Londinium

SKU: ARKCD1001
Label:
Island
Category:
Progressive Rock
Add to wishlist 

Found a small horde of overstocks of the first album from this excellent modern progressive band. At this point in time there was a definite triphop influence mixed in with Floyd-like spaciness.

There are no review yet. Be the first!

Product Review

You must login or register to post reviews.
Laser Pic

customers also bought

SEE ALL
  • "Founding members of the Rock In Opposition movement, Univers Zero have continued to change and grow and develop over their entire career, while still keeping a ensemble sound and spirit that is easily recognizable. Relaps presents something that Univers Zero's fans have been hoping for for decades; a peek into the recorded archives of one of the greatest avant-rock ensembles since mid 1970s! This CD documents the final 1980s line-ups of Univers Zéro before the band's long sabbatical from recording and touring. The live sound is excellent throughout and the CD features a 16 page booklet with a informative history of the band during this time period as well as rare, never-seen photos. The line-ups featured on Relaps are the quintet who recorded UZED and the septet who recorded Heatwave. The material is drawn from those two albums, with the live setting providing some different arrangements and even greater fire to the pieces; I found the pieces taken from Heatwave to be particularly inspiring and outrageous. There is also a short, otherwise unheard composition included here. While UZ continue to play truely awesome gigs and develop the material that will be found on their next studio album, Relaps provides a chance for the listener to catch up with some never-released and exciting recordings from a truly classic band"
    $15.00
  • Its been four years since this British ensemble's debut album.  Been a long time coming but there have been a number of personnel changes in the band.  Founding members Alex Crispin (vox/keys) and bassist Dan Pomlett left the band, while guitarist Nicholas Richards switched over to bass.  While the band went through a state of flux their core sound didn't really change a hell of a lot.  Yeah maybe its pared down a bit but it is still steeped in the sounds of the early 70s.  Mellotron, organ and reeds abound.  Guitar is a bit more dominant but still with that retro Vertigo vibe.  Vocals only appear on one track and they are OK.  Think in terms of an instrumental VDGG in a massive jam session with members of Soft Machine and Eloy.  As if!  I will be hard pressed to come across a better progressive rock album released in 2012.  BUY OR DIE!
    $13.00
  • The Japanese jazz scene is finally getting the attention it deserves.  Long written off as just a scene filled with copycats of American and European artists, jazz fans around the world are now discovering that there was some amazing music being created there.  Some of the musicians like Terumasa Hino and Masabumi Kikuchi crossed over into the world jazz scene but for the most part many of the musicians there only gained popularity in Japan.  One of the most important Japanese jazz labels from the 70s was Three Blind Mice.  It was started in 1970 by producer Takeshi "Tee" Fuji.  The label adhered to strict audiophile standards and all of the releases on the label featured exemplary sonics.  The music of Three Blind Mice tended to fall into three facets of jazz (they would crossover from time to time).  Some of the artists play very traditional straight ahead jazz.  Frankly while this stuff appeals to audiophiles its not that appealing beyond the sonics.  There was also an experimental side to the label featuring a lot of free jazz blowing.  The third aspect, which to my ears is the most interesting, is the area where the label explored modal jazz, often with an electric element.  Very little of it would be hardly be called fusion, but a rock element would sometimes be present.  This falls into the realm that has been broadly tagged as "kosmigroov".The label only existed in the 70s and the rights to the catalog has now passed over to Sony Music.  Think Records in Japan has started a limited ediiton reissue campaign of the Three Blind Mice label.  They arrive in mini-LP sleeves and are manufactured using Sony's proprietary Blu-Spec process.  We are cherry picking titles we think should have your attention.  More will follow in the near future.I don't know what the back story is on this album but it has to be a funny one.  Easily by far the most out of place release to have come out on Three Blind Mice.  