Spreading The Disease ($5 Special)

SKU: 422-826 668-2
Label:
Island
Category:
Thrash Metal
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"Anthrax's first album with vocalist Joey Belladonna is a huge leap forward, featuring strongly rhythmic, pounding riffs and vocals that alternate between hardcore-type shouting and surprising amounts of melody. Two tracks left over from the Dan Lilker days are here as well. The traditional metal lyrical fare is more original, while also introducing a penchant for paying tribute to favorite fictional characters and pop culture artifacts ("Lone Justice" and "Medusa" are prime examples). One of Anthrax's best efforts." - All Music Guide

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  • Ambient/prog reworking of Dead End Kings arrives in a limited edition 2 disc digibook.  You get the CD version as well as a DVD featuring a 5.1 and 24 bit hi-resolution stereo mix."After last year’s successful release of their 9th full-length Dead End Kings, Katatonia have returned with a special release entitled Dethroned and Uncrowned. This album is special for two reasons. Firstly, it was brought to life with the help of the so-called ‘Katatoniacs’; that is, the fans were the ones who financed this project through a pledge campaign the band had set up where fans could pledge for various album formats and other items such as drumsticks, lyric sheets, posters, backdrops and even one of Anders’s old guitars. Needless to say, the pledge campaign was highly successful and reached its goal in four days. Secondly, the album is special music-wise, as it contains the same tracks that were found on Dead End Kings, but all of them have undergone a major makeover. As Katatonia wrote on their website: ‘the drums will be dethroned and the distorted rhythm guitars will be uncrowned’. What they have basically done is that they have kept the vocal lines intact but have experimented with the rest of the music, creating stripped-down, semi-acoustic versions of the songs with the focus on ambience and atmosphere, showcasing the band’s progressive song-writing talent. Katatonia have masterfully and rather elegantly transformed the songs into totally different entities and have given themselves as well as the listeners the opportunity to discover different aspects of each track, by adding little interesting details or emphasizing some parts that were not as noticeable as in the previous version, like the Jan Johansson-esque piano touches in ‘Leech’, or the 70s prog vibe in ‘Dead Letters’. All in all, Katatonia have managed yet again to create a beautiful, melancholic and touching piece of work that will certainly fulfill the expectations of the majority of their fans. Those who were not very keen on Dead End Kings (if such people exist), might enjoy some of the songs in their new versions, and, who knows, they might even appreciate that album a bit more after listening to this." - Metal Recusants
    $9.00
  • "ALLEN/LANDE (or ALLEN-LANDE) is a Melodic Hard Rock/Heavy Metal super group / band project formed in 2005 by guitarist Magnus Karlsson (PRIMAL FEAR, STARBREAKER) with two highly acclaimed metal vocalists - vocalist Russell Allen (SYMPHONY X) and former MASTERPLAN vocalist Jørn Lande. The band released such albums: "The Battle" (2005), "The Revenge" (2007), "The Showdown" (2010) and "The Great Divide" on 17th October 2014.Opening track “Come Dream With Me” takes listeners on the journey through the Melodic Rock & Metal world where you can find stronger melodic guitars with wonderful vocals, clear rhythmic section, catchy chorus with an impressive guitar solo which makes goose-flesh, and little PRIMAL FEAR echoes. Powerful drums and mega energetic guitar riffs in “Down from the Mountain” are truly kick-ass with amazing vocals in climate of BLACK SABBATH, AXEL RUDI PELL and memorable refrain in high style. All tracks have similar sounds to GAMMA RAY and TIMO TOLKKI songs. The energetic atmosphere of “Dream About Tomorrow” is caused by heavier riffs, SCORPIONS echoes, great solo, and keys in Power Metal style.My favourite song on the album is “Lady of Winter”, which has everything that is the best in Hard Rock and Metal music – so gentle piano opening, then heavy riffs, clear drums, fabulous memorable high chorus, and perfect worked guitars full of melody. Stunning track with rockin sounds, mid-tempo, perfect bass, slower climate, and totally in the style of JORN. Stronger riffs with gentle keys and massive JORN vocals in pathetic melodic refrain in track “Solid Ground” is perfect, also with a massive and brilliant guitar solo!The band proves that they are on high-class level in powerful “In the Hands of Time” where keys