Miles In The Sky ($5 SPECIAL)

SKU: CK65684
Label:
Columbia/Legacy
Category:
Jazz
Add to wishlist 

"With the 1968 album Miles in the Sky, Miles Davis explicitly pushed his second great quintet away from conventional jazz, pushing them toward the jazz-rock hybrid that would later become known as fusion. Here, the music is still in its formative stages, and it's a little more earth-bound than you might expect, especially following on the heels of the shape-shifting, elusive Nefertiti. On Miles in the Sky, much of the rhythms are straightforward, picking up on the direct 4/4 beats of rock, and these are illuminated by Herbie Hancock's electric piano -- one of the very first sounds on the record, as a matter of fact -- and the guest appearance of guitarist George Benson on "Paraphernalia." All of these additions are tangible and identifiable, and they do result in intriguing music, but the form of the music itself is surprisingly direct, playing as extended grooves. This meanders considerable more than Nefertiti, even if it is significantly less elliptical in its form, because it's primarily four long jams. Intriguing, successful jams in many respects, but even with the notable additions of electric instruments, and with the deliberately noisy "Country Son," this is less visionary than its predecessor and feels like a transitional album -- and, like many transitional albums, it's intriguing and frustrating in equal measures." - All Music Guide

There are no review yet. Be the first!

