Secret Treaties ($5 Special)

Remaster of the band's third album comes with 5 bonus tracks. This one has some of their best toons...

Product Review

Tue, 2010-06-08 09:55
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This album should get 10 Pyramids. A classic indeed , I will get this again for the bonus tracks...B.Ricci
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Product Review

Tue, 2010-06-08 09:55
Rate: 
0
This album should get 10 Pyramids. A classic indeed , I will get this again for the bonus tracks...B.Ricci
You must login or register to post reviews.
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  • New 2 CD reissue of the classic first album to feature Anneke van Giersbergen (chronologically speaking it was the band's third album). The bonus disc contains rare b-side tracks, a load of unreleased demos and the video to "Leaves".
    $9.00
  • "Cover Version was a project of Wilson's that spanned six "2 song" singles. On every release, there was always one original song of Wilson's, and one cover song that involved new interpretations of other artist's songs in ways much different from their original versions. The only exception to this format is in Cover Version IV, "The Unquiet Grave" is actually an old English folk song, and not an original song written by Wilson. All six Cover Versions were later compiled into single album and released on vinyl and CD in 2014"
    $29.00
  • "If you consider that most of the prog rock in the last 20 years has gone either the progressive metal path (Dream Theater, etc.) or the revival path (Transatlantic, etc.), North Atlantic Oscillation offers real freshness. A curious blend of electronics, ethereal melodies and Beach Boys/Simon & Garfunkel (or even Yes) vocals, but also reminiscent of Radiohead post "Ok Computer" or those lunatics called Sigur Rós. So, nothing to do with Genesis, King Crimson or ELP here, buy maybe some Pink Floyd flavour. NAO are, with Anathema, the best representatives of the so-called "post-progressive" genre (both of them under the umbrella of the K-Scope label). After their very recommendable "Fog Electric", "The Third Day" follows this unique sound that may be catalogued as "easy-listening" in the first place, but there's really more than meets the ear, and their tunes, although being catchy, are not easy at all. There's something addictive in the music of this Scottish combo, a strange beauty in songs like "Elsewhere", "August", "Penrose" or "Wires". Like watching clouds and figuring out their vaporous forms, this is what NAO music is about." - ProgArchives
    $15.00
  • Fifth album from this young Dutch trio.  The band seems to be rising in popularity in Europe and Australia.  The band recorded this album in Georgia with producer Mark Neill (Black Keys).  The overall sound is intact - Hammond organ still is the focus - but there is a bluesy Southern vibe injected that reminds a bit to The Black Crowes.
    $24.00
  • "Not just a lazy remix of Traces, so different it sounds like a completely different album. Some truly astounding reworkings on here, each one a very distinct, yet worthy, departure from the original. In particular, check out the Red Earth version of Threads, shivers all down my spine!!! This will definitely be on my personal playlist for a long time. The original version was one of my favourite releases of this year, now the Falling to Pieces EP has meant a superb end to what has been a sterling year for great Prog releases. So, don't hesitate about waiting for a new Nine Stones Close album, it's already here and just waiting for you to fall in love with it!!!" - ProgArchives
    $3.00
  • "Esoteric Recordings are proud to announce the release of a newly re-mastered and expanded edition of the classic 1969 album A SALTY DOG by PROCOL HARUM. Released in June 1969, the record followed on from the huge international success of the band’s debut single "A Whiter Shade of Pale” and the follow up single "Homburg” and the superb albums PROCOL HARUM and SHINE ON BRIGHTLY.  One of the finest releases of the era "A Salty Dog” saw the exquisite song writing of Gary Brooker and Keith Reid honed to perfection on highlights such as the album’s title track, "The Devil Came From Kansas”, "Wreck of the Hesperus”, "The Milk of Human Kindness” and more.  