and melodic guitars have STRATOVARIUS echoes. The energetic “Reaching for the Stars” with gentle keys in the background with memorable refrain and massive sounding “Hymn to the Fallen” with mixing Heavy Metal sounds together with rockin style.Also I like very much the ballad titled track “The Great Divide” with beautiful strong voices of singers, calmer guitars, keyboards, and passionate guitar work and chorus in high style with choir in amazing slower tempo – what a wonderful sound! Another ballad “Bittersweet” has a slower rate, clear drums, piano, and brilliant singing together with climatic stronger high riffs. Sounds total perfect!ALLEN/LANDE, again, proved that they are Kings of Rock and Metal. They connect different kinds of sounds – Hard Rock, Heavy Metal with doses of melody. The band creates music with passion. Every track is a masterpiece and in each sound the experience of musicians is hear able. ALLEN/LANDE is simply a fantastic band, and their fresh CD “The Great Divide” is more than highly recommended to every lover of Melodic strong sound!" - Metal Temple
    $16.00
  • We've had a hell of a time getting our hands on this album but its finally here and more than worthy of your attention.  In fact this is an album that is going to ride high on many 2014 top 10 album lists.This is the first full length release from this six piece band based out of Bergen, Norway.  The core sound of the band is rooted in classic progressive rock.  Think in terms of the aggressive side of Van Der Graaf Generator and King Crimson.  But there is more at play here.  A strong jazz element is at play as well.  I'm reminded of Jaga Jazzist and perhaps a bit of Frank Zappa and Mr. Bungle.  There is no doubt we are going to hear quite a bit from this band in the future.  BUY OR DIE!"An impressive album of refreshingly unique music that crosses many sub genres, including space-psychedelia, symphonic, heavy prog, avant-jazz and experimental/post metal. Wonderful vocals, very tight interplay among all band members with no one member or instrument really standing above any other--though the presence and performance of the saxophone is highly notable. This is complex music played so tightly. And the astonishing 14- minute epic, "God Left Us for A Black Dressed Woman," must be heard to be believed.1. "Oh My Gravity" (9:49) starts as a jazzy stop-and-start piece that picks up in intensity in the second minute before shifting to a melodic ballad in the vein of the heavier side of FROGG CAFÉ. The male vocalist sounds to me like something between RADIOHEAD's THOM YORKE and TODD RUNDGREN. Around the six minute mark the spiraling, swooning music sounds a lot like some of the louder stuff from MOTORPSYCHO's The Death Defying Unicorn. This feel continues into the seventh minute when organ and horns take turns embellishing the staccato music. The bare-bones, bluesy final 45 seconds is bizarre but so cool! A powerful and surprising opener to this unusual album. Very high marks for compositional prowess and instrumental performance. (9/10)2. "Wind Shears" (6:32) opens in a very psychedelia/spacey 1960s way. Then at the one minute mark it settles into a jazz groove with first sax and then jazzy guitar and Hammond organ filling the lanes over the rhythm section. Clavinet is added for a GentleGiant-like bridge before a polyrhythmic KING CRIMSON "Discipline"-like weave appears to support a brief ghost-like vocal. At 3:20 the sound gets much heavier over the same arpeggiated weave, nearly drowning out the still-soloing sax and organ. This is just like TOBY DRIVER (Kayo Dot/Maudlin of the Well)! At 4:05 things get quiet and sparse again, with the music vacillating from soft and delicate to heavy and abrasive. A very melodic kind of psychedelic big band section plays out for the final minute. Again, bizarre but so cool! (9/10)3. "Eschaton Hero" (8:29) opens with some guitar, keys & sax riffs repeated over latin percussion. At 1:00 everything settles down into another quiet section with a delicate vocal in Stian Økland's upper register. Beautiful chorus/bridge at 1:47 gives way to an unpretentious bass solo before settling back into the delicate vocal music. Same awesome bridge at 2:49 leads into a heavy section into jazzy chaos--all performed over the most simple, calm drum play. At 4:52 it gets even heavier as it plods along for a minute in support of a fuzz guitar solo. Finally the drums start to play--to match the frenzy of the rest of the band--then everything stops so the band can yell "Yay!" Then a variation on the previous frenzy picks back up until 7:05 when everything settles back down into the soft groove of the initial vocal section for a dirty sax solo before