The Tale Of Woe ($3 Special)

Excellent US neoprog that will appeal to fans of Marillion and Iluvatar.

Product Review

Red Circle 1
Mon, 2015-10-26 16:28
Rate: 
0
This sadly bears the occasional curse of many Prog bands. It's lead vocalist is really really bad.
Red Circle 1
Mon, 2015-11-16 12:54
Rate: 
0
Sadly marred by less than perfect vocals (far less) this is a band that still could go places with the right singer.
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Product Review

Red Circle 1
Mon, 2015-10-26 16:28
Rate: 
0
This sadly bears the occasional curse of many Prog bands. It's lead vocalist is really really bad.
Red Circle 1
Mon, 2015-11-16 12:54
Rate: 
0
Sadly marred by less than perfect vocals (far less) this is a band that still could go places with the right singer.
You must login or register to post reviews.
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  • I have to plead ignorance.  Until recently I never heard of Innes Sibun.  Turns out the guy is a world famous British electric blues guitarist.  Back in 1993 he was a member of Robert Plant's touring band and has a signficant solo career.  Can't Slow Down was recorded with his quartet live at the Estro in Harderwijk, Netherlands on March 12, 2011.  This disc burns beginning to end.  If you are a fan of Rory Gallagher or Roy Buchanan and even guitarists along the lines of Hendrix and Trower you need to hear this guy.  Serious wah wah laced guitar driven excursions with backing of keys and a solid rhythm section.  A scorcher!!  Highly recommended.
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  • Out of print limited edition mediabook comes with 2 bonus tracks."Doro has long been the reigning queen of metal, and with her 12th solo studio album, Raise Your Fist, she continues to reinforce that notion. Her new album has a thicker feel than her previous release, Fear No Evil (2009). Packed with her trademark anthems and velvet ballads, Raise Your Fist is Doro at the top of her game.Sure Doro has a weakness for the occasional Velveeta lyrical theme, but it is her passion for metal, her fans, and the music that keep her among heroes of the genre. On Raise Your Fist, Doro brings the traditional bang your head, throw up your horns metal, with memorable sing along choruses. The album’s opening track, “Raise Your Fist in the Air”, is a perfect example. A lyrical theme all metalheads can get behind, with air-guitar worthy riffage and an anthemic chorus.Motörhead mainman, Lemmy Kilmister drops by to show a surprisingly tender side on the ballad, “It Still Hurts”, and guitar icon Gus G (Ozzy Osbourne, Firewind) makes an appearance on the track “Grab the Bull (Last Man Standing)”, giving it some extra swagger.On the song, “Freiheit” she tackles the issue of human rights. She noted that this particular song is very close to her heart. Tracks like “Rock Till Death”, “Take No Prisoners”,  and “Revenge” are some of Doro’s meatier sonic assaults, and remind us that heavy metal need not be void of melody.Doro also pays homage to her dear friend, Ronnie James Dio on the album closer, “Hero”. The song was the first one written for the record, and hits home with serious emotional impact. Doro’s vocals are poignant and emotive, filled with admiration, loss, and angst.Raise Your Fist is a confident, well crafted, classic metal album, which offers a slab of horn-throwing anthems, with just the right amount of sentiment. Doro heads into a new decade with another load of rock and roll ammunition in her arsenal." - Metallic
    $6.00
  • Third album from this progressive metal band based out of Sweden.  The band is fronted by former Seventh Wonder/current Aeon Zen vocalist Andy Kravlijaca who frankly is very underrated.  Silent Call touches on a variety of genres while firmly rooted in the metal realm.  You'll hear some fluffy AOR bits and some prog rock at times.  Very much a band that is strong on melody.  Highly recommended."I’m torn. Torn between championing the cause of a massively underrated and under-exposed Metal band, and the pride I feel when chatting about Progressive Metal to like minded people and playing them Silent Call – who invariably they have never heard of, and can’t believe they have passed them by! The secret will be out of the bag y’see. No more gloating for yours truly, no more “Surely. You’ve heard of Silent Call”, complete with knowing smile. Nope, people can just read this review and know all about them – which is the least the band deserve! Decision made then. Ladies and Gentlemen, fans of Melodic Progressive Metal, I give you Silent Call…unless, of course, you’ve already heard them and it’s just here in the windswept hills of deepest Yorkshire where they are unknown…a bit like super fast reliable broadband…This is Silent Call’s 3rd album – I got their debut way back in 2008 because it was on Escape Records (home of all things light and fluffy) and someone sold it to me after being horrified that Silent Call weren’t in the least bit light OR fluffy! He even wrinkled his nose (the nerve!) when he described the