Rage For Order

SKU: 724358106923
Label:
EMI
Category:
Metal/Hard Rock
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Lavish 24 bit remastered reissue of this outstanding prog metal classic produced by Neil Kernon. Comes with 4 bonus tracks and extensive liner notes and photos.

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  • This is the most enjoyable Devin Townsend album I've heard in years.  Townsend definitely walks to the beat of a different drummer and is constantly confounding his listeners.  Epicloud is no different.  The album is actually catchy in a poppy way but still plenty of metal elements.  The production is purely epic in nature - reverb gone wild!  Townsend mainly sings with a clean voice but even when he dirties it up its swimming in 'verb so his voice takes on an otherworldly quality.  He's complemented by the great Anneke van Giersbergen who appears through out - mainly as a backing vocalist but at times singing lead lines.  So what we have here is something I really didn't expect - a hook filled metal album that neatly collides with dream pop.
    $12.00
  • Kindly Bent To Free Us is the long awaited third album from Cynic.  It finds the core trio of Paul Masvidal, Sean Reinert, and Sean Malone intact.  Just as Traced In Air was an evolution from Focus, so is Kindly Bent To Free Us a natural sounding progression from Traced In Air.  There is a common underlying sound which is clearly Cynic.  The music still maintains metallic and jazz roots but it serves as a foundation for a sound that owes more to prog rock.  If you are expecting Focus you will be disappointed.  This probably owes more to Porcupine Tree and Riverside as its not quite as technical as in the past, relying more on atmosphere.  But don't get me wrong, there is some unbelievable playing going on.  Once again Sean Malone demonstrates that he is the most underrated bassist in the world.  Highly recommended.
    $11.00
  • I can't speak for their later albums (since I never heard them) but the band's early work for Bellaphon was very well crafted classical progressive rock.“Pell Mell – The Entire Collection“, the complete work of Germany’s most famous classic rock band around violin devil and bandleader Thomas Schmitt is being published now like never before - in a sophisticated package bearing vaporized gold foil. The collection contains seven albums on four compact discs, five by Pell Mell and two of their follow-up Skyrider covering the complete period from 1971 until 1981 which is the era of “Deutschrock” from beginning to end. It took more than a year’s work, a lot of commitment and a great deal of energy to clear the rights, gather all tapes and material. The collection presents the original albums of symphonic rock along with their own compositions and superb singing. Both critics and audience were filled with enthusiasm by the familiar classical themes and motifs reworked by Pell Mell in their own typical style. A premiere to be heard is the “late” version of “Die Moldau” from 1981 in the correct key and tempo – which has never been released in this form because of a mistake in the first recording. Except for two parts by guest musicians, Thomas Schmitt is playing all instruments - like Mike Oldfield did in a way. A little sensation is the album “Skyrider 2” – not only has this rare gem never been released before but also marks the musical highlight of the development of the exceptional artist Thomas Schmitt. All material has been thoroughly digitally remastered. A 24 page booklet with unpublished photos and new liner notes by Cornelius Hudalla completes the package. Hudalla has not only taken great part in putting this collection together but as the former manager and producer of two of these albums possesses unsurpassed insider knowledge. We wish to stress the high value of this box and the high standards of the band Pell Mell. This CD-box has been registered by GEMA as “art” or “classical music” and is limited to 1.000 units worldwide.  