Ripe

SKU: LE1031
Label:
The Laser's Edge
Category:
Fusion/Jazz
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Renowned guitarist Scott McGill returns with his second instrumental solo album. Influenced by legends Bill Connors and Allan Holdsworth, McGill reinvents the genre by creating an aggressive style of progressive fusion. His high-energy fretwork matched by the potent rhythm section of Chico Huff (Mistaken Identities) on bass, and Vic Stevens (Gongzilla, Mistaken Identities) on drums. Ripe charts a new direction for both fusion and progressive rock.

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  • Cairo's third offering doesn't pack any real suprises and that's probably a good thing. Keyboardist extraordinaire Mark Robertson keeps cranking out those lengthy ELP influenced tracks. As I've said before - if ELP was serving up material like this they would still be together and still be popular.
    $14.00
  • 28 years is a long time for a band to stay together but that's how long Woodenhead has been playing together. They have quietly cultivated a dedicated cult following in New Orleans. Now Free Electric Sound is bringing this extraordinary quartet to a national audience. Woodenhead's music is a spicy gumbo of jazz fusion, symphonic rock and local R 'n' B flavors (sorry for the wordplay!) The group has toured the U.S. and Central America and has played the New Orleans Jazz and Heritage Festival for over 20 years. The band has played with the Dixie Dregs, Mahavishnu Orchestra, Billy Cobham, Chick Corea's Elektrik Band, John McLaughlin Trio, Bela Fleck and The Flecktones, Tuck And Patti, Hugh Masekela, Spyro Gyra, Robben Ford, Johnny Winter, Stevie Ray Vaughn, and John Mayall, and has toured with the Steve Morse Band and Allan Holdsworth."Perseverance", the band's 6th album, was recorded live in New Orleans and captures all the energy and emotional playing of a Woodenhead gig. Augmented by a horn section, the band's music comes across as a blend of the Dixie Dregs, Happy The Man, and Hot Rats-era Zappa. This is an album with broad appeal to fans of jazz rock, prog rock and even Cajun music. "At the New Orleans jazz festival, Woodenhead gets a standing ovation for teaching traditional jazz fans just how far imagination and electricity can push the form" - Esquire magazine
    $5.00
  • Dutch symphonic metal band EPICA celebrated their 10th anniversary with a one-night-only event, dubbed Retrospect. The band was accompanied by the seventy piece Extended Reményi Ede Chamber Orchestra and the Choir of Miskolc National Theatre, playing an unforgettable 3-hours best-of set.According to respected Dutch newspaper the Volkskrant "The band wrote a chapter of Dutch metal History" this evening. Rock Tribune (Belgium) thought it was "an unforgettable show".Ten high definition cameras captured this very special sold-out show while Epica played in front of nearly five thousand ecstatic fans in Eindhoven, the Netherlands. In addition to a collection of the band’s biggest hits from across the spectrum of their entire catalog, this once-in-a-lifetime spectacular also features the live debut of “Twin Flames” and the previously unreleased “Retrospect”, covers of classics by Vivaldi, Pergolesi, and Oscar-winning film composer John Williams, two guest collaborations with the venerable Floor Jansen (Nightwish, ReVamp), and a very special performance of their breakthrough single, “Quietus”, with founding members Jeroen Simons, Ad Sluijter, and Yves Huts.Nuclear Blast will release Retrospect as a deluxe hardcover book with 32 pages. Both as a 2DVD/3CD and 2Blu-ray/3CD version. Retrospect will contain the following fan favorites:01 - Introspect02 - Monopoly on Truth03 - Sensorium04 - Unleashed05 - Martyr of the Free Word06 - Chasing the Dragon07 - Presto08 - Never Enough09 - Stabat Mater Dolorosa10 - Twin Flames11 - Serenade of Self-Destruction12 - Orchestral Medley13 - The Divine Conspiracy - Anniversary Edition14 - Delirium15 - Blank Infinity16 - The Obsessive Devotion17 - Retrospect18 - Battle of the Heroes & Imperial March19 - Quietus20 - The Phantom Agony21 - Cry for the Moon22 - Sancta Terra23 - Design Your Universe24 - Storm the Sorrow25 - Consign to Oblivion26 - Outrospect                                                                                                                                                                                 Retrospect features this massive performance in its entirety, as well as exclusive interviews with all band members and behind-the-scenes footage from the show. 