letting Stian finish the song out in his high voice. Well conceived and performed, just not my favorite. (7/10)4. "Extraction" (6:34) begins with another odd intro of two or three parts before settling into the vocal support section--which begins heavily before falling into another RADIOHEAD-like bluesy section. At 2:20 a neat Hammond section leads back into the heavy full band section that opened the vocals, then, again, drops off for the beautiful support of a multi-voice- supported section. At 3:45 a very smooth, stripped down electric guitar solos, until there is a full return to explosiveness at 4:20. A bouncy "O Yo Como Va"-like Hammond section at 4:40 gives way to a kind of Latin weave before falling back into the heavier rock weave from the first vocal section to end. (8/10)5. "God Left Us for A Black Dressed Woman" (14:12) opens with another KC "Discipline"-like weave that morphs and flows, polymorphs and grooves for two and a half minutes before decaying into a simplified form for a bluesy ROBERT PLANT-like vocal section. This song's amazing vocal performance could also be compared to some of the finest MATTHEW PARMENTER/DISCIPLINE works. Some incredibly powerful sections in this song--especially the multi-voice vocals in the eleventh minute and the following heavy full-band part. A very DISCIPLINE-like soft section then ensues with a slow build to an awesome crescendo and frizzed finish. The song evolves, shifts, twists and turns and surprises throughout. Again there are several parts that remind me of MOTORPSYCHO's Unicorn. Without question this is one of the best prog "epics" of the year! (10/10)Aside from the above references to Motorpsycho, King Crimson, Radiohead, Toby Driver, Matthew Parmenter/Discipline, the overall impression this album leaves me with is similar to that of DIAGONAL's eponymously titled debut album from 2008. SEVEN IMPALE's City of the Sun is a wonderful collection of masterfully composed, executed and recorded songs.A 4.5 star album that I can't see giving anything less than five in that it is a treasure for the ages!" - Prog Archives
    $14.00
  • "Miracles do happen: seven years after the announcement of their creative break, the original members of prog rock supergroup Transatlantic – Roine Stolt (The Flower Kings), Pete Trewavas (Marillion), Neal Morse (ex-Spock’s Beard) and Mike Portnoy (Dream Theater) – got together again and recorded a new studio album titled “The Whirlwind”, which went on to be TRANSATLANTIC’s best-selling album, entering mainstream charts in the US, Germany and Netherlands. Their two seminal albums, tours and DVDs redefined prog’s artistic and commercial possibilities with a combination of modern and traditional prog, classic pop sensibilities, and mind-blowing musicianship.The “An Evening With TRANSATLANTIC Whirld Tour 2010” was the group’s largest tour, covering both sides of the Atlantic across 11 countries. With the addition of Pain of Salvation’s Daniel Gildenlow on guitar and keyboards, it was also their most musically powerful. On May 21, 2010, at Shepherd's Bush Empire in London, the cameras were rolling.The upcoming Release entitled “Whirld Tour 2010: Live At Shepherd’s Bush London” will be available as a 2-DVD NTSC-version set, a 3CD-Audio Version and a 2DVD and 3CD Deluxe Edition. The concert featured the entire Whirlwind album performed exactly as on the studio recording. But that’s just the beginning. For the next two and half hours, Transatlantic performed nearly every song they’ve ever recorded, along with some surprises. The audio recorded at the show was later mixed by the band’s own Roine Stolt, ensuring a genuine presentation of the music from that night. The show doesn’t end, though, with the fading echoes of the final note. Backstage, in and around cities throughout Europe, the cameras accompanied Mike, Neal, Roine and Pete on their journey. Uncensored experiences and candid moments reveal the good, the bad, and the unexpected of life on the road. Also included is the band’s encore from the final night of their tour, a headlining spot at the UK’s High Voltage Festival. For the last song at UK’s High Voltage Festival, they performed the Genesis classic, “Return of the Giant Hogweed,” joined onstage by original Genesis guitarist Steve Hackett. "
    $19.00
  • "Aria is the second collaboration of ASIA founder Geoff Downes and singer/bass player John Payne. On Aria, John Payne’s voice is more powerful than ever and every single track is a massive thunderclap. As a special feature the Aria Special Edition contains the video for the song Anytime. The cover artwork was done by the legendary Roger Dean (Yes, Uriah Heep) and the album has been digitally remastered."