CD 1 „Marburg“ & „From The New World”01. The Clown And The Queen 08:5102. Moldau 05:3003. Friend 07:1104. City Monster 08:4205. Alone 09:2606. From The New World 16:0307. Toccata 04:0408. Suite I 08:0209. Suite II 11:24      CD 2 „Rhapsody“ & „Only A Star”10. Frost Of An Alien Darkness 09:2111. Wanderer 02:3212. Can Can 03:3713. Prelude 03:1714. Desert In Your Mind 06:1715. The Riot 06:0716. Paris The Past 08:0717. Count Down 04:5218. Daydreamer 04:3419. Only A Star 04:2020. Across The Universe 06:1421. Disillusion 08:4322. Trailors In Movie Halls 03:4423. Phoebus Is Dead 07:11      CD 3 „Moldau”24. Moldau Part One 05:3525. The Farmers Wedding 03:2826. The Nymph Dance 03:1827. Moldau Part Two 07:4428. Gliding 02:4129. Dark Valley Part One 03:3230. Dark Valley Part Two 02:2331. Dark Valley Part Three 04:3332. Dark Valley Part Four 04:39      CD 4 „Skyrider” & Skyrider 2”33. On My Line I 00:1834. Skyrider 02:0835. Great Beautiful Crime 04:3036. Time Of The Season 04:0737. Written On A Granite Hill 03:5138. I Don`t Wanna Leave You Now 04:1339. On My Line II 04:0340. Up To Sky 03:0541. Love`s In My Eyes 03:4342. Save Two Birds 05:0743. Fighter Of The Sun 04:0344. Looks Like Rain 04:4245. Loadie 04:2846. Rock'n'Roll On The Highway 03:0547. Broken Harmony 06:2748. Right In Your Hands 04:3349. Song For Rosalie 03:5250. Hello Angel 03:5851. I'm In Love 03:4952. Heart On Ice 04:06
    $55.00
  • "Devin Townsend - fully 30 records into an astonishing career - has now just raised the stakes in the form of a new double album combining Ziltoid The Omniscient’s triumphant return and the follow-up to the critically acclaimed “Epicloud!” Feasting upon Z2 is akin to immersing oneself in the arcane creases of the DEVIN TOWNSEND PROJECT catalog, bludgeoning heaviness and angelic melodies living under the cathedral of Devin’s more contemplative solo vision. The effect is lush, full- range, cinematic, and expressive. Addressing the creative tension between the two discs, Devin explains “...it’s DTP...the ‘humans’ against Ziltoid, and it’s a battle of sorts...The DTP and Ziltoid side of my writing has evolved to where this statement was necessary and undoubtedly inevitable. The battle between the two seems like a great way to priced to the next chapter of my work. It’s a backdrop for something that hopefully engaging for people. I hope that the point that I’m trying to make with Ziltoid and the metaphor behind it, isn’t lost in just a sea of absurdity.” Guest musicians include Anneke Van Giersbergen (solo artist, ex-THE GATHERING) and Chris Jericho (WWE star, FOZZY) as Captain Spectacular! Also featuring the "Universal Choir", 2000 voices strong, the biggest choir on a metal record ever!"Limited edition 3CD digipak with bonus disc and special artwork.
    $20.00
  • "The UK progressive synth group known as Zoltan have been turning heads since arising in 2010 as one of the most interesting projects signed to a then-fledgling Austrian label by the name of Cineploit Records.Fast forwarding four years later, both Zoltan and Cineploit are hitting a creative stride in their partnership, as the Sixty Minute Zoom LP will strongly attest. This sophomore effort from Zoltan follows up an EP for famed British doom label Rise Above-an audio take on director Amando De Ossorio's classic Blind Dead series of horror films-as well as a Cineploit-released tribute to John Cameron's score to the equally iconic Seventies film Psychomania, while at the same time leaving nearly every prior release from the band in the proverbial dust, so epically addictive and immensely blissful is this sound.Sixty Minute Zoom takes the building blocks of influence carved from the likes of film composer Fabio Frizzi, Italian prog giants Goblin and Pittsburgh duo Zombi and erects here a monument to their own creativity and unique compositional eye. Indeed, every aspect of Sixty Minute Zoom sounds more focused, confident and actualized as keyboardist Andy Thompson, bassist/keyboardist/guitarist Matt Thompson and drummer Andrew Prestidge lock into each others' musical strengths and unleash what is most certainly the defining Zoltan release up until this point in the band's career.Highlight tracks such as "The Ossuary" pulse with a malevolent bass drone and swirling, atmospheric synth, while the album's epic, twenty minute closer "The Integral" moves effortlessly between horrifically mood-setting soundscapes and low key electronic