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SKU: 314534635
Label:
Mercury
Category:
Progressive Rock
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The band gave Terry Brown the boot as producer. Peter Collins came in and kicked the band's ass a bit. The tunes are a bit more progressive sounding but radio fodder like "The Big Money" made these guys trillions.  Remastered edition.

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  • "Retribution” is the new album from Sweden’s Nightingale, the intended one-off project that refuses to die. Established by musical multi-talent Dan Swanö almost 20 years ago, the band is proof that good music can take on a life of its own, often when the artist least expects it.Known for his work both as a producer/engineer and with metal acts Edge Of Sanity, Bloodbath, Pan-Thy-Monium and most recently Witherscape, Swanö began his unplanned Nightingale journey in 1995 with “The Breathing Shadow”. It was a one-off goth-flavoured solo album heavily reminiscent of The Sisters Of Mercy, meant to satisfy his interest in the genre and then be put quietly to bed as Swanö moved on to other projects. The album was successful enough to warrant a follow-up according to his label at the time (Black Mark), but Swanö was, as he puts it "so over the goth thing.""I thought that if I was going to make a second record it had to reflect what I was listening to at the moment. I was going through a big revival of Gamma, Foreigner, Journey and all that super melodic AOR pomp rock stuff. It was a weird turn from the first record, so I decided to make Nightingale a home for music that I write in the moment, no matter what it is."Nightingale released five more albums between '96 and '07, slowly establishing a band line-up that began with Swanö's guitarist/keyboardist brother Dag in 1996 acting as a co-producer and session player on “The Closing Chronicles”. He officially came aboard in 1998 under his Tom Nouga moniker. The band was fleshed out by bassist Erik Oskarsson and drummer Tom Björn, who had their first rehearsal with the Swanö brothers on Christmas Day 2000. “White Darkness” from 2007 could well have been the last Nightingale album, as it featured very little songwriting input from Swanö due to severe writer's block. He decided to focus on his career as an engineer and chose to make music as a hobby. His creative side won eventually, however, as the urge to write and play again became irresistible."I bought a few instruments that would inspire me, and eventually the riffs started piling up," Swanö recalls. "I was collecting them for some kind of death metal release, and the other stuff that came out ended up being what could be used for a future Nightingale record."Originally titled “Bravado” in the working stages, “Retribution” offers up 10 songs steeped in uncomplicated '70s and early '80s-flavoured rock. Tracks such as 'Chasing The Storm Away', 'Forevermore' and 'The Maze' could have easily found a home on commercial rock radio 30 years ago, yet the album is completely relevant in 2014. Fans of Swanö's heavier works that are unfamiliar with Nightingale may be surprised the simplicity of the music and the band's non-aggressive approach."It's not easy to write simple stuff that's good," Swanö points out, suggesting people take a good long listen to “Retribution” rather than dismissing it.In Swanö's estimation “Retribution” succeeds because the songs "just kind of happened." He never set out to write any specific parts; the music is in fact a result of spontaneous moments, whether it was an accidental combination of notes on a keyboard that became an opening riff ('On Stolen Wings') or an odd guitar tuning ('Warriors Of The Dawn'). On top of that, the songs were hashed out in the rehearsal room before the band went into the studio, resulting in major changes to some of the music as it developed."When I listen to the record I don't want to have any regrets," explains Swanö. "There's no point in releasing a new Nightingale record if I don't think it's the best we ever did. That a pretty high standard to have, but if I don't feel that way when I listen to it the moment it's ready, it's got nothing to do with our back catalogue. That's the way I've felt with every record."Asked to sum up what “Retribution” means to him with regards to Nightingale's legacy, Swanö offers the following: "Classic rock with that pomp attitude really inspired me. I just wanted a good production that could hold up well against a band like Alter Bridge but still have a bit of the sonic charisma of the records from '79, which was a great year for music. The target was to make a timeless record with good, classy songs that the four of us can agree are really cool."Nightingale’s “Retribution” comes packaged in beautiful artwork courtesy of Travis Smith (Opeth, Nevermore, Katatonia, etc.) and should equally appeal to open-minded atmospheric metal and also to melodic prog rock supporters into bands like Rush, Marillion, Styx, Kansas, The Mission, Queensryche, Enchant, Threshold, Arena oreven Opeth and Katatonia."
