Long Live Rock 'N' Roll ($5 Blowout Price!)

SKU: 31454736329
Label:
Polydor
Category:
Hard Rock
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The third and final album of the Blackmore/Dio marriage was a fine one. "Gates Of Babylon" and "Kill The King" and the title track are now timeless classics of hard rock.

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  • This one is a great deal. Small slipcase edition of the five remastered Soft Machine albums: Third through Seven. Albums are in simple jackets with cover art (there is a link to a website with full album credits). Comes out to 5 bucks a disc - can't beat that!
    $22.00
  • "This is something of a family album, co-credited to Paul Kantner and his wife, Grace Slick, and featuring on its cover a photograph of their infant daughter, China. It also features the family of San Francisco Bay Area musicians, including David Crosby, Graham Nash, Jerry Garcia of the Grateful Dead, and other current members of Jefferson Airplane and future members of Jefferson Starship. Its style of loosely arranged acid rock music and radical left political lyrics is similar to such recent albums as the Kantner/Starship Blows Against the Empire (December 1970) and the Airplane's Bark (August 1971), which were made by most of the same players. But Kantner and Slick's usual stridency is not counterbalanced by substance as much as on earlier efforts, perhaps because they were making too many albums too quickly to keep up the quality of their songwriting. Still, anyone who enjoys the sweet-and-sour unison singing of X's John Doe and Exene Cervenka should listen to Sunfighter to see where they got it from." - Allmusic Guide
    $8.00
  • "Countdown To Revenge is album number five from Italian metallers Hollow Haze, a band who’ve been rattling out grandiose metal since 2003 but never getting the recognition they deserved. Mind you, gigs with German metal kings Accept certainly did them more good than harm, and this 11-track affair comes straight out of the box writhing like a metallic serpent, bolstered by the venomous vocals of Fabio Lione (Rhapsody Of Fire / Vision Divine).This is the first Hollow Haze platter to showcase the soaring talents of renowned frontman Lione, who replaces Alex Sonato, the singer on the band’s last two records, including the critically acclaimed Poison In Black (2012). For me, Lione is a marked improvement on Sonato, having a far greater and certainly more epic range for this style of powerful, majestic metal.This sort of metal can be an acquired taste due to its orchestral drama and polished feel. Hollow Haze, among numerous others (often European), are certainly one of the more adequate bands carving out this type of vast, melodic metal landscape. Any fan of hard-hitting metal should certainly give this record a spin as well, though.Firstly – and revisiting that vocal style – we’re hearing a set of lungs that combines the glorious heights of Ronnie James Dio and Bruce Dickinson (Iron Maiden) with a more modern, epic range. These strengths are complimented by the clean orchestrations of Antarktica and the Wintermoon Orchestra which, rightly so, give the platter an icy, clinical feel as Nick Savio’s guitars chisel out those huge valleys of sound.Storming in after a brief orchestral intro (‘Room 212’), album opener ‘Watching In Silence’ adopts all the theatrical nuances one would expect from such heroic metal. Hollow Haze have always been an ambitious band, keen to tell their tales by way of lush arrangements and stately dynamics. The band keeps the drama going with the pacey ‘Still Alive’, a track which combines classical preparations with a thrashy drum and ominous guitar chug.Clearly Fabio Lione has found his fiery home with Hollow Haze, his voice slipping in without trace of any cracks as ‘No Rest For The Angels’ sweeps into the room, evoking images of grand halls and luxurious tapestries unfolding. It’s the sort of track that would need to be heard to be believed live; the solos are punchy, the drums racy and again the vocals soaring into the zenith – Lione aided by Rick Altzi (At Vance / Masterplan / ex-Thunderstone) – to create another vast landscape of sound.With this type of album, it’s always difficult to pick out a favourite track because there is always a conceptual feel about proceedings due to the textures and overlying drama. For