Original Album Classics (3CD)

SKU: 886919016321
Label:
Sony Music
Category:
Progressive Rock
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Slipcase budget priced collection of the first three Journey albums.  This is the really awesome pre-Steve Perry jazz rock proggy stuff.

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  • Nekropolis is the band led by German multi-instrumentalist Peter Frohmader.  This is an ensemble recording from 1981.  The music of Nekropolis is dark and evil.  It touches on electronic, ambient, and progressive rock.  Its guaranteed to give you nightmares and break your lease.
    $9.00
  • Ninth studio album from the kings of death prog. Opeth are the masters at creating melancholy moods and juggling complex prog rock with death metal. Not afraid to wear their influences on their sleeves, they make musical references to Deep Purple, Camel, and Mellow Candle but infuse it with something modern and stupifyingly heavy. Mikael Akerfeldt has found a good balance of clean/death vocals that serves the music well. Highly recommended.
    $12.00
  • The Nektar catalog is now being bounced around like a ping pong ball.  This is now the third version that Cleopatra has made available.  Beyond the original classic album you get a bonus disc which features a large portion of the Academy Of Music 1974 show.
    $15.00
  • New edition housed in a mini-lp sleeve."Vita sul pianeta" is a concept album released in 1973 by Car Juke-Box record label - the same of the first Le Orme's LP's - and recorded by Laser, a five-piece band from Rome previously named "Il Laser di Elvezio Sbardella" after their founder's name.Even if most people is interested in the album because it is extremely rare - one of the rarest ones in the Italian progressive rock field, printed in few hundred copies - music has to be re-estimated here, especially if we consider that the LP was recorded with a very limited budget and in just one take. Music is really varied, a hard rock guitar and keyboard-based, with hints of beat and blues.The band sadly split up right after the release of "Vita sul pianeta", due to the lack of support from the record label and the keyboard player leaving to join the military service. Very difficult to find also in its 2000 reissue, the album is now available again as a papersleeve CD and vinyl replica."
    $15.00
  • One of my favorite UK prog albums of the 70s. Web was led by keyboardist Dave Lawson who later went on to play with Greenslade. Web's lineup consisted of keys, two drummers/percussionists, sax/flute, guitar and bass. At the time the band was considered "jazz rock" and there are some jazz underpinnings that are somewhat Canterbury-ish but I would just as soon classify this as progressive rock. Lawson plays a variety of keys including piano and Mellotron but its primarily his organ work is what really stands out. This new edition comes from the original master tapes, has two great live tracks from 1971 that were pilfered from the Swedish Radio archives. Dave Lawson contributed the liner notes. Highly recommended.
    $17.00
  • One of the rarest and most sought after US prog albums of the 70s finally sees a legit release. Victor Peraino was the last keyboardist in Arthur Brown's Kingdom Come. When that band dissolved he used the name for his new band. While his vocals leave something to be desired his keyboard work does not. This one is a real pyrotechnic display with Mellotron, ARP, Moog, Hammond B3, and Putney VCS3 all used to good effect. As a bonus you get 4 tracks from his 1981 "Were Next" EP).
    $16.00
  • "Virus' debut is one of those albums that perfectly defines the Krautrock genre as we know it today. It's a mix of psychedelic, hard rock, and that secret ingredient, one that is only whispered about in the dark halls of the murky and mysterious underground. An underground that is hard to describe, but you know you're there when you hear it. And when you hear it, you say "that's Krautrock!". Sure, the title track includes The Rolling Stones' 'Paint it Black', a song that I might add, would itself be a blueprint for all things European psychedelic underground with its Eastern jam cycle motif. If you're looking for loud acid guitar, flute, and jamming organ with tribal drumming, plus stoned vocals - and you haven't heard Virus' "Revelation" - then let me be the first to tell you that you have come to the right place. And the album gets freakier as it goes, so that by the time you get to 'Hungry Looser' (sic - and finally spelled right on the GoD CD), and especially 'Nur noch Zwei Lichtjahre' with its foreboding German narration, then you know you have found ground zero for the entire zeitgeist. This isn't the cosmic Krautrock wing of Ash Ra Tempel or Guru Guru, but if you're looking for the hard rock portion of the Krautrock house, then you found it here. Congratulations on your new baby.The two tracks appended onto the later CD's, from the 1970 45 single, are also worthy and similar in style." - Tom Hayes/Unencumbered Music Reviews
    $21.00
  • Second album, from 1970, by this great British psych/proto-prog band led by guitarist Tony Hill. Kind of a shame that Hill never became anything other than a cult figure because he was a lethal player - as good as any other popular guitar God of the day. Comes with 4 unreleased bonus tracks.
