Momentum

SKU: SC233-0
Label:
Scarlet Records
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DGM has been cranking out albums for years and with all the lineup changes they go through, somehow the music gets better and better.  Forget that Russell Allen and Jorn Viggo Lofstad guest on the album - sure that's cool.  More important are the facts that vocalist Mark Basile is rock solid and the band has come up with a perfect blend of melodicism, heaviness and proginess. (not sure that is a word).  This one makes all the right moves. File under: AWESOME!   Highly recommended.

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  • 30th Anniversary remastered edition.
    $15.00
  • Limited digipak edition with one bonus track."Fourteen years. Fourteen years have already passed, since Morten Veland departured from one of the most prominent and praised gothic metal acts of its time, Tristania, and decided to further develop and portray his talent and visions in Sirenia. If you are like me and have followed them since the beginning to the point where we are now, then this is definitely one of these moments when we realize how quickly time passes by, wouldn't you agree? What has happened in these fourteen years? An amazing debut At Sixes And Sevens, its noteworthy successor And An Elixir For Existence and a few albums, which divide the band's fan base: some more loved, other less, but all bearing the typical Sirenia characteristics. A few line-up changes happened in the course of the years as well, but since 2011 the band has been a steady quintet and I'm guessing the stability and energy between the band members has to do something with the fact that since 2011's The Enigma Of Life, which I consider to be the lowest point of Sirenia's repertoire, the band has again turned the page and decided, reaching a low point is something they should accept and – ascend. The recruit of Ailyn, who joined the band in 2008 as a lead female singer obviously was more than a good idea, because she is the longest running of all female vocalists who ever stood in front of the microphone of the band and has shared notable seven years with them. Speaking of sevens, whether it is a coincidence or not (and I do not believe in coincidences), that The Seventh Life Path is the band's seventh full length album and the sevens continuously appear in Veland's tracks – "Seven Sirens And A Silver Tear" (An Elixir For Existence), "Seven Keys And Nine Doors" (Nine Destinies And A Downfall), "The Seventh Summer" and "Sirens Of The Seven Seas" (both on The 13th Floor) and "Seven Widows Weep" (Perils Of The Deep Blue) - to go through them all, I am not sure. But it is a number of mystery and magic, a number which finds its place in fairy tales and legends as well as mythology and religion and the seventh Sirenia album is, believe it or not, just as mysterious and spellbound as the number.  Whilst the typical melodic, rhythmic and groovy guitar riffing, beautifully combined and enhanced by the use of choirs, powerful orchestrations, delightful piano melodies and stunning Ailyn's clean vocals, counterpoised by Morten's profound growls, still build the core of The Seventh Life Path, its beauty lies in incorporating various elements of different metal styles and thus its explorative, even a bit experimental and pompous nature. The opening intro track "Seti" is a nice ambient setter, which takes you on the darkest path and the frightening and threatening choirs let you know you are in for something big: something incredibly obscure, flamboyant and majestic. The compositions on The Seventh Life Path are yet again very dense and rich, as they ooze strange, strained, sharp, intense, wretched and venomous atmosphere and you get just that with the following "Serpent", a highly tenebrous and ghastly song, which emits a deranged and vile ambiance, a bit similar of what we already heard in Tristania's "Opus Relinque" or "Heretique" from their 1999 album Beyond The Veil. Not only musically, but a great part in building that sensations are Ailyn's graceful vocals and again she has proved she keeps evolving: she lightly shifts from sounding like insane witch, beautiful enchantress, raging fury or a fragile siren so effortlessly and with Morten's opposing growls they are creating the typical beauty and