Tea Time For Punks

SKU: FES4012
Label:
Free Electric Sound
Category:
Fusion
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The madcap French jazz metal trio return with their sixth album.  Morglbl consists of guitarist Christope Godin, bassist Ivan Rougny, and drummer  Aurelian Ouzoulias.  The band has toured extensively around the world – USA, Europe, Russia and even China!  They have shared the stage with Liquid Tension Experiment, Bumblefoot, and Umphrey’s McGee among others.

These three virtuosos are also well endorsed clinicians and have developed a following individually but when they come together the fireworks really start.  Tea Time For Punks doesn’t deviate from the tried and true Morglbl formula.  Take equal parts fusion and crushing metal power chords, then inject a healthy dose of tongue in cheek humor and you’ve got the perfect Morglbl album. The band is often described as Primus meets Steve Vai and Allan Holdsworth, with flavors of Frank Zappa!
 

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  • "It has been an eventful year or so in the world of Haken. In September 2013, the sextet released what can only be described as a masterpiece of progressive music in the form of their third album, the magnificent ‘The Mountain’. This album received almost universal critical acclaim upon its release and even led to interest from the likes of Mike Portnoy (Flying Colors, Transatlantic) and Dream Theater’s Jordan Rudess. In the case of the former, it led to an invitation to play the inaugural ‘Progressive Nation At Sea’, but thanks to both ringing endorsements, the door to the American market has opened more widely of late. And if that wasn’t enough, Haken recently received no less than three nominations in the Progressive Music Awards, quite an achievement for a band so relatively young.However, with the smooth, also comes the rough and almost immediately following the release of this ‘breakthrough’ album, bassist Tom MacLean announced his departure from Haken. An apparently amicable split, it was nevertheless a hurdle that had to be overcome at a point when the largest wave of the band’s career was about to be crested. An international audition invitation was extended and, following an extensive search, a young American by the name of Conner Green was assimilated into the Haken collective. Welcome sir!In many ways, ‘Restoration’ a three-track EP is as much a bedding-in of their new colleague as it is an opportunity to maintain the momentum created by ‘The Mountain’ whilst a new full-length album is brought to life. That said, to consider ‘Restoration’ a stop-gap is disingenuous in the extreme. It may only contain three tracks, but when the three tracks last well over half an hour and sound this good, who cares?The three compositions that make up this EP are very loosely based on tracks from the bands 2007/08 demo days, thoroughly re-envisioned, re-worked and re-produced in order to reflect the changing personnel and the experience gained since the demos were originally written. The result is, frankly, stunning.Whilst it took me a good many spins and many hours of effort to get fully submerged into the world of ‘The Mountain’, the music on ‘Restoration’ is much more immediate to these ears. No less complex and challenging of course, but for some reason, the music has ‘clicked’ much more quickly here.The EP opens up with ‘Darkest Light’, (Official video below) an energetic track that ably demonstrates the up-tempo and powerful side of Haken well. It’s an agile composition too that alters pace and timing signatures seemingly at will and pulls in influences from everyone from Dream Theater to Meshuggah. The latter is primarily due to the impressive combination of Ray Hearne’s powerful drumming, the chunky guitar tones courtesy of Charlie Griffiths and Richard Henshall and Green’s intricate bass work. Importantly however, the song is never derivative and contains everything you now expect from a band at the height of their powers. It’s a piece of music that oozes class but also offers that touch of playful cheekiness that has become synonymous with the Haken sound.