    $13.00
  • Its been some time since Michael Harris' Thought Chamber project made its debut.  The band consists of Michael Harris (guitars), Ted Leonard (vocals), Bill Jenkins (keys), Jeff Plant (bass), and Mike Haid (drums).  Ted Leonard and Bill Jenkins will be familiar to you from their membership in Enchant (Ted is also fronting Spock's Beard now).Psykerion is a sci-fi cybermetal concept album.  Harris plays with a lot of restraint compared to some of his solo albums.  In fact I would classify it as tasteful.  Leonard is one of the best vocalists in prog and he doesn't disappoint.  Lots of solos flying around on guitar and keys but it maintains a melodic integrity through out.  Hopefully we don't have to wait another 7 years for the follow up.  Highly recommended.
    $12.00
  • "Some four years ago Borealis released their Fall From Grace, and my conclusion was simple. They presented adequate, yet typical, melodic European power metal just misplaced in Canada. To the present, it seems things may have changed, even improved, for the band for their third album, Purgatory.Yet, I'm not sure I want to get ahead of myself here. One spin and you hear echoes of previous material: riff heavy and intense, speedy power metal. As Mets manager Yogi Berra once said, "It's deja vu all over again." Actually, for my money, you could boil this album down to two things: blistering power metal and lots of epic guitar solos. Now, you say: "Dude, I love that shit!" Okay. Stop reading and go buy the album.But there's more. The keyboards seem more present, even adding a large portion symphonic orchestration to add to Borealis' naturally bombastic sound. Take note of My Peace, for example. Also, and not knowing who the principal guitarist is, Matt Marinelli or Mike Briguglio, the guitar lines are phenomenal. Forget the twin bombastic riffs, the leads are killer: soaring to the wow factor. Additionally, the arrangements are more dynamic; the progressive metal has gotten a bump here over the last album. Yet, this is not a hyper-technical leap. It's more changes in tempo and breakdowns. You'll catch some of this within Place Of Darkness or Welcome To Eternity. The latter also a good example, in the second half, of Borealis adding some thrash metal to overwhelm you.The wild card in this mixture is vocalist Matt Marinelli. I would like to say he can sing, and I think he can. But he's so often totally overwhelmed by the music to be nearly underwater. He's seems always striving and straining to stay ahead or, to continue the metaphor, stay above the music. Then you find out he has a generally pleasing voice and presence when you listen to Darkest Sin or Rest My Child, the two quietest songs here. I would imagine when you hear Borealis live, you'll have a Pink Floyd moment, from The Wall, when observing Marinelli: "Your lips move but I can't hear what you're saying." Nevertheless, Purgatory is definitely an advancement for Borealis, a fine album of more ambitious progressive power metal than past efforts. Recommended." - Dangerdog.com
    $15.00
  • Killer retro-prog from Norway laced with strong elements of doom metal.  This band is an offshoot from the outrageous Procosmian Fannyfiddlers, a rather bizarre band that created a rather unique, expletive drenched form of burlesque prog.  This is something totally different and a hell of a lot better.  Highly recommended."Abandoned By The Sun’ is a non-linear narrative, its focal point being the dubious disappearance of a 15-year old girl, her disappearance securing a downward spiral and a grave ripple effect that threatens to ruin the lives of everyone close to her. The idea projected is that nothing can be worse than to lose someone dear without getting any answers.Opening track, ‘Sudden Dereliction’, establishes a link to the previous record and the album’s finale, ‘Finite’, offers a glimpse of what really happened that fatal day, though leaving the listeners sufficient interpretive space to make up their own minds. In-between these bookends, the music moves in multiple, unexpected directions, showcasing great melody lines, and a high degree of diversity, underlining the sadness and despair of the libretto’s protagonists.On ‘Abandoned By The Sun’, Mater Thallium explore the inter-human mechanisms at work when a person vanishes without a trace.This is old-school heavy progressive rock, with a twist of doom, topped with flourishes of Scandinavian folk music." 
