Terra Incognita: Beyond The Horizon ($3 Special)

"This is an interesting crossover in that this album is reflective of a storyline that runs in the lyricist's recently published allegorical fantasy novel, The Edge of the World. Based on two opposing religions that consider the same city as a holy element, they agree to sign a peace treaty. But, as strife will have it, this ends in the literal burnt ashes of the city as an all consuming fire destroys the city setting both religious sides against each other yet again. The author was drawn into a music rendition of his story and supplied all lyrics while a coterie of prominent Prog Rock and Symphonic Rock form to create a band to present this story. Most prominent is the music-writing for the Anderson/Moesta lyrics supplied by Erik Norlander of Rocket Scientists. Vocally, the chores are shared between heavyweights like James LaBrie (Dream Theater), Lana Lane (a remarkable Ann Wilson sound-alike with a powerful voice, who has sang for many bands, and who is married to Norlander), Michael Sadler (Saga), and John Payne (later period Asia). The vocalists take on characters and throughout the album sing the appropriate parts. Musically, this band known as Roswell Six, have created a fine Prog/Symphonic effort named Terra Incognita: Beyond the Horizon. The clear influences are here. You'll hear Yes in the mix as well as the sounds of ELP, Kansas, Freedom Calls, and other usual suspects. The lean is toward symphonic rock with plenty of violin performed by David Ragsdale (Kansas), cello by Mike Alvarez, and flute by Martin Orford. The results are often grand. The works heard on Terra Incognita do the genre justice and are recommended for fans of such music. But when you bring such talents together, you're going to get great music. There are thirteen high-grade songs, two of them instumentals. The booklet is filled with enticing art, all lyrics, and a connecting storyline that brings the book and album together for those that want the full experience." - Matt Rowe/MusicTap.net

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  • 30th anniversary reissue of the first album of the Mk III lineup with David Coverdale and Glenn Hughes.  One of the classic hard rock albums of the 70s.  This version comes with 5 bonus tracks featuring 2004 remixes.
    $9.00
  • Limited edition digibook edition.  The CD portion comes with two bonus tracks.  The DVD is a live performance from Rock Hard 2010 and 70,000 Tons Of Metal in 2013.  "Good morning, good afternoon, good evening or good night (depending on where you are in the world), how’ve you been? I’m good, thanks. Anyways, first thing’s first, before we get to the review, let’s take a minute to explain what is “Lingua Mortis”? “Lingua Mortis” was a 1996 album by German Heavy Metal legend RAGE, an album which took some of their classic songs and presented them in new symphonic arrangements.Fast forward 17 years, RAGE is still going strong, and after playing live shows with what’s known as “Lingua Mortis Orchestra” over the last few years, RAGE finally decided to create a new “Lingua Mortis” album, this time however the band chose to create an album of all new material. Based on the true story of the “1599 Gelnhausen” witch hunting’s and featuring around 100 musicians, “LMO” is a monster of an album. Make no mistake about it, this is a Metal album through and through, Composed by Victor Smolski with Lyrics by Peavey Wagner, this album is as much RAGE as any album they have released in their illustrious career, but this is RAGE with a completely different edge to them.It opens with “Cleansed by Fire” a ten minute opus opening with a witch chanting with a choir coming in, this is the song that tells you all you need to know, the song is melodic, deep, heavy, catchy, this is Rage at their finest, Peavey Wagner’s usually harsh vocals are softer here and are perfectly complemented by the female accompaniment, this song incorporates three parts into it, “Convert the Pagans Pt1”, “The Inquisition” and “Convert the Pagans Pt2”, the guitar work by Victor Smolski is absolutely exquisite throughout.I wanted to do the usual track by track review, but I honestly can’t, it would take too damn long, this album moves and twists more times than I could possibly put into a single review, it’s heavy as hell, the masterful blast beats are here, the guitars are incredible and at times reminiscent of the masters like Pell and Malmsteen. The choice to mix Peavey’s heavy vocals along with softer and operatic female vocals and at times choirs is a brilliant move as they blend perfectly. The album at times even has an 80s sound (like the opening of “Devils Bride”).The bottom line here is that this album is nothing short of a masterpiece, if you love RAGE (like me), you’ll love this album, if you love Symphonic Metal, you’ll love this album, hell, it’s very hard not to love this record as it features elements from a lot of metal genres and mixes it in with an amazing array of orchestral work. I’m not really the type to call an album perfect, but I find it hard not to in this case, the hooks are there, and so is the heaviness, it’s probably the best symphonic album I’ve heard without a NIGHTWISH label on it.The album comes out August 2nd, and I certainly suggest you go on YouTube right now, have a listen to a sample and go out and get this album as soon as it’s out, you won’t regret it. " - Metal Temple
    $26.00
  • "A brand new DVD release by one of the most interesting German art/prog rock bands - Features a special show recorded earlier this year at Wyspianski Theater in Katowice, Poland, which was also the last complete performance of their most recent album Beyond Man and Time" in Europe - Thoughtful, abstract, and with a tint of the grotesque, the show testifies to RPWL's immense artistic prowess - Feat. A guest appearance by ex-Genesis singer Ray Wilson - Also includes: interview, the band’s commentary track and more!"