‘Earthlings’ is a completely different proposition entirely. For my money, its closest reference point would be ‘Deathless’ from ‘Visions’ in so far as it is a much more introspective track with real atmosphere and a quiet, brooding intensity that is utterly beguiling. The melodies are much more immediate, much more pronounced and the whole thing builds beautifully and stubbornly towards a fulfilling climax that pushes all the right buttons.The undisputed star of the show however, is ‘Crystallised’. At over 19 minutes, it offers a return of the Haken ‘epic’, joining the likes of ‘Visions’ and ‘Celestial Elixir’ in an already formidable armoury. If anything, ‘Crystallised’ may be even better than the aforementioned, thereby easily taking its place among the very best that Haken has ever created.First and foremost, the sheer ambition is staggering. The composition begins unassumingly enough but quickly reveals a more grandiose underbelly thanks to some lush orchestral arrangements. From then on, the gloves well and truly come off and Haken take us on a wondrous journey full of twists and turns, light and shade, lengthy and dextrous instrumental segments and gorgeous melodies that stay with you long after the music has ended.There are echoes of those Gentle Giant influences and nods towards ‘Cockroach King’ et al in some of the a capella segments as well as hints of ‘Pareidolia’ at other times, thanks to that by now familiar delivery of vocalist Ross Jennings. Never once do the extended instrumental passages, led by the flamboyant keys of Diego Tejeida feel contrived or out of place; they are full of those classic progressive overindulgences, further reinforcing the importance of the likes of Yes, early Genesis and many others, but crucially, they fit in with the core of the composition and seamlessly segue from one to another perfectly.And then, everything comes together in what I can only describe as a stunningly epic finale, the kind where the hairs on the back of your neck stand on end and you find yourself grinning from ear to ear, enveloped in a musical utopia. The melodies are so uplifting and gorgeous that, coupled with the grandiose return of the orchestral embellishments, mere words find it hard to adequately express just how good it makes you feel.The bones of these songs may have been written many years ago in the band’s infancy. However, they have been brought back to life in the most brilliant way possible; taking everything that’s been good about the band in recent years and applying them to their early past to create something truly special. I only wish that ‘Restoration’ was six, seven or eight songs long. Mind you, if it were, I think I might have fainted from bliss before reaching the conclusion." - Man Of Much Metal blog
    $11.00
  • Hailed as "one of the most original and daring groups on planet", Australia’s VOYAGER has battled geographical isolation to tour Europe twice, perform at ProgPower Europe 2006 and share stages with diverse acts like NIGHTWISH, STEVE VAI, SOILWORK and ALESTORM. They are the first Australian band ever to be invited to play at the prestigious PROGPOWER USA festival in 2011.The band's loyal international fanbase has praised its incredibly catchy songwriting and compared its sound to a mixture of AMORPHIS' thirst for melody, SOILWORK's heaviness and the crystal vocal clarity of A-HA's Morton Harket. Formed in 1999, VOYAGER has 3 full-length albums under its belt, each one propelling them further into cult status as an elite progressive metal band."The Meaning of I" is an introspective, at times electronic, yet occasionally uplifting journey into the mind in search of meaning. It is a culmination of VOYAGER's sound: polished yet organic, heavy yet melodic, dark yet playful. Its melody, songwriting and structure tastefully flow through a labyrinth of emotions, perfected by the mixing and mastering work of Jens Bogren (OPETH, KATATONIA, SOILWORK). The album is complemented by the guest vocal performances of Dan Tompkins (TESSERACT) and DC Cooper (ROYAL HUNT). Once again, artwork master George Grie provided the gripping cover to complete this journey into the mind.
    $13.00
  • When you think about it, Keith Emerson doesn't really have a lot of solo albums out (well at least compared to Rick Wakeman).  Apart from his soundtrack work which was a bit up and down, the albums he put out under his proper name have actually been quite good.  Changing States is one of them.  It was released in 1995 and was a musical forerunner to the band's reunion in 1998 as some of this material got reworked.  Its been out of print for years so its nice to be able to revisit it again.
    $17.00
  • Limited edition of 1000 CDs, from mastertapes. The Ghost was a short lived UK psychedelic folk band led by ex-Velvet Fogg guitarist Paul Eastment. The band featured singer Shirley Kent who later on developed a career as a folk and jazz singer. The music is mostly prominent for the Farfisa organ of Terry Guy lending a psychedelic vibe. Housed in a digipak and new artwork.