    $14.00
  • Love 'em or hate 'em you know you want to hear them. This British cheese metal band has captured the hearts and souls of the Guitar Hero set. For any metal head that thinks time stood still in 1984.
    $4.00
  • Ever wonder what happens when you mix Motorhead and Ozric Tentacles in a blender? The fourth album from this Dutch underground space rock band may well be the answer. Quandrant melds the spacier aspects of Hawkwind and the Ozrics with the doominess of Black Sabbath and the brutal force of Lemmy & Co. Perhaps in some ways they are similar to 35007 but with vocals. These guys don't just propel you into deep space - they shove a Saturn V rocket up your butt and launch you there at the speed of light.
    $15.00
  • Their last album from 1991. Another one in Century Media's series of reissues of long lost classics from the defunct Combat label. Remastered and two live bonus tracks.
    $9.00
  • Bulgaria doesn't immediately come to mind as a hot bed of musical activity but that is where Sensory made their latest discovery. In 2000, the band created their calling card to the progressive metal world a demo that was well received in the underground press. Affter a series of lineup changes the band set about recording their debut "Shade of Fate". The result is a tour de force of progressive metal that will appeal to fans of Dream Theater, Vanden Plas and Queensryche. Pantommind use gorgeous symphonic soundscapes as a backdrop for intricate keyboard solos, crunch-filled guitar riffs and pure soaring vocals. This is a band poised to capture the imagination of progressive metal fans around the world. Sensory's release of "Shade Of Fate" also features two exclusive bonus tracks.
    $8.00
  • "By opening their self-titled album with a group of children reciting a sing-songy version of the Pledge of Allegiance to the U.S. flag, keyboardist Frank Lucas, drummer Chuck White and bassist Steve Edsey prove early on that their self-titled LWE debut will be unlike so many other instrumental progressive-music CDs flooding the marketplace these days. First of all, there are no guitars. Lucas' piano — rarely does he use synths — propels this music into a feel-good stratosphere, while the rhythm section of White and Edsey provides a mighty backbone. (The subtle potency of this trio is no surprise, really, considering that all three men have gigged with the likes of guitarists Michael Angelo and Neil Zaza, as well as the prog-metal band Ion Vein.) Edgar Gabriel, a principal violinist for Cirque de Soleil, also appears on three of LWE's eight tracks.Pre-release comparisons to Emerson, Lake & Palmer and the Chick Corea Electrik Band might have been overstated. This music is less pretentious (although no less dramatic) than ELP's work, and it lacks the blatant fusion references of Corea's late-1980s/early-1990s outfit. Instead, listeners get a steady 54-minute stream of clever, quippy and wholly engrossing music that includes the marvelous, bouncy opener "Liberty," the beachcomber anthem "Hasta Mañana" and "The Nightcap," an uncharacteristically dark, mysterious and sexy piece. LWE milks its cleverness with songs whose titles reference the Chicagoland trio's influences: "A Note to Jordan" (as in Dream Theater keyboard maestro Jordan Rudess) and "Waiting for Bela" (as in premier banjo player Bela Fleck).Count LWE among the most promising acts on ProgRock Records' burgeoning roster of talent." - Sea Of Tranquility
    $3.00
  • UK band Touchstone take a surprising (at least to my ears) turn in a heavier direction.  While I would never call this full on metal, mixing engineer John Mitchell decided to turn their guitar up a notch.  Some good crunchy guitar bits through out the album.  The band was never a complex prog band.  Touchstone always had a melodic sensibility touching on AOR and neo-prog.  There is a symphonic element that keeps the music rooted in the prog world but you can tell that this is a band that is looking to cross over into other genres.  