    $17.00
  • This one came out of left field and hit me like a ton of bricks. Possible Album Of The Year candidate. Trioscapes is an instrumental fusion project conceived by Between The Buried And Me bassist Dan Briggs. He enlisted tenor sax player and flautist Walter Fancourt and drummer/percussionist Matt Lynch to do a cover of Mahavishnu Orchestra's "Celestial Terrestial Commuters" and it turned into a full length project.Briggs is an absolute monster bassist. He does some insane things with his axe, processing it to sound like a guitar at times. Other times he lays down some heavy Hugh Hopper fuzz bass. Fancourt and Lynch are also outstanding. Highly aggressive and propulsive, you won't miss any guitar I assure you. Briggs is a hard core prog rock fan and the other guys must be as well - you can easily hear the Mel Collins-era King Crimson vibe mashing up with Zappa-esque arrangements. Soft Machine and Mahavishnu Orchestra also come to mind. These guys create a big ruckus and its going to kick your ass from beginning to end. Lots of non-metal releases slipping out with the Metal Blade imprint lately. BUY OR DIE!!
    $12.00
  • DeEvolution tells the story of an elite group of leaders from a heavily industrialized city who find, brainwash and then exploit an indigenous tribe’s shaman, believing he would be the perfect supreme leader. By propping him up as possessing all the answers to societies ills the elites use him in order to gain and keep more control over the masses. They plan to influence the masses on several fronts: Religion, Media, Consumerism, and Government.Twin brothers, Jasun and Troy Tipton along with Erik Rosvold released two albums with the Progressive-Metal act Zero Hour. The band's second album "The Towers of Avarice" won sparkling reviews from nearly every metal magazine around the World and has achieved classic status among prog metal fans. Zero Hour successfully toured Europe and performed twice at Prog Power USA, the largest prog-metal music festival in the World. In 2003, fans were disappointed when Zero Hour parted ways with Erik Rosvold.In late 2007, Jasun began writing material for Cynthesis. As the music developed Jasun could only imagine one vocalist to really connect to the material. After one phone call both Jasun and Erik were very excited to work together again.The final piece of the puzzle was to find an amazing drummer. Jasun asked Troy what drummer he would like to work with. Without any hesitation Troy said, "Sean Flanegan is the guy". Sean is best known for his work with the Progressive Rock band, Enchant (Blink of an eye & Tug of War).Produced by Dino Alden, DeEvolution is the first of a projected series of albums from this reunited force of progressive metal.
    $8.00
  • "Renaissance was the band formed by Jim McCarthy and Keith Relf following the split of the Yardbirds in 1968. The band recorded their first album the self titled Renaissance album in 1969. Following the album's release the band embarked on a series of live dates in Europe and America. In 1970 they also began recording their second album Illusion which received a limited release in Europe in early 1971. By the time the album was released the band had become so fragmented that none of the original members were left in the band! Renaissance would however continue with various line ups until stabilising in the early seventies with the line up that would go on to massive critical and commercial success led by vocalist Annie Haslam.This DVD features two different line ups of Renaissance. The first two clips come from German TV and feature the original line up performing the tracks Kings And Queens and Island. These are the only known performances captured on film of the original line up performing live albeit in a TV studio. The second piece of footage is even rarer in that it was originally thought that this footage was lost. The footage provides the link between the original line up of Renaissance and the later more successful line up of the mid to late seventies and comes from a line up that lasted a mere three months..This time the band now feature no original members but two members that would go onto bigger fame in the seventies. John Tout is featured on keyboards and guitarist Mike Dunford play alongside vocalists Terry Crowe and Binky Cullom, bassist Neil Korner and drummer Terry Slade. The band perform Kings and Queens from the first Renaissance album and also tracks from the second Renaissance album Illusion (Golden Threads, Mr Pine and Face of Yesterday) there is also a song never officially recorded by Renaissance Widdicombe fair making this release a real find for the large and dedicated Renaissance fan base."