experimentation, anchored by an absolutely amazing drum performance from Prestidge. The drummer's lock-tight groove at the thirteen minute mark through the track's sizzling finish is bested perhaps only by the subtly powerful groove Prestidge hits upon as the Thompson's growling synth stabs lift the opening movements of "The Integral" as the best soundtrack theme never featured for an Italian horror or giallo film.No hyperbole or exaggeration here: Sixty Minute Zoom demands immediate attention from electronic music fiends and Eurocult soundtrack buffs the world over, as it bucks the late year trend as one of the finest albums of 2014." - The Examiner
    $18.00
  • Limited edition reissue of 500 copies.  This is the debut release from the Scottish space rock ensemble.  This one will take you to the furthest realms of the cosmos."This album is a total revelation of sonic imagery. Across eighty minutes the listener is taken on an astronomic road trip that never once wavers in imagination or immensity." - Shindig! (Happening!)"It's Can locked in an eternal psychedelic battle with the cosmos itself, a feast of tripped-out riffage, swelling, swirling bass and juddering sonic explorations that come to a hypnogogic climax with the 40 minute sonic quicksand of Father Sky, Mother Earth." - Rock-A-Rolla"Spacial exploration rather than the psychiatric breakdown. cologne rather than altamont. There’s no hipster arched eyebrow here, no faux-intellectual exploration of unfashionable musical tropes. this is just one monstrous monged jam after another monstrous monged jam." - Cows Are Just Food
    $16.00
  • The band's fifth album was a brilliant amalgam of Beatles influenced pop and classically influenced progressive rock. I still get a rise out of hearing "Fire On High". This remastered edition comes with five bonus tracks which are a bit dispensible alternate mixes.
    $5.00
  • Part 12 of the required series of rare tracks of the German electronics pioneer!!DISC 1: "Picasso..."  is Klaus' longest composition so far. Originally it were various 1992-'93 recordings for a film soundtrack, but the film producer could not pay for it and accordingly Klaus withdrew his collaboration and his music. For the Silver Edition release I put the music in logical order. It continues on the Disc 2.The denomination of "Picasso geht spazieren" was "Picture Music in Three Movements" due to the fact that twenty years earlier Klaus invented the term "Picture Music" for one of his earliest albums. This description and name did still fit in 1993 ...especially with the variety of sampling pictures you'll hear while dear old "Picasso Takes a Walk".DISC 2: In 1995, '96, '97, '98, '99 and also in the year 2000 the more than two and a half hours long (!) "Picasso geht spazieren" was elected by the members of "The KS Circle" among the top ten of the most popular of the many KS titles, the highest position was number 3 in 1997.Words from the booklet of the original release: In terms of time, the history of Electronic Music is essentially limited to the twentieth century -in terms of a successful work inside this genre just to a handful. In terms of struggle for the new and unknown to a few, if not to just one. Though Klaus Schulze may not have the trained piano playing craft that other players outside his genre have, he gives, I think, far more poignancy, tenderness, and feeling, yes I dare to say: Soul. The truth of an artist is as simple as that: He puts his soul into his work. DISC 3: The original tape of "The Music Box" had the working title "Meditation I" first. Klaus recorded it in 1993 and gave it for free to the "Guttemplers", an institution that helps alcoholics. For the first release in Silver Edition I had given it the full title "The Music Box -Tongemälde in fis-moll" (Sound picture in F sharp minor). PS: Of course I had the famous movie in mind when I invented the title "The Music Box", yes I speak of Laurel and Hardy's only Oscar winning epos (the one with the piano up (and down) the many many steps). I did put some other Laurel and Hardy titles and references in Silver Edition. Not just KS believes that the two (and also W.C. Fields) were true geniuses, they put their souls into their work.