Product Review

You must login or register to post reviews.
Laser Pic

customers also bought

SEE ALL
  • Sixth and easily best album from this long running UK based prog band. The core band is Andy Poole and Greg Spawton. The new vocalist is ex-Gifthorse member David Longdon who interestingly enough was one of the finalist as Phil Collins replacement in Genesis (Ray Wilson got the gig). He sounds remarkably like Collins. Lots of interesting hired guns on this disc: Nick D'Virgilio (Spocks Beard), Dave Gregory (XTC), Francis Dunnery (It Bites, Robert Plant), Jem Godfrey (Frost*). The album was mixed by Rob Aubrey who has worked with IQ, Transatlantic and Asia. If you dig Phil Collins era Genesis this album is going to send you into fits of ecstasy. This couldn't be characterized as anything but British progressive rock - they've got the sound nailed down pat. Grandiose neoprog with an obvious nod to Genesis and a real maturity about it. This is the good stuff. Highly recommended.
    $12.00
  • "Stanley and I had been working together for some time before we made this record. We often talked about the possibility of recording an album together and Epic agreed to let us do it. The interesting thing about this record is that it is a power trio record. Stanley and I decided right away that this record would live or die by us; that we had to be the focus of this record; not the orchestration, not the background vocals, etc. The music had to emanate from us and by us, and that would make it unique. Stanley and I decided to make a totally different record from what the record company expected. We felt we had to stretch the boundaries. I'm sure Epic thought they were getting a fusion jazz record; But Stanley had played all the Return To Forever music he cared to by this time.The largest surprise for Epic was the song we chose as our first single from the record, "Sweet Baby." In fact they fought us on this track. The R&B department said it was too white and there was nothing they could do with it. The pop department said we were black artists with a white record and that they didn't have the time to promote this record at pop radio. So Stanley and I went to an independent promotion firm (Cliff Gorov) to push this record, and in essence bypass CBS. Well, needless to say, when the record began to make some noise, CBS jumped in as if they were there all along and brought the record home.I wrote "Sweet Baby" while looking over the water one afternoon in Berkeley, California while we were already in session for the project. It was written very quickly, and I called Stanley, who was in the room next to mine, and told him to come over and listen to this little pop song. I thought he would hate it, but just the opposite happened. We went in the next day and recorded it and the rest is history. To date, it is my largest across the board hit record. I finally made the top ten pop charts, WOW!We chose John Robinson as our drummer because of his strong steady approach to rhythm. He was with Rufus and layin' it down real hard. He was perfect!!Stanley and I were constantly on the road, doing television shows, or whatever. I broke up my band during this period and everyone went their separate ways. One thing I should mention that meant so much to me during this period, was a congratulatory phone call from Quincy Jones. After we hit the top ten, Q called me just to say "a job well done" I'll never forget that gesture on his part. "Q, I'll always love ya!!"Don't ask me why we did so much singing, but we did!! We wanted to make an instrumental record with vocals as a vehicle to communicate. Besides, instrumentals were not and still are not played on top radio formats. We went after this one and were fortunate to realize our dreams. We became R&B/Jazz/Pop stars for a moment. This LP also became the vehicle for my first video. Actually, it spawned three videos. I can remember that Stanley and I were extremely upset that MTV would not play any of our videos because we were black artists. I guess they can't be accused of that now! Oh yeah, we got a Grammy Nomination, but lost. It was 1981." - George Duke
    $8.00
  • Yet another brilliant work from this Norwegian prog band.  The Greatest Show On Earth is the band's third effort.  While the first album Identity delved into alternative/prog realms bearing similarity to Radiohead, their second album All Rights Removed was full on Pink Floyd worship.  This latest effort carries on in similar fashion.  There are parts of the album that were written with tracing paper.  It evokes the mood and feel of Dark Side Of The Moon, Wish You Were Here, and maybe even a bit of The Wall.  This isn't to say the band doesn't inject any personality of their own - they do.  There are contemporary elements, its just that when they go into full on Pink Floyd mode its so apparent and so well executed that it blinds you to everything else that is going on.  What Bi Kyon Ran is to King Crimson or The Watch is to Genesis, Airbag is to Pink Floyd.  Original?  Truth be told not really.  It doesn't matter, its so well executed that you will just immerse yourself in the listening experience.  Highly recommended.
    $17.00
  • "Storia o Leggenda is often referred to as a "lesser" Le Orme album, but the truth is, Le Orme never put out a bad or less than committed record before the 1990s, with the one exception of Smogmagica (1975), a failed experiment. Of course, a faction of the progressive rock intelligentsia disses Verità Nascoste, Storia o Leggenda, Florian, and Piccola Rapsodia dell'Ape in order to better highlight magnum opuses like Uomo di Pezza and Felona e Sorona. Still, where other major Italian progressive rock bands like Premieta Forneria Marconi and Banco del Mutuo Soccorso were starting to show signs of exhaustion (or compromise), all of these albums are worthwhile listening, and Storia o Leggenda more so than the others. Something magical happened on this 1977 LP, as several factors came together to produce a splendid opus. First of all, the band turns back to acoustic guitars, to an extent not heard since 1973's Uomo di Pezza. And, here, the band that made a name for itself as a keyboard-led trio finally manages to show why adding a guitarist was so important. They had failed to do so with Tolo Marton on Smogmagica. This time around, Germano Serafin, introduced on Verità Nascoste only a few months earlier, perfectly fits into Le Orme's new sound. For Storia o Leggenda does represent a new sound, one that is now totally removed from the group's beginnings as Nice wannabes, and much more in line with the Italian progressive rock ethos (Banco, PFM, Il Volo's eponymous debut). In fact, Storia o Leggenda represents the best of both worlds between the more pronounced rock leanings of the previous record (Verità Nascoste) and the next, all-acoustic, almost instrumental LP Florian. It has the complex metrics and driving rhythm section of the first ("Al Mercato delle Pulci" and "Il Musicista" are very strong prog rock mini-epics) and the lush arrangements and pastoral feel of the latter ("Tenerci per Mano," "Un Angelo," the title track). One final point: Aldo Tagliapietra never sang better than on this album, his voice pure Italian honey. This album has been worthy of high esteem for a long time and will continue to deserve such esteem in the future." - Allmusic Guide
    $10.00