heaviness of the guitars and drums. This was the same day I informed him that one of his favourite Melodic bands of the 80’s – Fate – were in fact previously called Mercyful Fate (omitting the fact it was only Hank Shermann in Fate), so he rushed off to buy their back catalogue, Harrgh Harrgh, Harrgh…I don’t think he’s ever forgiven me… But I digress – Silent Call are way too heavy for a Melodic Rock label, and hopefully now they have found a worthy home on DOTT.For existing fans (because I’m sure there are many fans outside the UK), “Truth’s Redemption” is just as good as their previous two – The production is a little bit heavier and fuller which just enhances things more and allows the songs to have even more impact. You will not be disappointed! For the uninitiated, Silent Call have their sound rooted in the best of the Progressive Metal bands around the turn of the Millennium. Blending aspects of Angra, Lion’s Share, Eldritch, Stratovarius, Labyrinth – even early Kamelot and Sonata Arctica to name but a few. Their technicality is more subtle, crafted, and less showy than Dream Theater and their ilk, leaning more towards a sound centred around melody and memorability than individual musicians egos. And this is what really works for Silent Call and widens their appeal. The vocals are an expertly delivered mid-to-high range, somewhere around an amalgam of Carsten Schulz, Apollo Papathanasio, David Readman and maybe Tobias Sammet…but then, it isn’t really, as his tone – his ‘timbre’ if you pretentiously prefer – is quite unique to Andi Kravljaca. The Drums, Bass, Keys and Guitar are all executed with precision and flare, always complementing each other yet shining when it is their moment or when specifically listened out for. Musically, I’ve covered some of their bases, but their attention to detail, delivery and arrangements open the band up to fans from Pink Cream 69 through to Evergrey.The predictable thing to do here is to try and sum up the album with one or two songs – well I’m not going to make it that easy for you. Mainly because I can’t pick out a favourite OR a track that if you randomly chose it, then it wouldn’t convince you to hear the rest of the album. Every band member’s performance on every well-crafted track is first rate, there are no fillers – just top quality Melodic Progressive Metal from start to finish. If you’ve got this far through the review then surely you have thought this album is worth checking out? So one of my best kept band secrets is now out there – the cat is out of the bag as it were, so run Kitty run, run and be free…LOOK OUT FOR THAT TRUCK…!!!" - Ave Noctem
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  • When Worlds Collide is the latest release from Portuguese prog metal band Forgotten Suns.  When the band first burst onto the scene they were very much in the neoprog camp.  Their sound evolved over time with guitarist/founder Ricardo Falcao taking the band into more metallic territory.  With his chops from hell its no wonder.  This is squarely prog metal in the Dream Theater style.  Vocalist Nio Nunes doesn't go for the stratosphere.  He sticks to the midrange and there even some growls in spots.  Apparently keyboardist Ernesto Rodrigues collaborated on the writing.  The results seems to be the band's heaviest work.  While the keyboard work is more than fine the defining sound of the band is guitarist Falcao.  He's the focal point and really delivers the goods.  Forgotten Suns amps up the tried and true prog metal formula and comes up with something quite memorable.  The album runs 79 minutes and is packed with epic length tracks through out.  By the time the album is over you will be exhausted!  Highly recommended.
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  • For my taste, Mugen were possibly the best of all the Japanese prog bands that proliferated in the 80s.  Led by keyboardist Katsuhiko Hayashi, the band drew their sond very heavily from both the British and Italian scenes.  With gobs and gobs of Mellotron, Leda Et Le Cygne will blow the minds of any fan of Genesis and PFM.
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  • Been years since I heard this one and now we were able to dig up some copies from the back of a dusty warehouse.  Treasure Land made two albums - this is the first.  Here's the good part - guitarist Jonas Hornqvist plays in a neoclassical style.  The music has strong progressive overtones.  Here's the not so good part - Zenny Gram's vocals aren't the best.  For the band's next album they got a much better singer but they dumbed down their music and it was far less interesting.
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  • Second album from this excellent melodic metal band. Starbreaker consists of Tony Harnell (TNT) on vocals, former bandmate John Macaluso on drums, and Magnus Karlsson - the mastermind behind the Allen/Lande albums - on guitar. Tommy Hansen waved his magic production wand over it all. I'm much more of a prog guy but I know quality when I hear it and this one hits the mark.