    $21.00
  • I'm going to get straight to the point.  If you are a fan of female fronted metal you must own this album.  The Human Contradiction is a complete triumph.  It finds the band returning a bit to their roots.  There are still poppy elements - that's part of their core sound - but there is a heaviness that will remind you of Lucidity.  Nightwish's Marco Hietala returns contributing on clean vocals. Also back is Orphanage vocalist George Oosthoek who is one of the best growlers in the metal scene.  Arch Enemy vocalist Alissa White-Gluz makes a guest appearance.Timo Somers' guitar riffs are chunkier, Charlotte's voice is impeccable as always, and Martijn's keyboards are simply epic.  The album was recorded at Studio Fredman and sounds massive.  Weaving the whole album together is a sci-fi theme borrowed from the writings of Octavia Butler.This is an album filled with a enough earworm hooks to drive you crazy but at the same time its heavy!  For my taste its a top 10 album for 2014.  BUY OR DIE!Limited edition 2CD mediabook edition.  The bonus CD contains 2 additional new studio tracks as well as live tracks and two orchestral versions of tracks from The Human Contradiction.  Essential.
    $16.00
  • I've known keyboardist Dan Pluta for a very, very long time.  I never actually got to hear him play but one evening in Pennsylvania, his quartet Carpe Nota opened a gig for Knight Area.  In this age of sampling it was refreshing to see Dan's rig - he had keyboards stacked up to the heavens and damn if he didn't play the beejezus out of them!  I was impressed to say the least.So what's Carpe Nota all about?  The are an instrumental quartet with strong roots in 70s progressive rock.  Guitarist Peter Rubinetti has a vintage sound that fits the music perfectly.  Dan is a very dexterious keyboardist.  He is clearly influenced by all the greats - Wakeman, Simonetti, and Emerson while doing his own bombastic thing.  You get serious back and forth interplay between keys and guitar.  The rhythm section of Ken Sundling and Peter Derenbecher essentially hold down the fort and get out of the way for Pluta and Rubinetti to do their high energy thing.  Knowing Dan's passion for progressive music of all kinds, it's refreshing to hear the gestation of it after all these years.  Its reflected in his music - a trip back to old school prog with the occasional contemporary flash.  If you dig the classic bands you need to check out Carpe Nota.
    $11.00
  • Michael Romeo doesn't work quickly.  The man takes his time and a new Symphony X album is ready when its been honed to perfection.  Underworld is the first new album in four years.  To get to the point its ridiculously great.  Up through V, the band were the modern agents of neoclassical/symphonic metal.  With The Odyssey the band took a left turn with Russell Allen's vocals being more agressive and a pervasive overall crunchiness, heaviness to the sound.  Perhaps a bit less symphonic sounding.  With Underworld fans of the "old style" will smile once again.  The band has found a way to balance both sides of their sound.  Its heavy but extremely melodic.  Russell's vocals are spot on and Mr. Romeo's solos have an organic flow that will sweep you through the tune.  Its a beautiful marriage of styles - not too much of either direction that the band has exhibited in the past.  Toss in a theme built around Dante's Inferno and you've totally sucked me back in to the fold.  BUY OR DIE!"A lot has happened with New Jersey-based progressive metal band SYMPHONY X since the Iconoclast album was released four years ago. Singer ‘Sir’ Russell Allen recorded and toured behind several releases with ADRENALINE MOB, toured with TRANS-SIBERIAN ORCHESTRA and recorded the album The Great Divide with ALLEN-LANDE. Bassist Mike Lepond toured with HELSTAR and released his excellent solo album under the name SILENT ASSASSINS. Keyboardist Michael Pinnella released a solo album and guitarist Michael Romeo made guest appearances on some albums. Drummer Jason Rullo battled and successfully recovered from heart failure in 2013.Four years later, SYMPHONY X delivers another fantastic album, the band sounding just as powerful as Iconoclast, and amazingly never missing a beat. Titled Underworld, it is sort of a concept album, loosely based on Dante’s epic poem Inferno. Dante’s Inferno is not a totally original topic in the metal world; ICED EARTH featured an epic song based on it on their 1995 album Burnt Offerings and SEPULTURA wrote a concept album based on it with 2006’s Dante XXI, while SYMPHONY X themselves included references to it on their 1997 album The Divine Wings Of Tragedy. Several other metal bands have also been influenced by the poem.SYMPHONY X do not follow the tale word for word, but use it more as an inspiration. Michael Romeo is quoted as saying that the album has a theme of “going to hell and back for something or someone you care about.” He also said that this album is more about “the song” instead of the album as a whole, allowing it to flow better from song to song. This doesn’t mean every song is an attempt at a single. Romeo’s intent when writing songs for