    $17.00
  • "Nefertiti, the fourth album by Miles Davis' second classic quintet, continues the forward motion of Sorcerer, as the group settles into a low-key, exploratory groove, offering music with recognizable themes -- but themes that were deliberately dissonant, slightly unsettling even as they burrowed their way into the consciousness. In a sense, this is mood music, since, like on much of Sorcerer, the individual parts mesh in unpredictable ways, creating evocative, floating soundscapes. This music anticipates the free-fall, impressionistic work of In a Silent Way, yet it remains rooted in hard bop, particularly when the tempo is a bit sprightly, as on "Hand Jive." Yet even when the instrumentalists and soloists are placed in the foreground -- such as Miles' extended opening solo on "Madness" or Hancock's long solo toward the end of the piece -- this never feels like showcases for virtuosity, the way some showboating hard bop can, though each player shines. What's impressive, like on all of this quintet's sessions, is the interplay, how the musicians follow an unpredictable path as a unit, turning in music that is always searching, always provocative, and never boring. Perhaps Nefertiti's charms are a little more subtle than those of its predecessors, but that makes it intriguing. Besides, this album so clearly points the way to fusion, while remaining acoustic, that it may force listeners on either side of the fence into another direction." - All Music Guide
    $5.00
  • Steven Wilson's solo career apart from Porcupine Tree, is for this listener, far more interesting.  Whereas PTree currently skirts the line between rock and metal, his solo work fits squarely in the progressive rock arena.  The Raven That Refused To Sing (and other stories) is easily his magnum opus.  The musicianship is stellar - he recorded with his touring band: Nick Beggs (Stick), Guthrie Govan (guitar), Adam Holzman (keys), Marco Minnemann (drums), and Theo Travis (flute, sax).  Mr. Wilson has also dug two things out of mothballs - King Crimson's Mellotron and Alan Parsons.  It was Steven Wilson's wish to one day work with Alan Parsons, who came on board as engineer.  I can't tell you who is responsibile for what but I can tell you that the production is impeccable.  The opening epic "Luminol" drips with the holy 'tron sounding like a cross-generation blend of King Crimson eras.  And so it goes through out the album.  Some utterly fierce playing on this album.  From beginning to end a stunning effort.  BUY OR DIE!
    $11.00
  • Second of three albums recorded by this lineup under different names. Their previous work was the fairly uninspired Flea On The Honey. Subsequent to this work they changed their name again to Etna and made a very good fusion album that sounds nothing like this. This interim album, under the name Flea, features a progressive sound heavily dominated by guitarist Carlo Pennisi. The album kicks off with the 20 minute title track which alllows Pennisi to basically freak out about as well as anyone. He goes into Hendrix mode and totally slays. This actually was an interesting band - some of these guys went on to play with L'Uovo Di Colombo and even Goblin. This is a new remastered version that comes housed in a mini-lp sleeve.
    $19.00
  • Monumental album from Ritchie Blackmore/Ronnie James Dio. Worth it just for "Stargazer" alone. Remastered edition. Essential.
    $5.00
  • "Esoteric Recordings are proud to announce the release of a deluxe 2CD edition of The Crazy World Of Arthur Brown. The Psychedelic Rock classic burst forth in 1968, topping the albums charts on both sides of the Atlantic and spawning the hit single Fire. The rock world discovered the delights of rocks supreme showman Arthur Brown and his influence would be felt the following decade when Alice Cooper acknowledged his debt to Arthur’s genius. Produced by WHO manager Kit Lambert and Who guitarist Pete Townshend, this classic album has been re-mastered and expanded to a two disc edition by the inclusion of rare single tracks, a BBC Radio One session from April 1968, alternate Mono mixes from the album sessions, and a version of Nightmare from the 1968 film, The Committee . Lavishly packaged in a slipcase with an extensively illustrated booklet with new essay, this is the ultimate edition of The Crazy World of Arthur Brown."
