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  • "At Vance have been around since 1998, and since then they have started have released 8 albums and 2 compilations, and they are now about to release “Facing Your Enemy”.The current line up consist of guitarist and original founding member Olaf Lenk, vocalist Rick Altzi, bassist “Wolfman” Black and Drummer Alex Landenburg.“Heaven Is Calling” kicks off this album, the galloping beat accompanied by technical guitar riffs and powerful vocals lead the listener into the album and gives just a small idea as to what the rest of the album will be like.“Facing Your Enemy”, the title track on this album, starts with an almost industrial feel before the guitars then begin their chorus and the vocals kick in and a truly powerful song is born. A power ballad that makes you want to raise your glass to the sky and sing along. You can see why they chose this song as the title track.“Eyes Of A Stranger” jumps into gear with opening riffs reminiscent of “Suicide Solution” by Ozzy Osbourne, before heading straight to their roots that is power metal, reminding you of fellow bands Primal Fear and Angels Of Babylon. This song leads perfectly into “Fear No Evil” which slows the pace but includes strong vocal lead choruses.“Live and Learn” explodes through the speakers, once again with a heavy Ozzy sounding opening riff, a voice pierces through the guitars and another great song takes hold. “Don’t Dream” and “Seeing Me Crying” are the two slowest songs on the album and lulls the listener into a false sense of security because when “Saviour” kicks in with traditional power metal the listener is rocked to the foundation.“Tokyo” takes you away on a helicopter ride, with synth, panpipes and a tale of falling in love with a Japanese girl. This is certainly a love song with a difference. An AOR sounding song that still fits in perfectly on this album. We are then met with “March of the Dwarf” which is the only instrumental on this album, but shows off the talents of the guitarist, bassist and the drummer.At Vance don’t stay away from power metal for long when “Fame and Fortune” bursts into life. We are then sadly come to the last song on the album “Things I Never Needed”. It is a definite contrast to anything else on this album. A slow, acoustic song it really does show the versatility of these talented musicians.It’s not hard to see why this band is still around and still going strong, and I for one cannot wait to see what their next album has in store." - Planet Mosh
    $15.00
  • Mind Colours is the debut album from this instrumental Italian quartet.  The band features the former guitarist and keyboardist from The Watch - Ettore Salati and Fabio Mancini.  While there may be some traces of fusion around the perifery, Soulengine's stock in trade is symphonic progressive rock.  Salati's leads are very fluid, reminding a bit of Steve Hackett (not surprising).  Mancini contributes Hammond organ, analog synths and of course Mellotron.  There are stretches where you will feel transported back to the 70s listening to a Genesis jam session.  Very nicely done.  Highly recommended.
    $16.00
  • Epica finally releases a live set and in typical fashion its nothing short of over the top and immaculate. The performance was recorded as part of the Bartok + Miskolc International Opera Festival in Miskolc, Hungary on 6/14/08. The set starts out a bit weird...the orchestra starts off with some classical pieces and then they are joined by the band who kick in and energize these warhorse tracks. They even do some oddball covers of movie soundtrack music. Finally Simone Simons takes the stage and the band soars through a selection of material from their catalog - all with the backing of the orchestra. I don't think there is a DVD planned although I wish there was - this must have been a sight to see. Once again Epica are EPIC! Highest recommendation.
    $16.00
  • Not sure what needs to be said about this album - I get weepy eyed just thinking about the first time I heard it. One of the greatest progressive rock albums of all time - residing in my all time top 10. The best album Pink Floyd never made. Extraordinary, expansive space rock journeys that will transport you to another place and time. This long awaited remaster comes with two non-lp bonus cuts: "Child Migration" and "Let The Sun Rise In My Brain". Essential listening!!!Please note this disc incorporates EMI copy control technology which seems to allow you to do whatever it is you would normally do with a CD but you can't rip it. Bummer.
