Seven Steps To Heaven ($5 SPECIAL)

""In 1963, Miles Davis was at a transitional point in his career, without a regular group and wondering what his future musical direction would be. At the time he recorded the music heard on this CD, he was in the process of forming a new band, as can be seen from the personnel: tenor saxophonist George Coleman, Victor Feldman (who turned down the job) and Herbie Hancock on pianos, bassist Ron Carter, and Frank Butler and Tony Williams on drums. Recorded at two separate sessions, this set is highlighted by the classic "Seven Steps to Heaven," "Joshua," and slow passionate versions of "Basin Street Blues" and "Baby Won't You Please Come Home." The 20-bit remastered version issued by Sony's Legacy imprint in 2005 includes two rather startling bonus tracks from the original sessions that were not included on the LP or previous CD releases; they are the beautiful "So Near, So Far," and "Summer Night."" - All Music Guide" - All Music Guide

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  • Garden of Delight has unearthed this superb live set from the archives of Radio Bremen. Roland Schaeffer rocks!
    $18.00
  • Great disc with Richard Sinclair and Mel Collins in the lineup. "Echoes" is an all time classic.
    $9.00
  • Legit CD reissue of this somewhat obscure but simply unbelievably great fusion masterpiece. Horacee Arnold is a noted percussionist who worked (and still works) in the jazz arena beginning in the 50s. In 1974 he cut this fusion epic with a stellar cast of performers. Check out this lineup:Horacee Arnold - drums, tymps and percussionJan Hammer - Moog synthesizer, electric and acoustic pianoRick Laird - bassDavid Friedman - vibes and bass marimbaRalph Towner - 12 string guitarDom Um Romao - percussionArt Webb - flute and alto fluteSonny Fortune - soprano sax and fluteJohn Abercrombie - electric guitarGeorge Mraz - bassClint Huston - bassDave Johnson - percussion and congasSo in essence think Mahavishnu Orchestra with John Abercrombie subbing for John McLaughlin with members of Weather Report and the fusion community guesting. Jan Hammer blows the joint apart with some of his most incendiary Moog work ever. Long tracks filed with dynamic interplay between guitar, keys and flute and percussion. Masterful music masterfully played.  Comes with one bonus track!  BUY OR DIE!
    $14.00
  • There are not a lot of unreissued Italian prog albums from the Golden Era but little by little BTF Records is chipping away at them. This is a little known album from a one-off band, originally recorded in 1972 and not released until 1974 on the Pan Records label out of Munich, Germany (Pan was a weird label - they licensed New Trolls "Atomic System" as well). Collectors have known about this album for some time but it's eluded legit reissue until now. Hero was a trio consisting of Massimo Pravato (guitars), Robert Deller (vocals, keyboards), and Umberto Maschio (drums). The music has equal roots in hard rock and well as prog (as so many bands of the day did). Deller sings in English relatively accent free so my guess is he is an ex-patriate Brit or American. While Parvato's killer leads tend to dominate there is plenty of color on organ to lend comparisons to bands like New Trolls, Le Orme, Garybaldi and on a lesser level Black Widow and Uriah Heep. There is a pervasive dark vibe to the music and lyrics that evokes VDGG, Genesis and early Faithful Breath. BTF has done a spectacular job reissuing this disc with a bonus track, liner notes, and unreleased band photos. To top it off they stuck it one of those fancy mini-lp sleeves so we can all get nostalgic. Highest recommendation and one of the best reissues I've heard in years. And no...I'm not parting with my vinyl copy!
    $19.00
  • "Blues-Rock veterans, the Stoney Curtis Band, returned to the studio in Las Vegas this summer in follow-up to their 2012 double-live release. The resulting CD, Halo Of Dark Matter, is a high-energy collection of guitar-oriented jams, that recalls the stadium guitar heroes of the 70's. This fifth record in Stoney's discography takes things up a couple of notches as his songwriting and soloing skills ascend to yet a higher plateau. The Stoney Curtis Band has been working the clubs between Los Angeles and Las Vegas, for over 10 years, honing their own brand of psychedelic Blues-Rock, readying their show for the road ahead. Over the past few years the band has done a number of USA tours and six European tours as well. Heavily steeped in 60's/70's Psychedelia, the Stoney Curtis Band has translated the energy of their phenomenal live show into an incredible new studio disc containing over 70 minutes of full tilt Blues-Rock."