    $13.00
  • "I can't wait. I should have reviewed other albums before this but it's the first thing that I listen from this artist and I wasn't expecting anything like this. Symphonic orchestral arrangements on melodic bases and a concept behind. I'm not expert in William Blake's poetry but this album has made me curious.The introduction "William" is a symphonic piece of beauty with a guitar of the "not a misplaced note" kind, like Andy Latimer is used to do, some "mute" vocals and a very nice melody. A stunning surprise."Angel Of The Revelation" starts with electronics and piano, then vocals and a proper song starts. The high pitched voice of Sophya joined in a choir by whom? Maybe Sonja Kristina who features in the guests? The guests list is another thing to check. This is a progressive track as I think people usually intends "progressive": sung parts alternated with instrumentals, structured as a suite with different movements and recurring themes. And all in 4 minutes and half."Satan" has an obsessive rhythm and has the theathrical flavor of a rock opera. The electronics behind have a vintage sound but is remarkable the dialogue between guitar and piano before the last sung part and the coda. Another great song."Love Of Hecate" Is a slow waltz. It's folky and theathrical in the same time, with excellent vocals again. The signature changes in the chorus. It's still a 3/4 (almost) but the tempo is accelerated. Vocals like in Mozart's magic flute are replaced by a cymbal, then piano and vocals. Another very complex and "circular" song.Percussive piano and bass with water sounds to start "La Porta Dell'Inferno". This is a little mistake: it's taken from Dante's Comedy, but the door should lead to the "anti-inferno". The first lyrics are taken from Dante, then the man talking leaves the Dante's book to give a different view of the hell's entrance. "Here nothing grows because nothing dies". Another great song with the music perfectly fitting with the concept. The violins support the whole track, choirs, a stupendous coda... Great.After a track like the previous one staying on the same level is very difficult, so the style changes totally. "The Number" is a rock song. Of course the number is 666. It starts hard rock, but with no relations with Iron Maiden, and the rock screamed part is alternated to more quiet and symphonic interludes. The organ is excellent, neither Emerson nor Wakeman, the sound reminds me more to Vitalij Kuprij (Artension)."Just" is opened by percussion, piano and cello. The theme recalls "La Porta Dell'Inferno" but the vocals take a different direction. The song's intro, before the male singing, makes me think to the Russian Iamthemorning, mainly because of the instruments used. However, after 2 minutes the song changes drastically. The impression is still of a rock opera. Remove the metal element from Ayreon and add more symphonics to have an idea. The vocals here are more operatic. Not enough to think to Zeuhl, but enough to enhance the track. Great guitar solo in a Van Halen style which slows down and closes Floydian before the last sung reprise."Cerberus" is the three-headed infernal dog. Keyboard and strings introduce the song which reprises the chords of the main theme. It's on this song that I'm almost sure Sonja Kristina is singing. I don't know it for sure because I have received a download link from Blackwidow records and I haven't seen the notes on the CD. This is a very dark song on which the rock-opera factor is very relevant. I want to add the the most I listen to this album the most I'm surprised. It's surely one of the best albums I've listened to during all the 2013."While He's Sleeping" starts in a weird way respect to the symphonic mood of the previous tracks. It's still classically influenced but has a touch of Canterbury, especially in the melody. Not an easy track, but very enjoyable.Back to full orchestra and theatrical suggestions. "Au Matin Du Premier Jour" (At the morning of the first day) is sung in French by a man who sounds like the chansonniers of the end 50s / early 60s. French and operatic don't mean Magma, but this song has a Zeuhl flavor in the instrumental parts."Beatrice" brings us back to Dante's Comedy. To Paradise now. Her character would deserve some words but this would lead us off topic. Of course there's less darkness now. Piano and ethereal voice for a very melodic song. A Sophya's solo performance and let me add that the sequence of chords deserves a mention. There's plenty of good passages. excellent also from the composition point of view.We are now at the title track. Full orchestra and voice plus some electronics behind. It starts like a symphony and turns into rock. I don't know who's the male singer but his voice is incredible. The mood is still of a rock opera I'm finishing the words...The album is closed by a cover. "Jerusalem" has been played and recorded by the likes of Vangelis, Emerson Lake and Palmer, Par Lindh Project for what I remember. Well, I must say that it's probably the best version that I've heard up to now. It's a new interpretation when the one from Par Lindh was an ELP clone.A masterpiece, amazing because unexpected. How can an artist that I've never heard before have done a thing like this? Symphonic proggers and RPI fans will surely agree with me, but there's so many stuff in this album. It will stay in my portable reader for a very long time, I think." - ProgArchives
    $16.00
  • Fourth album from this Norwegian band is a near perfect blend of power and progressive metal. Each successive album has been better than the previous one - this one tops 'em all. Killer vox, crunch that is off the charts, blasts of synth and stellar production is the best way to sum of this monster. This is the 2 CD limited edition. It comes with 6 bonus tracks, mpeg video, wallpaper and other stuff. Grab it while it's available at a great price.
