Rage For Order

SKU: 724358106923
Label:
EMI
Category:
Metal/Hard Rock
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Lavish 24 bit remastered reissue of this outstanding prog metal classic produced by Neil Kernon. Comes with 4 bonus tracks and extensive liner notes and photos.

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  • New remastered edition in a mini-lp style sleeve. RRR was one of the great one-off bands that proliferated in the Italian prog landscape during the 70's. Gorgeous delicate flute and sax work is juxtaposed with heavy guitar and keys to immaculate effect. This is one of the essential ones...
    $19.00
  • Yet another brilliant work from this Norwegian prog band.  The Greatest Show On Earth is the band's third effort.  While the first album Identity delved into alternative/prog realms bearing similarity to Radiohead, their second album All Rights Removed was full on Pink Floyd worship.  This latest effort carries on in similar fashion.  There are parts of the album that were written with tracing paper.  It evokes the mood and feel of Dark Side Of The Moon, Wish You Were Here, and maybe even a bit of The Wall.  This isn't to say the band doesn't inject any personality of their own - they do.  There are contemporary elements, its just that when they go into full on Pink Floyd mode its so apparent and so well executed that it blinds you to everything else that is going on.  What Bi Kyon Ran is to King Crimson or The Watch is to Genesis, Airbag is to Pink Floyd.  Original?  Truth be told not really.  It doesn't matter, its so well executed that you will just immerse yourself in the listening experience.  Highly recommended.
    $17.00
  • Great instrumental symphonic band led by Finisterre leader Fabio Zuffanti. This is the 3rd of 4 parts celebrating the seasons. Pure analog keyboards (Mellotron, Moog, Hammond), flute, sax, guitar, etc. The music has a bit of a melancholy and sombre feel but at the same time it can be quite exhilarating. In some ways it reminds me of SFF... Highly recommended.
    $16.00
  • A new Glass Hammer is like a universal constant.  I can always expect exemplary old school prog rock.  For an old timer like myself Glass Hammer is right in my wheelhouse.  This is their 17th studio album (amazing!) .  If you are unfamiliar with the band you should know it revolves around the core of bassist Steve Babb and keyboardist Fred Schendel.  There have been a lot of musicians through the doors of their studio over the years but somehow they always seem to find an endless supply of them.  The line up seems to be fairly stable at the moment.  Salem Hill mainman Carl Groves handles lead vocals along with Susie Bogdanowicz returning as well.  Guitars are handled by Kamran Alan Shikoh and drums by Aaron Raulston.Glass Hammer music is a reverential amalgam of Yes, ELP, Kansas and what the hell throw in a little bit of Genesis.  Steve and Fred proudly wear their influences on their sleeves.  Want wicked keyboard pyrotechnics?  Fred brings the thunder.  In fact they all do.  The Breaking Of The World arrives with epic length tracks and audiophile quality sound.  I wouldn't want it any other way.  BUY OR DIE!
    $12.00
  • "Devin Townsend - fully 30 records into an astonishing career - has now just raised the stakes in the form of a new double album combining Ziltoid The Omniscient’s triumphant return and the follow-up to the critically acclaimed “Epicloud!” Feasting upon Z2 is akin to immersing oneself in the arcane creases of the DEVIN TOWNSEND PROJECT catalog, bludgeoning heaviness and angelic melodies living under the cathedral of Devin’s more contemplative solo vision. The effect is lush, full- range, cinematic, and expressive. Addressing the creative tension between the two discs, Devin explains “...it’s DTP...the ‘humans’ against Ziltoid, and it’s a battle of sorts...The DTP and Ziltoid side of my writing has evolved to where this statement was necessary and undoubtedly inevitable. The battle between the two seems like a great way to priced to the next chapter of my work. It’s a backdrop for something that hopefully engaging for people. I hope that the point that I’m trying to make with Ziltoid and the metaphor behind it, isn’t lost in just a sea of absurdity.” Guest musicians include Anneke Van Giersbergen (solo artist, ex-THE GATHERING) and Chris Jericho (WWE star, FOZZY) as Captain Spectacular! Also featuring the "Universal Choir", 2000 voices strong, the biggest choir on a metal record ever!"Limited edition 3CD digipak with bonus disc and special artwork.
    $15.00
  • Two DVD live set filmed on November 20, 2009 at Club Teatria in Oulu, Finland in celebration of the band's 20th anniversary (has it been that long already?). The bonus DVD features a second performance from the Summer Breeze Open Air Festival 2009 in Germany plus a ton of video clips and a documentary. All together you get almost 3 hours of material. Limited edition box set also contains 2CDs with the audio to the Club Teatria performance.
