Seven Steps To Heaven ($5 SPECIAL)

""In 1963, Miles Davis was at a transitional point in his career, without a regular group and wondering what his future musical direction would be. At the time he recorded the music heard on this CD, he was in the process of forming a new band, as can be seen from the personnel: tenor saxophonist George Coleman, Victor Feldman (who turned down the job) and Herbie Hancock on pianos, bassist Ron Carter, and Frank Butler and Tony Williams on drums. Recorded at two separate sessions, this set is highlighted by the classic "Seven Steps to Heaven," "Joshua," and slow passionate versions of "Basin Street Blues" and "Baby Won't You Please Come Home." The 20-bit remastered version issued by Sony's Legacy imprint in 2005 includes two rather startling bonus tracks from the original sessions that were not included on the LP or previous CD releases; they are the beautiful "So Near, So Far," and "Summer Night."" - All Music Guide" - All Music Guide

There are no review yet. Be the first!

Product Review

You must login or register to post reviews.
Laser Pic

customers also bought

SEE ALL
  • This is the second album in the live series documenting the band's residency in Tokyo in April 2014.  This is a complete performance of Per Un Amico.  More in the series to come...
    $19.00
  •  "After over two years from the event, we can still hear today the echoes of that memorable Italian progressive rock night.That Saturday 6th November 2010 the same Locanda delle Fate went first on stage, playing their masterpiece “Forse le lucciole non si amano più” almost in its entirety, adding the then-unreleased songs “Sequenza circolare” and “La giostra”, later included in the recent “The missing fireflies” (2012). Locanda delle Fate's today line-up includes four original members - Leonardo Sasso (vocals), Oscar Mazzoglio (keyboards), Luciano Boero (bass guitar) and Giorgio Gardino (drums).Once available only as vinyl, “Live in Bloom” is here reissued on CD/DVD; the first 1000 copies come in a special lavish format, comprising a hard-cover mini-booklet inside a horizontal slipcase (15 x 25cm).Compared to its previous release, this edition finally contains, both on the CD and the DVD, the entire Locanda delle Fate’s concert, which could not be included as a whole in the space of a single LP. The sound quality is excellent, and the visual part has been professionally recorded with a 4-cam system.To sum it all, this is a release not to be missed by Italian prog fanatics, especially who was present during that Progvention 2010 night, and also an important document that testimonies how the genre is still today very much alive!"
    $24.00
  • In Crescendo is the fourth studio album from this Italian progressive band.  While originally working in a purely metal direction, the band has expanded the scope of their sound to encompass elements of progressive rock as well.  There is a very strong atmospheric component similar to Riverside, Porcupine Tree, and Pink Floyd but the heavier, metallic side of Opeth and Dream Theater is clearly present as well.Over the past two years Kingcrow has expanded their fan base with a European tour in support of Redemption and Jon Oliva as well as appearances at ProgPower Europe and ProgPower USA.  An announcement about 2013 US tour dates is imminent. 
    $13.00
  • We don't typically stock CDs by individual artists unless they are extremely well known.  Brian Ellis is of interest to us because he happens to be the guitarist for Astra, a band very important around these parts.  It also happens that this is one slammin' disc.  Ellis is obviously a talented multi-instrumentalist.  Compositionally its a bit of a jumble but in this case in a very good way.  He wears his influences on his sleeve and replicates the sounds of the 70s: kosmigroov Miles Davis, blistering Mahavishnu fusion, and topped off with a visit to Kobia.  Quite a clever achievement and highly recommended."Brian Ellis is an multi-instrumentalist from San Diego, California. He has released several albums in the last few years under multiple monikers and is perhaps better known as lead guitarist for the progressive rock group, ASTRA.By playing guitar, bass, drums, various synthesizers and keyboards, saxophone, trumpet, sitar, xylophone, kalimba, etc., Brian creates the illusion of a large live band jamming all together. After releasing 2 albums in 2007 for the now defunct Scottish electronic label, Benbecula Records, Brian found himself straying away from the programmed/sequenced elements and wanted to make an album where all the instruments were played live. The album was completed in early 2008 and was set to be the follow up to "The Silver Creature". Unfortunately, Benbecula decided to close it's doors at this time and the album was shelved."Quipu" takes Brian Ellis' jazz/fusion/funk sound from his previous solo works to the next level. The opening track "Birth" sets a deep atmosphere of delayed trumpets and saxophones with a slow beat and funky bass before exploding into an odd-timing heavy fusion workout harkening back to the days of Mahavishnu Orchestra. Whereas later tracks like "Psaw" (featuring David Hurley of Astra on drums) take on much more of a free jazz sound similar to Miles Davis "Bitches Brew" era, full of dissonance and surprising elements. The final track "Walomendem" is a 14 minute progressive rock epic hailing as a tribute to the great french band Magma."