the beast play of vocals. Not only by using the two typical vocal techniques, which contradict each other, but because they are interacting as they are telling us a story and thus add a special, very dramatic and almost theatrical effect, which intensifies the sound to the maximum.Similarly, the grandiose epicenes is probably most notable in a more than eight minute lasting epopee "Sons Of The North", an incredible track, that pushes the sound of Sirenia even further by incorporating avant-garde metal features – when you come half-way along the song a mad intermezzo, with incredibly haunting atmosphere breaks the song’s dynamics and descends into a massive, twisted sensation and so it even heightens the sombre and asphyxiating ambient. "The Silver Eye" brings yet another surprise with its almost fast-paced and abrupt beginning, which really shows Sirenia peered themselves into far more aggressive realms, we were used to. On the other hand, The Seventh Life Path also offers some catchy and melodic tunes, for example in "Elixir", a song, which somehow flows in the vein of currently popular trancecore a wee bit and last but not least, delivers some very classical sirenian tunes, for instance in a ravishing and elegiac ballad "Tragedienne" or a classical gothic/symphonic tune, filled with typical Veland-ish guitars and powerful choirs in a bittersweet "Once My Light" and "Concealed Disdain".To be honest, I was a bit reserved with this album, simply because I had no idea what to expect, but I can honestly say this is not only an album for the devoted Sirenia fan base, but also for anyone looking a wonderful combination of prime gothic metal and symphonic metal grandeur. The Seventh Life Path was far more than I expected it to be, simply because it depicts a step further in Sirenia's sound and I had never even imagined they would go for exploring and expanding their well-established sound by going into more tense and intense waters, into even more complex and enhanced compositions and stygian atmosphere. With this release Veland has completely mastered his ability to perfectly equilibrate all those various elements and portray them into a whole different, so much more vigorous, ferocious and emotional manner; poured his entire soul into this work of art and perfected the interpretation of musical compositions and song-writing. The divine and darkened harmonies on this album result in an esoteric, edgy, mesmerizing and hellacious album, which at the same time offers a tremendous emotional burdened and at the same time story-telling aestheticism." - Terra Relicta
    $13.00
  • "Germany's Mystic Prophecy certainly doesn't make fans wait an excessive amount of time for new material. 2011's Ravenlord is the band's seventh album in the just over 11 years since their formation. This is my first time hearing Mystic Prophecy's brand of Germanic Power/Heavy Metal and judging by this album, I've been missing out. Ravenlord is brimming with powerful riffs and heavier-than-Hell rhythm work, courtesy of bassist Connie "Connor" Andreszka and drummer Claudio Sisto. While there are some speedy tracks on Ravenlord ("Die Now," "Damned Tonight"), Mystic Prophecy show that Power Metal can indeed kick ass without copious amounts of double kicks. Slow, brooding songs like "Ravenlord," "Wings of Destiny" and the killer "Eyes of the Devil" leave you feeling like you've been introduced to the business end of a steamroller. Singer Robert Liapakis has an excellent, gravelly voice and does very little screaming on Ravenlord, opting instead for some harsher vocals that add variety to his performance. The album itself contains quite a bit of variety as well, while remaining consistent throughout. Epic-sounding songs, in the vein of Pharaoh, are side by side with Brainstorm-like Power Metal anthems. There are even spots that sound like Dio-era Rainbow in their composition. Ravenlord stacks up as one of the better albums of 2011. All fans of Heavy/Power Metal, especially those that prefer it keyboard-free, should be all over this one." - Metal Crypt
    $14.00