    $15.00
  • "There have been those times in man’s life where he tells himself that he had enough with everything that had been going on surrounding his ordinary environment. Aside from the warmth of family life or even by choosing, the soothing loneliness, there are the proceedings of the society such as the corrupt politics and fragmentary feast for power that seemed to be endless without a care for future consequences. So how one can escape such a world where everything seemed to be blackened, not like a starless night, but by mankind itself that commences various of actions without thinking first? The answer might be running away but to where? The only answer is to the far reaches of space by cunningly stealing a spaceship. Though it sounds like a story from the far future when space travel is available, but it has a sense it in and can also be inferred to the spiritual form of the works of the mind and how it can escape reality while submerging into an altered universe of hopes and dreams about better life. Well, I will stop here with the philosophical debate with myself, though it is rather intriguing. The purpose of my gibbering your thinking patterns is because it highly relates to the new concept album by the Italian Power Metal band, VISION DIVINE. “Destination Set To Nowhere”, released via earMUSIC / Armoury Records, is the Metal journey and your new Star Trek across the vast space in finding new fortunes and ideologies without forgetting where the warmth of home lies.I have to tell you that it has been really difficult to not keep on discussing VISION DIVINE’s ideas regarding this fascinating story that though sounds pretty simple it harbours so many standpoints that a whole article can be written on top of their basis. However, there is also the Metal behind the philosophical mind that created this story. Nearly like every Power Metal band coming from Europe, VISION DIVINE has been storming in high speeds without letting of the so important melodic touch, an element that has been chief for the large majority of European Metal bands of the kind. Olaf Thorsen(nickname of Carlo Andrea Magnani), guitarist of the veteran Power Metal band LABYRINTH, created this beast as a side project but it got into something more. While along the years massing some of the greatest talents of the Italian scene, including the special recruitment of RHAPSODY OF FIRE’s top notch frontman, Fabio Lione, VISION DIVINE, the way I see it, has been able to assert itself as the Italian STRATOVARIOUS, but in a much higher level, while when it came down to musical quality and tenacity topping their own local mother bands as RHAPSODY OF FIRE and LABYRINTH. Right from its foundation, while perfecting their style year after year, including this here release, that for me is the band’s greatest achievement, VISION DIVINE spread their high regard for melodic Power Metal but with such musical sophistication that took them into towering altitudes and even into the world of Progressive Metal with slight similarities to DREAM THEATER and ANUBIS GATE.As far as the diverse course of “Destination Set To Nowhere”, I believe that VISION DIVINE were able to entice with such profound technical abilities and incredible skills to create wonderful tracks that seem to be endless. Throughout the entire release I was trying to relive the lives of that men and women on that spaceship running away from the frustrations of Earth. The intense and clever riffing, rhythms, great keyboards layers and miscellaneous drumming, like fast paced heart beats of hundreds of people, aided on understanding what went on through the stages of the story, where is the next destination in the land of nowhere. On top of those all there is the magnificent vocal line by a voice that is so smooth and clear but also has its own deadly Hyde creeping from its cage from time to time. I can’t really break this tracklist into lone tracks because I believe that this entire release is something that you ought to experience in full. Of course that I have my personal choices regarding preferred tracks, and I am used to provide clear cuts, yet for the sake of the story and the effort that was spent on the material, I will leave you to decide which part of this journey suits you more. Generally, VISION DIVINE is offering you an accessible showcase of musical prowess and utter creativity to step into what could be in the not so far future, and maybe help you to think to who or what idea do you mark your ballot for. “Destination Set To Nowhere” certainly became one of my candidates for the album of year for 2012." - METAL TEMPLE
    $13.00
  • Limited Edition Blu-Ray version featuring the 24bit / 96kHz stereo mixes and Dobly AC3 5.1 Surround mixes.So what does a heralded jazz organist do in his spare time?  Create an epic prog rock album of course.  Some of you may be familiar with Jim Alfredson and his organ jazz trio Organissmo.  Theo is a side project that must scratch Jim's itch to let loose with a whole arsenal of keyboards (don't worry - that Hammond figures quite prominently).  Its very clear that Jim is heavily influenced by the classic prog bands of the 70s. You can hear some elements of Yes, ELP, Pink Floyd and a host of classic rock bands in the DNA of the material but overall its a very contemporary sounding album.  In that way its similar to Beardfish in the sense that Jim takes the old school sounds and adds it to something modern so you here the echoes of the grand old days but it doesn't sound dated at all.  I can listen to stuff like this 24/7.  Highly recommended. "Formed by world reknown keyboardist Jim Alfredson (organissimo, Dirty Fingers, Janiva Magness, Greg Nagy Band, Root Doctor) THEO harkens back to the keyboard-centric superbands of the 1970s like Yes, Genesis, and Emerson Lake and Palmer, but with a distinctly modern and bold approach.THEO also represents a return to the concept of the keyboardist as a vital and irreplaceable part of the group, rather than a mere sideman.The intrepid and dynamic music is paired with auspicious lyrical themes of corporatization, consumerism, loss of innocence, exile, and the obsession with celebrity. Lead vocals are handled by Alfredson himself. Usually relegated to background duties, Alfredson's surprisingly flexible baritone voice shifts from soaring muscularity to intimate falsetto and everything between.The eponymous debut album features six tracks including an epic three song opening suite comprising 24 minutes."