    $45.00
  • Third album from this German retro-prog outfit.  A few seconds into the lead off 21 minute title track and you know you are taking a trip down memory lane.  The album is filled with enough old school keyboard sounds to embarass Tony Banks.  The main cog in the Argos wheel is keyboardist Thomas Klarmann, who also handles fute, bass, lead vocals.  He plays a mean Hammond organ and knows how to squeeze the right sounds out of a Mellotron as well.Genesis is one of the touchstone influences but you will also hear nods to Canterbury, Gentle Giant, VDGG, and hosts more (if you can think of 'em they are here).  These guys aren't going to win any originality contests but it sure is great ear candy.  Highly recommended.
    $15.00
  • Remastered edition with bonus tracks."Relieved from the pressures of having to record a hit single, Gary Moore cuts loose on some blues standards as well as some newer material. Moore plays better than ever, spitting out an endless stream of fiery licks that are both technically impressive and soulful. It's no wonder Still Got the Blues was his biggest hit." - Allmusic Guide
    $9.00
  • "In an odd bit of programming, Columbia placed the ballads from Miles Davis' February 12, 1964, concert on My Funny Valentine and the uptempo romps on this LP. Davis, probably a bit bored by some of his repertoire and energized by the teenage Tony Williams' drumming, performed many of his standards at an increasingly faster pace as time went on. These versions of "So What," "Walkin'," "Four," "Joshua," "Seven Steps to Heaven," and even "There Is No Greater Love" are remarkably rapid, with the themes quickly thrown out before Davis, George Coleman, and Herbie Hancock take their solos. Highly recommended and rather exciting music, it's one of the last times Davis would be documented playing a full set of standards." - Allmusic
    $5.00
  • Gowy is an undiscovered French band but that won't be for long... This is a new quartet assembled by guitarist Gregory Francois. We were contacted by Greg due to his friendship with Christophe Godin of Morglbl. He thought it might be up our alley and he is spot on. The music on Gowy's debut is primarily instrumental although there are some tunes with French vocals. Musically speaking Freak Kitchen frequently comes to mind with more than a bit of Vai, Zappa and Morglbl tossed in as well. The keyboards, bass and drums all play a supporting role for Greg's extraordinary guitar excursions into outer space. This is much more clever than the typical chops-from-hell disc. Is Essential Tracks really essential? Well I know its essentially clear that a buzz will develop soon. Highly recommended. Check 'em out: Gowy's MySpace Page
    $14.00
  • My sentimental favorite. This blends elements of Banco, Quella Veccia Locanda, and Opus Avantra.  Two epic length compositions.Housed in a gorgeous "gimmix" mini-lp sleeve.
    $34.00
  • Kit Watkins runs wild!! Comes with 2 live bonus tracks.
