Look Into The Future ($5 Blowout Price!)

Second album from this post-Santana lineup is a bit more commercial than the debut but there are still progressive overtones. Neil Schon shines again.

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  • Second album of fine melodic metal from former Savatage member Zak Stevens, doesnt stray that far from his former bands path. Its not Savatage but its close enough. Comes with one live bonus track.
    $11.00
  • Redemption is one of the leading progressive metal bands in the world today.  Formed in Los Angeles, California in 2000 by guitarist / keyboardist / songwriter Nicolas van Dyk, the band features legendary progressive metal vocalist Ray Alder of Fates Warning, as well as guitarist Bernie Versailles (Agent Steel), and the phenomenal rhythm section of Chris Quirarte (drums) and Sean Andrews (bass).Redemption’s combination of heaviness not usually found in progressive metal, irresistible melodies and emotional urgency has created a unique and resonant voice for this band that sets them apart from the many clones in the genre, and which has gained them the attention of fans, critics and musicians.Through the band’s first three studios CDs (2002s self-titled first release, 2005’s The Fullness of Time, and 2007’s The Origins of Ruin), Redemption gained a loyal fanbase and garnered rave reviews worldwide from critics, who describe Redemption’s music as“one of the best progressive metal acts to emerge in the past decade” – DPRP“magical aura and incredible songwriting” – BLABBERMOUTH“it's powerful, catchy, enslaving, technical; it's the whole bunch” – LORDS OF METAL“the new star on the US prog-metal sky” – SQUEALER ROCKSAfter touring in support of Dream Theater and documenting at headlining show at tour’s end entitled Frozen in the Moment, the band returned to the studio to release 2009’s Snowfall on Judgment Day and 2011’s This Mortal Coil.Performing in support of that record, in 2012 Redemption co-headlined the world-famous ProgPower Festival in Atlanta, where the band recorded a unique show featuring nearly 80 minutes of material and staged with complementary visuals that drive home the compelling emotional impact of this band.   That performance is now being released as a CD/DVD set with additional bonus material through Sensory Records, the band’s original label.  From fan favorites such as the never-before-performed Parker’s Eyes to the crushing emotional weight of Stronger than Death, Redemption’s performance captured the special ability of its music to deeply connect with fans.  In the words of one concert-goer, Redemption’s show “was definitely the most exhausting, personal and emotional musical experience I’ve ever had.” 
    $17.00
  • Second album from this Italian band dips heavily into the Genesis school of progressive rock. Former PFM vocalist Bernardo Lanzetti fronts the band for the entire disc and VDGG saxophonist David Jackson contributes to two tracks. Parts of this album sound so much like Genesis it's scary. Highly recommended.
    $9.00
  • "Since Phil Anselmo joined Pantera they had gone from strength to strength with sales increasing for each subsequent album and along with their worldwide reputation as a devastatingly violent and energetic live act; this album was highly anticipated in the barren metal years of the mid-nineties. The pressures of success had however, along with excessive alcohol consumption, exhausting touring duties and Phil's drug problems, caused a rift in the band and the recording of this album was anything but a smooth process. What this in-fighting, drug addiction and despair with success spewed forth was one of the most powerful pieces of pure hatred, attitude and anger filled music ever to come out of the American deep south.The first ten seconds is an aural assault on the listener as the screams come at you with the full force of all Phil's pent-up frustrations. The guitar barbarity and drum battery will quickly have you starting a mosh pit with any unsuspecting and unfortunate individual to cross your path. Before long Dimebag Darrell's trademark Southern Hard Rock, groove layered guitar flair rears its head and the riffs are as enticingly sinister as they are absorbingly technical. The lyrics lecture us on a wide variety of topics from the evils of the media to the corruption of the justice system. There are momentary breaks from this franticly heavy barrage on tracks like the comparatively slower "10's" and most notably on "Suicide Note Pt. 1" an acoustic tale of depression. Using unusual sound effects this sombre