As far as I can tell its the only progressive rock album to have been released by the label.  The cover art would make you think of some weird Japanese pop band but it couldn't be further from that.  Jimmy, Yoko & Shin consists of Jimmy Shironaga (acoustic guitar, electric bass, and vocal), Yoko Sumiya (electric keyboards), and Shin Okabe (drums/percussion).  Apparently they won first prize in the Japanese Jazz Grand Prix.  Perhaps the prize was a record deal with TBM?The album consists of three tracks - one of which is only 3 minutes long.  Large parts of the album sound like outtakes from the first Emerson Lake & Palmer album with an injection of Canterbury.  Interspersed vocals are in Japanese and are based on 1000 year old Japanese literature (as if we would know the difference!).  The whole craziness is sewn together with the wonderful audiophile production that we expect from Three Blind Mice.  Highly recommended.
    $29.00
  • "Zao, French prog-jazz legends from Seventies, reformed in 2004 with original core members Yochk'o Seffer (sax) and Francois "Faton" Cahen (keyboards) along with Gerard Prevost (bass) who was a member of Zao from 1975-77, drummer Francois Causse, who had played with Faton and Seffer before and last, but not least, the new female vocalist Cynthia Saint-Ville. Her addition to the fold will doubtless attract Zeuhl enthusiasts, as her voice is pretty similar to Mauricia Platon, but softer and more sensual, while equally powerful. In Tokyo is a live album recorded during the Japan tour in 2004 and it adds a violinist Akihisa Tsuboy to round out the classic Zao sound which, while more acoustic sounding thanks to Faton largely playing grand piano and only occasionally comping on Fender Rhodes, nonetheless stays true to the classic tone colors of Zao. Versions of pieces like "Isis", "Shardaz", "Zohar" as well as material from Kawana benefit a lot from the addition of female vocals. The only disappointing piece is "Ronach" which doesn't have the same verve and fluid edginess that the original version had (not to mention, Causse sounds a bit stiff here compared to the militantly exuberant hammering of Jean-My Truong on the original version). It was probably a bit too complex piece for the band to pull off. Elsewhere, they deliver. Guest violinist Tsuboy dishes out fiery electric violin solos, at times reminiscent of Lockwood, even though he tends to be obscured during the written sections by sax and voice. Nonetheless, Zao in its current configuration sounds like a tight live act, a bit jazzier than the seventies editions, but nonetheless very enjoyable. Recommended live album for fans of jazzier end of Zeuhl." - Stereomouse
    $15.00
  • Its been almost 4 years since the band's phenomenal debut.  Since that time the duo of Mariusz Boniecki and Marcin Kledzik have expanded into a live gigging quartet.  I'm pleased to say that in terms of their music the band has not lost any momentum.  The same influences are still present - you will hear the imprint of Porcupine Tree and King Crimson.  The title of the album is a bit of a giveaway - this is not uplifting music.  It is filled with noir-ish, melancholy atmosphere.  Emotion filled vocals ride on top of Crafty guitarwork.  The technicality is there but you have to listen for it.  Think of a head on collision between In Absentia and Discipline and then take it one step beyond.  Clearly Pinkroom does it again.  BUY OR DIE!
    $13.00
  • "San Francisco has produced countless acts that have defined, and even created, entire genres of music from the psychedelic movement to some band named METALLICA. On “The Zodiac Sessions”, Stoner Metal darlings ORCHID, somehow manage to add their name to the list with a seedy, grooving, bong hit ripping trip through the dark side. Poster children of the Stoner-hipster-Metal phenomenon, ORCHID has released a mess of music since forming in 2007. “Zodiac” is a collection of the bands earlier work, the “Through the Devils Doorway” EP and the killer full-length, “Capricorn”. Newly re-mastered, both records sound excitedly crisp and full, begging to be played at full volume with no remorse.If you really stretch your chemically altered imagination, you can see ORCHID onstage at the Fillmore ruining every ones buzz with their hemorging wall of sound and message of absolute Doom. Maybe that trippy vision is a little too heavy for your current state of mind but these guys are making retro sound progressive, conjuring the very best of classic BLACK SABBATH, PENTAGRAM and DUST while burning a path all their own. “Capricorn” is just plain