Rising ($5 SPECIAL)

SKU: 3145473612
Label:
Polydor
Category:
Hard Rock
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Monumental album from Ritchie Blackmore/Ronnie James Dio. Worth it just for "Stargazer" alone. Remastered edition. Essential.

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  • Chicago based Oceanborn are a very interesting new progressive metal band.  They draw influences from a variety of styles.  You can hear Avenged Sevenfold, Muse, Katatonia, and Dream Theater in their musicial DNA.  Vocals are all clean and most definitely angst driven.  Entwined with the progressive elements is a melodic, almost pop quality that creeps into the fray only to be beaten down by crushing riffs.  Somewhat of a tough album to describe but something really cool going on here.  Highly recommended.
    $12.00
  • Their last album from 1991. Another one in Century Media's series of reissues of long lost classics from the defunct Combat label.
    $8.00
  • Steven Wilson's second solo album features a variety of interesting prog luminaries including Steve Hackett, Robert Fripp, Tony Levin, Trey Gunn, Theo Travis, and Jordan Rudess. Proggier than his first solo album and frankly recent Porcupine Tree. Lots of Mellotron bliss on this one. Exemplary production wraps up the total package.
    $16.00
  • ""Two years after Iridule, finally the italian band Yugen comes back with its first live album. The cd captures the show at RIO Fest 2011, in Carmaux, France, and presents the group in an extraordinary seven-member line-up.As Sid Smith writes in the liner notes, Mirrors is "a dizzying cavalcade of turn-on-a-dime rhythms, intriguing harmonies and striking, anthemic melodies that have a habit of drilling down deep into the consciousness of the listener"."Yugen represents an exciting forward-looking trend in European music", Smith underlines, "marrying both intellect and emotion in one seamless and coherent partnership. How successful they are in this endeavour you can judge for yourself by playing this remarkable and frequently thrilling live souvenir.""
    $18.00
  • "Andy Tillison, the mastermind behind The Tangent, isn’t a wet-behind-the-ears newbie when it comes to the world of prog rock. He knows he’s taken a risk with the band’s new album, Le Sacre Du Travail, but ten years of leading the band on its journey and seven albums to show for it have given him the strength and courage to present something decidedly different in today’s world of prog.Spurred on by the growing resurgence of progressive rock to do something unexpected that stands outside the box, he zeroed in on the idea of creating an orchestra suite in the spirit of artists like Camel and Deep Purple’s dearly departed Jon Lord. The naysayers might consider the new album to be too far afield from what’s considered prog rock these days, but The Tangent enjoys a broad international fanbase that respects the fact their heroes are bent on being as big and bold and as adventurous as the people who originally started the progressive rock movement off in the late ‘60s.“Big and bold” i this case doesn’t mean loud and in-your-face. On the contrary, Le Sacre Du Travail serves up everything from ‘70s rock to smoky blues to jazz to classical music. Given the conceptual nature of the record, Tillison sees it as a soundtrack without a film.“Hopefully that's what I'm getting across with this music,” says Tillison. “I want to give the music the excitement I felt when I first started hearing classical music. That’s why I got into progressive rock music; hearing classical music as a child, I used to be off and away imagining pictures and scenes and telling myself stories to go along with it. What I wanted to do was tell those stories to somebody else with my own music.”Le Sacre Du Travail is, in brief, a story about 7 billion people that all have the same name; “You”. The Tangent wanted to put the listener into the picture, having decided that if they were going to present this story, it had to be something that absorbed everyone on a familiar level.Tillison: “We avoided the concept album idea for a really long time, and finally we’ve done one. Most of the lyrics came pretty easily; I never wrote them down, I just sang what I felt, lots and lots of different things. I had many takes and many ideas, so I had to go back and pick out the best ones, and eventually I got the idea of what I wanted to sing about. It came out very naturally.”Looking back on The Tangent’s catalogue, Tillison – who started his musical career writing punk songs and pays tribute to that era on a the bonus track ‘Hat (Live At Mexborough School 1979’ – admits that The Tangent’s evolution is something of a surprise. At the same time, given that he’s had a decade to refine his craft as a prog artist, “I knew this was coming.” Looking back on his roots, Tillison knows exactly what influenced the outcome of Le Sacre Du Travail“The obvious influence is one of the very first progressive rock albums ever made: The Days Of Future Past by The Moody Blues. They had the idea of breaking a day into pieces and running through it on the album. It must have been there in the back of my mind, although I must say I probably haven't listened to that album in 30 years. I never really thought about it while I was recording, but at some point I realized I was doing the history of a day with an orchestra and a rock band. Deep Purple’s Concerto For Group and Orchestra was a big influence, and at the same time Roger Waters' Amused To Death album is definitely in there.”“We know we’re taking a risk,” Tillison adds. “Some people will go ‘What the hell is this?’ because it’s a big piece of music to get into and you have to find your way around it. But that’s where I want to be; on the leading edge of progressive rock music.”"US jewel box edition with 3 bonus tracks. 
