Time Is The Enemy

SKU: BARDO137
Label:
Bardo Records
Category:
Fusion
Add to wishlist 

Simply blistering electric fusion jams.

There are no review yet. Be the first!

Product Review

You must login or register to post reviews.
Laser Pic

customers also bought

SEE ALL
  • “You can expect a beefy rock album, freak style. I think that Cooking with Pagans finally has the sound and energy of Freak Kitchen live; the energy and rawness. It is anything but overproduced, stripped down, drums, bass and guitar. To the point.” – Mattias “IA” EklundhIt has been 5 years since Freak Kitchen graced us with a new album.  Since the release of 2009’s Land Of The Freaks, the band has toured the world – making stops in Europe, USA, and Asia along the way.  Finally the band was able to settle down in their home base of Sweden to record the long awaited follow up Cooking With Pagans.The album finds the band collaborating with Blacksad comic book creator and former Disney animator Juanjo Guarnido.  In addition to creating the amazing packaging for the album, Mr. Guarnido has created an incredible animated video to support the album release.Freak Kitchen consists of world renowned guitarist Mattias “IA” Eklundh, bassist Christer Ortefors and drummer Bjorn Fryklund, The trio offers an intense blend of progressive metal and rock, often served up with a wicked dose of humor.  RIYL Frank Zappa, Steve Vai, and Bumblefoot. 
    $14.00
  • Travel deep into the recesses of that hidden ashram you always fantasized about. Music is playing and it sounds something like this. In The Labyrinth is a project masterminded by multi-instrumentalist Peter Lindahl. Utilizing the assistance of other musicians he's created an intoxicating psychedelic landscape over the course of four albums. The music blends psychedelia with world music flavors. Backwards tracked guitar and sitar, harp, tablas, Mellotron, hand percussion all co-mingle into one mind warping trip into the inner mind. Much of this music has been out of print for years, so LIndhall collaborated with Trail Records to release a compilation of sorts. It gathers some of the best tracks from the canon as well as unreleased material. Fire up the hookah and enjoy. Late night listening madness will ensue...
    $12.00
  • "Alice Cooper wasted little time following up the breakthrough success of Love It to Death with another album released the same year, Killer. Again, producer Bob Ezrin was on board and helps the group solidify their heavy rock (yet wide-ranging) style even further. The band's stage show dealt with the macabre, and such disturbing tracks as "Dead Babies" and the title track fit in perfectly. Other songs were even more exceptional, such as the perennial barnstorming concert standard "Under My Wheels," the melodic yet gritty "Be My Lover," and the tribute to their fallen friend Jim Morrison, "Desperado." The long and winding "Halo of Flies" correctly hinted that the band would be tackling more complex song structures on future albums, while "You Drive Me Nervous" and "Yeah, Yeah, Yeah" showed that Alice Cooper hadn't completely abandoned their early garage rock direction. With Killer, they became one of the world's top rock bands and concert attractions; it rewarded them as being among the most notorious and misunderstood entertainers, thoroughly despised by grownups." - Allmusic Guide
    $5.00
  • At this point in time the hard rock kings of Long Island were pretty much living up to their name. Their initial "black and white" trilogy didn't make a huge dent on the national scene. They recorded a live album that was "ok". They went into the studio for their fourth album and came up with their masterpiece. If we never hear "Don't Fear The Reaper" again it would be OK with us all but it shouldn't overshadow the power of this disc. It shot the band to world wide prominence and they became a headlining act. The rest...as they say...is history. Remastered edition with 4 unreleased bonus tracks.
    $8.00
  • This is the first North American release for Move, the fifth album in the Freak Kitchen discography.  Freak Kitchen is led by renowned guitarist/vocalist Mattias Eklundh. The band describes Move as "More metal, more experimental, more fascinating… will please the fans and will without any possible doubt convert the newcomers." It is also the first album to feature drummer Bjorn Fryklund.  Intense guitar driven music that blurs the fine line between progressive rock and metal.  Essential for fans of Frank Zappa, Bumblefoot, and Steve Vai."Freak Kitchen return with their fifth album, a new drummer and bass player. The first noticeable difference is the inclusion of double kick drums at the beginning of the opening track "Propaganda Pie." They definitely add an extra metal "oooomph" to Freak Kitchen's sound.Of course Eklundh fills the album with crazy, off-the-wall, impossible to play solos and licks. His playing alone is worth the price of the album. But that is not even the best part, as basically every song on the album is extremely catchy and memorable. These are the type of songs that get stuck in your head for hours.The lyrics generally deal with real world issues, such as sweatshops ("Logo"), divorce ("Seven Days In June"), and drug addiction ("Herion Breakfast"). The topics are serious, but generally the music is upbeat; they are addressed in a somewhat sarcastic way, although a few songs could be considered 'depressing.' Probably "Seven Days In June" and "Razor Flowers." The latter track is sung by the bassist, and he does a great job.Move is definitely not 100% TR00 METUHL, but it rocks, and it has the high quality of musicianship that metal fans enjoy, so it should appeal to many a listener." - Metal Archives