    $20.00
  • Legit reissue with 5 bonus tracks from this 1970 monster UK rarity.  Red Dirt were a raw blues based quartet  but their music had progressive and psychedelic overtones.  Rippin' guitarwork through out.  Recommended to fans of Incredible Hog, Human Beast, and Groundhogs."Red Dirt were a blues band formed in East Yorkshire around 1968 comprised of Dave Richardson (vocals), Steve Howden (guitar), Kenny Giles (bass) and Steve Jackson (drums) who built up an impressive live reputation in clubs and venues in the North of England. They were subsequently signed to Morgan Bluetown, When released in 1970, on the Fontana label, their self-titled debut album sunk without trace and legend - or rumour - has it sold something like 100 copies. In the last forty years Red Dirt has become a rare and expensive album with more people having heard about it than actually seen an original copy. Although valued in the 2010 edition of the Record Collector Rare Record Price Guide at E650 copies have sold for over £800 on eBay.But what was the story behind Red Dirt? Amazingly, when Record Collector announced the first vinyl reissue of the album in late 2009 the article was read by an aspiring American journalist Betsy Green who was in touch with original guitarist Steve Howden, now working as a delivery driver in Hollywood. Green interviewed Howden and four decades later we finally found out that the band came together after drummer Steve Jackson approached Howden in a pub in Bridlington in their native East Yorkshire. Howden was keen and Jackson's friends Kenny Giles and Dave Richardson were drafted in on bass guitar and lead vocals. Richardson had worked with future Hull legend Mick Ronson as well as Michael Chapman.The band attracted the interest of Morgan Bluetown who signed them. Red Dirt were put into the studio with producer Geoff Gill. "We recorded the album in Morgan studios London," recalls Howden, "McCartney finished his album in there which was a big buzz for us. They booked us in from midnight onwards, to six in the morning and the album didn't take that long, around twelve hours I think. They managed overdubs for the vocals to get them right but I don't think they ever put them on. It was all very rushed and was only ever released in England" In fact the album was licensed by Morgan to the Fontana label who released Red Dirt in 1970 and it literally vanished without trace.There has been much speculation in recent years as to whether legendary record sleeve designer Barney Bubbles was responsible for the eye-catching sleeve image of a red Indian with 4 bullet holes in his forehead dripping blood. The rear sleeve credits the design to Teenburger, Bubbles Notting Hill based company. As a number of people worked for Teenburger it is impossible to confirm if Bubbles had a hand in the, sleeve design.As for the music, Red Dirt is a lost classic. There is an element of the Doors Morrison Hotel period and a whiff of Captain Beefheart and The Magic Band in the rocking driving blues of tracks like Death Letter and Problems. Song For Pauline on the other hand harks back to the Delta of Robert Johnston comprising of only slide guitar and vocals. Memories and In The Morning were probably considered as songs fit for release as singles as both have a compelling commercial edge and benefit from more extensive arrangements which the band augmented by what sounds like a mellotron and an organ that gives their powerful music more texture and depth.That Red Dirt's natural musical chemistry was honed on the live circuit is demonstrated on the riff and harmonica prowl of Ten Seconds To Go and the driving locomotive engine of Maybe I'm Right. There is also the acid smoke-folk of Summer Madness Laced With Newbald Gold which opens with Richardson groaning and laughing against a dirty guitar riff and the song is then propelled forward by drum pattern straight out of Safe As Milk. "It seems as if the red dirt is blowing into my eyes," sings Richardson on this outstanding track which sadly reflected the critical and commercial indifference that greeted the release of the album. It appears that the band later returned to the studio to record additional material earmarked for a second album that was, according to one press report when the band were supporting Mott The Hoople on a tour in January 1971 "nearing completion and should be available shortly".Sadly, the young Red Dirt dudes never did issue that second LP but this CD features five bonus tracks featuring Ron Hales on guitar who had replaced Steve Howden. So, as well as enjoying their debut you can also get down in the dirt and wrap your ears around From End To End, Yesterday And Today, The Circle Song, I'd Rather Go Back 15 Years and Tolly Cobbold. Thanks to Secret Records you don't have to pay an arm and a leg to do so!by Ian Shirley, Record Collector magazine" - Rockasteria
    $6.00