
 This is the sound and dynamic of Panic Room... brought to a new level. Featuring the unique style-play and musical freedom that Panic Room are famous for, and which has seen them transcend any genre or limitation, the album also unveils a distinct and deliciously dark sound all of its own... the sound of 'SKIN'. A stunning collection of songs, all telling a story of their own, the album has a definite feel and continuity at the same time; a distinct mood of its own.'SKIN' is... beguiling, hypnotic, dark...sensual, emotional, and raw...beautiful, reflective, and true… The album title reflects all of the key elements in the music PANIC ROOM has created - the intimacy, the rawness and the power that is "SKIN”."
    $17.00
  • "Four years in the making, Norway's Triosphere returns with their third album, The Heart of the Matter. It was worth the wait. While reviewed previously on this site by another reviewer, this is my first experience with the band.There's many things to like about Triosphere. Not the least of which, for a female-fronted band, is that vocalist and bassist Ida Haukland is a pure melodic metal singer, not swaying to the extremes of operatic or death vocals. Another significant element is simply their superb sense of songwriting. They have an arsenal of weapons to draw from whether an abundance of catchy riffs, a strong melody, vocal harmony, notable rock groove, or sizzling leads. I think, more than anything, the guitar structure, riffs and leads, are rather immense and attractive, propelling the album. You can't avoid the swell of riffs and leads within songs such as Steal Away The Light or As I Call, melodic and inspiring. But Triosphere wraps all these elements up in imaginative and entertaining arrangements, nearing progressive metal, that make for essential melodic metal listening.While the entire album is a rich tapestry of melodic metal, a few songs deserve some attention thanks to some interesting passages within. One is Breathless, a steady sturdy number that has this interesting breakdown after the half way point. The riffs collapse for this light guitar work, almost fusion, over equally slight drums. Another terrific song follows in Departure. It has its share of riffs and some staccato drums, but once more, it's the latter guitar segue that grabs you. More emotive and lighter leads over subtle bass and drums. A third song of interest is the later Remedy with a smooth melody and enormous vocal harmony. But the kicker, once more, is the guitar breakdown in the latter half. Different than the previous songs, it's sharper and heavier, riff based yet fiery, and propelled by some intricate drumming. Finally, the entire swail of riffage is abandoned at the end of the album for the acoustic and gentle ballad Virgin Ground. A respite perhaps? All in all, Triosphere, with The Heart of the Matter, has turned out a rather terrific and enjoyable album of melodic heavy metal. Easily recommended." - Dangerdog
    $16.00
  • "Sometimes I like a little power in my heavy. Swiss band CRYSTAL BALL is a powerhouse that performs metal with a force to be reckoned with. Following a 6 year hiatus, a new album "Dawnbreaker" was finally released this year, and they bring with them a new energy. What makes this band especially interesting is their blend of classic Heavy Metal, euro-Rock and melodic Power Metal; some of the tracks sound like something off a EUROPE album; other times I am recalled back to IRON MAIDEN; and other times I hear RHAPSODY OF FIRE. Naturally, the musicianship is excellent, but keeping things from growing bland are the vocals; gruff and aggressive, not normally found on a melodic Power Metal album, and almost add a Lemmy-like atmosphere.The opener "Break of Dawn" is a through-and-through Heavy Metal track, with heavy and aggressive guitar-driven passages; even the vocals are percussive, putting particular emphasis on adding an extra axe blade to those of the chugging guitars. Immediately following is a strongly Euro-flavored track, "Anyone can be a Hero", with wailing guitar and vocal melodies and very, very 80's melodic progressions. A nice touch, I think; albums like this simply do not feel complete without the odd blast from the past. A song that stuck out like a sore thumb, for me, is "Skin to Skin"; at first, I thought it was an EDGUY piece, because it sounds like it could have come directly out of "Mandrake" or "Rocket Ride". A copy? Nay; a nice remembrance piece; mid-tempo but catchy, groovy, heavy and melodic.I hope this band is "Back for Good", or at least for a while. Another EDGUY-like track, complete with atmospheric synths, this is another rocking mid-tempo track that even, in terms of arrangement, reminds me a lot of STRATOVARIUS' "Kiss of Judas". Allow me to go on and on about the guitar solo; it is a damned fine work of art, and the twin harmonized solo is at a Scandinavian level. Next up, the band returns in a blaze of glory to the roots of melodic Heavy Metal in "Power Pack", which combines the aggressive grooves of METALLICA's peak era, and some additional Euro-style melodies. Lyrics are cliché as hell, but I do not care; essentially my favorite song on the album. The end track, "Bond of Love" proves that a Metal album does not need an over-abundance of guitar-shredding, blast beats and double kicks (of which this album has none) to be brimming with molten steel. Hell, I'm even noticing a few slight progressive touches here.I admire CRYSTAL BALL for not trying too hard to be Metal, for not being too cliché, and for effectively bring back to full force the essence of Heavy Metal into modern times." - Metal Temple
    $15.00
  • Gorgeous doomy Floydian metal. Super jewelbox reissue.