    $11.00
  • "Neal is best known for forming and being the front man of the prog rock band Spocks Beard.In 1999 he joined Mike Portnoy (ex Dream Theater/Winery Dogs) on the project that was Transatlantic and more recently Flying Colors.In 2002 Neal became a born again christian & has recorded prog christian rock albums since leaving Transatlantic & Spocks Beard as he felt a calling to make his personal faith more prominent in his recorded outputThis HUMUNGOUS boxset features 4 discs consisting of the live performances of Testimony (originally released back in 2003) & One (released back in 2004) & 2 live DVDs featuring the FULL concerts recorded over 2 nights making 6 discs in total.The DVD portion of this set runs for 5 hours & DVD 2 contains behind-the-scenes documentary with footage of Neal’s exclusive acoustic concert, rehearsal footage & “Name That Prog Tune” game with Mike Portnoy & created by Randy George, who has been a long time collaborator with Neal as well as being the touring bass player.The DVDs are beautifully shot & shows the band in full on fun & praise mode. It’s blatantly obvious with the amount of massive grins that the musicians really enjoy playing this music.The 4 discs of audio are tremendous in not only sound quality but the production alone actually leaves the DVDs audio in the dust.Personally speaking I’d recommend watching the DVD synchronized with the CD audio (not overly easy as it’s split over 4 discs but well worth persevering with)I’m a huge fan of Spocks Beard & Transatlantic so the inclusion of a couple of tracks on the 2nd DVD is superb. The version of Transatlantics Stranger In Your Soul is the best I’ve heard since the Live In Europe DVD (Transatlantic release 2003) & the classic The Light featuring Alan Morse (Spocks Beard from the album The Light released in 1995)If you’re a fan of Neal Morse, Spocks Beard, Marillion, Flower Kings or just a prog aficionado with a penchant for epic tunes you are not going to be disappointed by this.There are more time signatures than the world clock & vocal harmonies that even The Beatles would be hard pushed to replicate.It’s a stunning body of work. The time & effort that has been put into this set is perfectly clear. I cannot recommend this purchase highly enough." - All About The Rock
    $38.00
  • “Wow, what an impressive debut from these Norwegian progsters! I feel the same way about prog metal as I do about power metal: some of it I like a great deal and some of it does absolutely nothing for me. CIRCUS MAXIMUS' "The 1st Chapter" does damn near everything for me.” – Blabbermouth.net Circus Maximus’ first album, “The First Chapter”, took the metal world by storm in 2005. In advance of the release, the band was invited to make their North American debut at ProgPower USA. The response to their performance and the subsequent CD release produced an encore appearance in 2006. Since then the band has spent the past year gigging and further refining their sound. With the release of “Isolate”, they are poised to take their place alongside the upper echelon of progressive metal bands. The band’s musical formula is not easy to accomplish – take jaw dropping musicianship, add a singer like Michael Eriksen with a voice from heaven and toss it together with hooks, anthemic melodies and enough heavy riffing to stick with you for days. Just for good measure, toss in state of the art production courtesy of noted producer Tommy Hansen (Helloween, Jorn, Pretty Maids and TNT). It’s the band’s ability to do this all so well in such a short period of time that has drawn them so much attention. Isolate represents the best of both worlds – it’s progressive enough for any fan of technical minded metal but at the same time it’s purely infectious music. From ballads like “Zero” to the epic length “Mouth Of Madness”, this album will instantly appeal to fans of bands such as Symphony X, Dream Theater, and Kamelot. Music as amazing as this deserves artwork to match. Once again, Mattias Noren has been enlisted to design the packaging.
    $13.00
  • Already dubbed "Toddrÿche" by their fans, Queensryche turn back the clock with their new eponymous titled album.  With Geoff Tate given the boot, the band sounds revitalized with the addition of former Crimson Glory vocalist Todd La Torre.  While its not going to supplant Operation: Mindcrime, the sound harkens back to the band's roots.  La Torre was previously a member of a Queensryche cover band so he does a pretty damn fine approximation of Geoff Tate's glory days.  For years fans have been hoping the band would return to their progressive roots and it took this youth injection to get it done.Please note that this is the standard edition.  It comes with a patch and a slipcase.  There will be a deluxe version forthcoming.