    $15.00
  • This is the second album from the Dutch post-progressive band.  The music of A Liquid Landscape has a very cinematic feel.  This is a band that is more about emotion than complexity.  If you enjoy Pineapple Thief and Gazpacho you'll find much to dig into here.
    $15.00
  • It s nice to hear a band like Siena Root playing it for real in this overly-processed world that we live in. Power to them, and I wish them all the success in the world! - Mick Box (Uriah Heep)"Siena Root is an experienced live act and an experimental project with its roots in analogue old school rock music. The group was founded in Stockholm in the late 90s. The sound is classic but yet original, based on heavy organ, howling guitars, bass riffing and big drums. It is also often enriched with bluesy soulful vocals, various guest musicians and psychedelic vibes.Siena Root is well known for its unique spectra of appearances, its many great guest artists, its broad musical range and its different interpretations of rock music. Yet, with a foundation in a traditional quintet, and a sound rooted in late 60s analogue gear. Don't expect to experience the same Siena Root show twice.In the sense that blues is blue, hard rock is black, and reggae is pan African coloured, this music has the colour of siena. It is a warm colour, originally from the muddy roots of the earth. Because this sound has roots that go deep, it was also natural to let root be a part of the bands name.Four full length studio albums, one live album, one DVD and two 7 singles have been released so far, each one marking the development and refinement of the bands diverse style. Through touring the music has developed in such a way, that jamming and improvising has become an essential element, always keeping you on the edge of your seat. A Siena Root concert is dramatic and exciting, visually, as well as emotionally. It's a dynamic root rock experience.""The musical world is rich and powerful and that is also a correct description of Siena Root's music. This is a Swedish hard rock band which aren't very progressive but still play in a progressive spirit or a psychedelic mood, without being psychedelic thankfully. "Pioneers" which is totally new is their fifth record and all their records has got very high (but few) ratings on this site. Especially their first "A new day dawning" from 2003 and their third "Far from the sun" from 2008. 2014 year's record follows a five year spectrum of now records. Their record has a lovely cover with a yellow landscape and the sillouettes of the five band-members heads in the background sky. Left from former line up is Love Forsberg, the band's drummer and Sam Riffer, the band's bassist. Otherwise the lead guitarist and organist KG West is gone as well as the lead vocalist Sartez Faraj. They are replaced by the keyboardist Erik Errka Petersson(who has played with my choir actually), the new vocalist Jonas Åhlén and the guitarist Matte Gustafsson."Pioneers" is a record of very high standard music which will please folk who like the hard rock of the late sixties and early seventies. The music is straight and melodic, filled with heavy organ sound and a caressing hard rock vocal. The musicians themselves has beautiful beards and it's obvious they love what they are doing. The only shame is that they have chosen to sing in English, that makes their music less interesting. I compare with the Norwegian band Höst which did a better choice. But still this music is lovely and very pleasurable. I think almost every track is similarily good but "In my kitchen" is absolutely the best(9/10), calmer and more atmospheric than the others. "Between the lines" and "Root rock pioneers" are two other songs I recommend(8/10). The record is extremely even so you won't find any bad or uninteresting tracks. This is specially a band and a record for fans of classical hard rock such as the late sixties' Deep Purple. This record is definitely at least a four star record. Recommended!" - ProgArchives
    $13.00
  • One and done hard rock band from Newcastle released their sole album on B&C Records back in 1971.  Guitar, bass, and drums with some guest keys lurking in spots.  This will appeal to fans of Clear Blue Sky, May Blitz and their ilk.  Their are some prog moves here and there but really hard rock is their raison detre.  Perhaps a bit dated in sound but these guys were actually pretty good.  Esoteric gives them the deluxe treatment.
