The Tale Of Woe ($3 Special)

Excellent US neoprog that will appeal to fans of Marillion and Iluvatar.

Product Review

Red Circle 1
Mon, 2015-10-26 16:28
Rate: 
0
This sadly bears the occasional curse of many Prog bands. It's lead vocalist is really really bad.
Red Circle 1
Mon, 2015-11-16 12:54
Rate: 
0
Sadly marred by less than perfect vocals (far less) this is a band that still could go places with the right singer.
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Product Review

Red Circle 1
Mon, 2015-10-26 16:28
Rate: 
0
This sadly bears the occasional curse of many Prog bands. It's lead vocalist is really really bad.
Red Circle 1
Mon, 2015-11-16 12:54
Rate: 
0
Sadly marred by less than perfect vocals (far less) this is a band that still could go places with the right singer.
You must login or register to post reviews.
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  • Been years since I heard this one and now we were able to dig up some copies from the back of a dusty warehouse.  Treasure Land made two albums - this is the first.  Here's the good part - guitarist Jonas Hornqvist plays in a neoclassical style.  The music has strong progressive overtones.  Here's the not so good part - Zenny Gram's vocals aren't the best.  For the band's next album they got a much better singer but they dumbed down their music and it was far less interesting.
    $8.00
  • One of the great Swiss prog rarities of the 70s.  Kedama were an instrumental three piece.  Focusing on keyboards, guitars, and drums, they bore a bit of an influence from Yes.  When the keyboards are emphasizied (insert Mellotron gasps and groans here) I'm reminded a bit of Schicke Fuhrs Frohling.  The proper album consisted of 4 tracks - it wasn't a long album.  It was recorded live in the studio and the production is pretty miserable.  At least the music compensates for it.  This CD comes with seven bonus tracks!  Highly recommended.
    $15.00
  • Jettisoning the spacey sounding keys used on Venus or Fantasma, Germany's Everon still whip up a hard edged neo-progressive rock sound. Still plenty of keys used but there is a more direct immediacy to the music than before.
    $16.00
  • "SAUROM is a folk melodic metal band from Spain with sound influences of Iron Maiden, Helloween and Blind Guardian. SAUROM have a unique medieval sound and are well known for the strong Celtic feel to their music. Their music is compared with the popular Spanish band MAGO DE OZ with a heavier sound. Vida is their 6th album, full of melodic riffs, melodies, catchy choruses and medieval sounds."
    $13.00
  • Out of print limited edition mediabook comes with 2 bonus tracks."Doro has long been the reigning queen of metal, and with her 12th solo studio album, Raise Your Fist, she continues to reinforce that notion. Her new album has a thicker feel than her previous release, Fear No Evil (2009). Packed with her trademark anthems and velvet ballads, Raise Your Fist is Doro at the top of her game.Sure Doro has a weakness for the occasional Velveeta lyrical theme, but it is her passion for metal, her fans, and the music that keep her among heroes of the genre. On Raise Your Fist, Doro brings the traditional bang your head, throw up your horns metal, with memorable sing along choruses. The album’s opening track, “Raise Your Fist in the Air”, is a perfect example. A lyrical theme all metalheads can get behind, with air-guitar worthy riffage and an anthemic chorus.Motörhead mainman, Lemmy Kilmister drops by to show a surprisingly tender side on the ballad, “It Still Hurts”, and guitar icon Gus G (Ozzy Osbourne, Firewind) makes an appearance on the track “Grab the Bull (Last Man Standing)”, giving it some extra swagger.On the song, “Freiheit” she tackles the issue of human rights. She noted that this particular song is very close to her heart. Tracks like “Rock Till Death”, “Take No Prisoners”,  and “Revenge” are some of Doro’s meatier sonic assaults, and remind us that heavy metal need not be void of melody.Doro also pays homage to her dear friend, Ronnie James Dio on the album closer, “Hero”. The song was the first one written for the record, and hits home with serious emotional impact. Doro’s vocals are poignant and emotive, filled with admiration, loss, and angst.Raise Your Fist is a confident, well crafted, classic metal album, which offers a slab of horn-throwing anthems, with just the right amount of sentiment. Doro heads into a new decade with another load of rock and roll ammunition in her arsenal." - Metallic
    $6.00
