Secret Treaties ($5 Special)

Remaster of the band's third album comes with 5 bonus tracks. This one has some of their best toons...

Product Review

Tue, 2010-06-08 09:55
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This album should get 10 Pyramids. A classic indeed , I will get this again for the bonus tracks...B.Ricci
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Product Review

Tue, 2010-06-08 09:55
Rate: 
0
This album should get 10 Pyramids. A classic indeed , I will get this again for the bonus tracks...B.Ricci
You must login or register to post reviews.
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  • Live recording from 2012 at the Rites of Spring Festival in Gettysburg PA USATracklist CD1:When the world is caving inWhere earth meets the skyTurn it upDo U tango?1969EternallyCD2:Send a message from the heartUndertow/When the world is caving in repriseJonas Reingold: BassguitarMorgan Ågren: DrumsGöran Edman: VocalsNils Erikson: Keys and VocalsLalle Larsson: KeysKrister Jonsson: Guitars 
    $15.00
  • Newly packaged edition of this amazing set features a 2CD recording of Bill Nelson's live set recorded at Metropolis Studios in Lond...with a bonus DVD. The DVD was previously available by itself but its now part of this package and its all at a reduced price. The DVD is the real star of the show but please note that for this version it is PAL region 0 format.Pro-shot DVD of Bill Nelson's new band The Gentlemen Rocketeers. Finally after all these years he acknowledges his past. This set is filled with Be Bop Deluxe material as well as from his solo career. One of the best guitarists in the world - Nelson never quite got the acclaim that his 70s peers attained. After Be Bop Deluxe broke up and he set out on his solo career he wouldn't play any of that material. This has "Adventures In A Yorkshire Landscape", "Furniture Music", "Do You Dream In Colour?", "Ships In The Night", "Maid In Heaven", "Sister Seagull", "Panic In The World" and many more. Don't worry - Nelson still plays with controlled abandon. His new band is great - an expanded ensemble that features winds. The arrangements are faithful to the material. No let down at all. ALL KILLER - NO FILLER! Highly recommended.
    $16.00
  • "As we’ve been chronicling all year long, 2013 has been a great year for Norwegian progressive metal with some excellent progressive power metal from Illusion Suite, Tellus Requiem and Pellek, the new album by the long-running prog metal band Divided Multitude, the fantastic new album by Leprous and the exciting debut by Withem (you can read our review here).  Now, into that great mix the young band Vicinity has just released their debut full -length album, Awakening and it easily stands with the best of what their countrymen have produced this year. The band works in a decidedly melodic and dramatic fashion anchored around the wonderful voice of Alexander Lykke, the multi-faceted guitars of Kim-Marius Olsen and the powerful drumming of Frode Lillevold.  Interestingly there are no keyboards on the album (except for a few background sounds for effects) which wasn’t readily apparent to me at first because the songs are so well written and the vocal melodies are so strong. Olsen multi-tracks soft and harder textures to really give the album a rich sound.  The album has a great full sound and was mastered by the prolific Jens Bogren.Awakening is an hour long album but only has six songs.  Three are in the 11-14 minute range and the other three are between 5-6 minutes. The longer songs are not really more complex, but just feel necessary to the structure of each song which is really a testament to the band’s composition style -- the band will do a long song if warranted but works well in both long and short song formats.  The album begins with Mass Delusion which starts as a high-energy rocker but has a great instrumental mid-section that propels the song to its energetic conclusion. Opportunities Lost is the longest song on the album at over 14 minutes and is a deceptively simple song that consistently builds tension throughout the piece, alternates between short instrumental interludes, both soft and hard, and has a great vocal melody that ends in a wonderfully dramatic finale. Again, it’s fairly simple in structure but is so well written that I couldn’t believe it was as long as it was.  I was reminded of what great neo-progressive bands like IQ often do so well -- take a great idea and vary and expand on it to great emotional conclusions.  Across The River is a shorter, five minute song and is mostly a ballad that builds in intensity throughout to a powerful finale.   Walk All The Way is an 11-minute song that’s easily my favorite on the album as its got some of the most beautiful vocals on Awakening, has the heaviest section on the album right in the middle (complete with some harsher vocals for contrast and intensity) before building to a wonderfully majestic finale.  Olsen also really shines here as well with some great emotional soloing.  The Time For Change is next and it’s yet another amazing power ballad that shows, yet again how well this band can create drama and excitement.  The album ends with the 11 minute album title song that has a fairly heavy opening section but ends with a stunningly beautiful epic finish.  Honestly there’s not a weak moment on this album and if dramatic and emotionally affective progressive metal is your cup of tea, this album will hit you hard.Awakening is a really, really solid album that has so much going for it. It’s got a great, joyously youthful spirit and is decidedly focused on the emotional content instead of trying to wow the listener with technicality.   Vicinity is primarily a band of great melodic songwriters and they have the perfect vocalist in Lykke to carry out their vision of exciting  progressive music and if they continue on this path could really make some waves in this great genre." - Prog Metal Zone
    $15.00
  • "Black Symphony was a unique concert at Rotterdam's Ahoy Arena on February 7, 2008 sold out months in advance. Within Temptation performed to 10,000 fans with the 60 piece Metropole Orchestra and a 20 voice classical choir, as well as on stage stilt performers, costume changes, and an array of stunning pyrotechnic and lighting effects." US edition of Black Symphony arrives with the main DVD and CD from the performance...but its NTSC version. If you want the longer versions with the extra discs you will have to settle for PAL editions at a much higher price.