creepy as the boogie virtually drips off Mark Thomas Baker’s guitar. It’s almost impossible to understand how the refrain gets so heavy with one guitar player but Keith Nickel hammers the bass strings so hard it shakes the ice in your glass. Carter Kennedy handles the back end nicely with deeply body shaking drum work, the perfect complement to the classic crushing being done by Baker and Nickel. Theo Mindell leads the charge with a howling voice resembling Bobby Liebling at his evilest.Baker throws the black cloak of doom gently over the listeners head with “Black Funeral”, the perfect late night graveyard hang out song, Mindell sounding like he is trying to raise the old souls of San Francisco’s past for an undead freak out. On “Eastern Women” we hear the marching guitar rhythm that has lead Orchid to the head of the stoner rock pact. It’s raw and unrelenting, showing a hint of what was to come as the band grew into their already legendary “The Mouths of Madness” record. It all comes to a crashing conclusion with “No One Makes a Sound”. Mindell lays it out on the line, letting us know that ‘they ain’t going to listen now, until no one makes a sound’. Eye opening stuff reminding us that heavy licks and heavy lyrics are how this whole San Fran thing got started.While a double re-packaging of not one but two records, neither one a decade old, is a little pretentious, original ORCHID vinyl is already fetching a pretty penny online. Sporting some groovy new art from multi-tasker Theo Mindell, “Zodiac Sessions” gives first time listeners a chance to pick up some old ORCHID on the cheap (for now) and gives those who were there the first time a second hit off the good stuff." - Metal Temple
    $14.00
  • Outstanding new collection of previously unreleased material from the Hungarian symphonic rock band. The material actually predates The Martian Chronicles. Basically culled from live recordings this is referred to as an "official bootleg" but I found nothing at all objectionable about the sound quality. Highly recommended symphonic prog from a band that has always known the right way to do it.
    $16.00
  • BACK IN STOCK! This is the second album from the Dutch deep space/stoner quartet. 35007 are here to crush your brain cells to pulp and take no prisoners. Heavy slabs of riffs over an intergalatic vibe is the order of the day.
    $19.00
  • Great great album if you dig Mellotron. Not overly complex prog with more of an emphasis on drama and melodies. Nicknamed the "Poor-man's Moody Blues" by the press and that about sums them up. Nice one.
    $9.00
  • Though they were a product of the beat group age, Group 1850 were the Netherlands’ first progressive band — in every sense of that word. Constantly changing, constantly evolving, Group 1850 were musical extremists on a do-or-die mission to explode all expectations. Sparks flew, ideas flared, feedback swirled through misty nights, the dead walked, skeletons danced, flies buzzed, mountains fell, words rained fire from angry purple skies. Group 1850 raised all kinds of Hell. My god, were they good.Although the group made two deservedly revered albums, Agemo’s Trip to Mother Earth (1968) and Paradise Now (1969), some of their best work can be found on their singles, where their borderline insane hyper-creativity was focused into highly-concentrated, radically potent three-minute songs like Misty Night, Mother No-Head, Zero, We Love Live (Like We Love You), Don’t Let It Be (We Have to Do It Now), and the magnificent Have You Ever Heard. The A- and B-sides of all their singles can be found on this unique CD in their original mono mixes, mastered from the original tapes. A number of previously unreleased demos are also included. Mother No-Head: Their 45s comes packaged in a breathtaking digipack cover with rare archival photos, memorabilia and liner notes by Ugly Things’ Mike Stax.Track listing1. Misty Night 3:29 – mono 2. Look Around 2:34 – mono3. I Want More (Finger Tips) 2:03 – mono4. I Know (La Pensée) 3:11 – mono5. Mother No-Head  3:25 – mono6. Ever Ever Green 3:17 – mono7. Zero 3:28 - mono8. Frozen Mind 3:39 – mono9. We Love Live (Like We Love You) 4:28 – mono10. Little Fly 4.17 – mono11. Don’t Let It Be (We Have To Do It Now) 3:13 – mono12. Sun Is Coming (So We’re Calling You) 3:00 – mono13. Fire 2:30 – stereo14. Have You Ever Heard 3:34 – stereo15. Mother No-Head 3:29 – French version – stereo16. Mother No-Head 3:36 – instrumental – stereo17. 1.000 Years Before 2:37 - stereo18. Dream Of The Future 2:33 – stereo19. Sun Is Coming 3:06 – demo - mono20. Don’t Let It Be 3:08 – demo - mono21. Falling Mountains 3:34 - demo – stereo22. Liar 2:31 – demo - stereo23. Dream Of The Future 2:51 – demo - stereo24. 1.000 Years Before 2:39 - demo - stereoTracks 19 – 24 previously unreleasedTotal Playing Time: 77:00