    $17.00
  • "When I say that they are near the gate of perfection and give it a 98% score would be considered this is a work of art. Well, putting it in simple words I’d have to be really picky to find what is wrong with this album. There are only little details that I could take into consideration for this album not being perfect, but it certainly is a truly grandiose masterpiece. Finally my friends, Skylark is on the way to the heaven church where the warriors are honored and upgraded to masters of the genre. It does not matter if they are not known worldwide or if they don’t have video clips to promote the songs. That is what makes them so great, because with pure musical skills they have truly achieved greatness.Currently, this is by far one of my favorite metal albums. For those purists who think metal is not supposed to be what this album offers they are pretty misguided. This is power metal, symphonic whatsoever, with a light atmosphere although heavier in my opinion than ‘Gate to Heaven’, no matter what elements they have thrown in they did it magnificent. All the ingredients for a good album are here: awesome vocals by Kiara, outstanding guitar solos, epic songs, speedy songs, mid tempo songs, good instrumentals, good background vocals, good riffs, good drumming, etc. I mean, what else do you need?Let’s begin with the obvious. I think this album is by far better in some aspects than the 2 Divine Gates albums. 1. Now the production and the now decent sound help a lot because the bass lines now are hearable. 2. The fact that there are more mid tempo songs helps because this way they avoid overwhelming speed that in long term will get you bored of. Actually, fast songs there are only: ‘The Scream’ and ‘Soul of the Warrior’ and the instrumental ‘Hurricane’ 3. Fabio Dozzo is no longer in the band and unfortunately for me since I like his singing style with the constant high pitched screams. I must recognize that very often he used to screw up because of the getting-out-of-range vocally but the good thing about the new backup singer is that they added some eco (like Edenbridge do with Sabine’s vocals) so it sounds amazing. 4. The bass lines have taken predominance and you can now hear them very well and man, this time they got it right. They are not only following rhythms but taking ownership of some of the songs. 5. There are no epic songs in here, at least not in the way they used to so the song writing has been simplified. This is neither good nor bad but just different. In my case, I like the old epic-lengthy style of songs but here this just rocks out. 6. Last but not least, the angelic vocal of Kiara, man, is she lovely! I will detail on her abilities later but the fact that she uses middle ranges makes her fit perfectly with the music without overbearing with high pitched screams.Alright, now that the improvements have been appointed, let me tell you why I think this is fucking great and just a step away of pure perfection. Kiara is by far the best choice they could’ve chosen. Her high notes are amazingly sweet and yet powerful. They are very similar to those of Saeko, but Kiara is sweeter and more pitched. Throughout the entire album she sings mostly in her middle range but when she screams man I get chills and orgasms just listening to her. Next is the choice of a backup vocalist who actually controls his vocal range. The fact that he is only accompanying Kiara makes the dynamics even more interesting and he sings in a more or less high range but avoiding veing Ralf Scheepers or Kiske. The juxtaposition of both singers creates a cool atmosphere and sung dialogs.On to the songs you get a little bit of everything but not ultra fast songs like Belzebu or the Triump. Actually, I’d say the instrumental ‘Hurricane’ is the fastest track. The rest are basically mid speed ‘The scream’ and ‘Soul of the warrior’. They are a little faster than the average mid tempo but are not that fast as the ones mentioned below. There are some progressive tempo changes here and there like ‘Soul of the Warrior’ where the changes of pace take you completely off your feet and I love them. This is the kind of things that make the songs interesting instead of just relentless speed. There is only one ballad in ‘Believe in Love’ and now we are talking. Previous ballads were good, not cheesy, which is one of the problems of power metal but this with Kiara singing really soft and subtle giving textures to her voice plus the guitars in the upfront and the keyboards back grounded leave me hyperventilated. The guitar solo, by the way, is very 80’s very Poison, Cinderella, Bon Jovi alike. In here the bass lines are thick and the vocals are just flawlessly performed. The bass lines are more diverse this time such as ‘Time’ where the entire song is bass driven and I must say they just added a very nice melody to it. It is my favorite song here because of the exquisite bass lines and low male vocals making the perfect contrast with Kiara’s falsetto and then her high pitched screams give me goose bumps.The keyboards are very good balanced with the guitars and they are not overshadowed