    $17.00
  • The third and final album of the Blackmore/Dio marriage was a fine one. "Gates Of Babylon" and "Kill The King" and the title track are now timeless classics of hard rock.
    $5.00
  • "A more ruminative effort than Sanguine Hum’s well-regarded 2010 debut, The Weight of the World is post-prog in both the most “post” and the most “prog” sense of the words.Recorded at Evolution studios in Oxford, The Weight of the World finds Joff Winks, Matt Baber, Brad Waissman and Andrew Booker absorbing, and then brilliantly modifying, some of the best of what’s come before, imbuing The Weight of the World with the impressive gravitas of very familiar antecedent influences.For instance, dreamscape reminiscences associated with Radiohead (“System For Solution”) find a home here. There are whispers of Steven Wilson (“From The Ground Up”), too. You’ll recall the wonders of Gentle Giant (“Phosfor”), and the mesmerizing sound collages of Boards of Canada (“Day of Release”), as well. Yet, on free-form, ambient-meets-jazz-meets-math rock moments like “In Code,” Sanguine Hum never sounds like anything so much as itself.That holds true even when the band swerves into the murkier waters of epic songcraft, though — like much of this project — the title track takes shape slowly, or at least more slowly than Diving Bell. As it does, however, there is a lot to recommend about The Weight of the World — so much that reveals itself, so much that rewards repeated listenings.Even as its most complex, Sanguine Hum retains an approachability that steers these proceedings well away from any polyester-era excesses. In other words, The Weight of the World remains all proggy, but also all post-y — in the very smartest of ways." - Something Else! Reviews
    $15.00
  • "First Alcoholocaust and now Narcotica. Sense a theme? No wonder the two members of Invisigoth — Cage on all instruments and Viggo Domino on all vocals — call this their "headphone record." And while hearing it under the influence of something might enhance the listening experience, it's already pretty potent.More melodic and less gothic than its predecessor, Narcotica presents nine songs that echo Peter Gabriel, Pink Floyd, Porcupine Tree and the Flower Kings while still retaining their originality. This is tough music to slot into any neat category, making for adventurous and rewarding listening. Five shorter pieces — including the groovy rocker "Scars and Dust" and the seductive, thought-provoking "Pornocopia" — allow Domino to stretch his voice and Cage to work within more structured musical settings. Those songs are sandwiched between a four-part epic called "Dark Highway." Two parts each begin and end the album, and they each average about 10 minutes, pulsing with Middle-Eastern swirls, symphonic elements and dramatic sonic imagery, The entire piece easily is this duo's most ambitious work, brought down only slightly by some strange spoken-word passages.Taken as a whole, Narcotica emerges as a moody and textured album. It's at once complex and accessible, dense and sparse at the same time, and wholly intoxicating." - Sea Of Tranquility
    $3.00
  • "Man's first classic album for liberty / ua - now 24-bit re-mastered from the original master tapes with previously unreleased bonus track. Man's importance in the history of welsh rock music cannot be understated. Fusing the worlds of Psychedelia, Blues, Rock and Roll and west coast inspired Rock, They were simply one of Britain's most original groups of the 1970's. Recording a series of classic albums for Liberty / United Artists, Man, along with label-mates Hawkwind, were true champions of the "underground" spirit. Esoteric recordings are proud to undertake the reissuing of man's entire legacy for united artists beginning with their debut for the label released in march 1971. The reissue features a previously unreleased 17 minute bonus track and liner notes exclusively penned by man guitarist and raconteur Deke Leonard. The time is right to re- experience the musical ages of man!"
    $18.00
  • A lifetime ago The Laser's Edge reissued this fine offshoot from Circus.  Its been out of print for years and has now been resurrected by Belle Antique.Blue Motion consisted of Fritz Hauser (drums/percussion), Stephan Greider (keys), and Stephan Ammann (keys).  This was one of the first (if not the first) digital recordings made in Switzerland.  With little to no overdubs, the recording has a live, spacious feel.  The two keyboardists play off of one another in dizzying fashion - it can become hypnotic at times.  Bosendorfer Imperial grand piano, ARP Quadra, Hammond C3, Fender Rhodes, and Hohner Clavinet was their arsenal and they played the hell out of them.  Hauser is an exemplary percussionist and he never gets lost in the fray.  Parts of this may actually remind you of ELP a little bit...but just a little bit.  Highly recommended.