    $17.00
  • "Danish legends PRETTY MAIDS never achieved the success they rightfully deserve. They have been releasing amazing material since their inception in 1981. Their catalog is incredibly consistent and jaw dropping. Their records “Red Hot and Heavy”, “Future World” and 2010s “Pandemonium” ranks up there with some of the best material of the last 30 years in Rock and Metal. Their latest record “Motherland”, released through Italy’s Frontiers Records is another heavy melodic masterpiece.2010s release “Pandemonium” was such an amazing record that the thought of following it up was a concern not only for the band but fans and critics alike. Everyone can breathe a sigh of relief as they have done it again as “Motherland” captures PRETTY MAIDS at their best. Like all PRETTY MAIDS releases the songwriting is outstanding and every song is remarkably strong.Ronnie Atkins is an amazing soulful singer who seems to get better with age. His unique blend of melody and raspiness is unmatched and his voice is one of a kind. Founding guitarist Ken Hammer blends acrobatic guitar playing with a sense of melody that fits his songs brilliantly and is another unsung hero that can play with precision and emotion.Jacob Hansen’s production is crisp and jumps off the speakers. Returning to work with the band after the success of 2010s “Pandemonium” shows the partnership still is the perfect pairing. The mix is layered, separated and Hansen is quickly becoming the go to producer in Rock and Metal.First single “Mother of All Lies”, “Why So Serious?” and the title track show the band perfecting their heavier side. The title track is an up-tempo pounder that grooves, crushes and the chorus is pure perfection. The keyboards incorporate a subtle arpeggio sequence that backs Atkins as he sings a melody that is infectious. “Why So Serious?” is a haunting captivating chugger that blends melody with syncopated riffing, the biggest headbanger on the record.While “Sad to See You Suffer”, “Bullet For You” and the excellent “Wasted” is the perfect counterbalance and shows off their melodic essence. “Bullet For You” showcases a tender Atkins at his best. The harmonies are luscious and fill out the vocals beautifully. “Wasted” closes the record and does an excellent job of blending Morten Sandager’s keyboard playing into the songwriting. Again, the melodies dominate and paint the perfect landscape. All of these songs have amazing choruses that will stick in your head long after the record is over. Ever since their cover of John Sykes “Please Don’t Leave Me”; Pretty Maids are destined to play the rock ballad. They nail it.30 years into their career, “Motherland” finds PRETTY MAIDS unbelievably at their creative peak. Not too many bands are writing some of their strongest material thirteen albums into their career. Surprisingly on par with the fantastic “Pandemonium”, it is time for PRETTY MAIDS to be catapulted into the spotlight and be rewarded for their remarkable career. Let's hope that they have another thirteen albums left in them to compose because they have found their creative groove. “Motherland” contains all of the attributes that make PRETTY MAIDS outstanding. I can only hope that now is the time for them to launch a proper North American tour." - Metal Temple
    $16.00
  • Its been five years but The Flower Kings are back from their hiatus. Without missing a beat they offer up their signature epic length tracks of symphonic rock. Funny thing...I've gotten used to hearing Lalle Larsson play with Roine and Jonas over the past five years. I forgot how good Tomas Bodin! Disc two is set up as the bonus set. It includes 4 extra tracks as well as an interview.
    $12.00
  • Woodenhead are one of the great US fusion/prog bands you may not be familiar with.  For the past forty years the band has been ensconced in New Orleans rarely straying outside of the Louisiana area.  The quartet is led by virtuoso guitarist Jimmy Robinson (who you may have seen in that recent AARP commercial!).To encapsulate Woodenhead's sound is actually pretty easy - take 3/4 parts Dixie Dregs and add 1/4 part Happy The Man.  Shake and stir.  Top it off with some local spicy cajun flavor.So while you may not have heard of Woodenhead in your part of the world, they are quite well known in New Orleans.  They have performed there continuously playing at all the local haunts and festivals.  To commemorate the band's 40th anniversary the band has dipped into the archives.  They have released highlights from a gig recorded at the legendary Tipitina's in December 1993, mixed from live tapes previously forgotten and recently unearthed.  Expect a white hot set of cajun fusion.  Highly recommended. 