  • "The beauty of Progressive music is the myriad of ways by which it may be approached by listeners and musicians alike. The Danish quartet ANUBIS GATE are soon to release their 6th album, “Horizons”, the first album without long-time members Morten Sørensen and Jesper M. Jensen, and doing well to stay with long-time producer Jacob Hansen. New members Morten Gade and Michael Bodin offer their exceptional instrumental skills in the mix. With “Horizons”, we see a continuation, albeit tangential, from the major turning point that was the self-titled album. With this release, one can expect the darkly melodic-melancholic and song-oriented Progressive music they have since become known for. As much as I loved the self-titled album, “Horizons” tops it in almost every way.“Never Like This” is exemplary of the band's ambitious, but inevitably excellent and evocative songwriting, that fuses liquid but hard-hitting riffs and airy, creative melodic work. Henrik expands his vocals here quite significantly, his immense range travelling from spectrum to spectrum and delivering catchy hooks in a deliciously Jazzy fashion. Coming from Pop roots, he offers something unique and tangible to the Metal table.  “Hear My Call” is my favorite track here; I was instantly hooked, even months ago, hearing just snippets on teasers. A deceptively heavy, yet groovy intro riff, drives the majority of the song, with yet again a creative display of melodic progressions. The chorus is delightful, with Henrik showing a soaring facet to his vocal repertoire. Both guitarists possess a unique ability to seamlessly transcend between the heavy and melodic in an instant, which is sudden and followable at the same time.Of course, “A Dream Within A Dream” requires a mention; their longest track, at 14 minutes it even surpasses “The End of Millennium Road”, but similarly combines an array of amorphous soundscapes. It also continues a neat little trick I have noticed the band perform, where certain lyrical passages would link back to previous tracks; such occurred with “Ammonia Snow” on “The Detached”. The highlight is the delicious passage demonstrated on the recent teaser, displaying a symbiotic melody between Henrik's bass and his vocals. “Erasure” is a surprising and very enjoyable acoustic piece that garnishes the end of the album. As opposed to the ballad “Ammonia Snow”, this track features predominantly acoustic guitars and a dramatic crash of distorted electric that breaks up any potential monotony. Did I mention the hauntingly beautiful lyrics?It is repressively hard not to ramble on about Progressive music with such surreal, engaging properties. In the end, any expectations I had of this release were not met, but blown away. The year is young, but it is already in my proverbial, annual top 10." - Metal Temple
    $12.00
  • "The rise of Greek power metaller, Firewind, has give the world two new metal heroes. They are Bob Katsionis (keyboards) and Gus G. Both are skillful musicians, now world class respected. Bob released his solo album in 2012, but only in March 2014 that Gus G finally catch up with a release his long waited solo album. Gus G's solo album titled as I Am the Fire, he is well backed by world class musicians and singers. As Gus G was previously active in Ozzy Osbourne team, the styles of heavy metal and hard rock in this solo album is not surprising, a bit step further away from his main band of Firewind, which is a power metal band.Let's see the two most interesting tracks by observing the guess list. Vengeance is back by Megadeth's David Ellefson. This is instrumental track for sure, the riffs are heavy, fast double pedal drum and of course Gus' shred + David's bass attack was more than cool enough. The second instrumental is fall to "Billy Sheehan's track". Terrified is yet another ultra fast shreds with a title that reminds us to Scarified by Racer X. Both instrumental tracks is enough to made guitars fans demand an exclusive instrumental guitar album from Gus!On the vocalized songs, they are all excellence. Mat Levén is acting as host singer, he tackled four tracks. From the opener My Will Be Done, a straight forward modern rock tunes, then Blame It On Me, a happier glam metal one. On the later are Eyes Wide Open, this is kind of late '80s hair metal scenes feel. The last from Mat is End Of The Line, acoustic ballad in the style of wild wild west. Mat Levén was once Firewind singer also.I Am The Fire is a collaboration with Devour The Day / Blake Allison. The riffs quickly brings us to modern nu-metal feels, this concurred with the style of singing, the song's structures, and utilizing of choruses, which is in the spirit of alternative metal. Long Way Down on the other hand is the only female guess track with Alexia Rodiguez. Alexia is from the band Eyes Set To