    $14.00
  • Remastered edition.
    $12.00
  • "Ray Shulman produced this CD of one of the earliest Gentle Giant live gigs at King Alfred's College Winchester. Notably, this album contains the lost track "Peel Off the Paint," which has the same lyrics as Peel The Paint but completely different music. This is the only live recording available to the best of my knowledge with Phil Shulman and Martin Smith. As Phil Shulman comments in the liner notes: ".....For us, this CD provides a real memory jolt - reminding us of songs that we haven't thought about for a long time and brings nostalgia for the early hopes and dreams of a new band, Gentle Giant."
    $10.00
  • Let me preface my observations of the CTTE remix by saying that I don’t put these classic albums on a pedestal.  If they can be sonically improved while remaining faithful to the original mix and maintaining musicality and the emotional content then I’m all for it.  In general I liked what Steven Wilson did with the King Crimson catalog.  I was particularly impressed by his reconstruction and resurrection of Lizard.  When I heard he was tackling the Yes catalog I was hopeful because if there was ever a band that could use some sonic wizardry its Yes.  Eddy Offord was never able to bring the magic to their mixes that he was able to give to ELP.So how did Steven Wilson do with CTTE?  I can only use one word to describe the new mix: “transformative”.  CTTE was an album cobbled together from various bits and pieces.  Its widely acknowledged to be the band’s best album (its certainly my opinion) but in terms of sonics it fell victim to the “too many cooks” syndrome.  The original mix was a bit of a mess.  Its all changed now. The one thing that is immediately apparent is the foundation provided by Chris Squire’s bass.  It reaches the pits of hell and if Mr. Wilson is going to take this approach with TFTO and Relayer he’s got my vote.  In general there is a veil of schmutz that has been wiped away.  All the instruments have more clarity and focus in the soundstage.  “I Get Up I Get Down” was chilling.  I found the soundstage consistently extended beyond the boundaries of my speakers.  The mix is warm, involving and there is a balance among the instruments that I found lacking in the original mix - primarily because of Squire’s bass being given a shot of adrenaline.  Jaw dropping stuff.  The bonus track of “America” had exceptional, dare I say audiophile sound.So the obvious question is - what sounds better - this mix or the SACD?  I dunno.  I can’t find my bloody SACD to compare…but here is my memory of the SACD.  When I got it I played it through.  It didn’t overwhelm me or disappoint me.  My thought was “its fine...it is what it is - this is the best it will ever sound in the digital domain”.  I was wrong.  BUY OR DIE! FORMAT: 1 x CD/1 x DVD-ACD:1  Close to the Edge2  And You And I3  Siberian KhatruBonus Tracks:4  America5  Close to the EdgeDVD-A:– Album mixed in 5.1 Surround from original multi-track sources.– New Album mix – Original Album mix (flat transfer)Both in High Resolution Stereo– America original & new stereo mixes & 5.1 & in High-Resolution+ further audio extras• Close to the Edge is the first in a series of remixed & expanded Yes Classics• The classic album has been mixed for 5.1 Surround Sound from the original studio masters by Steven Wilson (Porcupine Tree) & is fully approved by Yes.• CD features a completely new stereo album mix by Steven Wilson• CD also features a new mix of America• CD also features an early mix/assembly of Close to the Edge• DVD-A (compatible with all DVD players & DVD Rom players) features a 5.1 DTS Mix and High Resolution Stereo mixes.• DVD-A players can, additionally, access a 5.1 Lossless audio mix (24bit 96khz).• DVD-A features the new album mix in High Resolution stereo• DVD-A also features the original album mix in a hi-res flat transfer from the original stereo master tape source.• DVD-A also features numerous audio extras in high-resolution stereo including single edits & studio run- throughs.• Original artwork by Roger Dean who has also overseen the artwork for this new edition• Presented as a 2 x digi-pack format in a slipcase with new sleeve notes by writer Sid Smith along with rare photos & archive material.