episode looks at the man contemplating suicide and divulging his innermost emotions. "Suicide Note Pt. 2" is Pantera's attempt at creating their fastest and heaviest offering yet as they get deep down into the angers and frustrations of life and offers a warning not follow the same path. One of the major standout tracks on this album is "Floods", the guitar solo on this song is widely renowned by guitar aficionados as one of Dimebag Darrell's very best in his illustrious career and the song itself is again a rather morbid look at the state of mankind.This album is anything but easy listening and can come across as quite disjointed on the first few listens, but given time you will soon find that this album is right up there with any Pantera album and the songwriting is at times truly astonishing. It may possibly be the heaviest album they ever did yet they never got too caught up on being heavy on this one. The slower tracks really add to its diversity and make the heavier tracks sound that much more heavy. You can see why this was the beginning of the end for this band, any group this angry and self righteous would find it simply impossible to stay together indefinitely and this album sums up everything Pantera were in one nice little package." - Metal Storm
    $6.00
  • "If Astral Doors had an intention to re-revolutionize the metal and rock industry – flipping it on its ear and leaving mouths agape - well, it might be time for you to awaken from the fantasy. Astral Doors has and always will play badass rock ‘n’ metal that is so steeped in the historical realms of Rainbow and Ronnie James Dio that the material is stained a deep reddish brown. With that said, if you set those expectations to moniker of reality, “Notes from the Shadows” really is one of the most enjoyable metal albums you'll hear all year.Although I do think vocalist Nils Patrik Johansson (Civil War) plays tribute to the great Ronnie James Dio, he is quite distinctive and is by no means the “replica” which many people have stamped him as. A much closer listen to his work (check Civil War, Wuthering Heights, and Lion’s Share for reference), reveals a much deeper variety in style than the stigma he has received from critics who lazily overgeneralize. I’m sure Johansson is likely flattered by the comparison (who wouldn’t be), but on top of drawing influences from a myriad of vocalist admired over the years, he has a style that is easily identifiable.With that said, “Notes from the Shadows” presents a basic rock ‘n’ metal approach – a heavier Rainbow, if you will, so if this is not your bag…move on. For those that enjoy well written songs with bad ass Hammond style keyboards (from Joakim Rodberg) and absurdly infectious hooks (from Joachim Nordlund) all shadowed by Johansson’s bold vox, then this release will be met with insane enjoyment. “Last Temptation of Christ” and “Confessions” have all those typical Astral Doors hallmarks, including Johansson’s trademark “intro shouting” of the song title just shortly after the start. The best offerings include “Disciples of the Dragon Lord” (perhaps the heaviest on the album), “Walker the Stalker” and “Desert Nights” – all with more hooks than a Bassmaster tournament.My personal favorite is “Shadowchaser,” which starts with a melody that is a near replica of “Man on the Silver Mountain” (which certainly won’t help with that Dio/Rainbow stigma). It quickly turns into one of the most accessible tracks on the album. “Die Alone” – which is a drum clinic of badassery from Johan Linstedt (and not for awe inspiring fills, just ability to inspire headbanging) – is another in a string of tracks that would make the Astral Doors best-of release.Don't expect “Notes from the Shadows” to teach you a new way to rock. If that happens, you probably are not listening to Astral Doors. Consider this a lesson in how to properly rock through echos of the greats like Rainbow, Sabbath and, of course, Dio. If you enjoy the extension of a great legacy carried on through newer acts, you will find much to enjoy on this album. "Notes from the Shadows" is just a continuation of the great song writing and unique ability to force the body rock out which you should come to expect from Astral Doors." - Metal Underground
    $15.00