    $13.00
  • "After CYNTHESIS and its amazing second recording, the pertinently titled album, “ReEvolution”, the ultra talented Californian geminis Brothers, Troy & Jasun Tipton (ex ZERO HOUR), are back with another chapter in their instrumental project discography…ABNORMAL THOUGHT PATTERNS and once again the expansion of their genuine style and the maturated development is terrific, the release date is set for late June…The band broad universe is so extended that the term "limitless" seems underrated and non-representative of their extraordinary and unstoppable musical dominion!The young Guitar God Jasun Tipton, owner of a great fat tone, perform in his finest way as you would have expected, fluid, majestic and without effort (“Blindsight”), quite easy to understand why this man is worshiped by Guitar enthusiasts everywhere, but more than ever, it seems that his brother the Bass maestro Troy Tipton takes a even bigger role, while playing his typical two hand tapping licks, also some more ambitious melodic lines and sharing some hallucinating unison amazing arpeggios between Bass & Guitar (“Distortions Of Perception”)!This instrumental trio is apparently becoming a quartet with the recruit guitarist Richard Shardman, still featuring the former ex ZERO HOUR's drums expert Mike Guy (ex DEATH MACHINE), is providing everything, from stripped down ambiance to a flurry Shredding parts (“Delusions”), in a complementary unreal association, a syncronization similar to something that is identical to the special and unique twin brothers spirit/relationship (“Subliminal Perception”).The Bass guitar realm of low frequencies is honored with the superb track “Synesthesia” (An awareness of synesthetic perceptions that varies from person to another with confusion of colors/numbers and shapes, born from a neurological phenomenon that leads involuntary experiences in a second sensory or cognitive pathway to a disinhibited feedback triggered by specific sounds) where Troy is duelling with two other Bass monsters, namely the legendary Fretless player Michael Manring and the criminally undervalued John Onder (remember the great Shrapnel’s releases like “Infra Blue” by Joey Tafffola (???)/”Extreme Measures” by Vitalij Kuprij or 2000’s “Machine” by ARTENSION and even MSG’s “Adventures Of The Imagination”) another patented mix of elusive etheral soft moments that develops before entering again in a frenzy of note under a Neo-Classical style, built in total opposition with the hypnotic middle break in a new age approach!To prove their absolute artistic freedom ABNORMAL THOUGHT PATTERNS dare to break the all instrumental rules by adding some harsh lead vocals performed by the BETWEEN THE BURIED AND ME singer Mike Rodgers, in the detuned “Nocturnal Haven”…But at the slot N°6 they offer us another superb rendition of the same theme, but this time in a fully instrumental version with some additional solo spots by Canadian citizen Tim Roth from INTO ETERNITY, however both tracks contains some lava sweeping avalanche by seven strings rising star Jeff Loomis (ARCH ENEMY/ex SANCTURAY/ex NEVERMORE)!While their latest CD “Manipulation Under Anesthesia” was more extreme and ferocious than hell, pushing the intricacy at the maximum with some almost bio-mechanism rhythmic method and improving in the ultra-hi-tech reaches onto stellar and virgin territories: “Altered States Of Consciousness” is a concept album centered around neurobiologic sensations, in coherence it's a more enriched atmospheric disc, more spacey, groovy, layered with organic textures and full of emotional sequence, with still plenty of sudden bursting of agressive triplets-staccatto-trick, but clearly more accessible and not restricted to please a bunch of Guitar-Fretboard geeks, obviously the talent and the technical ability of the virtuoso musicians involved here, is still head and shoulders up above the level of the average new generation of Prog Metallers…The abnormal musical thoughts are welcome!" - Metal Temple
    $15.00
  • Blazing second solo album, from 1977. This has some of the fastest guitarwork you will ever hear in your lifetime. DiMeola shows many facets to his playing touching upon pure electric fusion as well as gorgeous acoustic work. The acoustic duet with Paco De Lucia on "Mediterranean Sundance" is breathtaking. Jan Hammer and all the other stars play their nuts off here. Great.