“Close to the Edge” is the first in a series of expanded Yes editions including 5.1 Surround mixes, new stereo mixes & High-Resolution stereo mixes of the original music along with a wealth of extra material. Acclaimed musician/producer Steven Wilson has produced the new mixes with the approval of the band, while Roger Dean reprises his role as art director/designer of the newly issued edition, making this the definitive edition of the album.When Yes entered the studio with Eddie Offord to record the band’s fifth studio album in mid-1972, their second with this line-up, the band was on something of a roll. “Fragile”, the band’s previous album, had taken Yes to a new level of international popularity with Top Ten chart placement on both sides of the Atlantic & yielding a hit single in the USA with ‘Roundabout’. The band was now established in the major music markets to an extent that was, perhaps, unexpected given the complexity of the music Yes performed. But with that popularity came a confidence that the expansive material of the two previous albums could be taken a stage further with the new recording. Rather than consolidating, Yes chose to innovate.Recorded during lengthy sessions at London’s Advision Studios, “Close to the Edge” is that rarity in recorded music, the sound of a band & its individual members writing, playing and recording at the peak of their collective abilities. The album was issued in Autumn 1972 reaching chart highs & platinum sales status of  4 in the UK, 3 in the USA & 1 in Holland, though such statistics only hint at the worldwide popularity of the album over a period of more than four decades. The three pieces of music, the title track which spanned the entire first side of the vinyl album with ‘And You And I’ & ‘Siberian Khatru’ on side two, have remained concert favourites since release, with the 2013 Yes line-up currently in the middle of a world tour stretching into the middle of next year that sees the album performed in its entirety.The album remains the favourite among many of the band’s legion of fans, a defining recording both for the band & for the progressive rock movement. It is also one of the most successful British rock albums ever released.Since this release of “Close to the Edge” was confirmed, the various websites dedicated to Yes, Progressive rock & high-resolution audio have been very active with discussions among fans keen to hear the new mixes & the existing material in its purest audio presentation. 
    $20.00
  • "Their debut album, Dreamboat Annie, was first released in Canada and then in the United States on February 14, 1976. It was an immediate hit, reaching number seven on the United States album charts, and achieved a platinum award for sales.At this point in its career, Heart was still a band, but the Wilson sisters had already begun to exert control. They co-wrote wrote nine of the 10 tracks on the record and wrote the remaining track with the rest of the band. In addition, Ann, as the lead vocalist, was the centerpiece and main focus of the band.It was an auspicious first album. The music had a rawer feel than their later polished sound that would propel them to further stardom. It was hard rock with a bluesy sound mixed in. It all added up to one of the better debut albums of the seventiesThe album's first track was the Top 10 hit single “Magic Man.” Ann Wilson’s vocal immediately grabs you. It was instantly recognized that she possessed one of those rare voices that was a gift. The other Top 40 single, “Crazy On You,” was an anxious and urgent rocker. The acoustic intro led to a building electric guitar sound with a repeated riff that continued throughout the song.There is a lot to like about the album. “Soul Of The Sea” is a nice guitar ballad with strings. “White Lightning and Wine” is a bluesy rocker and a forgotten gem in their large catalog of material. “Sing Child,” which is the only group composition on the album, has a guitar jam in the middle that presents early Heart as a true band. “How Deep It Goes” is another rock/blues outing.When this debut effort was first released, it seemed as if Heart just appeared on the music scene out of nowhere. Thirty-four years later, the Wilson sisters are now recognized as lasting rock superstars. If you want to explore the music of Heart, Dreamboat Annie is the place to start." - Seattle Pi
    $7.00
  • "With Billion Dollar Babies, Alice Cooper refined the raw grit of their earlier work in favor of a slightly more polished sound (courtesy of super-producer Bob Ezrin), resulting in a mega-hit album that reached the top of the U.S. album charts. Song for song, Billion Dollar Babies is probably the original Alice Cooper group's finest and strongest. Such tracks as "Hello Hooray," the lethal stomp of the title track, the defiant "Elected" (a rewrite of an earlier song, "Reflected"), and the poison-laced pop candy of "No More Mr. Nice Guy" remain among Cooper's greatest achievements. Also included are a pair of perennial concert standards -- the disturbing necrophilia ditty "I Love the Dead" and the chilling macabre of "Sick Things" -- as well as such strong, lesser-known selections as "Raped and Freezin'," "Unfinished Sweet," and perhaps Cooper's most overlooked gem, "Generation Landslide." Nothing seemed like it could stop this great hard rock band from overtaking the universe, but tensions between the members behind the scenes would force the stellar original AC band to split up after just one more album. Not only is Billion Dollar Babies one of Cooper's very best; it remains one of rock's all-time, quintessential classics." - All Music Guide