instance, ‘Life Has No Meaning’ – one of the more melodically subtle tracks on the opus – is far removed from the pounding eight-minute title track, but both songs are testament to a band and its ability to create moods and sprawling pastures.There are certainly sceptics within the metal fraternity who would deem this sort of heavy metal as being over the top in its quest for atmosphere. I can see where they’d be coming from, but in small doses bands such as Hollow Haze need to be experienced. After all, how can one fault the reflective symphonies of ‘Il Tempo del Fuoco’ or the Helloween-styled power metal soar of ‘A Fading Angel’s Life’? It’s metal at its purest, metal which doesn’t rely on anything remotely evil or weighty to deliver its message.Hollow Haze may be stuck within hair metal pomp and goth-laced histrionics and theatre, but for some this is what makes metal such a tour de force. Hats off to mix-master Sascha Paeth (Avantasia) for giving Countdown To Revenge such a clean, yet furious sound, and let’s hope Hollow Haze keep hold of Fabio Lione – this guy has added an extra dimension to that already flourishing landscape." - Metal Forces Magazine
    $15.00
  • Debut release from this Norwegian progressive ensemble immersed in the 70s sound.  Tusmorke began life as Les Fleurs Du Mal and featured Wobbler vocalist Andreas Prestmo.  They have since gone through changes of lineup and nae.  The band is heavily influenced by Jethro Tull, White Willow and Incredible String Band.  Its flute driven prog with a quirky psychedelic folk element.  The album was produced by Wobbler keyboardist Lars Fredrik Frøislie who contributes his arsenal to the album enhancing the prog vibe.  Mellotron freaks - its all here!  In addition to the album you get 3 bonus tracks of previously unreleased material from Les Fleurs Du Mal.  Highly recommended.[[{"type":"media","view_mode":"media_original","fid":"9132","attributes":{"alt":"","class":"media-image","height":"283","width":"400"}}]] 
    $18.00
  • Slipcase 5CD set containing all five Be Bop Deluxe studio albums:Axe VictimFuturamaSunburst FinishModern MusicDrastic Plastic
    $21.00
  • "Every year since I have started listening to metal music I have always somehow got myself in the comforting grip of a brilliant solo album that doesn’t heavily rely on singing. Whether discovered or newly released, it’s nice for the instruments to do the talking when you see names like Steve Vai cropping up on the new releases shelf in HMV. Gus G is mainly recognised as the guitarist for Firewind, but he’s also the guitarist for Ozzy Osbourne and raised his profile even higher as a sensational guitarist. He finally gets to shred until he bleeds, and he has help from Jeff Scott Soto, Elize Ryd, Jacob Bunton and Mats Leven to lend their vocals to Brand New Revolution. With plenty of bands and experience, Gus G will have the spotlight shining upon his strong posture.The Quest already pumps you up for what is yet to come on the album. It’s absolutely incredible. An action-packed, energetic introduction that fades out softly into the album title track as Bunton sings on that as well as Burn and We Are One. All of these have a savage hard rock sound that stamps its way along the audio waves that are shooting through my headphones with excellent solos (what else would you expect?) that sizzle that brain of mine like bacon on a grill. Elize Ryd lends her vocals on What Lies Below, adding some aggression and crunch to the album, making way for the ballad Behind Those Eyes. Jeff Scott Soto provides his legendary voice on Gone To Stay, returning to the hard rock vibe Bunton provides along with One More Try. This song is sandwiched between ballads, decent ballads to be precise.Come Hell or High Water is the first song to feature Mats Leven, possibly one of my favourites on the album, along with his last two If It Ends Today and The Demon Inside. His vocals screeching through these songs something to behold, as it is with the vocalists on this album. If It Ends Today is added to the soft rock list, as the ballads on this album aren’t ‘80s glam cheesy it makes this album essential. Scott Soto has one last song with Generation G that is in between the latter two of Leven’s tunes, a song that has a similar vibe to Youth Gone Wild by Skid Row when it comes to uniting a group of people one way or another, it’s uplifting. The