    $24.00
  • For many people, the finest period of the band was actually when Bill Connors was the band's guitarist. This was his last album with the band. A fusion classic.
    $12.00
  • New album from Guy LeBlanc finds Nathan Mahl with a new lineup and a bit of a new direction as well. The first thing that strikes you is that the overall soundscape is much heavier. Guitars have real CRUNCH. This isn't at all a metal album but its clear that he has been listening a bit to Dream Theater. He lets loose with some devastating keyboard solos that reminds you that this soft spoken guy can play like the devil. There is also a slight AOR sheen to the proceedings but never in a particularly offensive way. Curiously this is a concept album based on Exodus - the story of the Jews exodus from Egypt. Given the subject matter and this reworking of the formula I've of the mind to annoint Nathan Mahl as the Canadian version of Glass Hammer. Lots of similarities the more you dig it. To these ears this is much better than the Heretic trilogy and is highly recommended.
    $8.00
  • Perhaps a bit of a rehash (or a further extension) of Leftoverture, it sold like mad back in 1977. Has the played-to-death-even-hear-it-in-elevators hit "Dust In The Wind". This remastered set also has two unreleased bonus tracks.
    $5.00
  • Remastered edition of the band's second album comes with four bonus tracks.
    $9.00
  • Canadian stoner/doom band with a vocalist that sounds just like Ozzy."Sheavy's follow-up to their stunning The Electric Sleep, titled Celestial Hi-Fi, starts right where the band left off. If you thought the last album was good, get a load of this one, because you won't believe your ears. Songs like "Hyperfaster," "Solarsphere" or "Tales from the Afterburner" would fit in perfectly with the impressive cuts on The Electric Sleep, while "At the Mountains of Madness," "Strange Gods, Strange Altars" and "Persona" confirm the impossible: Sheavy has improved. Yes, these gargantuan gods of rock have gotten better since the last album. "What's Up Mr. Zero?" shows Sheavy moving further into unexplored territory through their effective use of melody and harmony, while the title track and the sinister "Persona" exploit the tried and true use of surprising time changes and effective groove, to toy with our fragile minds. Every song has the perfect amount of fuzz, leads and groove in just the right places carefully crafted structure, and Mr. Hennessey's distinctive vocals, there's nothing more to ask for. Just as good, if not better than The Electric Sleep, Celestial Hi-Fi is sheer perfection, once again." - Deadtide.com
    $7.00
  • "The tangled history of Imaginos, Blue Oyster Cult's last (1988) album for Columbia, has passed into legend for BOC fans. The name and concept comes from late-'60s sci-fi/fantasy writings by band manager/producer Sandy Pearlman that inspired the original band name; they then became the basis for a planned trilogy of solo albums by BOC drummer/songwriter Albert Bouchard, who had been working on the material since the early '70s with Pearlman. After Bouchard was fired from the band in 1981, he recorded a 90-minute album with such sidemen as Aldo Nova and the Doors' Robbie Krieger, but this version of the album was rejected by Columbia execs in 1984. After the release and commercial disappointment of BOC's Club Ninja, Pearlman then resurrected the idea and began production in 1986, adding vocals by BOC's Buck Dharma and Eric Bloom and guitar parts by Joe Satriani among many others. The result was no surprise BOC's most controversial album (and ironically, the first in years to feature the original line-up), probably their heaviest and most proggy outing, and an appropriately complex swan song for a complex band. Our Real Gone reissue features a new 2012 remaster and new notes by BOC expert Scott Schinder, along with the original album and inner sleeve art."