Underworld was for people to be able to take in the whole album in one listening. (The total album length is just over an hour, compared to Iconoclast’s two discs that were around 83 minutes).To be honest, the last two SYMPHONY X albums, 2007’s Paradise Lost and 2011’s Iconoclast were my favorite albums released by the band so far. I refer to them as the “angry” SYMPHONY X, mainly due to Russell Allen’s vocal delivery and the aggressive music on those particular albums. So, I waited to see if we would get a third album in this same vein from SYMPHONY X. The songs on Underworld seem to alternate between prog and aggression, but for the most part, the album is not as “angry” as Iconoclast. The album strikes a perfect balance between prog and power. Some songs are aggressive without being “angry”. There are definitely more classic SYMPHONY X elements here than on recent releases.The album is much more accessible than previous albums. The songs overall are shorter (most clocking in at around the 5-6 minute mark), and more to the point than on previous albums. For example, “Kiss Of Fire” is one of the best tracks I’ve ever heard by SYMPHONY X. It immediately became a favorite of mine on this album, with the verse, “Bring down the hammer, with serious anger – It’s me against the world!” section and the chorus becoming some of my favorite moments. This song probably represents the album to me more than any other, but the album is filled with classics, such as opener “Nevermore”, a ferocious track that is aggressive in the verses, while the chorus is more melody-driven. The title track follows, with many twists, turns and speed sections. “Without You” is a standout track. With its guarded delivery by Allen and acoustic guitar flowing in the background, it is probably the mellowest moment on Underworld, but that’s not a bad thing. The chorus is the focus of the track, with Allen performing some of his best work. The song probably has the most potential as a single. Another solid track, “Charon”, named for the ferry boatman of the underworld, follows. This track has a middle-eastern flavor to it.The longest track on the album (9:24 in length) follows, the excellent “To Hell And Back”. This song has so many great parts, it’s hard to pick a particular favorite, possibly Allen’s soaring vocal on the chorus or the “on and on and on / no quarter asked, no quarter given” section. “In My Darkest Hour” follows and is another favorite of mine, featuring speed riffing parts, mixed with a melodic chorus. Allen really shines on this song. “Run With The Devil” is even more up-tempo and another one of the more accessible songs due to the chorus. “Swan Song” finds keyboardist Pinnella taking the bulk of the spotlight with his piano flourishes. The album closes with the excellent “Legend”. Allen’s aggressive pre-chorus vocals and melodic chorus vocals make this an instant classic.I believe the playing on Underworld is at another level for the band. Lepond’s bass work is spectacular throughout and Jason Rullo makes a real statement with his drum performance. Fantastic work from keyboardist Michael Pinnella and of course guitarist Michael Romeo’s amazing riffs and solos are worth the price alone. But you get more, don’t you? You get one of the best singers in metal, Sir Russell Allen, making yet another classic album even better with his voice.The album’s exquisite cover artwork (once again by illustrator Warren Flanagan) features the return of the SYMPHONY X masks, around which are eight symbols that represent the circles of hell: limbo, lust, gluttony, greed, anger, heresy, violence, and fraud. The symbol for treachery, the ninth circle, is underneath the masks, and hopefully will be revealed in full inside the album packaging.Underworld is a great album, which grew on me the more I listened to it. SYMPHONY X are masters of American prog metal, and have been for quite some time. Underworld further cements that reputation, and will undoubtedly please fans of all eras of the band." - KNAC.com 
    $14.00
  • Found a warehouse cache of these at a phenomenal price.  Check out Amazon and compare.  Only twist and its a minor one.  The DVD is PAL format but its region 0.  I don't expect anyone in North America to have any issues with it."On December 10, 2007, Led Zeppelin took the stage at London’s O2 Arena to headline a tribute concert for dear friend and Atlantic Records founder Ahmet Ertegun. What followed was a two-hour-plus tour de force of the band’s signature blues-infused rock ’n’ roll that instantly became part of the legend of Led Zeppelin. Founding members Robert Plant, Jimmy Page and John Paul Jones were joined by Jason Bonham, the son of their late drummer John Bonham, to perform 17 songs from their celebrated catalog.A film of the show, "Celebration Day", is an incredible document of the now legendary concert, which has been described as possibly the greatest rock and roll concert ever. The two hour feature length film is presented in beautiful high definition video, and stunning audio quality. The aspect ratio is 16x9. This set includes the entire concert on two CDs, as well as on DVD in 5.1 sound!"