Their strongest asset remains vocalist Kim Seviour , who along with Leslie Hunt is one of the best female vocalists in the prog world."Returning once more to confound listeners and music reviewers alike, such as yours truly, with their ever evolving and pleasing neo-prog is England's Touchstone with their fourth long player, Oceans Of Time. Dare say, for their benefit, it's hard to pigeonhole Touchstone's sound. Is it hard rock? AOR? Progressive rock? Yes and then some, and it's not necessarily all that confounding really.However, I might say that Oceans Of Time could be their most 'proggy' album to date. If anything, the songs are quite varied, visiting old territory and exploring the new. Touchstone also returns to some familiar themes. The title track continues the Wintercoast story, and Shadow's End wraps up the Shadows trilogy begun on Discordant Dreams.These songs are also good examples of the strong progressive nature of the album, with Touchstone throwing curves to your ears. Yet Oceans Of Time will also sound more like familiar Touchstone as well. The musical canvas is quite grand lavished with layers of instrumentation, notably Hodgson's guitar and Cottingham's keyboards. Flux is another fine example of Touchstone's exotic musical brew. It's got some hard rock chops mixed with the prog, and then, about the three minute mark, it calms down. Synths stir, then Kim Seviour's vocals arrive, and the arrangement swells to sweet crescendo. It's one of best moments of the album.Other highlights include the bass and drum lines of Contact, a moody piece where Seviour's voice is alluring and graceful; the clever drumming within Fragments, possibly the closest thing to straight melodic rock song here; and, Spirit of the Age, a song with balancing lighter moments with heavier ones, and Seviour at her most sublime. Touchstone is band that keeps evolving and getting better, and so is always interesting and entertaining. Oceans Of Time is well recommended." - Dangerdog.com
    $5.00
  • "One of the few successful extreme metal bands to be fronted by a woman, Holy Moses – even more than 30 years into their career – inevitably draw comparisons with the likes of the more high profile Arch Enemy.  And, certainly, there are similarities between the two bands, especially in the aggressive vocal styles of Sabina Classen and Angela Gossow, both of whom make you instantly question that these are, in fact, female vocals which are pummelling your cranium to dust… but, it is here that all comparisons end!With this, their 11th studio album (and their first in six long years), the Westphalian quartet show no signs of slowing down – and, if anything, display a renewed aggression and love for delivering classic thrash metal with a modern twist.‘Redefined Mayhem’ is firmly rooted in the traditional Teutonic thrash sound that HM, alongside contemporaries such as Kreator and Sodom, first developed at the turn of the 1980s, but incorporates many elements of what subsequently has emerged and helped move the genre forward, without compromising the band’s straightforward, no nonsense approach.  The 13 tracks are hard-hitting and, indeed, uncompromising, guaranteed to rip neck muscles from the first downstroke of Peter Geltat’s plectrum:  the guitarist has two hard acts to follow (in Andy Classen and Michael Hankel) but he does so with aplomb and energy, producing a mix of hard-edged, speed-laden riffs and nifty melodies, while Classen’s vocals are dark, aggressive and menacing.Everything is held together tighter than a nun’s crack by the rhythm section of Thomas Neitsch (along with Classen the only remaining member of the line-up which recorded 2008′s ‘Agony Of Death’ and Gerd Lücking, the latter of whom turns in a particularly impressive display behind the kit, while Neitsch’s production draws all the elements together with an undertone of broodiness and controlled chaos.This is a hugely impressive album by a band who truly can be regarded as one of the innovators of the genre but can still teach today’s young upstarts a lesson or three…" - Planet Mosh
    $5.00
  • "Esoteric Recordings are proud to announce the release of a newly re-mastered and expanded of Galactic Zoo Dossier , the first album by Arthur Brown's Psych / Space Rock outfit Kingdom Come. Issued on Polydor in 1971, the album launched the band, gaining instant notoriety. Touching on the musical territory of fellow travellers Hawkwind, Galactic Zoo Dossier was a masterwork and is now rightly regarded as a classic. This newly remastered edition includes bonus tracks of three alternate versions of Metal Monster , Space Plucks and Sunrise , together with both tracks from a BBC Radio One John Peel session from March 1971 (previously unreleased on CD)."
    $18.00