    $17.00
  • Jazz Q was a seminal jazz rock/fusion band from the Czech Republic.  The band was formed by keyboardist Martin Kratochvil along with some members of Modry Effekt (although the lineup changed frequently over the years).  In the early days the band were very much a jazz rock band but with strong progressive overtones.  Vocals would be utilized from time to time - some albums have female vocals in English - some have male Czech vocals - but for the most part these are long form compositions that are instrumental or have really long instrumental breaks.  In other words, the vocals that appear are used almost as an instrument and are not the focus of the band.  Towards the middle of the 70s, Kratochvil became influenced by Return to Forever and Mahavishnu Orchestra.  The music became a bit more high energy.  This box set collects all 7 of the band's studio and live albums and comes with a bonus CD featuring unreleased and singles tracks.  Highly recommended!
    $60.00
  • 2 on 1 reissue from BGO of these two late 70s solo albums from the former Mahavishnu Orchestra guitarist. Electric Guitarist marked his return to fusion, after his work with Shakti. It features a who's who of fusion: Chick Corea, Stanley Clarke, Billy Cobham, David Sanborn, Jerry Goodman, Carlos Santana, Tony Williams, Jack DeJohnette, and Narada Michael Walden. Electric Dreams was recorded with his One Truth Band which featured L Shankar, Fernando Saunders, Tony Smith, and Stu Goldberg. Remastered edition.
    $18.00
  • A new release from Causa Sui is like money in the bank.  The new Live At Freak Valley is no exception.  The live milieu is where the band really shines.  If you are unfamilar with the band you should know that the band's origins date back to the stoner scene but they evolved into something different - something more psychedelic - more organic.  The quartet features Jakob Skott (drums), Jonas Munk (guitar), Jess Kahr (bass), and Rasmus Rasmussen (keyboards).  The band goes off on looooong instrumental jams.  Munk's guitarwork has a beautiful fluidity that plays off of Rasmussen's keyboards which tend to surge to the forefront like waves on the ocean - or sit back and become a nice supporting backdrop for Munk's lead work.  I love when Munk burst out with a chunk of heavy riffage that recalls their stoner days.  Reminds me of vintage Zeppelin!  Highly recommended.
    $23.00
  • The Yes Album is the second in a series of remixed and expanded Yes albums.Presented as a double digi-pack format in a slipcase with a booklet featuring new sleeve notes by Sid Smith, along with rare photos and archive material, the album has been mixed for 5.1 Surround Sound from the original studio masters by Steven Wilson and is fully approved by Yes.The CD features a new stereo album mix by Steven Wilson, the studio version of Clap and an extended version of A Venture.The DVD-A features:- a 5.1 DTS Mix and High Resolution Stereo mixes.- DVD-A players can, additionally, access a 5.1 Lossless audio mix (24bit 96khz).- the new album mix in high resolution stereo- the original album mix in a hi-res flat transfer from the original stereo master tape source.- alternate version of The Yes Album drawn from live tracks, singles edits & an extended mixCD - New Stereo Mixes:1. Yours Is No Disgrace2. Clap3. Starship Trooper: Life Seeker / Disillusion / Wurm4. I've Seen All Good People: Your Move / All Good People5. A Venture6. Perpetual ChangeAdditional Tracks:7. Clap (Studio Version)8. A Venture (Extended)DVD-A (Region 0, NTSC):- Album mixed in 5.1 Surround from original multi-track sources.- New Album mix in High Resolution Stereo- Original Album mix (flat transfer) in High Resolution Stereo- Alternate version of The Yes Album drawn from live tracks, singles edits & an extended mixNTSC Region 0 hybrid DVD-A, compatible with all DVD players & DVD-rom drives.DVD-A - Full Track Listing :New Stereo Mixes 24/96 MLP Lossless:1. Yours Is No Disgrace2. Clap3. Starship Trooper: Life Seeker / Disillusion / Wurm4. I've Seen All Good People: Your Move / All Good People5. A Venture6. Perpetual ChangeSurround Mixes (24/96 MLP Lossless):1. Yours Is No Disgrace2. Clap3. Starship Trooper: Life Seeker / Disillusion / Wurm4. I've Seen All Good People: Your Move / All Good People5. A Venture6. Perpetual ChangeOriginal Stereo Mixes (Flat Transfer from original master 24/96 MLP Lossless):1. Yours Is No Disgrace2. Clap3. Starship Trooper: Life Seeker / Disillusion / Wurm4. I've Seen All Good People: Your Move / All Good People5. A Venture6. Perpetual ChangeAdditional Material:The Alternate Album :1. Yours Is No Disgrace (Live, London 1971)2. Clap (Studio Version)3. Starship Trooper (single edit)Life seeker4. I've Seen All Good People (Live, London 1971)5. A Venture (extended mix)6. Perpetual Change (Live, New Haven 1971) 
    $21.00
  • Darker is the long awaited second album from Swiss progressive rock band Dawn. It has been 6 years since the quartet rocked the prog world with their expert take on old school symphonic rock.Dawn formed in Montreux, Switzerland in 1996.  Since then the band has performed at the famed Montreux Jazz Festival, as well as at Swiss prog rock festivals Progsol, and Montreux Prog Nights.  The band has also opened for Kansas and Fish.  After a series of line up changes the band began to focus on their sophomore release in 2010 and perform them in concert.Dawn’s music is riddled with vintage keyboard sounds and flowing guitar solos.  Plaintive vocals ascribe a kinship to the British Canterbury prog family tree.  The album is conceived as a series of compositions dealing with Man in the 21st century: his fears, his conception of life, his reaction to technology, nuclear power, and the planet’s suffocation.  Darker was recorded in 2013 by Olivier Charmillot and mastered by noted audiophile engineer Bob Katz.