    $12.00
  • Saw this band perform a couple of months ago and it was an incendiary set.  Goat are a Swedish psychedelic collective.  Their music is incredibly intense that has an African tribal feel - sort of like Black Sabbath meets Fela Kuti.  Twin guitar leads entwine over a propulsive and hypnotic rhythm section.  The band's two female vocalists sing in unison.  Washed in a sea of reverb their voices come across as one.  Love the beautiful fuzzed out guitar leads that juxtapose with the crystalline solos.  This is not late night listening.  This is invite your friends over, fire up a big phatty, and trance out.    BUY OR DIE!"When approaching the follow-up to a record as unilaterally praised and, on a personal level, so intoxicatingly enjoyable as Goat's 2012 debut World Music, all kinds of anxieties are inevitably thrown up regarding the new work's comparative merit. Which is why for this writer, on hearing how the psych journeymen chose to open their latest record Commune – with the ominous clang of a temple bell (like a theological inversion of the opener on Black Sabbath's debut) – it felt oddly apt, fateful almost. It was as if they knew I was scared to listen to the record; they responded by scaring me further with ecclesiastical percussion instruments.Goat should be given full credit for inspiring this sense of meaning and excitement; the album that follows is no stylistic leap forward for the band, yet it still exercises a deeply persuasive power over your head and hips. They largely stick to the heavy, kinetic, afro-influenced rock that proved such a winning formula, the only obvious developments being that the guitarists seem to be taking more cues from desert-rockers like Tamikrest and Tinariwen, and the songs show an increasing preference for subtlety over immediacy in the hooks department. Yet despite the apparent lack of new ideas here, the undeniable success of this work lies in Goat's deepening and development of the musical and spiritual themes presented on in World Music.And I'd go as far as to argue that Commune is very much a spiritually informed record. Whilst Goat hinted at a certain kind of gently cosmic, communal worldview via the obscure vocal samples on their debut, on this record their spiritual statement feels much more pronounced. Not only can this be seen in the song titles (opener 'Talk To God', 'The Light Within') and the appearance of more vocal samples ("There is only one meaning of life, and that is to be a positive force in the constant creation of evolution" – woah there!), but it's also evident in the production. Instruments are slathered in embalming-chamber reverb, ritualistic hand percussion is laced through almost every track, and the more laidback atmosphere means that instead of getting party-starting booty-shakers like 'Run To Your Mama' we get absorbing, contemplative grooves like the headspinning rhythms of 'Hide From The Sun' and 'Bondye', an instrumental track named after a voodoo deity which realises the trance-inducing implications of repetition. When Goat first emerged listeners may have been unsure about the sincerity of their transcendental allusions, and I for one suspected that their flirting with hippy ideologies was a self-conscious part of their selling point. However, with Commune, I'm now convinced this band genuinely have something to say. On tracks like 'Goatslaves' for example, you can actually make out quite easily what the vocalists are singing, and the message is direct: "Too many people living on their knees", yell the female voices over a stern, militant beat. "Dying of freedom, Dying of peace".There are some fuzz tones that are just so gnarly and righteous that they make you glad to be alive. Lots of guitarists nearly get there but there's no mistaking it when you hear that perfect analogue crunch. Tortured, writhing sound-buzzes so crusty and mangled that they sound as if the distortion pedal has been buried underground for six months, making a solo sound like it's trying to break free from the speakers. For me, the most successful examples of this sound include Dark on their album Round The Edges, almost anything by Swedish guitarist Reine Fiske and the almighty solo towards the end of 'Hi Babe' by Zamrockers Ngozi Family. A review of this record would be amiss if I failed to commend the absolutely stonking fuzzed-up guitar solo that hits halfway through 'Hide From The Sun', the album's lead single, which surely deserves a place in this illustrious canon. Nestling stylistically in a place between Omar Khorshid and Tony Iommi, it rips mercilessly through the track's disorienting metre, and may well encourage listeners to stare into the distance with a purposeful look on their face. Fans will be glad to hear that there are plenty more of those moments to be had with this album – see the taut, fidgety funk of 'The Light Within' and the pleasantly pastoral flute on 'To Travel The Path Unknown' amongst others.Goat stand out from the rest of the contemporary psych crowd as an undeniably modern, internet-age band in that they create their own successful and popular sound by synthesising a plethora of B-musics and fringe influences made easily available through the work of labels like Finders Keepers and Sublime Frequencies. Yet Commune is so much more than record-collector rock. Album closer 'Gathering Of The Ancient Tribes', in a stylistic echo of the first track 'Talk To God' features a lattice of Malian-sounding guitars offset against heavy bass and insistent beats, before dissipating into a haze of guitar noise, organ drone and that same meddlesome temple bell. It's details like this that prove Goat are clearly concerned with more than flogging a tasteful blend of trendy influences – Commune is a truly artistic statement." - THE QUIETUS 
    $14.00
  • Superb jazzy progressive rarity from Italy. Highly recommended.
    $18.00
  • Raccomdata Ricevuto Ritorno refomed and cut a shockingly good album called Il Pittore Volante.  A lot of these Italian bands from the 70s are reforming and offering up mediocre fare.  This wasn't the case with RRR.  They are now billed as La Nuova Raccomandata Ricevuto Ritorno.  This is a live recording from Elba in which they run through material from Per Un Mondo Di Cristallo, Il Pittore Volante, as well as a handful of covers.  I guess sometimes you can catch lightning in a bottle.
    $16.00