  • "Oh my, the time has finally come. This album was actually to be released over a year ago and I had started to doubt it would ever see the light of day. I remember writing a review of their demo-sampler back in the days when I wrote for Through Different Eyes. It was one of those rare moments when a band completely takes you by surprise, offering something fresh, original and new.Redemption is their third release and as the biography notes, they have created their own musical direction termed "progressive darkwave," and I guess that is a very suitable description of their music because the music isn't exactly easy to put into any traditional category. Braindance describe themselves as "cinematic-neuromantic progressive new age gothic metal fusion" and if that hasn't made you curious, then nothing will.This band has an incredible ear for immense melodies. The music is dark, melancholy, emotive, scary, floating, atmospheric, majestic, intricate, melodic, intelligent and at the same time extremely beautiful. Sebastian's deep emotive vocals and the superb orchestration and rhythms by the band make this music a truly special experience. Unique and unlike everything you have ever heard. Also worth mentioning is the tasty fretwork of guitarist Vora Vor. Braindance combine influences from many different musical directions to create a sound I've never heard before. As you can tell, I'm completely blown away by this band.As most of our visitors at this site are fans of progressive rock and metal, I would like to say that you should not hesitate buying this bands music as you will find plenty of influences from various progressive metal bands and so much more. It should appeal to you even though their music is a bit different than the typical prog rock/metal stuff. Every fan of intelligent music should have this CD in their collection. The only thing I can point my finger on is the use of processed drums but it doesn't really bother me that much. The music is far too good to let something like that ruin the experience.This album is one of many highlights of 2001 but what separates this from the rest is the consistent originality of the music. Truth be told, if you don't get this album, you are missing out on a truly special experience. Hail to Sebastian Elliott and the multitalented Vora Vor. Essential!" - Progressiveworld.net
    $15.00
  • "San Francisco has produced countless acts that have defined, and even created, entire genres of music from the psychedelic movement to some band named METALLICA. On “The Zodiac Sessions”, Stoner Metal darlings ORCHID, somehow manage to add their name to the list with a seedy, grooving, bong hit ripping trip through the dark side. Poster children of the Stoner-hipster-Metal phenomenon, ORCHID has released a mess of music since forming in 2007. “Zodiac” is a collection of the bands earlier work, the “Through the Devils Doorway” EP and the killer full-length, “Capricorn”. Newly re-mastered, both records sound excitedly crisp and full, begging to be played at full volume with no remorse.If you really stretch your chemically altered imagination, you can see ORCHID onstage at the Fillmore ruining every ones buzz with their hemorging wall of sound and message of absolute Doom. Maybe that trippy vision is a little too heavy for your current state of mind but these guys are making retro sound progressive, conjuring the very best of classic BLACK SABBATH, PENTAGRAM and DUST while burning a path all their own. “Capricorn” is just plain creepy as the boogie virtually drips off Mark Thomas Baker’s guitar. It’s almost impossible to understand how the refrain gets so heavy with one guitar player but Keith Nickel hammers the bass strings so hard it shakes the ice in your glass. Carter Kennedy handles the back end nicely with deeply body shaking drum work, the perfect complement to the classic crushing being done by Baker and Nickel. Theo Mindell leads the charge with a howling voice resembling Bobby Liebling at his evilest.Baker throws the black cloak of doom gently over the listeners head with “Black Funeral”, the perfect late night graveyard hang out song, Mindell sounding like he is trying to raise the old souls of San Francisco’s past for an undead freak out. On “Eastern Women” we hear the marching guitar rhythm that has lead Orchid to the head of the stoner rock pact. It’s raw and unrelenting, showing a hint of what was to come as the band grew into their already legendary “The Mouths of Madness” record. It all comes to a crashing conclusion with “No One Makes a Sound”. Mindell lays it out on the line, letting us know that ‘they ain’t going to listen now, until no one makes a sound’. Eye opening stuff reminding us that heavy licks and heavy lyrics are how this whole San Fran thing got started.While a double re-packaging of not one but two records, neither one a decade old, is a little pretentious, original ORCHID vinyl is already fetching a pretty penny online. Sporting some groovy new art from multi-tasker Theo Mindell, “Zodiac Sessions” gives first time listeners a chance to pick up some old ORCHID on the cheap (for now) and gives those who were there the first time a second hit off the good stuff." - Metal Temple