    $12.00
  • Remastered edition with bonus tracks."Relieved from the pressures of having to record a hit single, Gary Moore cuts loose on some blues standards as well as some newer material. Moore plays better than ever, spitting out an endless stream of fiery licks that are both technically impressive and soulful. It's no wonder Still Got the Blues was his biggest hit." - Allmusic Guide
    $9.00
  • "The successor to "Obsessions" (2011) was mixed and mastered by Jacob Hansen at Hansen studio in Denmark (Volbeat, Pretty Maids, Amaranthe a.m.m.)Beside band leader Samuel Arkan, the following vocalists and musicians contribute to"Fantasmagoria": Tom S. Englund (Evergrey) Henning Basse (ex-Metalium, ex-Sons Of Seasons, Mayan) Ida Haukland (Triosphere) Matt Marinelli (Borealis) Tezzi Persson (Between The Silence) Mike LePond (Symphony X) Léo Margarit (Pain Of Salvation) Julien Spreutels (Ethernity) Simone Mularoni (DGM)The quite unusual thing is that all these guests came to the Noise Factory studio (Belgium) to track down their parts. Nobody recorded his/her parts at home, like with some many other projects."I wanted the whole thing to get a real "band" feeling", Arkan says. "Therefore having all vocalists and musicians here was very important to me. We got to know each other better and better while spending time together. The new material sounds very fresh, dark, heavy, modern and "true" with "straight in the face" guitar riffs, intense voices and melodies, massive work on progressive atmospheres and orchestral parts. All the artists who participated in this album gave their soul to it, gave their best, they travelled deeper into sensitivity and sincerity. That's probably the best words which define this next album... sincerity & spontaneity! This album comes from the heart of each musician and vocalist who worked on it, and you can feel it when you listen to this new EPYSODE album."Compared to the debut "Obessions" the new material is a step forward in every way, with even better songwriting, a massive sound, powerful production and an intensity you rarely find these days.With the top notch vocalists that are gathered here (a.o. Evergrey’s Tom S. Englund, who is contributing to 5 songs) the "Fantasmagoria" concept story comes to life in a very intense and thrilling way, with lots of facets, expressive singing, deep & dark emotions. Englund’s duet with Ida Haukland (Triosphere) on the album’s title track especially gives goosebumps to the listener. There is also a plot to the "Obsessions" album and many fans of concepts will have their pure delight in discovering the story behind the story.The "Fantasmagoria" recordings took place from December 2012 to end of April 2013. Responsible for all keyboards, piano, arrangements was again Julien Spreutels, "my brother in crime, without him Epysode would not be as it is", Samuel says. "He did one more time an outstanding job and gives magic to Epysode, It's always a pleasure and very inspiring to work with him". "
    $15.00
  • Proper remaster from EMI for this sequel to Planets. A pure classic space rock journey. Recommended to any fan of Pink Floyd. Great disc!Please note this disc incorporates EMI copy control technology which seems to allow you to do whatever it is you would normally do with a CD but you can't rip it. Bummer.
    $14.00
  • Do you remember where you were the first time you heard "The Snow Goose"? "Subterranea"? "Selling England By The Pound"? You will never forget the first time you hear Knight Area's "The Sun Also Rises"! This conceptual work was conceived over a period of 20 years by Gerben and Joop Klazinga, "The Sun Also Rises" was ultimately composed and recorded during the past three years by keyboardist/drummer Gerben and flautist Joop with an assortment of musicians from the Dutch progressive rock scene. The results is a stunning work of epic progressive rock that will appeal to fans of Camel, Pendragon, Genesis, and IQ. Knight Area uses a full sonic palette that will stir the soul of any old or new school symphonic rock fan. Mellotron/flute interplay, Hammond organ, liquid lead synth and soaring guitar solos - it's all here! Dramatic vocals and a dynamic mix propel this emotion filled story. We think "The Sun Also Rises" is a special release - a future classic in fact.
    $14.00
  • Third album from German "true metal" band recommended to fans of Helloween and their ilk.
    $8.00