  • Remastered with bonus tracks."Gary Moore's 1989 release, After the War features a return to the metal guitar riffing of his 80's records ("Speak for Yourself" and "Running From The Storm"), while continuing to explore more conventional pop dynamics with mixed results - it works great on "Ready to Love." Also, after dedicating his last album to fallen childhood friend and musical partner in crime, Philip Lynott, Moore finally honored him in song with the moving "Blood of Emeralds." As it turned out, this would be Gary Moore's last hard rock album before becoming a "born-again" bluesman." - Allmusic Guide
    $9.00
  • "Twelve years, eight studio albums, two live DVDs and tours that have taken them from Moscow to Quebec. Now one of the most enduring third wave progressive rock bands on the scene returns - a band that has never made an album using the same personnel as the previous album. In fact, the same lineup has (to date) never been used twice.But there are regulars. And some of the favorite regulars are back for the 8th album: Flower Kings bass legend Jonas Reingold; the ever-faithful and gifted Theo Travis, familiar to many from his work with the Steven Wilson band, Gong and Robert Fripp, with his arsenal of wind textures from saxophones to flutes; and the return to the fold of the amazingly talented Luke Machin, a guitar hero for a new generation who can even wow the old generations (and who also fronts his own band, Maschine). And of course there's band leader Andy Tillison (keyboards and vocals), the only member of the band to have played on all the records.This team is joined by Morgan Ågren, Swedish drumming phenomenon who can even count Frank Zappa among his previous jobs (others include, but not limited to, Kaipa, Devin Townsend, and his own acclaimed Mats/Morgan Band). Morgan introduces to The Tangent a real live energy full of inspiration and eccentricity.The band, who were only supposed to make one single album in 2003, are now back with their eighth! A Spark In the Aether is a joyous and uplifting romp that sees the band concentrating on their forté: delivering driving, melodic, thoughtful and inspired songs with a large grin on their faces as they do it."Using protest, sadness and negative images in music is a part of an artist's job" says Andy Tillison, "and it's something we have often done. But every so often I think we need to turn to the music itself and remember why it is we get so much from it. On this album I just wanted us to play - have fun, make music and mischief that can be enjoyed just for the sake of it"So, twelve years further down the line, after albums about dystopian societies, midlife crises, alienation, homelessness and communications - the Tangent return to the very beginning and once again celebrate The Music. You are invited to join in."
    $15.00
  • The second part of the Flying Teapot trilogy. Essential psycheledic spacerock courtesy of Mr. Allen and Mr. Hillage.  2004 remastered edition from Virgin/EMI. Comes with 4 bonus tracks.
    $9.00
  • Beautiful Japanese SHM-CD in a gatefold mini-LP sleeve."Thirty-two years after the fact, this live album presents a full-length version of the shows performed by Richard & Linda Thompson to promote their 1975 album Pour Down Like Silver, their third LP, following Hokey Pokey released earlier in 1975, and 1974's I Want to See the Bright Lights Tonight. They are accompanied by John Kirkpatrick on accordion and concertina, Dave Pegg on bass, and Dave Mattacks on drums. The recordings have not been released previously, except for "Calvary Cross" and "It'll Be Me," which were included on Richard Thompson's 1976 compilation Guitar, Vocal, but which have been remixed for this album. The selections come mostly from the Thompsons' three albums, of course, with special emphasis on Pour Down Like Silver, and the performances are often stretched out with lengthy guitar solos. A nod to Richard Thompson's tenure in Fairport Convention is made with a version of "Now Be Thankful," and since the instrumental lineup mirrors that found on the album of traditional music Morris On, the players give Linda Thompson a break and perform a set of instrumental reels. The cover songs are all American country and country-rock numbers, Hank Williams' "Why Don't You Love Me" (with Linda Thompson on lead vocals), "Things You Gave Me" (learned from a Rick Nelson album), the Jerry Lee Lewis hit "It'll Be Me," and Buck Owens' "Together Again." This was a recording worth excavating from the vault, and it confirms Richard & Linda Thompson's reputation as a major folk-rock act of the ‘70s, making it all the more regrettable that they broke up, professionally and romantically, in the early ‘80s." - Allmusic