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  • "It started in 2000 with "Down with the Sickness." Disturbed's thick, rhythmic take on alt-metal was perfect music for stalking bloody zombies, and vocalist David Draiman's jaw-snapping Pavlovian grunts made the trigger fingers of first-person shooters itch. There were threads of other groups in the sound -- Pantera's wrenching power, Slipknot, the ill-lighted parlor games of Tool -- but Disturbed held their own from the start. If 2002's Believe downplayed Draiman's guttural responses a little, that tact's long gone for 2005's Ten Thousand Fists. From Todd McFarlane's evocative wronged misfits artwork -- Suicide Girls stand fists upraised next to ghoulish fiends and disenfranchised truckers -- to the rousing staccato of the title track and the "Sickness" rewrite "Stricken," Disturbed solidify their stance as the black knights of gaming-console rock. Creepy electronics slither behind Dan Donegan's guitar, and he mostly forsakes soloing to concentrate on the visceral groove. When he's not hacking like a chained-up pit bull, Draiman emotes from the valley of reverb (that's next to the valley of death), and his moments of epic roar make the songs' choppier parts more effective. Now, "Overburdened" takes the epic stuff a little too far. Draiman starts off the song in narration, muttering "Fate is so unkind" like a monster who's been given the power to feel. But even in its swirling pretentiousness, you can't deny his intensity. Luckily the majority of Fists sticks to mid-tempo punishers that pound back anger-gritted teeth and no anesthesia. (Remember, Disturbed's tours are underwritten by Jägermeister, the black licorice firewater that punches Saturday night in the face.) "Deify" rails against blind devotion to political leaders and "Sons of Plunder" stalks at a faster, more aggressive faster heart rate, while "Decadence" and "Sacred Lie" drop into the rhythmic grip that by mid- to late album is almost comfortable in its gloomy thump. (Disturbed's ill-advised cover of Genesis' "Land of Confusion"? No comment.) Ten Thousand Fists does start to sound the same after a while. But those bloody zombies aren't going to stop pouring though the doorway, so it's a good thing it has at least 12 burly alt-metal rockers. Fire!" - Allmusic Guide
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  • Limited edition digipak of the new Evergrey album includes 2 booklets and one bonus track."Reformed and rejuvenated may best describe Evergrey 2.0 and their eighth studio album Glorious Collision After dissolving the band in the Spring of 2010, founder, guitarist, and vocalist Tom Englund immediately began recreating Evergrey, writing several songs with remaining keyboard player Rikard Zander. Englund then filled out the band with the incoming talent of Marcus Jidell (guitar), Hannes Van Dahl (drums) and Johan Niemann (bass).A cursory listen to Glorious Collision finds Evergrey revitalized and seeming to draw from a well of new sources. In the past, both lyrically and musically, Englund/Evergrey was almost uniformly heavy, bleak, and often discomforting. I don't think Englund has lost any of his somber, near depressive, edge, but musically Glorious Collision certainly has a more lively feel to it. Leave It Behind, You, and It Comes From Within find Evergrey drawing on a more classic melodic rock feel wrapped in pure heavy metal. Wrong brings back some of Evergrey/Englund's melancholy while sounding like a Swedish version of current, and commercial, modern hard rock. Others, like Frozen, thunder along with a well-paced and invigorating melodic power metal style. Generally, with the depth and variety of the arrangements, Evergrey hasn't lost it's progressive edge either. But I'm not ready to call this work pure progressive metal. Ultimately, when listening to Wrong, I'm Drowning Alone, or the wonderful To Fit the Mold, Glorious Collision has a sweeping near epic quality to it thanks to the aforementioned melodic rock character wrapped in some serious heavy metal.If Glorious Collision is the future of a re-emergent and revitalized Evergrey, then we are in for some grand days ahead. Glorious Collision is impressive: heavy, melodic, thick with groove, and quite entertaining. Maybe more bands should reboot." - dangerdog.com
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  • "Sinbreed is the project around 27 year old Guitarist Flo Laurin who joined forces with dedicated artists of the European metal scene. The blistering combination of speed, melodic and aggressive arrangements combined with high and soaring vocals characterizes Sinbreed's distinctive Power metal, and they now present their debut album "When worlds collide".The project has been in the making since the late nineties by founder Flo Laurin, and piece by piece everything has fallen in place; from the style of the music, the influences and the band members. Three demo’s were recorded, and the last one was voted “Best newcomer of the month” in Germany’s Heavy Magazine. During spring 2009 a deal was made with Sweden’s Ulterium Records, and the band started to work hard on their debut album.The members of Sinbreed are Frederik Ehmke [Blind Guardian] on drums, Hebie Langhans [Seventh Avenue] on vocals, Alexander Schulz on bass and Flo Laurin who handles guitars and keys. For the mixing and mastering of the album the band decided to work together with the highly acclaimed producer Markus Teske, famous for his work with Symphony X, Vanden Plas, Neal Morse among others.Guests on the album includes Thomas Rettke [Redkey, Ex. Heaven's Gate], Joost van den Broek [Ayreon, Star One] and Morten Sandager [Pretty Maids]. The artwork was created by Felipe Machado Franco [Iced Earth, Ayreon, Pyramaze] and the booklet by Markus Sigfridsson [Darkwater, Harmony]."
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  • Sixth album from Italy's best export since the invention of neapolitan style pizza. The band gets a bit of heat since they achieved break out success. Far from a sell out, Lacuna Coil is as heavy as ever. The band's focus remains on the co-vocalists Christina Scabbia and Andrea Ferro. Filled with chunky riffing and some slick production, not a hell of a lot has changed. Lacuna Coil's music has always been laced with hooks. You want to call it poppy? Go ahead but its what they have always done. Want to hear where Evanescence got their sound? Check out Lacuna Coil. They may not have been the first in the genre but they are certainly one of the standard bearers. Highly recommended.
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