Rush ($5 Special)

SKU: 314534623
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Progressive Rock
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The band's first album is a bit raw in sound. This is pre-Peart material. LIstening to this today you would almost think it's a different band although their trademark tune "Working Man" is here.  Remastered edition.

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  • New progressive rock/metal trio from the UK that has the chance to blow up big. The band goes for an epic sound with the core trio augmented by the "The Lost Orchestra". Melancholy seems to be the overall theme here reminding of Riverside, Opeth, Tool and even some Pink Floyd. It can get quite heavy at times but overall it would be safe to categorize this as progressive rock. There is the odd growly part that made me think of Opeth - not a bad thing. The symphonic parts are quite beautiful and sad at the same time - Riverside's "Loose Heart" would be an apt comparison. An emotional roller coaster ride with plenty of space and...yes...intricacy. If you like your prog drenched in thick atmosphere this one is going to crush your skull. Highly recommended.
    $19.00
  • Excellent new sci-fi prog metal project put together by Carptree mainman and keyboardist Carl Westholm. While Westholm is probably better known for his involvement with Carptree he has also been working in the metal field for many years in bands like Abstract Algebra, Krux, and Candlemass.Westholm has assembled an interesting cast of musicians for this larger than life Ayreon-style project. First off, Mats Leven in handling vocals. Right there that is enough for me. Leif Edling, the driving force behind Candlemass plays bass and helps with lyrics. What else do you need? Various members of Carptree and others fill out the heavily symphonic sound lending an epic scope and feel. Highly recommended.
    $3.00
  • New vinyl pressing of the band's magnificent second album.  Remastered numbered limited edition of 500 copies.  Gatefold sleeve and has a nice large fold out poster.
    $32.00
  • Alphataurus was one of the great one and done Italian prog bands of the 70s. Who can forget that amazing triple fold out cover with the dove dropping bombs?This is a live reunion gig recorded at Bloom in Mazzago Italy during the ProgVention Festval on November 6, 2010. This live recording finds the band in astonishingly superb form. The CD edition is the band's complete performance. In addition to the entire self-titled album the band runs through some unreleased material from back in the day. Sound quality of the recording is completely professional. If you are fan of Alphataurus or Rock Progressivo Italiano in general this is a must own. If you are planning on seeing the band at Farfest it's a great way to become familiar with their material.
    $16.00
  • Remastered edition of the debut from this excellent Australian progressive metal band. This has been out of print for some time but it arrives with a bonus track and two video clips.
    $8.00
  • Archangel is the side project of Ubi Maior (and former The Watch) keyboardist Gabriele Manzini.  Like the first album, this one is a concept piece.  I guess vampires are in vogue these days so we get stories of Countess Bathory, Nosferatu, et al.  The musicians on the album are drawn from Ubi Maior, Red Zen, and some other Italian bands.  The key to the album is the return of Damian Wilson who once again stands out as one of the featured vocalists.  The music is squarely in the prog rock vein with a keyboard orientation but with an overall harder edge.  The overall tone of the album is gothic dark.  Manzini includes two cover tunes - he takes his own spin on BOC's "Nosferatu" and Roxy Music's "My Only Love".
    $15.00
  • "Following their independent leap from the music industry in 1980, the band's audience continued to grow with the release of 'Something Wicked This Way Comes' which far outsold it's predecessors. For the first time in Enid history some of the tracks are vocal lead, producing anthems still chanted by fans today."