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  • "2013 five disc (three CDs + two DVDs) digipak. It takes a legend to bring a myth back to life. A unique treat for music fans worldwide, Steve Hackett's critically acclaimed live production 'Genesis Revisited' has so far triumphed in Europe, Japan and North America alike and is still going strong; on May 10th it celebrated its success at a sold out London's Hammersmith Apollo with an ecstatic audience. Genesis Revisited - Live at Hammersmith - a unique performance with guests including Nik Kershaw, John Wetton, Jakko Jakszyk, Steve Rothery and Amanda Lehmann. The pioneering guitarist comments: "The 5.1 DVD with stereo CD is a feast for all the senses. I was blown away by the fantastic response to those May UK gigs!""
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  • Released in 1973 on the obscure Canadian Periwinkle label, Jackal's "Awake" album has become a highly sought after album by collector's of heavy psychedelic/progressive rock. Original copies have sold for as much as $300! After an exhaustive five year search we have finally located the original master tapes.Drawing inspiration from Deep Purple, Jackal incorporates dazzling guitar/organ interplay evoking Blackmore and Lord at their heaviest. The complexity of their music took them far beyond the basic hard rock sounds of many of their peers. Perhaps with a few lucky breaks the band could have gone on to bigger and better things. All that's left of their legacy is this sole collector's item.
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  • "There's no doubt that every genre has its leaders. Bands who through a confidence and display of ability, rise above the others who simply seem to follow in their wake. Primal Fear are one such band, leading the Euro Power Metal genre as if it is their own to do with as they please. In essence what they choose to do is, in truth, similar to countless other bands and still reliant on a blueprint created by the likes of Accept and Judas Priest many, many years ago. However with the class of Alex Beyrodt and Magnus Karlsson on guitars, PF already have a head start on the opposition, so when you add to that the bass bombast of Mat Sinner, drumming displays from Randy Black and the ultra powerful vocal viciousness of Ralf Scheepers, then immediately it becomes apparent why Primal Fear reign supreme.That line-up has been stable for some four years now and it shows on Delivering The Black, amazingly this band's tenth studio offering. What does it sound like? Well truth be told you know that already because Primal Fear do what they do so well, that tinkering with the sound would be merely to stray from a tried, tested and well loved formula. However the sheer energy and conviction behind the likes of "King For A Day", "Alive & On Fire" and "Inseminoid" ensures that what this Beyrodt produced monster of an album delivers, never falls short of fist punchingly good.However while each and every one of the ten tracks on show here (twelve and a "single" mix of "Death Comes Knocking" if you buy the deluxe version – and you know you really want to...) pulsates, gyrates and convulsates, the two which really stand out as the central pieces of Delivering The Black are the aforementioned, but full version of "Death Comes Knocking" and "One Night In December", both of which reach towards and beyond the seven minute mark. Orchestral embellishments are unobtrusively added and both tracks evolve through a variety of moods and atmospheres, while still sounding 100% like prime-time Primal. Add to that an acoustic based, but bombastically delivered slower number in the shape of "Born With A Broken Heart", where Leaves Eyes' Liv Kristine adds backing vocals and Delivering The Black stands out as an individual and ambitious album, while still being completely and utterly what this band have always been about. Something many acts have tried to do and failed.While a few new elements are successfully introduced here, the old adage of "if it ain't broke, don't fix it" still springs to mind and rest assured that Primal Fear are in full, glorious, working order." - Sea Of Tranquility
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  • New remastered edition of Sirens and The Dungeons Are Calling. Originally conceived as all of their debut album, the material was split up because it was too long for vinyl release. Jon Oliva states that this is the first time the material is appearing as it was conceived. This "complete session" release includes one new bonus track recorded by Oliva in 2010.
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  • Prog guitarist Lanvall goes metal! Austrian multi-instrumentalist Lanvall has come up with a mindblowing entrance into the world of progressive metal. Sunrise In Eden features all of Lanvall trademark sounds - epic symphonic keys and Hackettesque fluid guitar leads - but this time he adds a hard edge distortion laden sound to his arsenal. Combined with kick ass double bass drum and absolutely awesome vocals from the drop dead gorgeous Sabine Edelsbacher and you've got one of 2000's best efforts. There is plenty here for prog rock fans to like but this is squarely aimed towards the prog metal audience. Hey - even Galdalf kicks in some sitar bits on the 11 minute "My Last Beyond".We were the former licensee for North America.  Our version of Sunrise In Eden is now out of print.  Grab 'em while you can.
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