Demon Inside finishes this album with slow tempo and crunching riff and catchy chorus, fading out quickly.Brand New Revolution is a remarkable listen, for those guitar fanatics who are just expecting instrumental songs from a guitarists solo album will be hushed by The Quest as well as Gus G‘s incredible talent that shifts through the album. It’s blend of hard rock and ballads often made me think of Whitesnake, but only for the mix of moods, not the sound. The vocalists were an absolute treat to listen to and the production work from Jay Ruxton and Mike Fraser was just perfect. Brand New Revolution does everything perfectly to show that Gus G doesn’t fuck about, he has stuck to his guns and fired out this monstrous yet honourable album." - Heavy Magazine Australia
    $12.00
  • Sensory is proud to announce the signing and forthcoming release of a new rising star on the Greek progressive metal scene – Persona Non Grata.Greece has always had some of the most fervent metal fans in the world. Although the main interest has been so called “true metal” bands in the style of Manowar and Iron Maiden, progressive metal started to take hold of the country in the 90s. Bands such as Dream Theater and Fates Warning routinely perform in Athens and both have released live CDs and DVDs from their Greek performances. Greek bands such as Fragile Vastness and Sensory’s own Wastefall have generated a buzz world wide and the scene continues to expand. Persona Non Grata will surely continue this tradition of great progressive metal.Persona Non Grata’s formation began in 2003 when John Ioannidis (keyboards) invited Chris Gatsos (guitars) to join his group Fatal Error. It didn’t’ take long for John and Chris to realize that they had to move on to progressive metal music which was a mix of rock that John loved to play and heavy metal that Chris grew up with. In order to achieve this they had to change the band’s line up. During this period they focused on writing the music which would be the material for their first CD “Shade In The Light”.It was 2 years later when vocalist, Bill Axiotis, joined the PnG group and they started recording this album. They asked session musicians Akis Gavalas (drums) and Chris Vogiatzis (Bass) to help record the album. When the sessions were over they felt a synergy with the three members of the band and came on board permanently, completing the lineup of Persona Non Grata."Shade In The Light" captures a band creating complex music but coming from the melodic end of the metal musical spectrum. Similar bands would include Circus Maximus, Vanden Plas, and Poverty's No Crime.Persona Non Grata's MySpace Page
    $6.00
  • "“The Invisible”, a supernatural thriller about a writer with bright future until brutally attacked and left to die. He find himself trapped between the worlds of living and dead, his only chance for survival is to unravel the mystery of what happened to him and why, before it`s too late…I bet you wonder what the hell this has to do with anything? Well, there begins the story of the “Traumatic Scenes”.Brazilian Power Metal quartet SUPREMA managed to exploit the idea behind this movie into mixture of poetry, great vocal performance and even better music. Don`t be fooled, it`s not the movie in verses (this isn`t “Les Miserable’s” for crying out loud), but the tale about various stages of human mind and parapsychology. Themes covered are fury, anger, visions, nightmares… I`m not going to reveal all, some things you should discover by yourself.Album introduction – “Marks of Time” brings the distant echo of music with the spoken verses, narrated by Tarsis Marim. “Dark Journey” is the real album opener, explaining how does waking up on the “other side” feels like. Fast music, and keyboard effects in unexpected parts, amazingly combine and hint that something unnatural is happening. Music remains fast, but the keyboards change into choirs, amazing melodies and pretty solid guitar solo somewhere halfway through “Rising From the Ashes”. Is there a better way to describe the “Rage and Fury” other than heavy riffs? Didn`t think you`d disagree. “Visions From the Other Side” besides keyboards and heavy riffs introduce acoustic guitars and some guttural vocals belonging to Victor Prospero (try to remember his voice cause he`ll be back growling on two other tracks “Burning my Soul” and “Traumatic Scenes”) making