    $14.00
  • Armed Cloud is a new Dutch band that straddles the line between progressive metal and symphonic rock.  The vocalist moves in the stratospheric realms from time to time drawing Geddy Lee comparisons.  I'm particularly enjoying the keyboard solos which remind me immediately that I'm listening to Dutch "sympho"."Just by looking at the artwork, I knew this was gonna be a good album. Sometimes, you just know. The cover art reminded me Dream Theater's seminal album Awake with the wide array of details and the odd characters. I think it's charming and represents their genre pretty well as it's intricate and nuanced. Fortunately, the album lived to my expectations and it's one of the best progressive metal record I heard in 2015. Obsidian Desert, the debut album of Armed Cloud manages to be a modern yet interesting and fresh take on classic progressive metal/rock. The quintet has all the ingredients to play this complex form of music, an engaging bass presence, super talented guitarist and keyboardist, a singer who can actually sing very well and a versatile drummer who's not afraid to use some blastbeats.While they're obviously technically skilled and that's proven at numerous occasions by the guitar solos and the way the keyboard interacts with the rest of the instruments, they're very emotional and has this frank desire to write compelling songs instead of flashing their technicality, a concept often plaguing their peers, like the later Dream Theater work to give an obvious example. They have a symphonic flair intertwined with some pop tendencies but it's thoroughly enjoyable and it's not saccharine. I think the ballad “Meltdown” is really beautiful and fits their identity as it remains highly atmospheric.Daan Dekker has a particular voice, powerful and with a lot of range but it's also soft and rich. A track like “My Own Kind” is a good showcase of his abilities. For some reasons, I thought of Ray Alder when I first heard them but I enjoy him more than the Fates Warning frontman who never managed to beat John Arch in the heart of many. The vocal melodies are well written and the addition of some aptly placed back vocals add an epic touch to the songs (see “Pyramid of Charlatans”). In fact the band reminds me of the American legends from Connecticut in their capacity of mixing technicality, songwriting and emotions in one solid package. There's also some influences from progressive alternative rock like Muse, Gazpacho or later days Marillion in the vocal department and considering I'm a big fan of these bands as well, it's a big bonus for me.Augment their formula with obvious nods to the more progressive side of power metal (see Kamelot or even Angra) and you have a very solid mix of influences. Furthermore, compared to many progressive metal acts, their songs are cohesive and on the shorter side except perhaps the eight minute closer “Wasted” and the excellent “In Your Mind”. Sometimes, it feels like they're a more streamlined version of some of Ayreon's stuff. There's no fluff as the album is a little bit under a hour and it doesn't feel this long either. There's no self indulgent long ass instrumental track but there's a serene, symphonic one before the last track and it gives the listener a break and a change of atmosphere.To conclude, If you like your progressive metal with solid solos but still in possession of its soul, Armed Cloud is a band that you should check out." - Metantoine's Magickal Realm
    $14.00
  • Latest in the 40th anniversary series featuring remixes by Steven Wilson.  Here is what you get:CD contains a new stereo remix plus 3 alternate mixes.  The DVD contains 5.1 remix of the album, a 24/96 and 24/48 stereo remix, the original album mix and alternate takes and mixes in 24/48.  The video content is the complete Beat Club performance and is worth the price alone.  
    $20.00
  • Steve's first studio album in some time arrives as a limited edition import with a bonus CD with his running through live versions of old Genesis tunes and solo material. The new album features Chris Squire and Anthony Phillips (believe it or not). The thing I love about Hackett's recent work is that it still clearly has his imprint on it but its not retro - its prog and contemporary.