    $17.00
  • "Germany's Mob Rules hit an absolute home run in 2010 with their album Radical Peace, and the band is back with the equally stellar Cannibal Nation. Don't let the title fool you into thinking that the veteran power/prog metal act has gone all horror on us, as Cannibal Nation is another sizzling collection of melodic, heavy, power & progressive metal songs. With a singer as good as Klaus Dirks, Mob Rules already has a step up on the competition, and he once again delivers a stunning performance here. "Tele Box Fool", "Lost", and the brilliant opener "Close My Eyes" all feature his confident, powerful vocals amidst plenty of catchy melodies and challenging metal arrangements. "Ice and Fire" has been picked as the first single from the CD, and it's a hook laden slice of melodic power metal with Dirks' soaring vocals over tasty guitar riffs & solos from Matthias Mineur & Sven L├╝dke with just the right amount of keyboards courtesy of Jan Christian Halfbrodt. The CD has its share of heavy thumpers too, like the headbanging "Soldiers of Fortune" and the crunchy, harmony guitar laden title track. For those that like the more proggy side of Mob Rules, there's the atmospheric "Scream for the Sun (May 29th 1953)" and the textured "Sunrise", both heavily melodic and dripping with emotion.Cannibal Nation is another fine, classy release from Mob Rules, a band that consistently delivers one winner after another without relying on traditional European power metal or progressive metal characteristics." - Sea Of Tranquility
    $15.00
  • New end of days Christian themed project put together by Neal Morse's drummer Collin Leijenaar. He's put together an interesting lineup. Spock's Beard/Enchant's Ted Leonard handles the vocals (he's amazing as always), Mike LePond of Symphony X is on bass, as well as German guitarist Daniel Fries. There is no keyboardist so Leijenaar enlisted a bunch - Alex Argento, Jordan Rudess, Neal Morse, and Derek Sherinian. Transatalantic producer Rich Mouser mixed the whole thing. As you would expect the whole shebang is all about the apocalypse and its wrapped up in this epic sounding amalgam of progressive rock and metal. Lots of shredding solos on guitar and keys. These guys need to take it on the road before they run out of time!!