    $11.00
  • "Welcome to Long Beach 1971, the latest album in earMUSIC’s Deep Purple reissue series that, over the last two years, has seen the release of rare live material from the band, including “Paris 1975”, “Copenhagen 1972”, “Stockholm 1970” and “Graz 1975”.Spanning over 70 minutes of music, “Long Beach 1971” has been remastered in 2014 and is going to be released on February 27th, 2015 on earMUSIC.Recorded at Long Beach Arena in Long Beach, California, on July 30, 1971, it was broadcast on radio (KUSC 91.5 FM), a showcase for a support performance to Rod Stewart and The Faces.An official release for a concert that has long been considered a landmark for the band, the set featured tracks (“Speed King” and “Child In Time”) from their fourth studio album, June 1970’s “In Rock”. This was a transitional release for the Mk II version of the band -  guitarist Ritchie Blackmore, frontman Ian Gillan, bassist Roger Glover, organ/keyboard player Jon Lord and drummer Ian Paice –, being their first hard rock affair as well as their commercial breakthrough as the third leading über-rock band of the day along with Black Sabbath and Led Zeppelin. Completing the set that day were a considerably extended version of “Mandrake Root” from their July 1968 debut album “Shades Of Deep Purple”, and “Strange Kind Of Woman”.Opening with an 11-minute long “Speed King”, the show actually starts off like a climax, with a frenzy of organ and batter of guitar and drums, before segueing into a fast and furious riff and some classic caterwauls from Ian Gillan. Next up is “Strange Kind Of Woman”. The piledriving central motif is a classic combination of rhythm and riff, the band hitting a bluesy, even funky, groove. Following is an impressive version of the Deep Purple classic “Child in Time”: it is 20 minutes of heavy action from Blackmore. If you’re not too exhausted by that, there is time for one more, and it’s a good - not to mention long - one: “Mandrake Root”, a 27-minute extrapolation of the debut album track and concert standby.All in all, the frenzy, powerful show is leaving the audience staggered, and not a little dazed, as they head towards the exit, into the warm California night, wondering what the hell just happened.Deep Purple live just happened."Tracklist1. Speed King2. Strange Kind Of Woman3. Child In Time4. Mandrake Root 
    $14.00
  • "This is the 1st album by a French band whose sound & compositional style are firmly rooted into Zeuhl and who features a line-up of vocals, guitar, bass, drums, synths, & flute.Vak started in 2008, centered around the prog/zeuhl compositions of drummer Vladimir Mejstelman : repetitive patterns, asymetric measures, crafted melodies and emphatic moments. After several musicians changes over the years, further influences completed the melting pot, from the rhythmic progressive metal influences reminiscent of Tool or some of Mike Patton's projects, to experiments echoing the Rock in Opposition scene, such as Guapo.Vocalist Aurelie Saintecroix does a great job, her wordless vocals strongly evoking Eskaton's early works. This first album has been recorded between 2011-2014, originally planed to be issued as 2 EPs (6 long tracks) - which never happened!Vak is currently heading towards a new kind of zeuhl with broad perspectives and influences, notably including metal & space-rock touches; a second album which will features more of this sound will hopefully be issued in 2016, but now, finally, you can hear all they have accomplished up to now!"
    $17.00