as such can be heard on ‘The Scream’ where they are perfectly mixed to listen to them clearly. What I find interesting the most is the awesome melodies since nowadays is very hard to come up with memorable melodies (let’s say ala Stratovarius) so I find this very good done.The guitar solos are very similar to those from D.G.II. The follow the same pattern and melodic sense but since the songs are better they sound better here. The riffing style has now been improved. The progression of the power chords are far more interesting and a little more ‘complex’ than those from the first D.G albums although they are yet rather simplistic, as normally in power metal.The re-arrangement made on ‘Heaven Church’ is obviously vocal driven to show off Kiara’s skills. Although the rhythm parts last for around two minutes and this one cannot be compared to the masterpiece the original is, it is still a good track and very enjoyable. But again, I only take 1 point for re-arranging a song that is perfect in its original form because it lost its crunch (ok, light atmosphere from the original but still heavier than this new version).Finally, Skylark is basically known for two things which they have succeeded at: 1. Atmosphere. 2. Epic sense. In this case they have sacrificed the traditional epic sense but the atmosphere is taking predominance which is ok for me since they are doing it perfectly, enhancing a good and positive vibe throughout the listening experience.Now I face a problem. I am well aware that Divine Gates I and II are NOT perfect, but since they are for sure two of my favorite all time albums and this one beat them, what score should I give to those on my reviews since I always thought they were almost perfect? What a predicament huh? Anyhow, I’ll have to listen to them over and over to try to come up with the most objective review I could to give them a fair opinion. Kiara, this is your fault because of this masterpiece of an album but I love you because you have become my princess!" - Metal Archives
    $10.00
  • Limited edition hardbound art book featuring the album on 2CDs, another 2 CDs with instrumental versions of the album, a DVD with "making of" and interview footage, plus a 48 page booklet.Arjen Lucassen's long awaited Ayreon project is a total blast.  Like some of the earlier Ayreon albums, it owes as much to prog rock as it does metal.  All the old school heroes like Emerson, Wakeman, Wetton get to strut their stuff showing a young stud like Rudess a thing or two.  As always Lucassen latches on to some of the best vocalists around and this one is no exception.  Highly recommended."You know what the metal world needs more of? Musicals. I'm not saying that ironically either. Sure, we have plenty of prog bands putting out concept albums, but cool as these records many be, the story themselves are not the focus of the album. Ayreon mastermind Arjen Anthony Lucassen has resurrected his grandest of all projects to continue showing these folks how to tell an epic story the right way.With 01011001 the Ayreon story came to an end, or so we thought. Arjen instead decided to focus on projects like Star One, Guilt Machine, and his solo album Lost in the New Real. When he revealed not too long ago that he was working on a new project, it wasn't a surprise to discover it was new Ayreon, but I was still plenty excited.Lucassen said of the newest record, "It's not science fiction, but a human story set in a science context." So no aliens or battling emotions or any of that. So, in an attempt to better understand the story, I contacting him for the lyrics and much to my surprise, he sent them to me saying, "Oh yes, you need the lyrics, definitely." Holy hell, was he right. The story is indeed more grounded than previous records, but there are still layers to this beast.Fans of Ayreon should know what to expect here. The Theory of Everything has seven guest singers and each singer plays a part in the story. They are JB (Grand Magus) as the Teacher, Christina Scabbia (Lacuna Coil) as the Mother, Michael Mills (Toehider) as the Father, Tommy Karevik (Kamelot) as the Prodigy, Marco Hietala (Nightwish) as the Rival, John Wetton (Asia/ex-King Crimson) as the Psychiatrist, and Sara Squadrani (Ancient Bards) as the Girl.Of these singers, the most impressive is the relatively unknown Sara Squadrani. She performs on a large portion of the story and shines every time, especially on "Love and Envy". I was also surprised to be so enamored with the performance of Christina Scabbia. She's always had  a wonderful voice, but her performance in this record might be her finest. Her harmonies with Squadrani stand out particularly on "Mirror of Dreams". This isn't to say only the performances by the female singers are worth mentioning. Tommy Karevik's introduction in "The Prodigy's World" is one of the strongest moments on the album.Every Ayreon album comes an eclectic group of guest musicians. This round primarily consisted of guest keyboardists. Rick Wakeman (ex-Yes) handles a good portion of the record, while Keith Emerson (Emerson, Lake & Palmer) and Jordan Rudess (Dream