    $16.00
  • "Cut live at the Reichstag in the German city, Berlin is very different from The Live Tapes, with a rather leaner, harder-rocking sound, and more of a dance-rock feel as well, and is also miked much closer for a more intimate sound. "Mockingbird," "Child of the Universe," and "Hymn" are all performed rather more tightly than earlier live renditions, and with more flamboyant electronic effects. "Sip of Wine" represents the group's harder, post-progressive-era sound, while "Nova Lepidoptera" is a pretty piece of space rock, and "Life Is for Living" is so upbeat with its disco-dance sound that it could almost pass for an ABBA cut. Except on the latter, where the keyboards rule, John Lees' and Colin Browne's guitars are the most prominent component of the group's sound, and it's easy to see why this album, covering so many bases so well, took British audiences by storm -- the Moody Blues in their post-psychedelic era have wanted to make a live record this tight and bracing for ages. And the CD is even better than the LP." - Allmusic Guide
    $8.00
  • Remastered edition with 2 bonus tracks."The third and final album of what could be called Journey's cocoon phase (Escape would give birth to a fully formed butterfly and put the band through the stratosphere), 1980's Departure would also be the quintet's last with keyboardist/vocalist Gregg Rolie. Produced by Geoff Workman and Kevin Elson (essentially both engineers turned producers), the album continued to build on the band's previous two recordings, but offered an added edge, arrangement-wise. This was likely due to the fact that the band had walked into Automatt Studios with 19 new tunes and proceeded to record most of them live, eventually trimming down to 11 songs. Catapulted all the way up to number eight on the Billboard Top 200, Departure was the band's highest charting album to date and got off to an explosive start with the driving riffs and chorused vocals of "Anyway You Want It" (another radio smash that would chart Top 25). Never sounding tighter, the quintet then launched into "Walks Like a Lady" (another future FM staple, climbing to number 32) and a string of outstanding rockers, including future concert opener "Where Were You" and the stop-go-stop-go energy of "Line of Fire." On the other hand, elegant power ballads like "Good Morning" and "Stay Awhile" would foreshadow the band's future commercial triumphs on Escape. And even though it packs the occasional filler like "Someday Soon" and "Homemade Love" (a weak attempt to boogie that falls absolutely flat), Departure is a solid record all around. Soon, Rolie would be replaced by the greater pop-savvy songwriting muscle of former Babys keyboard man Jonathan Caine, and Journey would go from huge cult act to monster superstars." - All Music Guide
    $5.00
  • In the summer of 2014 Nosound were invited to perform at an extraordinary festival - the Starmus Festival held at the Teide Observatory on the island of Tenerife. This unique international astronomy event brought together an array of musical talent including European opera legend Katerina Mina and the legendary Rick Wakeman plus leading figures in contemporary science (with talks from the likes of Brian May, Nobel Prize winners, cosmonauts and Professor Stephen Hawking).It was here that Nosound recorded Teide 2390. Performed and recorded at Starmus infront of an invited audience at an altitude of 2390m, the band played songs from their 2005 debut Sol29, 2008's Lightdark, 2009's A Sense Of Loss and their most recent album Afterthoughts (which Prog Magazine described as, "Extraordinary").Teide 2390 features an audio CD of the full 70 minute set. The DVD-A/V includes standard & HD both in stereo & 5.1 mixes:DVD: stereo 24/48 LPCM, Dolby Digital 5.1 Surround, DTS 24/96 5.1 Surround plus a short film based on Nosound gig, including performances of In My Fears, Fading Silently, Places Remained, Kites, Cold Afterall, plus behind the scenes footage and pictures from the event.DVD Audio: 5.1 Surround 24/96 MLP lossless mixesThe CD/DVD is presented in a deluxe media book with 24 page colour booklet. 