Recorded at Abbey Road studios, the album captured the excellence of the musicians in the group, namely Gary Brooker (voice, piano), Robin Trower (lead guitar), David Knights (bass guitar), B.J. Wilson (drums) and Matthew Fisher (Hammond organ).Newly re-mastered from the original tapes, this Deluxe edition of "A Salty Dog” has been expanded to include 12 bonus tracks (5 previously unreleased) over two CDs, including the mono single mix of the title track and its non-album B-side; an early take of ‘The Milk Of Human Kindness’, plus five previously unreleased tracks from BBC Radio sessions from October 1968 & May 1969 along with four live tracks recorded in the USA in April 1969.This expanded deluxe edition of "A Salty Dog” also includes a lavishly illustrated booklet that fully restores the original album artwork and features a new essay by Procol Harum biographer Henry Scott-Irvine"
    $19.00
  • Remastered edition contains 6 bonus tracks include 2 previously unreleased songs."A stunning self-reinvention by a band that many had given up for dead, 90125 is the album that introduced a whole new generation of listeners to Yes. Begun as Cinema, a new band by Chris Squire and Alan White, the project grew to include the slick production of Trevor Horn, the new blood (and distinctly '80s guitar sound) of Trevor Rabin, and eventually the trademark vocals of returning founder Jon Anderson. His late entry insured that Rabin and Horn had a heavy influence on the sound. The album also marked the return of prodigal keyboardist Tony Kaye, whose crisp synth work on "Changes" marked the band's definitive break with its art rock roots. "Owner of a Lonely Heart" was a huge crossover hit, and its orchestral break has been relentlessly sampled by rappers ever since. The vocal harmonies of "Leave It" and the beautifully sprawling "Hearts" are additional high points, but there's nary a duff track on the album." - Allmusic Guide
    $9.00
  • "My first introduction to Brazil's Hibria came with last year's DVD/CD live package Blinded By Tokyo. It seems, besides their popularity in South America, they've been a hit in Japan from earlier on in their career. The live set was good showcase for their power metal skills. Now seeking more international recognition, Hibria releases Silent Revenge through AFM Records.I'll admit I was almost put off by Silent Revenge from the start, thanks to the first, and title, cut. Silent Revenge features Andre Meyer of death metal act Distraught offering competing death vocals. I get the addition, but it's still annoying. Later, with Walking to Death, Hibria vocalist Iuri Sanson nears hardcore screamo vocals. All this makes me wonder if, in attempt to be edgier or more commercial, Hibria wants to move more towards modern metal.Alternatively, listening to Silence Will Make You Suffer, Lonely Fight, or the powerful anthem Shall I Keep on Burning (unplugged version is even better), you find both Sanson and Hibria straying little from their traditional heavy power metal roots, with emphasis on heavy. However, sometimes they get a little over ambitious as with The Way It Is. It's decent power metal, just too long. One thing Hibria has always been known for is powerful guitar leads, and there's a truck load of ripping leads all over this album. This simple, but necessary element, puts Silent Revenge beyond a better than average album. Their traditional South American and Japanese fans should enjoy this album, and the band will probably collect more fans in Europe as well. Recommended." - Danger Dog
    $15.00
  • The female fronted metal scene is overcrowded at the moment and a lot of solid bands in the genre are getting overlooked.  Hopefully that won't happen to End Of The Dream.  The Dutch seem to gravitate towards this sound and lord knows there are tons of them coming out of the Netherlands.  Lets face it - Within Temptation, Delain, Epica - they do it best.  End Of The Dream don't seem to be trying to reinvent the genre - they seem content to fit comfortably in it and they do it extremely well.  Out front is vocalist Micky Huijsmans.  She's a rock solid singer and I must say not too hard on the eyes either.  The band seems to avoid the male growling and so the music is more in line with Evanescence, Delain and Within Temptation.  Like Epica there is a strong symphonic element that the Dutch always seem to inject into their sound.  Makes sense - this was produced by Joost van den Broek (After Forever) so he knows what the band is aiming for.  It would be a shame if this band gets lost in the crowd as they definitely have the material and sound to rise above the pack.  Highly recommended.