    $7.50
  • "Esoteric Recordings are proud to announce the release of a newly re-mastered and expanded edition of the classic 1969 album A SALTY DOG by PROCOL HARUM. Released in June 1969, the record followed on from the huge international success of the band’s debut single "A Whiter Shade of Pale” and the follow up single "Homburg” and the superb albums PROCOL HARUM and SHINE ON BRIGHTLY.  One of the finest releases of the era "A Salty Dog” saw the exquisite song writing of Gary Brooker and Keith Reid honed to perfection on highlights such as the album’s title track, "The Devil Came From Kansas”, "Wreck of the Hesperus”, "The Milk of Human Kindness” and more.  Recorded at Abbey Road studios, the album captured the excellence of the musicians in the group, namely Gary Brooker (voice, piano), Robin Trower (lead guitar), David Knights (bass guitar), B.J. Wilson (drums) and Matthew Fisher (Hammond organ).Newly re-mastered from the original tapes, this Deluxe edition of "A Salty Dog” has been expanded to include 12 bonus tracks (5 previously unreleased) over two CDs, including the mono single mix of the title track and its non-album B-side; an early take of ‘The Milk Of Human Kindness’, plus five previously unreleased tracks from BBC Radio sessions from October 1968 & May 1969 along with four live tracks recorded in the USA in April 1969.This expanded deluxe edition of "A Salty Dog” also includes a lavishly illustrated booklet that fully restores the original album artwork and features a new essay by Procol Harum biographer Henry Scott-Irvine"
    $18.00
  • "It is summer and it's hot in California. For the recording musician it means that air conditioners are causing problems and are generally too loud. So, the musician can either sit on their ass and do nothing or simply switch gears and record an album with sounds that are louder than the air conditioners. This is what Henning Pauly decided to do when he realized that moving on to his rock-opera "Babysteps" was not possible right now. He called up the singer of the new band of his bandmates from Chain, Transmission, in Germany and asked if he was available. Juan Roos immediately said yes to the project, but he only had a two week window and it was two weeks from that phone call. Henning loves deadlines and so he started writing to have the album written and recorded, minus vocals, within two weeks.Henning describes Juan's voice as a perfect blend between Geoff Tate and David Coverdale: "Juan can give you the high stuff, but he can also be really raspy and rocky...his voice just kicks you square in the nuts!"Because of the very limited time frame for the conception and production of "Credit where credit is due" Henning asked his proven writing team to join in when it comes to lyrics and melodies, so Matt Cash is on board again, as are Edward Heppenstall and Jason McSheehy. Several songs on the album loosely deal with the world of rockstars, scandals and getting credit for what one has done. No need, really, to point out here that everyone involved will get credit where credit is due.The music is loud, heavy and realism has been shoved behind production value on the list of priorities. Heavy Industrial Drum sounds are interspersed with acoustic sets. The banjo finds its way into metal again and sometimes you can draw clear parallels to the work of Trent Reznor and Marylin Manson. There's more to it than just that, but the production is clearly more modern than anything Henning is done so far.This CD was about having fun with music and production and it gives Henning a chance to be back in the studio and have fun doing what he loves the most...making music, not talking about it."
    $3.00
  • Second album from Greece's answer to Joe Stump. Mike Dimareli is a neoclassical shredder that can keep up with the best of 'em. No idea what the Artical thing means but apparently it's part of the group name. Luckily this isn't an instrumental album - Dimareli saw fit to enlist Phantom Lord vocalist Bill Aksiotis who acquits himself nicely. Firewind keyboardist Bob Katsionis is on board offering his fair share of pyrotechnics as well. I thought shred was dead but apparently not.
    $14.00
  • "In October of 2012, Motorpsycho entered Brygga Studio in Trondheim for the first time in many, many moons -- this being the studio where they recorded a few of their first albums some 20 years ago -- the vibes were good, and the music happened like it was supposed to. As this was the first time in quite a while that the band recorded stand-alone songs -- as opposed to pieces connected by a concept or a narrative -- it felt quite odd working in this way again, but it was also a refreshing approach that highlighted other aspects of their work that perhaps had been ignored over the last few years. In the end, it still very much felt like Motorpsycho music, albeit with a twist: for three days of the two-week session, the core trio was augmented by guitarist Reine Fiske. Best-known for his work in Swedish psych-combos Dungen and The Amazing, Reine is an old acquaintance of the band, and his recent exploits with Ståle Storløkken's Elephant9 made the pairing seem like a potentially interesting one for Motorpsycho as well. It's always good to have a wild card and someone from the outside to mirror your work, and the fruits of Reine's involvement, as presented on this album, speak for themselves: his finger-picking dexterity on the acoustic guitar provides both "Barleycorn" and the old Love chestnut "August" with a solid organic bed for the musical escapades of the other three, and on "The Afterglow," his tasteful guitar shadings and mellotron work adds immensely to the mood of the song. But it's on "Ratcatcher" that his talents shine the best: he slips right in there, and proceeds to glue Snah's lead guitar and Bent's "lead bass" together in a different way than heard before, adding light and shade and splashes of color to the musical repartee, but never getting in the way or hogging center stage in an unwelcome fashion. It's the work of a musician with huge ears and an uncanny musical insight."
    $18.00
  • "Fortunately, part four of the quadrilogy, the blissfully laidback Ghost, will provide the perfect rest and recuperation at the end of that torrid ordeal.“Deconstruction is a complicated album. It’s got elements of Strapping without all the nihilistic, suicidal tendencies. For the people who want a heavy statement that’s very complicated, I think it’s gonna be the “be all, end all”. However, Ghost is a much more risky record on a lot of levels. It’s a really beautiful, folky, acoustic record with flutes and a real peaceful sentiment. I really like subtlety. That’s why I love Ghost so much. Deconstruction is about as subtle as a boner in sweatpants and that’s great too!”"