    $36.00
  • They don't come as often as we'd like but a new Vanden Plas album is almost a guaranteed success.  Chronicles Of The Immortals may well be their best effort yet.  It sounds like Vanden Plas that we know and love but scaled up.  The band collaborated with noted German author Wolfgang Holbein to create a rock opera.  After a series of live performances the band hit the studio and shaped it into the first half of a duology.  Highly recommended."Four years after the release of The Seraphic Clockwork, German progressive metallers Vanden Plas are back with their seventh full-length Chronicles of the Immortals – Netherworld. Known for creating highly detailed conceptual albums, in 2012 the band teamed up with Germany’s one of the biggest selling authors Wolfgang Hohlbein to create a rock opera for the stage based on his The Chronicle of the Immortals series of novels. The resulting rock musical named Bloodnight ended up having 25 sold-our performances during the 2012 and 2013 seasons.The next challenge for Andy Kuntz and Vanden Plas was to adapt the theatre musical to the Vanden Plas standards and produce an album comprised of the first act of Bloodnight. Chronicles of the Immortals – Netherworld – Path 1 is a full title of the record that includes ten songs. The release of Path 2, the final part of the story will be released early in 2015.Musically speaking, since the release of their debut Colour Temple Vanden Plas continued to mature and improve – eventually hitting the top with 2006′s Christ 0. However, Netherworld proves to be the band’s most demanding release. In most cases, the problem with conceptual albums is that the music suffers the lack of quality on behalf of the actual story or opposite, but Vanden Plas relying on experience forged a record that possibly may serve as a light of hope for progressive metal in 2014.One of the biggest differences between this one and the previous Vanden Plas efforts lies exactly in the theatrical atmosphere Netherworld brings. Although it can be said that the visual factor is on par with music on almost every Vanden Plas album, it’s Netherworld that stands out for the balance between the two. Heavily rooted in the progressive metal genre with plenty of melodic lines on top of it, the whole story is dependant to Kuntz‘s interpretation and singing.The album flows as a single song, although it’s divided into ten songs (visions) what ultimately brings to mind that these ten titles are there just to separate the distinctive parts or moods of the whole story. These parts are pretty well balanced, the story dynamic follows the music. And what is perhaps most important for a progressive metal album today – it incorporates a number of different elements.Three crucial segments for a Vanden Plas album are strong melodic side, progressive metal and conceptual story. And these three segments are present on Chronicles of the Immortals – Netherworld. In which measure, time will be the best judge." - Prog-sphere.com
    $13.00
  • "THE GREATEST SHOW ON EARTH were one of the more stylistically original signings to EMI’s legendary Progressive label Harvest. The band was formed in 1968 and featured brothers Garth and Norman Watt-Roy (who played guitar and bass respectively), along with American vocalist Ozzie Lane, Mick Deacon on Organ, a horn section of Dick Hanson, Tex Philpotts and Ian Aitcheson and drummer Ron Prudence.Initially beginning life as a Soul outfit, the band’s musical direction changed when vocalist Lane returned home to New Orleans in early 1969. Replaced by Colin Horton-Jennings (who also played guitar and flute), the band began to take on board more "progressive” influences, incorporating rock, jazz and acoustic music into their sound.An impressive live act, Greatest Show on Earth released their debut album, "Horizons” in February 1970 adorned in a startling Hipgnosis designed sleeve. The album was an excellent work featuring the ambitious eleven minute title track and "Real Cool World” which was released as a single throughout Europe, gaining some chart success on the Continent.This Esoteric Recordings reissue has been newly re-mastered from the original Harvest master tapes and features a booklet that fully restores all original album artwork with a new essay."
    $15.00
  • "This is the 1st album by a French band whose sound & compositional style are firmly rooted into Zeuhl and who features a line-up of vocals, guitar, bass, drums, synths, & flute.Vak started in 2008, centered around the prog/zeuhl compositions of drummer Vladimir Mejstelman : repetitive patterns, asymetric measures, crafted melodies and emphatic moments. After several musicians changes over the years, further influences completed the melting pot, from the rhythmic progressive metal influences reminiscent of Tool or some of Mike Patton's projects, to experiments echoing the Rock in Opposition scene, such as Guapo.Vocalist Aurelie Saintecroix does a great job, her wordless vocals strongly evoking Eskaton's early works. This first album has been recorded between 2011-2014, originally planed to be issued as 2 EPs (6 long tracks) - which never happened!Vak is currently heading towards a new kind of zeuhl with broad perspectives and influences, notably including metal & space-rock touches; a second album which will features more of this sound will hopefully be issued in 2016, but now, finally, you can hear all they have accomplished up to now!"
    $17.00
  • Fantastic second album from this Italian band. Their debut came out of left field and was a total knock out. Now with an even better second album, Pandora has climbed right up to the top of current Italian bands alongsice La Maschera Di Cera. Keyboardist Beppe Colombo pulls off every keyboard trick in the book to good effect. One moment he's going on Premoli on us and the next he's channeling Tony Banks' Mellotron and synth work. The only thing that would tip you off that you are listening to a modern band and not one from the 70s, is guitarist Christian Dimasi's tone. He is a fine player but uses a more modern approach stylistically and tonally. The album is a nice mix of instrumental and vocal pieces and climaxes with the 23 minute title track. All killer - no filler. BUY OR DIE!