    $16.00
  • Limited edition digipak with one bonus track and a multimedia video."Considering the caliber and consistency of their recent catalog, maybe Primal Fear should have named their ninth studio album Unstoppable. But Unbreakable certainly fits as well. Primal Fear's melodic and heavy, often speedy, power metal remains their tried and true formula. Add to this the strongest lineup ever, especially the devastating guitar duo of Alex Beyrodt and Magnus Karlsson, and Primal Fear simply goes from strength to strength. Hey, if ain't broken, don't flippin' try to fix it.So then, fundamentally, Primal Fear delivers quintessential and unmistakable Primal Fear on Unbreakable. You've got your speedy and intense tunes: Strike, Give Em Hell, Unbreakable, and Blaze of Glory, by example. Then there's metal anthems, always heavy, melodic, and catchy: Bad Guys Wear Black and Metal Nation. Never forget the power of Primal Fear's vocal harmonies, lead by the incomparable metal singer Ralf Scheepers and backed up by Matt Sinner, Erik Martensson, and Oliver Hartmann. The band can also be epic as on the the blistering Where Angels Die. Then, Primal Fear is both epic and simply soaring on the metal anthem Born Again. Along the way the songs are peppered generously with smashing guitar solos by that aforementioned dangerous duo.With Unbreakable, Primal Fear commits to what they do best which is melodic heavy power metal without compromise, and quite infectious. I would expect no less. Quite recommended." - Danger Dog
    $15.00
  • "One of the most elegantly complex and fully realized of the "difficult" Italian classics, Melos is for fans of the Osanna, Balletto di Bronzi, RRR, and Semiramis styles. I have a hunch that fans of Crimson, VDGG, and Gentle Giant will also approve. It will probably be less appreciated by fans of the gentler and more accessible bands like Celeste and Locanda delle Fate. The musical approach and the sound are very sophisticated and unique. A combination of primarily guitars, flutes and saxes are tightly woven into a very dense, often dark, unsettling, and just plain eerie feel. Some sources say there are no (or very little) keyboards used to create this sound palette which is certainly unusual. Sometimes I think I hear some but I can't be sure the way the other instruments are employed. It took me many plays to really get past the rather exhausting outer shell and discover the melodies hiding inside and now I just cannot get enough of this excellent material. This band from Naples was related to the Osanna band via the Rustici brothers, the younger one in Cervello was another example of how the very young were leaders in the Italian scene back then. Corrado Rustici was but a teenager when the band recorded Melos in Milan back in 1973. While Osanna's big album "Palepoli" generally gets the most attention my personal view is that "Melos" is a better album. While not as trippy as the wildly freaky "Palepoli" I feel that Melos is more overtly musical and more genuinely satisfying in the long run.Juan at ItalianProg describes the Cervello sound like this: "There is great deal of excellent acoustic guitar work and mellotron-like sounds created by the saxophones. The vocals coupled with the acoustic guitar and flutes hypnotize the listener into a technical yet fluid atmosphere so the music then breaks into a frenzy full of sax and adventurous guitar playing. The tempo and mood change from calm and melodic to violent and bizarre (interweaving between scales). No keyboards present, but they are not needed due to the "cerebral" arrangements these musicians have created for us on this album."[Juan Carlos Lopez] In another great review Warren Nelson sums up the sound perfectly: ".with soaring and complex melodies, compelling and angular instrumental passages culminating in some aggressive individual performances, all weaved together in a tapestry of beautiful and emotional musical syncopation. One of the few Italian prog releases without a prominent keyboard arsenal, the rich sound of this band is achieved with powerful drumming, multiple woodwinds, and intelligent scaler runs on guitar. But not least of all are the typically emotionally powerful vocals. Dynamic change-ups and exquisite group interaction complete another example of one of the finest Italian progressive albums you will ever hear."[Warren Nelson]My own take on the specific tracks: "Canto Del Capro" begins with layers of flutes over what sounds like a foghorn and cymbal splashes moving left to right in the stereo spectrum. Soon an acoustic guitar precedes delightfully freaky operatic style vocals like only the Italians can do. A thrilling opening. Suddenly the drums kick in and you think it might be "normal" for a bit but soon these ungodly compressed vocals rattle your eardrums. Strange acoustic and electric guitar flares round out the rest of this unsettling start. "Trittico" is an enchanting initially with sentimental flute melody, acoustic and vocal. Eventually a crazy sax and percussion crash the party for a bit before the soft opening style returns with additional guitar noodlings. After a brief fade the end section is a bizarre cacophony of choral voices. My one complaint is wishing the bass were a bit more clear and upfront, sometimes it is distant and muddy but it's a minor nitpick. "Euterpe" begins with acoustic and flutes again in a warm and inviting mood. This eventually leads into the full band jamming with a real e-guitar and saxophone workout. "Scinsicne" begins with guitar that sounds like it came from an outtake of "Astronomy Domine!" In comes great flute and bass interplay and then vocals which are another strong point on this album. As the band comes on full the saxes jump into the fray and the sound gets brutal. At 3:48 is one of my favorite parts of the album, these mutant bizarre sounds and drums that mimic some sinister funeral dirge. This is followed by a maniacal e-guitar solo. "Melos" features great flute and sax workouts again with another Rustici axe thrashing at the end. "Galassia" is a feast of inventive vocal interludes over beautifully played acoustic guitars. Dabbles of flute precede a full blown e-guitar freakout challenged by pursuing