Kill. The song can be categorizing as a heavier version Evanescenes style. Jacob Bunton from Lynam / Adler fame contributed in Just Can't Let Go. This is yet again in alternative / US modern metal feel. Michael Starr from Steel Panther trusted with Redemption, a track that focused on wild glam metal form, fit the image of Steel Panther. Veteran singer Jeff Scott Soto is in the spiritful AOR track of Summer Days. Finally there at least an European feel in Dreamkeeper, where Evergrey singer Tom S. Englund delivered it epic-ly!What a great packed of quality materials in one album. Of all tracks not only Gus G able to fit the styles of his song to the respected guess, he also seem like outdone the guess' each band. For example in Tom Englund's track, we can feel Evergrey's music in it. There are enough punches on each song, added more  replay value to the album. Interestingly, Gus G decided to not gives any clue about his music from Firewind. A good choices, meaning his creativity in the area of power metal will still dedicated to the main band. I Am the Fire is a great album with fresh ideas stretching  from modern metal to oldies glam metal. A must have." - Metal Harem
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  • Latest release from Crippled Black Phoenix is marketed as an EP but at 45 minutes in length its anything but.  Longtime vocalist Joe Volk is gone, replaced by John E. Vistic.  The core sound is intact, an expansive, cinematic blend of post rock and early 70s Pink Floyd.  The 12 minute tune "How We Rock" sounds like an instrumental soundtrack piece Floyd would have recorded for a Sergio Leone film.  As far as I'm concerned these guys can do no wrong.
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  • Live set recorded at Rosfest and Calprog in 2009. Touchstone are getting a lot of hype in the British press at the moment but that shouldn't deter you. The band's music is from the more melodic side of the prog spectrum. Fronted by Kim Seviour, she complements the band well. If you like your prog a bit light you should enjoy this band - they went over a ton at both festivals.
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  • Debut release from this Danish offshoot of Oresund Space Collective.  Pure cosmic psychedelic bliss.  If you are a fan of Quantum Fantay or Ozric Tentacles you need to hear this one. Guitarist Magnus Hannibal offers of killer soloing over Ola Hansson's Crystal Machine sounding synths.  Remember when Ozric Tentacles was a great band?  You know - back before Ed fired everyone.  Think Erpland.  That's what this is like.  A non-stop lethal injection of space rock.  Highly recommended.
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  • Prog guitarist Lanvall goes metal! Austrian multi-instrumentalist Lanvall has come up with a mindblowing entrance into the world of progressive metal. Sunrise In Eden features all of Lanvall trademark sounds - epic symphonic keys and Hackettesque fluid guitar leads - but this time he adds a hard edge distortion laden sound to his arsenal. Combined with kick ass double bass drum and absolutely awesome vocals from the drop dead gorgeous Sabine Edelsbacher and you've got one of 2000's best efforts. There is plenty here for prog rock fans to like but this is squarely aimed towards the prog metal audience. Hey - even Galdalf kicks in some sitar bits on the 11 minute "My Last Beyond".We were the former licensee for North America.  Our version of Sunrise In Eden is now out of print.  Grab 'em while you can.
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  • Kindly Bent To Free Us is the long awaited third album from Cynic.  It finds the core trio of Paul Masvidal, Sean Reinert, and Sean Malone intact.  Just as Traced In Air was an evolution from Focus, so is Kindly Bent To Free Us a natural sounding progression from Traced In Air.  There is a common underlying sound which is clearly Cynic.  The music still maintains metallic and jazz roots but it serves as a foundation for a sound that owes more to prog rock.  If you are expecting Focus you will be disappointed.  This probably owes more to Porcupine Tree and Riverside as its not quite as technical as in the past, relying more on atmosphere.  But don't get me wrong, there is some unbelievable playing going on.  Once again Sean Malone demonstrates that he is the most underrated bassist in the world.  Highly recommended.
    $11.00
  • Ol' Leatherlungs Lars is back with his band in tow. Yet another concept album it is - filled with a hi-intensity mix of power, trash and speed. Fasten your seatbelts - this one is stuck in overdrive.
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