    $20.00
  • Brief Nocturnes is the band's 11th album.  It marks their return to Inside Out and quite frankly its the best album they have released in a very long time.  Chalk it up to Ted Leonard handling vocals or Neal Morse contributing writing to a couple of tunes?  Not sure.  I am definitely hearing more vitality and overt progginess in the compositions.  Ryo is going off his nut here - keys are whizzing all around - organ/'tron/the whole schmear - and Alan's guitar runs are matching him step for step.  Maybe I haven't been paying attention as closely as I should have for the past few years.  I do know that I'm enjoying the hell out of this.  Highly recommended.
    $14.00
  • Third album (yeah third - I don't know why it's called IV) from this excellent Finnish prog band. Where the first album had more of a space rock sound, IV finds the band moving more towards straight ahead prog rock. They are back to being an all instrumental band and I think they are better for it. Tracks like "Imaginary Blizzard" take on a symphonic rock feel and quite vividly conjure up that Finnish prog sound - a bit cold and bleak as the song title suggests. The band does lapse into some overt Ozric-isms (I just invented a word) which just shows off another facet of the band. The violin and cello add a classical dimension and at their most evil you are reminded of Starless & Bible Black. Definitely a band that should get invited over to a stateside festival. I wouldn't be surprised to see this make many top 10 lists at year end. Highly recommended.
    $15.00
  • Produced by Billy Cobham, Forest Of Feelings is the first solo album from David Sancious, originally released in 1975.  It was recorded after his exit from the E Street Band.  Its an incredible blend of prog rock and fusion.  Its a trio format with the rhythm section held down by his former bandmate Ernest "Mad Dog" Carter on drums and Gerald Carboy on bass.  As proficient as he is as a keyboardist, most people overlook his attributes as a guitarist.  The man can play!This was briefly available on CD in 1992, and if I recall the story correctly, was withdrawn for sale due to legal threats by Mr. Sancious.  Its always been a tough disc to find.  Highly recommended.
    $18.00
  • "‘Les Fleurs du Mal’ is a conceptual album by Swedish band THERION that features only French lyrics and consists of cover versions of old French pop songs from 60-70s. THERION celebrates by "a special art project", headlining by the material, its 25 anniversary. It was also said that the album is available only during the tour and from THERION online store; it is sponsored by the only founding member, Christofer Johnsson. But you can buy it i.e. on Amazon as well. I am not going to go at length comparing THERION old and new and trying to rationalise things. The reason is simple, as this album was actually the first that caught my full attention. I start from the cover: it's full of topless females. Obviously, Charles Baudelaire's legacy is quite reminiscent there. The cover is made of a quite rich artwork of Saturno Butto, themed mainly erotic and varying from matte painting to charcoal sketches.Most of the songs here are quite short, yet powerful. Why these songs? I have at hand some lengthy explanations from the press kit, but in fact it boils to one single thing: the overall direction of French songs that are dark and telling some quite grim stories. Yet we all aware of a largely poetic language and melodic music background of French culture. Christofer has a great, fluent knowledge of musical styles and approaches, so he claims influences from King Diamond, Candlemass to folk music and ABBA. The album is beating with energy, in carries you along with its set of 15 songs performed mainly by the lead opera singer, soprano Lori Lewis.Of course I was curious about how exactly the original songs were altered. It's too much of effort to get past all these tracks, so I picked few favourites. ‘Mon amour, mon ami’ by Marie Laforet is a playful pop song, performed originally in circus-like up-tempo, but THERION specialists worked closely in order bring about the "inner darkness", toned down tempo and timbre and added traditionally "darker" music instruments such as organ - so song became indeed heavier and more minor, yet more powerful and strong. ‘Polichinelle’, performed with a cute teenage girl's voice by France Gall, is initially a pretty love ballad that relates to a Commedia dell 'arte character (note that comedian masks are worn by the naked ladies on the album booklet. (Thumbs up for the throughout conceptual work!) THERION ended up with an operetta rendering of the song, making of it somewhat of an opera house hymn, this type of sound you would expect from contemporary French musicals. Despite being one of the most experimental pieces on the album, it would be, probably, one of the most noticeable tracks.Finally, Victoire Scott's ‘Une fleur dans le coeur’ - Christofer did not like very much a feature you can hear in original, the honky-tonk (tuned-off) piano that he only describes as "dreadful". Instead, THERION interpretation is deeply lyrical, with plenty of acoustic guitar and strong soprano of Lori multiplied by the riffs you might expect from Jann Tiersen, metal additions and whole lot of different styles changing one to another. One drawback that I see is that the vocal style often remains of the same across album, so if you listen to 15 songs in a row, you might be tired a bit with the similar style. Yet the band paid enough attention to insert pleasant breaks by quest vocalists. The album sounds sound, fresh, and original and there is additional fun to compare originals to the covers." - Reflections Of Darkness
    $11.00