Theater) both make excellent solo appearances on "Progressive Waves".Having listened to all of Lucassen's albums at least once, I can say The Theory of Everything is the most musically diverse offering he's had a hand in, perhaps with the exception of his solo record. This isn't as heavy as previous Ayreon titles, but it has its driving moments like "Collision" and the Dream Theather-esque "Frequency Modulation." The aforementioned "Love and Envy" is a slower introspective song, while "Diagnosis" is massive and a little cheesy, but so awesome. "Transformation" has a Middle Eastern feel to it, and  "The Eleventh Dimension" sounds like intergalactic renaissance faire music.Often times there are jumps in mood, genre, etc in the middle of a song. This is fairly typical for an Ayreon release; what isn't typical is that technically this record consists of only four songs. These four songs are each at least twenty-one minutes, but they are cut up into forty-two pieces (yes, that's a Hitchhiker's Guide to the Galaxy reference) .This is a fun record. It's a record that does require a time commitment. I'd say listeners should treat it as a proper musical or film in a theater. Try to experience it all in one sitting for the full effect. It's absolutely worth it." - Metal InjectionSTRICT LIMIT OF ONE PER CUSTOMER
    $40.00
  • This was formerly known as the Full Power release.At the moment Big Big Train are one of the best prog bands going.  This English crew take some of the best elements of old school Genesis and their ilk and marry it with something very contemporary and relevant.  The band was started years ago by Greg Spawton and Andy Poole.  There were a variety of iterations of the band and as the years went on they got better and better.  If you don't know, their vocalist Dave Longdon was a finalist to replaced Phil Collins in Genesis.  Rutherford and Banks obviously made the wrong choice, going with Ray Wilson instead.  Longdon's vocals remind very much of Gabriela and Collins making the Genesis connection quite easy.  Further on the band added Nick D'Virgilio on drums.  These guys totally grok prog.The band's most recent work was epic in nature.  English Electric was released about six months apart as two separate releases.  Further to this, there were 4 additional tracks which were left off and just released as the Make Some Noise EP."Originally released as two separate albums in 2012 and 2013, the English Electric CD's were subsequently brought together as a limited edition (and now out of print) double album called English Electric Full Power, a release which included four additional songs and a revised track listing from the separate album versions.This new double album version of the English Electric CD's retains the extended track listing of the Full Power release and has been remastered by Rob Aubrey to ensure the songs benefit from even greater dynamic range. It is presented in a softpack with a 40 page booklet."
    $12.00
  • Last album of the 70s finds the tracks a bit shorter. This one tends to get overlooked as it was the follow up to the successful Point Of Know Return.
    $5.00
  • "If you think back to bands such as SixTh then this genre of ultra tech/ djent has been around for some time, however, with bands such as TesseracT, Periphery and Meshuggah perhaps bringing it more to the public eye and out of the groove Metal shadows, it can be no real surprise that more and more bands are coming forward with their own take on what, at the end of the day can be a very difficult style of music to get right.Nothing wrong with that I hear you say, and providing it’s done well, I quite agree.Monuments début album “Gnosis” nails it in a number of ways, yes, we have the jarring riffs that really set this genre apart from most others but we also have that increasingly rare commodity called melody. You can sometimes be technical for technicalities sake but Monuments deliver an album that strikes a near perfect balance between an overriding ambition to push the boundaries even further, and maintaining a level of accessibility for the listener.Tracks such as “Doxa” for example really encapsulate the bands sound in a nutshell, “Blue Sky Thinking”, with its beautiful mix of aggressive and clean vocal, and my personal album highlight “97% Static”, which lends a fantastic, dreamy, atmospheric feel to the ear.Lyrically, the album is quite political in it’s content, with the overall message of think for yourself and not to follow other peoples train of thought, which in a way could easily describe the band themselves.A début release this may be but it has been many years in the concept forming and song writing to get to this stage.Guitarist, John Browne has assembled a fine group of musicians together to realise his dream, non more so than Matt Rose on vocals who has an unnerving gift of moving from the hard edge sound and then to meander seamlessly across the spectrum to deliver some really uplifting melodies.Top of the tree they may not be just yet but on the showing of this highly impressive work, it must surely only be a matter of time." - Planet Mosh
    $12.00