    $18.00
  • I thought Felix Martin's debut was insane but he's taken it to the next level with this one...If you are unfamiliar with Felix Martin that will probalby change soon.  He plays a custom made 14(!!) string guitar.  His musical background has strong roots in jazz but its clear he's able to feel comfortable with different styles.  His approach to this unusual guitar includes tapping as well as legato runs.  If you have seen any videos of him playing live its really something to see.  The Scenic Album is a trio affair - Martin is supported by Nathan Navarro on bass and Chapman Stick, and the mighty Marco Minnemann is behind the drum kit (ex-Behold The Arctopus' Charlie Zeleny is on the last track).  I don't think anyone other than Marco could tackle this material.  Martin's music touches on so many different genres - metal, prog rock, latin and fusion - all within a single composition.  Prepare to have your jaw drop! 
    $12.00
  • Daevid Allen is back with a reconstituted version of Gong.  Part of the new lineup features Kavus Korabi (Knifeworld, Cardiacs) and Dave Sturt (Jade Warrior).  There is a great vibe to the album and it doesn't stray from the classic sound."The enduring legend that is Gong multi National, multi dimensional Psychedelic combo enters yet another new phase on their four decades plus journey with I See You, a brand new album to be released on the Madfish label.The current incarnation of Gong comprises vocalist / lyricist Daevid Allen, who, even at the age of seventy five, still radiates an incandescent creativity, the original anarchic vibe that was born out of counter culture revolution in the Paris commune in 1968. His co conspirators on I See You comprise Orlando Allen on drums, new guitarist Kavus Torabi (formerly of The Cardiacs) and the latest guitar incumbent in a band whose ranks have included the likes of Steve Hillage and Mark Hewins, horn player Ian East Wind , sinuous bass propulsion provided by Dave Sturt (the sonic manipulator), and Brazilian Fabio Golfetti who weaves his own lysergic patterns on guitar. This collective create an impressive, multi layered and irrepressible sound that creates its own world and then populates it with a series of dazzling musical gems, melodically rich, lyrically engaging and musically refreshed.I See You is both timeless and timely, a welcome antidote to an increasingly homogenised musical mainstream. Tracks such as This Revolution, a spoken piece which name checks Gil Scott Heron and picks up on the vibe of his The Revolution Will Not Be Televised, articulates the kind of concerns and theories that have always inspired Daevid Allen and informed the Gong worldview, contrasts with the ferocious inter stellar Funk of You See Me, which is sure to be a live favourite. Thank You is a heavy slab of Psychedelicised Blues, whilst Shakti Yoni Dingo Virgin is a moody, melodic instrumental piece that serves to illustrate the immense musical firepower and musical diversity that lurks within the current line up of Gong."
    $8.00
  • Wow!  This Canadian band sure has a thing for Pink Floyd.  Led by vocalist/songwriter Phil Burton, Innerspace definitely channel Gilmour and Co.  Notice how I phrased it.  Burton's vocals sound very much like David Gilmour and lead guitarist Simon Arsenault has more than a little of that characteristic sound to his playing as well.  Compositionally this is VERY much derived from Floyd.  There are bits that crop up that will remind you of Meddle, DSOTM, Animals, and even as late as The Division Bell.  Where they really stray from the Floyd sound is with keyboardist Paul Aubrey who is much more active a keyboardist than Rick Wright - lots of cool noodly synth soloing.  While its all original compositions this one was like a fun trip down memory lane through the Pink Floyd catalog.  There aren't a lot of bands out there that are so overtly influenced by the British legends.  I can honestly say that Innerspace do it about as well as it can be done.  Highly recommended.
    $12.00
  • New remastered edition in a mini-lp style sleeve. RRR was one of the great one-off bands that proliferated in the Italian prog landscape during the 70's. Gorgeous delicate flute and sax work is juxtaposed with heavy guitar and keys to immaculate effect. This is one of the essential ones...
    $19.00