    $5.00
  • Fates Warning guitarist goes new age with the help of Michael Mannring, Mark Zonder, and Charles Bisharat.
    $13.00
  • The North American Freak Kitchen catalog reissue program continues.  Freak Kitchen is Mattias Eklundh (guitar.vocals), Christer Ortefors (bass) and Bjorn Fryklund (drums). The band describes their album as "A corny little heavy-pop-rock-Latin-world-jazz-avant-garde-metal-blues-record straight from hell!". "Organic" is the band’s sixth album.  It features a guest appearance by Guns N Roses guitarist Ron “Bumblefoot” Thal.  Pure guitar driven insanity with tongue firmly planted in cheek.  Essential for fans of Frank Zappa, Bumblefoot, and Steve Vai."If there was such a thing as indie metal, Freak Kitchen would define the genre perfectly. This metal band hails from Sweden and was formed back in 1992. Their outstanding musicianship and authentic musical style makes this power trio a real treat for those of us lucky enough to find their music. The bands’ distaste for big corporate labels has not prevented them from getting their music out, just not on a scale one would expect them to be considering the high level of quality music that they put out. So, as they state on one of their songs: “I’m so alternative, I am so independent, this is the way to live the independent way of life.” I guess one could say the guys walk the talk!Frontman Mathias IA Eklundh is considered a premier guitar player, having himself released several instrumental solo albums, Freak Guitar (1999) and Freak Guitar - The Road Less Traveled (2004). Also of some importance I guess is the fact that I’ve read in several live performance reviews that Eklundh will often play his guitar using foreign objects, some of which are described as vibrating dildos! Oh yeah, and he can really sing too! Eklundh is also the founder of Mattiasology, of which Steve Vai (peace prophet) and Paul Gilbert (space prophet) are listed as members of the Grand Church of Freakiness.Organic is Freak Kitchen sixth studio album, which was released in different parts of the world on April 27, 2005, just don’t expect to find it in North America yet. When you hear them for the first time, and believe me - you will eventually hear them - it’s really like nothing you’ve heard before. It’s like mixing a heavy metal guitar sound with alternative rock and adding mild progressive elements and a clearly indie rock vibe. It’s going to turn your head as it did mine. If you’re into metal you’re going to wonder “what the hell is this” and if you’re into indie rock, you’re going to wonder the exact same thing? It’s a blending of styles that requires time to soak up. But after you get over the initial impact of it all, it grows on you very quickly and I mean that in an exponentially freaky kind of way.The album opens with the single “Speak When Spoken Too,” which also features the eccentric Bumblefoot (Ron Thal - another Mattiasology prophet) on back up vocals and guitar. The Pantera style guitar riffs will have you questioning the bands musical style and the evident alternative rock vibe will probably remind you of System of a Down. There's a whole lot of humour spread out throughout the album as well.The band plays hook laden guitar driven songs full of interesting arrangements and cool little guitar antics and solos. The crystal clear production, the occasional blast beats, the crazy guitar sounds, the humorous lyrics about everyday life (infidelity, racism, the role of parenting) and the radio-friendliness of it all makes this a very memorable listening experience." - Sputnik Music
    $14.00
  • The Laser’s Edge is pleased to announce a release campaign of the entire Freak Kitchen back catalog, beginning with 2009’s Land Of The Freaks. Although extremely popular around the world, access to Freak Kitchen’s music in North America has previously been limited to expensive imports through specialist dealers. Europe’s best kept musical secret is a secret no more! Freak Kitchen is a progressive power trio consisting of three renowned virtuoso musicians: Mattias “IA” Eklundh (guitar/vocals), Christer Ortefors (bass), and Bjorn Fryklund (drums). The band was formed by IA in 1992 and since then they have conquered audiences around the world with their high energy performances. The members of the band are road dogs, performing constantly as Freak Kitchen and individually as clinicians. Freak Kitchen’s music is an amalgam of styles – equal parts hard rock, heavy metal, and progressive rock blended together with a healthy dose of Zappa-esque humor. Land Of The Freaks finds the Indian influence of the Art Metal project crop up in a couple of tunes due to the participation of V. Selvaganesh and Neyveli S Radhakrishna. Strings also come into play at times just adding another dimension to the band's usual craziness. It goes without saying that you can expect stellar playing through out. Land Of The Freaks is cerebral guitar driven progressive music that is essential for fans of Frank Zappa, Bumblefoot, and Steve Vai.
    $14.00