this track pretty interesting. “Burning my Soul” is the sound of unfilled dreams and anger in full force. The storm of rage is over, leaving reminiscence of the time before. “Memories”, nostalgic ballad, makes great contrast to the previous track. Everything comes with a price, dearie - and that`s what the progressive “Nightmare” and psychedelic “Before the End” are all about. “Iced Heart” is yet another progressive and heavy track, with amazing guitar riffs. Last track, the carrier of the album title “Traumatic Scenes” tells the whole story in short, highlighting the tragedy of previous events, and the traumatic outcome that these events have caused.Overall SUPREMA brings you one great story in amazing package. If you liked “Mercy Falls” by SEVENTH WONDER, you`ll like “Traumatic Scenes”, too. These guys from São Paulo did an amazing job on their debut album, and it would be a shame for it to remain undiscovered by many." - Metal Temple
    $15.00
  • "Tracer release their new album ‘Spaces In Between’ on October 3rd (UK release) on the Cool Green recordings label.  The Australian desert rockers, who are based in Adelaide, comprise of brothers Michael and Leigh Brown and Andre Wise. They have had success with two previous independent releases, but ‘Spaces In Between’ will I feel launch Tracer to new heights.Tracer’s blend of 90’s stoner and 70’s classic rock is steeped in epic guitar sounds, clever hooks and raw, uncompromising vocals.I hope (and imagine) that Tracer can reproduce live on stage the intensity and passion and raw rock n roll that is so evident in this album. With the UK tour coming up I think we should all go and check out these Aussie contenders!“So what’s the album really like?” I hear you say.   The album starts with ‘Too Much’ and a great start it is. A guitar riff straight from the 70’s classic-rock bible. A solid, constant rhythm throughout. A very catchy rock song, which is understandably the first single from the album.Check out the video belowTrack two; ‘Push’ has a more laid back feel. It still rocks, but in a groovier kinda way. If Jimi Hendrix and Paul Rodgers had a lovechild, it would sing like this!‘Walk Alone’ continues the 70’s rock vibe. A solid drum beat throughout which has a simple yet traditional guitar riff over the topThe fourth track, ‘Louder Than This’ is stoner rock at its finest. Distorted vocals over a solid pounding drum beat, with guitars turned to eleven. There is almost a Slade vibe to this song. I can imagine Noddy Holder belting this out in the 70’s.The next track ‘Devil Ride’ goes back to the rockier tempo of track one. Definitely the catchiest chorus on the album so far.  I have a feeling that ‘Devil Ride’ might just be the next single.Track six is another thumping tune. ‘ The Bitch’ is the song which will get the crowd going wild in the mosh-pit, although they will still sing along to the chorus, with devil-horns flying high.The seventh track, ‘Voice In The Rain’ has a much slower pace than most on the album. The Paul Rodgers comparison to Michael Browns vocal is most evident here. A great performance.The album’s title track ‘Spaces In Between’ is the stand out track. The bass line complements the raw guitar sound and you find yourself singing along to ‘The Spaces In Between’ line of the chorusTrack nine is ‘Dead Inside’. This starts slow and Bluesy, rocks in with screaming vocals and guitar solos, slows back down again then totally rocks out towards the end. A clever song, which highlights the bands musical talents.‘Save My Breath’ is another pulsating rocker with some nice stop/start moments and even a little psychedelic middle eight!‘All In My Head’, the eleventh track, is a mellow rocker with another catchy chorus.The album closes with ‘Won’t Let It Die (Run Mary)’. A shot of Bad Company, a dash of Led Zeppelin and topped up to the brim with Jimi Hendrix.  Get the idea? A laid back song but with great guitar work, especially the solo. This will have you singing along by the end." - I Review Rock
    $12.00
  • "Oceans of Mountain fans discovered them by witnessing one of their roaring rock shows, and this one's a doozy, captured in Osaka in '73. Pappalardi/West/Mann/Schwartzberg set fire to staples like Mississsippi Queen; Theme from an Imaginary Western , and Never in My Life plus an epic (nearly 32-minute) Nantucket Sleighride . Raging guitar solos all around!"