    $15.00
  • Import hardbound "mediabook" edition with the Iron Man bonus track.So here's my personal confession...after Neal left I felt that Spock's Beard lost their way.  Nick is a fine vocalist but there was something quirky about Neal's writing that had a reverential old school quality that I found lacking.  The albums didn't grab me.  Nick left and Ted Leonard took over on vocals.  Whether it was Enchant or Thought Chamber, he's always stood out and he fits Spock's Beard quite well.  The new drummer Jimmy Keegan slipped into the blend with no dificulty.  The result is (to my mind) a resurgence from this band.  Ryo Okumoto always puts on a show - in particular his heavy reliance on Hammond organ reminds me quite a bit of Steve Walsh.  In fact the sound of the whole album has a Kansas vibe. Coincidentally David Ragsdale guests on one track.  I'm not sure I can remember the last time I said this about a Spock's Beard album - Highly recommended."Very few bands are so recognizable that you know who you are listening to within 2 seconds.  That is all it takes at the beginning of the first track on The Oblivion Particle to know you are listening to Spock’s Beard.  There is no slow buildup or keyboard swells, just straight BAMM!, here we go.  And if the opening notes don’t get you, the organ 5 seconds in will.  The band’s 12th studio album, this one the second with singer Ted Leonard and drummer Jimmy Keegan, is a culmination of years of perfecting a sound and identity, one that not even 2 major lineup changes could fracture. With this new album, Spock’s Beard up their game again and show that this lineup is here to stay.If there was a track that defined what Spock’s Beard are, it might be the opening track, “Tides of Time.”  There are certain checklist items that mark their sound and they are all in this track.  The organ, the harmonies, the acoustic breakdown, the rocking middle and the epic ending.  Each member finds their moments to shine on this one and it provides a jaw-dropping sound overload that could leave one satisfied at that moment; only there is another 60 minutes to go.The album zigs and zags through a few more experimental moments, mixing in some surprises with more traditional Prog elements.  The album’s second track and first single is “Minion”, is a perfect example.  The opening a cappella harmonies provide the sort of memorable chorus and harmonies we’ve come to expect from the group.  While, the following distorted keyboard section is also standard Spock’s Beard.  But the verse and middle of the song is much darker and takes us on a surprising journey.The most unique song the album is the brilliantly titled “Bennett Built a Time Machine”, which the album’s cover is based on.  Drummer Jimmy Keegan takes lead on the vocals here and sounds incredible.  His voice actually fits the track better than Leonard’s probably would have.  The song is one of the album highlights and helps keep the record from sounding redundant.  It is almost a pop song most of the way through until turning on the jets and shifting into Prog mode.There are some heavier moments such as “Hell’s Not Enough” and “Get Out While You Can”. “The Center Line”, however, might be the most similar to something you might have found on their group’s previous album “Brief Nocturnes…”  The track opens with an expansive piano recital piece, before turning into a combo Prog-Western bounce with acoustic guitars carrying the groove. Ted’s voice lifts the choruses flawlessly and creates an almost cinematic soundscape.Even with all of these great moments, it is the album’s closing track that is the best song on the album.  “Disappear” might be one of the best songs the band has recorded since Neal left the group.  “We could disappear, you and me, we could be, anyplace else not here” sings Ted in the chorus as he wonders what might be if we left with no one knowing what happened.  The song is really the closest thing to a ballad on the album, but it doesn’t stay that way for long.  2 minutes in, the song stirs into a frenzy just before a brief cameo by Kansas’ David Ragsdale, appearing with his violin.  Of course, the big epic orchestral ending takes us home as Alan Morse provides the finishing touches with his unique finger picking soloing excellence.Spock’s Beard are Prog rock’s most reliable unit.  They have yet to disappoint and always provide comfort to their faithful fans with music that is both inspiring and breathtaking.  And while The Oblivion Particle shows a harder edged Spock’s Beard, it also displays a group that shows no signs of slowing down and is ready to take on all comers." - The Prog Report 
    $18.00
  • "The story of King Charlemagne, First Holy Roman Emperor, acted and sung by the legendary actor Christopher Lee, one of the most popular and highest grossing actor of all time, with cinematic milestones such as "Lord Of The Rings", "Star Wars", "The Man with the Golden Gun" and "Dracula". The Carandinis, Lee's maternal ancestors, were given the right to bear the coat of arms of the Holy Roman Empire by the Emperor Frederick Barbarossa. Christopher Lee, directly linked with Charlemagne, has decided for the first time in his life to pay homage to his distinguished ancestor, who is credited as "The Father of Europe". Charlemagne is a concept album with original words and symphonic metal music. Marco Sabiu - best known for his collaborations with Kylie Minogue, Take That, Ennio Morricone - has composed a huge epic canvas of sounds in the form of a movie score, introducing modern metal symphonies for orchestra, choir, two metal bands, and several guest vocalists. The mesmerising lyrics meld with this powerful story, transporting the listener into the Dark Ages and allowing for the imagination to run wild. All these elements bring to life the legend of Charlemagne."
    $15.00
  • 2nd concept album is subtlely more straight ahead than their debut but is still light years beyond most bands in terms of originality and complexity. Compared by some to Faith No More.
    $15.00
  • Outstanding second album from this instrumental five piece from Finland. Scarlet Thread eschews keyboards for a lineup that features dual guitars, violin, bass and drums. There are two guest flautists. The music has a nice relaxed feel with some great soloing from violinist Erja Lahtinen. I'm not sure which of the guitarists play leads but whoever it is he offers up some nice grit that contrasts with the smoothness of the violin and flute. Some of the quietier moments have a folk feel but when these guys ignite it is more reminiscent of an early Dregs jam. I can listen to this kind of prog all day. Highly recommended.
    $15.00