    $15.00
  • "Maxi Nil (ex Visions of Atlantis) and Raphael Saini (ex Iced Earth) after touring the world and captivating audiences along the way, decided to join forces and re enter the music world as Jaded Star!Exploding with energy, experience and drive the band's debut album "Memories From The Future" is ready.Produced by Maxi Nil, mixed and mastered by Fredrik Nordstrom at the legendary Fredman Studios in Sweden, this album showcases Maxi's electrifying vocals and the masterful drum work Saini is known for.Guitar hero Kosta Vreto with his unique finger strumming style, eschews the plectrum in favor of a raw, organic sound that literally comes straight through his hands. Babis Nikou on the bass brings a solid foundation and the chemistry between he and Maxi as the song writing team provides emotion to match the power of the sound.The elements are there, the forces have aligned, the Jaded Star is ready to shine!" 
    $5.00
  • By now everyone knows that Cherry Five was the precursor to Goblin before they signed with Cinevox.  Original drummer Carlo Bordini (of Rustichelli - Bordini fame) and vocalist Tony Tartarini have formed a new version of the band.  Bordini and Tartarini have enlisted Taproban keyboardist Gianluca De Rossi and rounded out the lineup with Ludovico Piccinini (guitar) and Pino Sallusti (bass).So the obvious question is - how is it?  Its a two part answer.  First off its 40 years since the first Cherry Red album was recorded.  This sounds nothing at all like Cherry Red or Goblin.  Tartarini sings in Italian and the music doesn't have the Yes vibe that the original lineup had.  But the second part is actually good news.  The music is a three part conceptual work with epic length tracks.  This fits right into the RPI ("Rock Progressivo Italiano" for those that don't know) vein.  Like his work with the terribly underrated Taproban, De Rossi is the focal point of the band's sound.  Piccinini's guitar tone is a bit modern sounding for the vibe they are trying for but its got a dark energy that fits in well with the keys.  This one's going to be a grower and an easy recommendation.
    $16.00
  • Stunning reissue of the first Et Cetera album, originally released on the Global Music label. Et Cetera sported quite a lineup - Wolfgang Dauner (keyboards), Sigi Schwab (guitar, sitar, flute, etc), Eberhard Weber (bass, cello), Fred Braceful (percussion), and Roland Wittich (percussion). The music could almost be described as psychedelic jazz. Many of these members had backgrounds in free jazz/experimental music. This is a cohesive effort but their past as improv players shines through from time to time. Dauner and Schwab love to use a ring modulator and everyone seems to figure out a way to invent some freaked out noises. In fact Dauner's use of the ring modulator reminds a bit of Dave Stewart in National Health. Schwab's use of various stringed instruments brings a different dimension to jazz rock that you never hear. When was the last time you heard a fusion album with sitar, lute, tamubra, and kalimba? While this first effort doesn't hit the heights that they would attain on later albums like Rischka's Soul and Knirsch, its a pretty interesting foreshadowing of things to come. Essential!"This special limited edition contains the original Et Cetera's eponymous "silver cover" album (1980 reissue on Brain titled "Lady Blue"), originally released in 1971 on Global Records and another complete LP of recordings from the same recording session. This is an extraordinary album of weirdly trippy fusion that rides somewhere between instrumental Amon Duul II, Embryo and Dauners own earlier classic "Output". Full of ethnic (Arabic and Indian) spice with lots of the ethnic colour added by legendary guitar and sitar (et. al.) player Sigi Schwab (Embryo), oddly keyboard sounds by Wolfgang Dauner, dreamy bass patterns by Eberhard Weber and driving percussions by Fred Braceful and Roland Wittich, this is spacy, crazy, Krautrock and - a bit jazzy. Alan and Steven Freeman (The Crack In The Cosmic Egg) present this album in their "The Krautrock Top 100". Maybe the album was originally planned as a double-album because there are 4 more titles from the same recording session, which really knock you out. "Kabul" (08:56) (title-name is program) is a killer, especially because of Schwabs exploding electric guitar and Webers driving bass. "Tau Ceti" (07:15) is a wonderful dreamy delight presenting Schwabs gorgeous acoustic guitar playing. Further bonus track "Behind The Stage" (06:35) connects Schwabs special electric guitar with a band atmospheric but rhythmic fundamental play. "An Open Cans" (not an the CD-Version, for the first time ever released) is a 12:35 minute piece full of experimentation and reminds sometimes to album track "Lady Blue". This album will be a masterpiece for all time. Its unique. Remastered from the original master tapes. The sound is brilliant. Double Album comes with informative four-sided insert and a reproduction of the original album (silver cover) sleeve art. Limited edition of 1000."
    $45.00