    $5.00
  • With nearly forty-five minutes of brand new material, Turning Tides represents MALPRACTICE at their absolute best, combining intricate progressive metal with catchy melodies topped with excellent musicianship and brilliant vocal harmonies. Professionally recorded by the members of the band at various locations, Turning Tides was produced by the band’s Joonas Koto and Toni Paananen and engineered by Koto, then mixed and mastered by Anssi Kippo at Astra-Studio A and enshrouded by intriguing artwork and design work by Miikka Tikka.“The lyrical theme of the album is about a guy who is very well educated. In fact so educated and talented that he can't land a job for himself due to over education,” collectively issued the members of MALPRACTICE. “He kind of falls in-between things and ends up in the suburbs unemployed and frustrated. He is ‘the best kept secret’ since no one wants to hire him. His life and sanity starts to fall apart due to his frustration and depression. He tries to fight the system but always ends up deeper and deeper in apathy. The story can be somewhat related to MALPRACTICE's struggle to make it for two decades already. The question is: ‘Is the guy me? You? Or every one of us?’” 
    $13.00
  • “The Atomized Dream” is the fourth full length release from this Georgia based instrumental metal band. With a new expanded lineup, the Canvas Solaris “sound” continues to evolve.The band has shown tremendous growth since their beginnings in 1999, evolving out of the death metal/mathcore scene. Dropping their vocalist along the way the band decided to emphasize intricate arrangements, creating compositions that only the most adept musicians could play. Canvas Solaris’ music resonated equally with fans of technical metal co-horts Behold The Arctopus and Spastic Ink as well as bands like Don Caballero and Dillinger Escape Plan.Following the recording of their third album, Cortical Tectonics, the lineup saw a radical change. Band founders Nathan Sapp (guitars) and Hunter Ginn (drums) replaced departing guitarist/bassist Ben Simpkins with 3 new members. Joining are Chris Rushing (guitars), Donnie Smith (analog synth), and Gael Pirlot (bass). While the core sound has remained these new members have clearly made their mark. Keyboards now play a more prominent role, while the twin guitar interplay is mesmerizing. The band continues to contrast hyper-technical metal passages with spacey and quiet acoustic based interludes.A recent tour with Behold The Arctopus and Dyshrythmia brought attention to the band and they plan on continuing the momentum with additional shows in 2008.The band is always interested in presenting their work with interesting graphics. They are honored to have noted low brow artist Mars-1 provide the cover art. Once again the album was produced by Jamie King (Between The Buried and Me) and mastered by Grammy winning engineer Bob Katz.
    $4.00
  • Beautiful new 2011 digipak edition featuring a fresh remaster courtesy of the band. Essential seminal prog.
    $17.00
  • "Accept's creative breakthrough, 1983's Restless and Wild, begins with one of the most unexpected, surprising, and hilarious mock intros ever recorded. Untold thousands no doubt furrowed their brows in confusion at the perky German folk song emanating from their speakers, only to be rudely interrupted by a scratching needle and Udo Dirkschneider's incomparable shriek, as the band launch themselves into the stunning violence of "Fast as a Shark." Not just a thrilling, light-speed juggernaut, the song was probably the last thrash metal prototype waxed in the pre-thrash era (officially inaugurated by Metallica's Kill 'Em All a few months later). Though nowhere near as frenetic, the title track and "Ahead of the Pack" are just as fierce, and despite a sudden stumble with the mediocre "Shake Your Heads" (an overtly cheesy, Judas Priest-style metal anthem, and the album's only stinker), the dramatic "Neon Nights" ends side one on the upswing once again. As for the album's second half, it's pretty much beyond reproach. Introduced by the solid "Get Ready" (another nod to Priest with its "Living After Midnight"-inspired drum intro), it builds from strength to strength with increasingly mature and melodic (though lyrically obscure) tracks such as "Flash Rockin' Man," "Don't Go Stealing My Soul Away," and the colossal "Princess of the Dawn." The latter closes the album as it began, in unexpected fashion, when its extended outro is abruptly interrupted mid-verse. The bottom line here is that this, like its successor Balls to the Wall, is an essential heavy metal album, and any fan worth his salt should own them both. But for the sake of first-time visitors, Restless and Wild is the slightly grittier, less melodic of the two. Whichever you chose, you can only win." - All Music Guide
    $5.00