    $14.00
  • "This is something of a family album, co-credited to Paul Kantner and his wife, Grace Slick, and featuring on its cover a photograph of their infant daughter, China. It also features the family of San Francisco Bay Area musicians, including David Crosby, Graham Nash, Jerry Garcia of the Grateful Dead, and other current members of Jefferson Airplane and future members of Jefferson Starship. Its style of loosely arranged acid rock music and radical left political lyrics is similar to such recent albums as the Kantner/Starship Blows Against the Empire (December 1970) and the Airplane's Bark (August 1971), which were made by most of the same players. But Kantner and Slick's usual stridency is not counterbalanced by substance as much as on earlier efforts, perhaps because they were making too many albums too quickly to keep up the quality of their songwriting. Still, anyone who enjoys the sweet-and-sour unison singing of X's John Doe and Exene Cervenka should listen to Sunfighter to see where they got it from." - Allmusic Guide
    $8.00
  • "Proving that Norwegian metal is not relegated to corpse paint, grimness and blasphemy comes the new record from progressive metal champions COMMUNIC. Not quite a comeback album, but it has been a while: three years since their release of Payment of Existence (Nuclear Blast). In that time they have continued to refine and redefine their sound. They have always identified as a “prog” band, but they clearly still fly the flag of metal high and proud as ever too. As evident on The Bottom Deep, the band has consciously streamlined their writing process while not sacrificing the quality song-craft they have been known for. Starting off the the blistering opening track “Facing Tomorrow” the track starts off with a hail of machine-gun fire riffs and expansive drum parts. The first few seconds have more in common with KREATOR than say DREAM THEATER and says a lot about their intentions on this album. The marching pedaled beats and chords give way to interesting textural guitar parts that lay on top of the chaos. Once again the stunning tenor vocals of guitarist Oddleif Stenland is what congeals the song together. His voice is rough enough for metal, but never ceases amaze as an expressive melodic instrument. Second track “Denial” begins with modern rock elements, but has a sizzling guitar solo and nice double kick drum fills. Downshifted into atmospheric metallic balladry, the song is emotional and has a cool chorus. More of Stenland’s emotive vocals really get to you and his range is very impressive. There are some moments of the song that will remind you of recent songs from VOIVOD or TOOL and this could be a breakout song for the band. “Flood River Blood” is more of a straight up rocker with a light verse and heavier climax. Bassist Erik Mortensen gets to stretch out and play some dewy lead lines during the verses. Two-thirds of the way through, the song turns harsh and Stenland does his best ROB HALFORD-like high scream yet. In contrast to their last album that had more obtuse structures and longer songs, COMMUNIC has reduced the sonic fluff a bit to good results. The very heavy and introspective “Voyage of Discovery” is next and has a little bit of everything the band is good at in the song. Drummer Tor Atle Andersen is the star here with his excellent playing. The song finds the band covering some of the territory better known by NEVERMORE or even BLIND GUARDIAN. Just really well written songs that are not prog for the sake of randomness, but out of a true reverence for musical aptitude. Later cuts like “In Silence With My Scars”, “My Fallen” and “Destroyer of Bloodlines” are some of the heaviest and best songs on the album with many inventive twists, time signature shifts and turns musically. “My Fallen” is certainly the most crushing track here with terrific interplay with guitars and drumming. Although not groundbreaking, The Bottom Deep is a strong and enjoyable effort start to finish." - Metal-Army.Com
    $20.00
  • "Sinbreed is the project around 27 year old Guitarist Flo Laurin who joined forces with dedicated artists of the European metal scene. The blistering combination of speed, melodic and aggressive arrangements combined with high and soaring vocals characterizes Sinbreed's distinctive Power metal, and they now present their debut album "When worlds collide".The project has been in the making since the late nineties by founder Flo Laurin, and piece by piece everything has fallen in place; from the style of the music, the influences and the band members. Three demo’s were recorded, and the last one was voted “Best newcomer of the month” in Germany’s Heavy Magazine. During spring 2009 a deal was made with Sweden’s Ulterium Records, and the band started to work hard on their debut album.The members of Sinbreed are Frederik Ehmke [Blind Guardian] on drums, Hebie Langhans [Seventh Avenue] on vocals, Alexander Schulz on bass and Flo Laurin who handles guitars and keys. For the mixing and mastering of the album the band decided to work together with the highly acclaimed producer Markus Teske, famous for his work with Symphony X, Vanden Plas, Neal Morse among others.Guests on the album includes Thomas Rettke [Redkey, Ex. Heaven's Gate], Joost van den Broek [Ayreon, Star One] and Morten Sandager [Pretty Maids]. The artwork was created by Felipe Machado Franco [Iced Earth, Ayreon, Pyramaze] and the booklet by Markus Sigfridsson [Darkwater, Harmony]."
    $15.00
  • Leprous are an exciting young band from Norway. They made a great album for our label in Tall Poppy Syndrome and have now found a new home at Inside Out. Bilateral is the band's third album. It continues their tradition of mixing progressive rock and metal in equal doses. They serve it up in a way that continually leaves the listener off kilter. This time Einar Solberg sings almost (but not totally) with clean vocals. There is still quite a bit of heaviness. The music constantly challenges you and at times isn't all that pleasant to listen to...but you can't stop. If Van Der Graaf Generator recorded a metal album it might sound something like this. Album of the year candidate...you must own this!
    $9.00