    $14.00
  • Raccomdata Ricevuto Ritorno refomed and cut a shockingly good album called Il Pittore Volante.  A lot of these Italian bands from the 70s are reforming and offering up mediocre fare.  This wasn't the case with RRR.  They are now billed as La Nuova Raccomandata Ricevuto Ritorno.  This is a live recording from Elba in which they run through material from Per Un Mondo Di Cristallo, Il Pittore Volante, as well as a handful of covers.  I guess sometimes you can catch lightning in a bottle.
    $16.00
  • Saw this band perform a couple of months ago and it was an incendiary set.  Goat are a Swedish psychedelic collective.  Their music is incredibly intense that has an African tribal feel - sort of like Black Sabbath meets Fela Kuti.  Twin guitar leads entwine over a propulsive and hypnotic rhythm section.  The band's two female vocalists sing in unison.  Washed in a sea of reverb their voices come across as one.  Love the beautiful fuzzed out guitar leads that juxtapose with the crystalline solos.  This is not late night listening.  This is invite your friends over, fire up a big phatty, and trance out.    BUY OR DIE!"When approaching the follow-up to a record as unilaterally praised and, on a personal level, so intoxicatingly enjoyable as Goat's 2012 debut World Music, all kinds of anxieties are inevitably thrown up regarding the new work's comparative merit. Which is why for this writer, on hearing how the psych journeymen chose to open their latest record Commune – with the ominous clang of a temple bell (like a theological inversion of the opener on Black Sabbath's debut) – it felt oddly apt, fateful almost. It was as if they knew I was scared to listen to the record; they responded by scaring me further with ecclesiastical percussion instruments.Goat should be given full credit for inspiring this sense of meaning and excitement; the album that follows is no stylistic leap forward for the band, yet it still exercises a deeply persuasive power over your head and hips. They largely stick to the heavy, kinetic, afro-influenced rock that proved such a winning formula, the only obvious developments being that the guitarists seem to be taking more cues from desert-rockers like Tamikrest and Tinariwen, and the songs show an increasing preference for subtlety over immediacy in the hooks department. Yet despite the apparent lack of new ideas here, the undeniable success of this work lies in Goat's deepening and development of the musical and spiritual themes presented on in World Music.And I'd go as far as to argue that Commune is very much a spiritually informed record. Whilst Goat hinted at a certain kind of gently cosmic, communal worldview via the obscure vocal samples on their debut, on this record their spiritual statement feels much more pronounced. Not only can this be seen in the song titles (opener 'Talk To God', 'The Light Within') and the appearance of more vocal samples ("There is only one meaning of life, and that is to be a positive force in the constant creation of evolution" – woah there!), but it's also evident in the production. Instruments are slathered in embalming-chamber reverb, ritualistic hand percussion is laced through almost every track, and the more laidback atmosphere means that instead of getting party-starting booty-shakers like 'Run To Your Mama' we get absorbing, contemplative grooves like the headspinning rhythms of 'Hide From The Sun' and 'Bondye', an instrumental track named after a voodoo deity which realises the trance-inducing implications of repetition. When Goat first emerged listeners may have been unsure about the sincerity of their transcendental allusions, and I for one suspected that their flirting with hippy ideologies was a self-conscious part of their selling point. However, with Commune, I'm now convinced this band genuinely have something to say. On tracks like 'Goatslaves' for example, you can actually make out quite easily what the vocalists are singing, and the message is direct: "Too many people living on their knees", yell the female voices over a stern, militant beat. "Dying of freedom, Dying of peace".There are some fuzz tones that are just so gnarly and righteous that they make you glad to be alive. Lots of guitarists nearly get there but there's no mistaking it when you hear that perfect analogue crunch. Tortured, writhing sound-buzzes so crusty and mangled that they sound as if the distortion pedal has been buried underground for six months, making a solo sound like it's trying to break free from the speakers. For me, the most successful examples of this sound include Dark on their album Round The Edges, almost anything by Swedish guitarist Reine Fiske and the almighty solo towards the end of 'Hi Babe' by Zamrockers Ngozi Family. A