  • Mind blowing set from this early 70s German jazz rock band culled from the vaults of SWF radio.  Dzyan was formed by bassist Reinhard Karwatky but the emerging star was guitarist Eddy Marron.  The lineup for these sessions is a quintet consisting of guitar, sax, bass, drums, and percussion.  High energy jazz rock with a psychedelic undercurrent is the order of the day.  Think Mahavishnu Orchestra crossed with Guru Guru.  Percussionist Jochen Leuschner also handles the occassional vocal.  He's got a great soulful voice that fits in comfortably.  High level of musicianship throughout but I have to mention Marron again - his playing really blows my mind.  Typical superb job from Long Hair Music - previously unavaialbe photos and detailed liner notes.  BUY OR DIE!
    $18.00
  • After the great international success of his last album "La quarta vittima" Fabio Zuffanti returns with a live in studio album. The album is the report of a tour that led to Fabio and his band around Italy, Belgium, the Netherlands and Canada. It summarizes twenty years of career of growing success and offers a kind of "best of" of his solo repertoire and than that of his bands Finisterre, la Maschera Di Cera and Höstsonaten.Zuffanti says: "During the concerts for "La quarta vittima Tour 2014" I wanted to realize a live album. Unfortunately, for a number of technical problems, we did not succeed but I told myself I had to do something to stop at least one of the gigs of this extraordinary band. In the absence of new concerts the best thing was to record an album "live in studio" with some of the songs that we played during the tour taken from "La quarta vittima" and other writing for Finisterre, Maschera Di Cera and Hostsonaten that I still feel very close to me.So, one day the whole group went to Hilary Audio Recording Studio and began playing live as we were in concert, unfortunately without an audience but with the same passion and intensity as ever. This is to close this period, say goodbye to our guitarist Matteo that leaves us to devote himself to the study of film music in Spain, thank our audience and prepare for the next steps."TRACKLISTIn LimineRainsuiteOrizzonte Degli EventiUna Sera D'InvernoLa Quarta VittimaNon Posso Parlare Più ForteLa Notte TrasparenteThe players:Martin Grice. Sax, fluteMatteo Nahum. GuitarGiovanni Pastorino. KeyboardsPaolo “Paolo” Tixi. DrumsFabio Zuffanti. Bass, bass pedals, vocals
    $16.00
  • Remastered edition with bonus tracks."In 1988, few heavy metal bands were comprised of all black members, and fewer had the talent or know-how to inject different musical forms into their hard rock sound (funk, punk, alternative, jazz, soul, rap) -- but N.Y.C.'s Living Colour proved to be an exception. Unlike nearly all of the era's metal bands, the group's music has held up over time, thanks to its originality and execution. Living Colour leader/guitarist Vernon Reid spent years honing his six-string chops, and was one of the most respected guitarists in New York's underground scene. He couldn't have done a better job selecting members for his new rock band -- singer Corey Glover, bassist Muzz Skillings, and drummer Will Calhoun -- as their now-classic debut, Vivid, proves. Though the album was released in mid-1988, it picked up steam slowly, exploding at the year's end with the hit single/MTV anthem "Cult of Personality," which merged an instantly recognizable Reid guitar riff and lyrics that explored the dark side of world leaders past and present (and remains LC's best-known song). The album was also incredibly consistent, as proven by the rocker "Middle Man" (which contains lyrics from a note penned by Glover, in which he pondered suicide), the funky, anti-racist "Funny Vibe," the touching "Open Letter (To a Landlord)," plus the Caribbean rock of "Glamour Boys." Add to it an inspired reading of Talking Heads' "Memories Can't Wait," the Zeppelin-esque "Desperate People," and two complex love songs ("I Want to Know" and "Broken Hearts"), and you have one of the finest hard rock albums of the '80s -- and for that matter, all time." - Allmusic Guide
    $7.00
  • Overlooked gem from the Decca catalog seeing its first time release on CD courtesy of Esoteric Recordings Originally released in 1971, Stud was a trio consisting of former Blossom Toes guitarist Jim Cregan and Taste rhythm section of Richard McCracken and John Wilson. They are augmented by Family violinist John Weider. The music kicks off with a blues Taste-like "Sail On". When the band hits "1112235" they veer off into jazz rock laced jams. With "Harpo's Head" things really start to blister. Apparently after this release the band kicked around in Germany and recorded two more albums. Hopefully Mark Powell & Co. will dig 'em out for us to hear! Solid stuff.
    $17.00
  • Once again we turn to Norway for a fresh take on an old sound. With amps turned way up, Anti-Depressive Delivery blend classic progressive rock with modern raw aggression. Mellotron, organ and synth clash with frantic guitar leads underscoring this young band's appreciation for prog and metal Gods past and present. Think Anekdoten mixed with Pain Of Salvation and Somnambulist.The prog world may never be the same...
    $5.00
  • 2007 Nick Davis remix/remaster edition. Some consider this their best album - it could be hard to argue against that notion...
    $12.00
  • "Voivod is timeless. That doesn’t mean that the Quebec progressive thrash metal band is frozen in stasis. Rather, it’s a testament to their uncompromising insistence on ever-changing, experimental futurism, with every album existing outside of contemporary style in some alternate universe where guitar pickups are wormholes and drumbeats ripple gravity wells." - Montreal GazetteLimited edition mediabook includes 2 extra live songs, an expanded booklets and 2 stickers. 
    $12.00
  • Classic fusion release given a deluxe digipak remastered treatment. Standout performance from the late great Tommy Bolin. Essential.
    $9.00
  • First ever NEMO DVD! Recorded Live on April 17th and 18th, 2010. The movie is sold together with 2 CDs gathering the more outstanding songs of the band in re-recorded, re-mixed or re-mastered versions, and 2 new tracks!Digipak, strictly limited to 1000 copies! Warning: this is a PAL DVD.Tracks:01. Dvd - Intro / Philéas I (départ / Europe) (8.05)02. Dvd - Miroirs (6.42)03. Dvd - Même Peau, Même Destin (9.28)04. Dvd - Apprentis Sorciers (20.40)05. Dvd - Philéas Partie Ii (les Fleuves Sacrés) (3.53)06. Dvd - La Mort Du Scorpion Partie Iii (8.20)07. Dvd - Tous Les Chemins (10.40)08. Dvd - Barbares (26.28)09. Dvd - Les Enfants Rois10. Dvd - Philéas Partie Iv (nouveau Monde)11. Cd1 - La Machine À Remonter Le Temps (2010)12. Cd1 - 19:59 (2009)13. Cd1 - Barbares (2009 - Version Restaurée)14. Cd1 - Les Enfants Rois (2007 - Version Single)15. Cd1 - Reflets (2007)16. Cd1 - Une Question De Prix (2007)17. Cd1 - Une Question De Temps (2007)18. Cd1 - Ici, Maintenant (2006 - Remix)19. Cd2 - Miroirs (2006 - Rmix)20. Cd2 - Si (2006 - Remix)21. Cd2 - 1914 (2004 (remix)22. Cd2 - O.g.r.e. (2004 - Remix)23. Cd2 - Les Temps Modernes (2004 - Remix)24. Cd2 - La Dernière Vague (2003 - Réenregistrement)25. Cd2 - Générateur (2003 - Réenregistrement)26. Cd2 - Au Dessus Des Pyramides (2002 - Réenregist.)27. Cd2 - Dans La Lune Encore (2002 - Réenregist.)28. Cd2 - Et La Vie Continue (intrumental - 2010)
    $20.00