    $12.00
  • Obscure primordial effort originally released as a limited edition by Raro Records in 1989. This is material that was recorded for the band's first album in 1969 but was never released. Recorded before Francesco was in the band so you are looking at a different lineup and the sound veers heavily into the proto-prog/beat-psych realm.
    $15.00
  • "Voivod is timeless. That doesn’t mean that the Quebec progressive thrash metal band is frozen in stasis. Rather, it’s a testament to their uncompromising insistence on ever-changing, experimental futurism, with every album existing outside of contemporary style in some alternate universe where guitar pickups are wormholes and drumbeats ripple gravity wells." - Montreal Gazette 
    $10.00
  • This is the album where I had a hard time telling these guys apart from The Police. A fall off in quality from Moving Pictures - the tunes are shorter and more radio friendly.  Remastered edition.
    $5.00
  • "Two legendary prog-rock albums of the seventies, completely re-mixed and digitally remastered by the man who conceived, recorded, produced and wrote most of the material, David Rohl. This 2CD digipack edition comprises Mandalaband, the 1975 album which featured most of the musicians who would go on to form Sad Café, plus vocalist David Durant, plus The Eye Of Wendor - Prophecies, a concept album with contributions from a host of stars, with musical and vocal contributions from Barclay James Harvest, 10cc, Justin Hayward (The Moody Blues), Maddy Prior (Steeleye Span), Noel Redding (Jimi Hendrix Experience), Sad Café and the Hallé Orchestra. The digipack edition includes previously unreleased bonus material on both CDs, plus a 16-page booklet."
    $24.00
  • Special edition of the 18th studio album from these British melodic hard rock stalwarts.  Comes with a bonus disc with unreleased acoustic and live tracks from the band's vault. "There are some bands who just seem incapable of making bad albums, the odd inconsistent one maybe, the odd ill advised departure, but never bad. Well step up with pride those Brummie boys Magnum, who over the last 34 years (admittedly with a 5 or 6 year break) have regaled us with some of the best British pomp you could ever care to hear. Which judging by studio album number 17, is something that isn't liable to stop anytime soon!To be fair, On The Thirteenth Day isn't the sort of album that is going to change any minds, I doubt very much that was intention. Instead it builds and ever so slightly expands upon the impressive catalogue Magnum have amassed over the decades and stands tall and proud alongside their most revered releases. Only nostalgia will stop long term fans of the band proclaiming that this release is as good as On A Storyteller's Night, or Wings Of Heaven (or whichever is their fave reminisce), but it is. Yes the formula runs pretty close to the last three Magnum offerings, Princess Alice And The Broken Arrow, Into The Valley Of The Moonking and The Visitation, but considering how pleasing on the ear they all were, the fact that On The Thirteenth Day betters them is recommendation enough.Ease into the uplifting "Shadow Town", the ever building and instantly memorable "So Let It Rain" (the stick in your head song of the album), the wonderfully titled and welcomingly familiar "Blood Red Laughter", or stomping, melancholy intent of "From Within" for confirmation that this is a vintage motor still running at full tilt. Pleasingly there are a couple of curve-balls, with "Dance Of The Black Tattoo" having a chunkier riff than this band are known for, while "Broken Promises" follows a similar path, but with a bluesier edge.The voice of the band, Bob Catley, maybe sounds a little lived in these days, but few frontmen can offer up the warmth and emotion of his delivery, while long standing (someone get him a seat please!) keyboard player Mark Stanway adds the layers of atmosphere that mark out the Magnum signature sound. The new (a decade of service still denotes newbies in this band!) lads also stack up well, with Harry James on drums and bassist Al Barrow proving once again that having the most solid of rhythm sections is priceless in any band of any genre. However without guitar player and songwriter Tony Clarkin, this band simply wouldn't be, so let's all doff our caps to "The Hat" and pay reverence to yet another cracking set of songs and another stunning six string performance.On The Thirteenth Day is a fantastic blend of all of the elements with which Magnum have impressed, seduced and won our affection for almost as long as we can remember now and is an impressive statement from a band that would have every right to be sitting with their feet up and living off past glories at this stage of their careers. The fact that they are not is a reason to rejoice and so is On The Thirteenth Day!" - Sea Of Tranquility
    $16.00
  • I would have to guess (purely a guess) that this was the band's most successful album in terms of sales. It's the album that got me into their music. Fantastic orchestral metal loaded with awesome melodies and great playing. Simply a stunning album that should be in every progmetal collection. This is the remastered version that comes with 2 bonus tracks and new liner notes. Highest recommendation.
    $15.00