    $16.00
  • First time on vinyl - now spread out over 6 sides of beautiful 180 gram vinyl.  Comes with the album on 2CDs as a bonus."A legendary band in their own right, The Flower Kings have been at the forefront of progressive rock since their formation in 1994 by guitarist, vocalist, composer, astronaut, chef and veteran nut head icon Roine Stolt. Dedicating themselves to producing a strain of prog they like to call symphonic rock‘, they incorporated classical music, movie soundtracks and both jazz, ethno, blues and seventies metal elements to much success - and building themselves a dedicated fanbase in the process over ten studio albums before taking a break.After a triumphant return to action in 2012 - following an almost 5 year hiatus, The Flower Kings released "Banks Of Eden" in the summer of that year to a brilliant reaction from fans and critics alike. In celebration they toured the world for the better part of a year, visiting locations including Europe, Japan, Russia, Israel & USA. The following year the band hit the road once again, this time with old friends Neal Morse & Mike Portnoy to celebrate the 20th Anniversary of label InsideOut Music, where they played a hugely successful prog extravaganza to packed venues across Europe and the US.Never ones to rest on their laurels however, The Flower Kings immediately entered Fenix Studio in Sweden to start work on the recording of a brand new album. Recorded "live" in this classic, but modern, studio and on reel to reel tape, the album features a glut of grand vintage keyboards such as Hammond B3, Mellotron M 400, Fender Rhodes, Minimoog and a whole host of Tube amps.The band even decided to try a new approach to writing and recording, assembling music on the spot and arranging it as a team.The result of this wonderfully collaborative effort is an epic 10 song cycle entitled ‚Desolation Rose‘; an album that revolves around some of the more disturbing observations of mankind's failure to create the paradise they once hoped for – and the greed, fear and ignorance that caused that failure. The scenario is an observation by an angel who resides in a mysterious tower, looking down on all this ongoing perpetual insanity, yet unable to reach out and help.The band is very much back to their cinematic and melodic symphonic rock best, but with a heavier edge no doubt honed while on tour for the past year. The 10 songs contained within are to be heard as a sequence and the lyric thread is wonderfully cinematic, but again it is more of an observation that works both as a whole or as separate parts. It might be considered one of their most focused efforts to date, such is the impact the tracks have on the listener from the very beginning. From the opening 14-minute tour-de-force that is ‚Tower‘, right through the moody swagger of ‚White Tuxedo‘ and beyond, this album sees the band crafting what might be their most varied album yet.The Flower Kings are truly back where they belong, at the beating heart of the modern day progressive rock scene, and ‚Desolation Rose‘ is testament to their continued vibrancy, sonic potency and determination to keep the music driving forward."
    $32.00
  • European import CD/DVD set. The first disc is a greatest hits collection. Disc 2 is a PAL format Region 0 featuring a live concert from the Fillmore Auditorium in Denver, Co 12/27/99. It also has the "Kill The King" video. Crazy deal.
    $11.00
  • "When Jethro Tull released Benefit in 1970, it signaled a new, more progressive musical direction for the English band. It also became one of the best-known albums of their career, which is going strong more 60 million records and 40 years later. The Grammy winning group is revisiting that pivotal album with a 2-CD/DVD-Audio collector s edition.The 2-CD/DVD collection comes loaded with a massive amount of music recorded by the band, which at the time featured: multi-instrumentalist frontman Ian Anderson, guitarist Martin Barre, drummer Clive Bunker, pianist John Evan, and bassist Glenn Cornick.The first disc contains the album s 10 original tracks, plus five bonus tracks that include both the U.K. and U.S. stereo versions of "Teacher. " All the songs are newly mixed by Steven Wilson and approved by Ian Anderson. The second disc includes newly remastered versions of rare tracks and singles recorded around the same time as Benefit, such as "Sweet Dream" in both stereo and mono.The audio-only DVD, which is available exclusively with this version, is packed with 58 tracks, including the album and bonus tracks in 5.1 surround sound. It also contains the U.K and U.S. versions of the album. The American version was sequenced differently and replaced the U.K. track "Alive and Well and Living In" with "Teacher. " In addition, the set also comes with a handsome booklet filled with rare photographs, an essay by Martin Webb, and interviews with band members."
    $28.00
  • Remastered edition finally taken from the original master tapes and transferred utilizing 24 bit / 96 khz technology.
    $10.00