review of this record would be amiss if I failed to commend the absolutely stonking fuzzed-up guitar solo that hits halfway through 'Hide From The Sun', the album's lead single, which surely deserves a place in this illustrious canon. Nestling stylistically in a place between Omar Khorshid and Tony Iommi, it rips mercilessly through the track's disorienting metre, and may well encourage listeners to stare into the distance with a purposeful look on their face. Fans will be glad to hear that there are plenty more of those moments to be had with this album – see the taut, fidgety funk of 'The Light Within' and the pleasantly pastoral flute on 'To Travel The Path Unknown' amongst others.Goat stand out from the rest of the contemporary psych crowd as an undeniably modern, internet-age band in that they create their own successful and popular sound by synthesising a plethora of B-musics and fringe influences made easily available through the work of labels like Finders Keepers and Sublime Frequencies. Yet Commune is so much more than record-collector rock. Album closer 'Gathering Of The Ancient Tribes', in a stylistic echo of the first track 'Talk To God' features a lattice of Malian-sounding guitars offset against heavy bass and insistent beats, before dissipating into a haze of guitar noise, organ drone and that same meddlesome temple bell. It's details like this that prove Goat are clearly concerned with more than flogging a tasteful blend of trendy influences – Commune is a truly artistic statement." - THE QUIETUS 
    $14.00
  • "Originally dismissed as a Led Zeppelin knockoff, Whitesnake, fronted by ex-Deep Purple singer David Coverdale, clattered around their hometown of Yorkshire, England for about six years before being discovered in the U.S. Their U.S. debut (fourth album) Slide It In (1984) captured the libidinous, restless spirit of frustrated youth, and climbed to No. 40 on the Billboard album chart. Eventually, it went double platinum on the back of the stealthy, pulsing "Slow An' Easy" and the propulsive title track. Shortly before recording the album, Coverdale recruited former Thin Lizzy guitarist John Sykes, who provided the band with the flair and technical wizardry it needed to become a contender in the big-hair, pop metal sweepstakes"
    $5.00
  • With almost forty minutes of new material, AGUSA delivers a wide array of seamlessly-executed, organic rock on the aptly titled Agusa 2. The band’s tranquil output blends tripped-out psychedelic and progressive rock structures are inspired by more folk than occult influences, instilling visions of nature, the cosmos, and dreamlike passages, meandering into realms of a possibly supernatural or parallel existence. While not a fully instrumental recording, backing vocal mantras only seep in through purposeful cracks in the construction of these immense movements, adding an even more spacious feeling to the overall flow of the album.AGUSA was formed in the springtime of 2013, when Tobias Petterson and Mikael Ödesjö, former members of Kama Loka, recruited Dag Strömqvist and Jonas Berge for their early ‘70s progressive rock project. In the Summer, the outfit ventured out to the countryside where Dag lived, to a place called Agusa — virtually only a loose gathering of homes deep in the forest. Within these secluded surroundings, and the most amazingly sunny, warm Summer day, the new collective had an extensive, extremely inspired jam session which somewhat solidified the direction of their sound, so of course, the name AGUSA was simply perfect for the outfit.In the Autumn of 2014, the band went into the studio to record their first album, Högtid, which was released on vinyl and digital media in early 2014. After a handful of gigs during the Winter, Dag decided to leave AGUSA to travel around India, and following a number of auditions, Tim Wallander, also a member of blues trio Magic Jove, joined the band. In the beginning of 2015, the refreshed lineup went into Studio Möllan once again to record their sophomore full-length, this time having asked a close friend of theirs, Jenny Puertas, to play flute on the recording. The match was so perfect that the band instantly invited her into the band on a full-time basis, expanding their lineup once again. They began performing with this new arrangement weeks later, and have not looked back.CD mastering is courtesy of Bob Katz, done to his usual audiophile standards.
    $13.00
  • New 24 bit remastered edition of the second album from this essential Canterbury band. Gilgamesh was the sister band to Hatfield & The North that walked the same ground minus the humor (or vocals). The late Alan Gowen was a brilliant keyboardist and is matched here by Hugh Hopper, Trevor Tompkins and Phil Lee.
    $17.00