    $15.00
  • 2 CD edition comes with a bonus disc featuring acoustic versions of material from the core album."Recently Dutch symphonic metal outfit Epica celebrated their first decade as a band with a massive show and a release of a DVD and now they’re back with a brand new studio album, which may very well be their finest moment to date…On “The Quantum Enigma” Epica has grown far beyond their humble musical beginnings. The symphonic elements and the massive choirs are still very much in place, but the band has found a new sense of renewed vigour and focus. High paced scorchers like ‘The Second Stone’, ‘The Essence Of Silence’ and ‘Reverence – Living In The Heart’ are poignant examples of the aforementioned refound sense of urgency. The band isn’t afraid to incorporate elements from thrash, death and progressive metal in their musical fabric, which makes this album a tempting listening adventure for people who aren’t necessarily into female fronted/symphonic metal.Vocalist Simone Simons shines on tracks like ‘Omen – The Ghoulish Malady’ and ‘Canvas Of Life’, while Arien van Weesenbeek shows his drumming prowess in the aforementioned ‘The Second Stone’ and ‘Essence Of Silence’. A special mention should go to guitarist Isaac Delahaye. His tasteful leads and solos are the proverbial icing on the cake. Particularly the main guitar solo in ‘The Quantum Enigma – Kingdom Of Heaven part 2’ is simply mindboggling.Production-wise “The Quantum Enigma” is a true gem, thanks to the considerable talents of Joost van den Broek (ReVamp, MaYan) and Jacob Hansen (Volbeat, Pestilence). The direct and in-your-face production sound gives the album a definitive edge which is somewhat lacking on some of Epica’s earlier works.“The Quantum Enigma” is the sort of record where everything comes together. Great songs, great atmosphere and the band has finally managed to capture the energy of their live shows on a studio album. It’s still early in the year, but “The Quantum Enigma” is destined to become one of the musical highlights of 2014." - This Is Not A Scene
    $14.00
  • "Most bands will reach a creative peak at a certain point in their career after which they simply continue in a less interesting fashion before eventually calling it a day. Not so with Motorpsycho. After more than 20 years they continue to develop and to to challenge themselves artistically. On this epic, double concept album, easily their most ambitious yet, Motorpsycho has assembled the cream of classical and jazz musicians from world class ensembles established in Trondheim, their hometown. ”The Death Defying Unicorn” was first commisioned by Molde International Jazzfestival for their 50th anniversary in 2010 where it was performed on the main outdoor stage. This, however, has been partly re-arranged, refined and recorded from scratch at Propeller Studios in Oslo with Kåre Chr. Vestrheim once again co-producing as he did with ”Heavy Metal Fruit”. Ståle Storløkken (Supersilent, Elephant9, Humcrush, Terje Rypdal) is considered one of Norway´s top keyboardists but here he also comes into his full as a writer and not at least arranger of the two ensembles. His contributions to this album can not be stressed enough. Among the players in Trondheim Jazz Orchestra are wellknown names such as Kjetil Møster (Ultralyd), André Roligheten (Albatrosh) and Mathias Eick, not to forget star violinist Ola Kvernberg."
    $22.00
  • "Trans-Siberian Orchestra's second album, Christmas Attic, may not be as focused or serious as Christmas Eve, but it is just as enjoyable and maybe even more consistent, thanks to Paul O'Neill's increasingly impressive compositions and an improved musicality." - Allmusic Guide
    $6.00
  • "NEWLY REMASTERED EDITION OF THE 1977 DEBUT ALBUM BY CANADIAN PROGRESSIVE ROCK BAND FM BOOKLET WITH FULLY RESTORED ARTWORK & ESSAY. Esoteric Recordings are pleased to announce the release of a remastered edition of the 1977 debut album by the Canadian Progressive Rock group FM. The band began life in 1976 with CAMERON HAWKINS (Synthesisers, Bass, Vocals) and NASH THE SLASH (Jeff Plewman) (Electric Violin, Mandolin, Vocals) coming together as a duo, making an appearance on national TV in Canada in the Summer of 1976. By March 1977 FM became a trio with the addition of MARTIN DELLAR on Drums. The Canadian Broadcasting Company offered to release the band s debut album, Black Noise on their own label later that year, but the record was only made available via mail order. The following year Black Noise was given a wider release on the VISA label in the USA. This Esoteric Recordings release is the first time Black Noise has been issued in Europe and has been newly remastered and includes an illustrated booklet and a new essay."
    $17.00