    $10.00
  • Tripped out album from South American guitarist Alfonso Lovo. Recorded in 1976, this only existed as an unreleased acetate.  With Santana percussionist Jose "Chepito" Areas on board, you can hear the obvious influences but there is a definite psychedelic vibe - this isn't straight up latin rock.  Synthesisers waft through the air with a lysergic randomness that reminds of some stoned out Jamaican session.  Snakey wah-wah'ed out guitar leads add to the fun and the horns and percussion treat the whole thing like some weird out take from Abraxas.  Highly recommended.
    $15.00
  • "After a year of personal and personnel problems, the Allman Brothers Band got back together to record the surprisingly consistent live-in-the-studio venture Where It All Begins. It lacks the ambition and stretch of Seven Turns or Shades of Two Worlds, along with their peaks, but it is still a solidly consistent album, driven by some of the virtues of live spontaneity. Highlights include Gregg Allman's frank drug song "All Night Train," the Bo Diddley-beat-driven "No One to Run With," and the glorious dual-guitar workout "Back Where It All Begins."" - All Music Guide
    $5.00
  • Remastered edition of this classic progressive hard rock album from the British twin axe attack.  Comes with three bonus tracks.
    $5.00
  • "Although it's tempting to succumb to retroactive reevaluation, most critics agree that Sepultura's earliest efforts consisted of rather undercooked, unspectacular black metal, hardly foreshadowing their world-conquering output in the death metal field, just a few years ahead. Both 1985's Bestial Devastation EP and the band's first LP, 1986's Morbid Visions, were recorded with minimal time or money, and revealed a band of teenagers more preoccupied with shocking their parents than creating great music, and clearly still learning their craft. In fact, original lead guitarist Jairo T. was the only semi-decent musician of the bunch, but vocalist/guitarist Max Cavalera, drummer Igor Cavalera, and bassist Paulo Jr. nevertheless contributed a mighty spirited racket on blackened thrashers like "Antichrist" and "Warriors of Death." Venom would have been proud. And yet Sepultura still showed early flashes of death metal inspiration on "Crucifixion" and "Show Me the Wrath," even though "Troops of Doom" (later re-recorded) is the only obvious standout on hand. Thankfully, Roadrunner has conveniently reissued Morbid Visions and Bestial Devastation on one CD, lowering the price of admission for uncertain metalheads wishing to hear what all the fuss was about." - Allmusic Guide
    $8.00
  • New studio album from the prog metal forefathers. Sadly this will be Mark Zonder's swansong with the band. Musically speaking FWX seems to return back to the lighter progressive rock leanings of APSOG. I don't hear any of the harsher industrial overtones that crept into Disconnected.
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  • Limited edition double vinyl set.The Odyssey finds the band striking out in a new direction and frankly the results are stunning. Essentially the band made their statement album of neoclassical metal with the "V" release so there really was no point in going further. There is more agression in Russel Allen's voice and Mike Romeo's guitarwork is a crunch machine. This is progressive to the max - the 24 minute title track is a future classic and the sequel "Accolade II" lives up to the original. The overall production simply explodes - gone is the lush symphonics of "V" - this is right in your face. Mike Pinella's trademark blistering synth leads are all over the place and he trades off with Romeo just the way you want them to. What is missing is the symphonic landscapes that linked the different pieces together. I say...2003 is upon us...this new Symphony X is slightly different from the old Symphony X but just as good. Prog and power metal fans need not worry - they have delivered the goods with a surprising twist!
    $17.00
  • Following the tour to support "World Record", Hugh Banton left the band and was shortly followed by David Jackson. Hammill and Evans reconstituted the band (name now shortened to Van Der Graaf) by adding Graham Smith (ex-String Driven Thing) on violin and Nic Potter on bass. The resulting album was more aggressive, more direct but somehow it was still VDGG (or at least a variation). This remastered set comes with three bonus tracks and plenty of extra stuff to look at in the booklet.
    $12.00
  • "Volume 2 of the Bavarian broadcast series present further recordings of Area, for once from the period 1977-1979.Five live tracks from 2 concerts and four tracks recorded in Bavarian Broadcast Corporation owned studio "Franken" "at Nuremberg". Aera played a lively jazz-rock dominated by soloist and sax and flute player Klaus Kreuzeder, based on powerful and clever keyboard playing all held together by amazing bass player Matz Steinke and drummer Lutz Oldemeier (of Missus Beastly-fame) and lots of percussions. Aera were in a very good shape and gave their best. Highlights are the 17 minutes long version of "Draculas Fruhstuck' and nearly 10 minutes version of "You need some speed". All titles were digitally remastered from the original tapes. Booklets contains the history of the recordings and rare photos."
    $16.00
  • Latest from this fine French band. Nemo is led by guitarist JP Louveton who is also the lead singer. Barbares features all long tracks including the 26 minute title piece. The music of Nemo is quite dynamic. Louveton is a fine player with has a bit of John Petrucci in him. His instrumental foil is keyboardist Guillaume Fontaine who takes a more symphonic approach to his playing. While there is more than enough flash he tends to emphasize textures over blazing fast solo runs. For some reason Louveton has a reluctance to sing in English. If could get over this the band might be able to expand their following on a much broader level. Highly recommended.
    $12.00