    $34.00
  • ONE OF A KIND TITLE FROM THE LASER'S EDGE ARCHIVE"Focus here featured virtuoso guitarist Jan Akkerman for the last time, not to work with his long-term writing partner Thijs Van Leer for another ten years. Mother Focus also sees Focus' highly skilled bass player Bert Ruiter try his hand in songwriting. The outcome includes the one of the finest funk tracks on the album -- the hilarious "I Need a Bathroom." The album begins with quite possibly the finest track on the album -- and maybe the most typical Focus -- the titular "Mother Focus." The funky theme underlying the number sets the mood for the rest of the LP with aplomb. Indeed, Mother Focus is far from the usual instrumental material. For this reason, Mother Focus may not appeal to the usual fans of the Dutch proggers. The number of feel-good tunes making up the album's core makes up for the lack of a rocking single in the style of "Hocus Pocus." A mellower, happier aura permeates the recording as a whole, particularly noticeable in the soothing "Tropic Bird." Undoubtedly, though, Mother Focus is let down by the lack of Akkerman's and Thijs' presence. The whole album cries out for one of them to jump out and take center stage for a while. Instead each track is filled with numerous melodies and rhythms, with only the occasional jaunt from Akkerman. Mother Focus is a fine album in its own right, but maybe not what one would be expecting when taking into account the progressive rock features of their earlier albums. Funk predominates in the last respectable Focus LP. RIP Focus." - ALLMUSICNOTE: Dutch Red Bullet pressing - long out of print
    $17.00
  • "Most progressive music fans will recognize guitarist John Wesley from his work as touring member with Porcupine Tree over the last several albums. Yet, Wesley also has an extensive solo collection as well, and he expands it with his sixth album, Disconnect.The album is defined by one singular element, Wesley's guitar playing. Disconnect is definitely a guitar driven prog record. His playing evokes the styles of David Gilmour, Alex Lifeson, Steve Wilson, and maybe even some Jeff Beck. (Lifeson guests on Once A Warrior.) Wesley's sound on many songs is generally sharp and high-pitched as with Once A Warrior, sometimes sounding psychedelic as within Disconnect, and then kinetic, yet muted, within Take What You Need.There's a lot of weight to many songs as well, definitely tipping the album towards progressive metal. When a song does appear to be somewhat lighter at the start, like Gets You Everytime or Mary Will, Wesley jumps in with those slashing guitar licks to slice your ears into tiny little pieces, like stir fry vegetables. If there is a drawback to the album at all, it's that the slashing sharpness of the guitar is pervasive and can get more than a little shrill at times. But there are some lighter pieces here, namely Window and more so Satellite, where Wesley dials up some acoustic guitar in the mix.Briefly, the other significant element here is Wesley's vocals. He has a great melodic voice, emotive and passionate at times, and definitely pleasing. With guitar in hand, a strong voice, and creative compositions, John Wesley has delivered another fine album with Disconnect. Easily recommended." - Dangerdog.com
    $10.00
  • New edition arrives in a fancy super jewel box. The album has been remixed and remastered by Steven Wilson in 5.1 surround. The 5.1 DVD-Audio disc also features 2 bonus tracks taken from these sessions as well as a video clip.
    $15.00
  • Full length debut from this excellent UK based djent metal band. Led by the clean/scream vocals of Dan Tompkins, Tesseract effortlessly balances melody with technicality. Similar in nature to Periphery but with MUCH better vocals. This special edition comes with a bonus DVD that features them performing Concealing Fate live in the studio as well as band interviews, road footage, and more. Highly recommended.
    $14.00
  • Remastered edition of the long out of print one-off band. It's a short one but a classic. Festa Mobile was actually a precursor to Il Baricentro. While they never displayed that band's pyrotechic fusion leanings, they did have some subtle jazz overtones but a classical influence dominated. The music is dominated by virtuoso piano runs and fuzzed out guitar leads. Gorgeous disc.
    $16.00