sax and percussion attacks. You'll need a shower after this track. "Affresco" is a rather traditional sounding closer piece, very short and there just to bring you gently back to Earth after your cerebral pummeling.I guess the reason I light up the magic star 5 would be this: Even when listening to most good albums it is evident that I am doing just that. I'm listening to a collection of songs that are just too structured and I know what is coming. They might light up my pleasure center and my brain says "oh that's a good song, let me listen to more of the same!" Melos does not allow me to stagnate. It's more like eavesdropping on someone's thoughts (presented musically) than listening to the next "killer song, dude." Their thoughts or perhaps their nightmares in this case with everything being so strange, the album starts and it's like this bizarre trip occurs. Even some of my favorite albums are relatively predictable but not Melos. With each play I still wonder what the hell is going on. It still pushes my buttons and challenges me, my definition of a genuinely progressive album. That's not the only way an album can get 5 stars from me but it is one way.This is one of the Italian albums you hear people describe as "harsh" and you might hate it the first several times you listen. Don't get discouraged. Put it away and spin it every other month..like many of the best prog albums you may end up loving it a year from now. That's how it was for me-a real grower. But while many of us are thrilled by this album it is not universally loved in the way that PFM is. It's rather confrontational sonic style does have its detractors so read plenty of reviews before you take the plunge. In my book this is essential for Italian fans and recommended for fans of stuff like "Red" era Crimson. Try to find the Japanese mini-lp sleeve edition which features decent sound and a high quality reproduction of the cool artwork. I love the cover of this album..fantastic stuff!" - ProgArchives
    $11.00
  • New digipak edition of the rarest Italian prog album its certainly also one of the strangest... "This is one weird album indeed. Even more weird when you consider some of the musicians involved. For example you got keyboardist Charles Tiring. He was not your typical twenty-something like you usually expect in prog rock bands. At the time this album came out, he was said to be 68 years old (not likely alive these days) and married to an 18 year old, which meant that didn't exactly endear himself to the rest of the band (he left after this album and they became Antonius REX). The rest of the musicians included Anthony Bartoccetti on guitar, bass and vocals, Doris Norton (known as Fiamma Dello Spirito on this album) on vocals, violin, and flute, and someone named Franz Parthenzy conducting the medium. What's also weirder was they were exploring the occult, performing under séances. While other prog rock bands simply used keyboards like the Hammond organ, Charles Tiring went totally hog wild on the pipe organ, although he used the occasional Moog for sound effects, and harpsichord and piano on occasions. There are times that it's really difficult to call this prog rock, because it's not rock, and pipe organ is sometimes the only instrument used. The album opens up with "U.F.D.E.M." which is often regarded as the album's high point. Here you get pipe organ and harpsichord, with Doris Norton singing in Italian, sounding a bit like an Italian Anna Meek (of CATAPILLA fame). "Praesentia Domini" is largely pipe organ, but near the end comes some chanting in Latin, obviously a séance. "Jacula Valzer" is a nice, pleasant jazzy piece with that atmosphere of a bad early '70s horror film. This one features some nice flute and piano. "Long Black Magic Night" is another worth mentioning. Violin and flute dominates, and Doris Norton chants in English, and comes to demonstrate just how lousy her English is. This song even more just screams "bad horror film". Listening to this, you can just imagine the cobwebs, vampires, and a pipe organ. The last piece, "In Old Castle" is the most pointless piece, as it's all pipe organ and nothing else. "Tardo Pede In Magiam Versus" is a truly like or hate it album. Some just call this a bunch of Satanic nonsense, others call it spooky and Gothic. I can be certain GOBLIN had heard their share of JACULA and Antonius REX in their lifetime, especially since GOBLIN was best known for scoring gory Dario Argento horror flicks (luckily GOBLIN went for a more conventional prog/fusion direction, with normal instrumentations, even though they sometimes used pipe organ). The original LP of "Tardo..." isn't easy to come buy, but Mellow Records reissued it on CD, if you can find a copy for cheap, get it, for a curiosity, but I bet you that you'll probably be waiting for Halloween to play this. Weird album indeed that might scare a few people away." - Progarchives.com
    $16.00
  • Full length debut from this excellent UK based djent metal band. Led by the clean/scream vocals of Dan Tompkins, Tesseract effortlessly balances melody with technicality. Similar in nature to Periphery but with MUCH better vocals. This special edition comes with a bonus DVD that features them performing Concealing Fate live in the studio as well as band interviews, road footage, and more. Highly recommended.
    $14.00
  • Metal Mind has repackaged the jewel box editions of Changes and Moonshine together in a slipcase and made it available at an attractive price.
    $16.00
  • "KING’S X is an American hard rock band that combines progressive metal, funk and soul with vocal arrangements influenced by gospel, blues, and British Invasion pop groups. The band's lyrics are largely based on the members' struggles with religion and self-acceptance. Since being signed to Megaforce Records in 1987, KING’S X has released twelve studio albums, one official live album, and several independent releases. To help hold their diehard fans over the band have decided to release a special package based around a recent performance in London, England. an intimate setting and the set list for the for the evening is virtually a greatest hits collection. A true must for all KING’S X fans!"
    $14.00