Livestock

SKU: CLACD5
Label:
Virgin Records
Category:
Fusion
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Live album with Kenny Dennard on drums. This one burns beginning to end.

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  • New reissue of this US prog rarity.  Even the CD reissue from a decade ago is long out of print!  Considered by many to be one of the best examples of US prog."An overlookied US band, formed in early-70's and led by guitarist/keyboardist/sax player Robert Williams aka Roberts Owen (R.I.P.).The original line-up featured also multi-instrumentalist James Larner, keyboardist Mark Knox, drummer Jim Miller, bassist Paul Klotzbier and Jeff McMullen on lead vocals/guitars.Maelstrom had a private press LP out in Canada, recorded in 1973 at Fort Walton Beach in Florida and very rare nowadays, originally released under the title ''On the gulf''.Why this band is so overlooked remains a huge mystery to me, as Maelstrom had one of the most eclectic and intricate sounds back in the days.Every track shows a different amount of influences and musical approaches, always played under a very complicated yet well-structured musicianship, offering a huge and dramatic sound like a cross between ETHOS, CATHEDRAL and YEZDA URFA.There are strong amounts of melodies and acoustic passages in the vein of GENESIS, huge sax-based more improvised sections in the vein of VAN DER GRAAF GENERATOR and SOFT MACHINE, smooth electric parts with delicate vocal harmonies as tribute to CARAVAN, complex interplays as GENTLE GIANT first ever presented and YES-like adventurous symphonic orchestrations with a superb atmosphere.Heavy loads of Mellotron and organ, jazzy-flavored sax atmospheres, dramatic orchestrations with good electric parts, instrumental battles and endless changing climates can be detected constantly, leaving the most demanding proghead satisfied.In 1997 Black Moon Records re-issued the album in CD format under the title ''Maelstrom'' and this work contains a couple of extra tracks recorded live by Maelstrom in 1980 at the ''Three Rivers Festival'' in Indiana with only Owen and Klotzbier from the original line-up along with keyboardist Kent Overholser and Rollin Wood on drums.''Opus one'' has a strong E.L.P. vibe with organs leading the way along with some dramatic synth work in a classic Symphonic Rock track, while the longer ''Genesis to geneva'' is a bit more of a loose instrumental composition again in a Symphonic Rock path but surrounded with some more Avant-Garde/Fusion atmospheres, where synths, organ and electric guitars are on the forefront.A fantastic discovery for all fans of adventurous Classic Prog.Interesting combination of Symphonic Rock, Cantebury Prog and Jazz-Rock, where so much is going on.Definitely among the finest releases of the time in the USA/Canada and highly recommended." - Prog Archives
    $16.00
  • "2 CD ANTHOLOGY BY THE LEGENDARY PROGRESSIVE ROCK GROUP CRESSIDA24 TRACKS REMASTERED FROM THE ORIGINAL TAPES FEATURING EVERY TRACK FROM THE BAND’S TWO ALBUMS RECORDED FOR THE LEGENDARY VERTIGO LABEL BETWEEN 1970 & 1971WITH FIVE PREVIOUSLY UNRELEASED TRACKS – INCLUDING TWO FROM A 1970 BBC SESSION, TWO UNRELEASED DEMOS AND AN UNRELEASED SINGLE TRACK BOOKLET WITH FULLY RESTORED ARTWORK, RARE PHOTOGRAPHS & ESSAY. Esoteric Recordings are pleased to announce a 2CD ANTHOLOGY by the legendary Progressive Rock group CRESSIDA. One of the finest groups to sign to the legendary VERTIGO label in 1969, CRESSIDA’s unique Progressive Rock style earned them a loyal fan base in the early 1970s, with their legend growing over the ensuing decades and their followers growing, with notable aficionados including MICHEAL AKERFELDT of the band OPETH. The roots of Cressida were sown in March 1968, when guitarist John Heyworth answered an advertisement in Melody Maker, and later travelled to London to join The Dominators. With vocalist Angus Cullen he settled down to some serious writing, eventually welcoming bassist Kevin McCarthy and drummer Iain Clark to the fold and now calling themselves Charge. In 1969, shortly after returning from a German tour, the band's organist Lol Coker decided to leave, and moved back to Liverpool to marry his Swiss girlfriend and take over his father's business. He had stayed just long enough to play on the band's first demo, which got them a recording contract with Vertigo Records. Peter Jennings then joined. At this point the band settled on the name Cressida. Their first gigs as Cressida were in Germany, including the Star-Club in Hamburg sharing the bill with Colosseum and East Of Eden, in the Autumn of 1969.The band’s self-titled debut album was recorded at Wessex Studios with Ossie Byrne producing, and was one of the earliest releases on Vertigo. Cressida went through a difficult phase when Heyworth was forced to leave in early 1970. He was replaced by John Culley. The new line-up recorded Cressida's second LP, Asylum, later in 1970 (again with Byrne producing, and with orchestral arrangements by Graeme Hall), but it was released pos-thumously in 1971, the band having broken up in September 1970. Noted jazz flautist Harold McNair guested on the song "Lisa" from the album. Heyworth sadly died in January 2010, but in 2011, three of the four surviving original members of the band, Angus Cullen, Iain Clark, and Kevin McCarthy got together again with Peter Jennings. This anthology has been compiled by the group themselves and is a fine tribute to an inspiring band and has been newly re-mastered from the original master tapes, and features a booklet with new essay."
    $21.00
  • Magenta's latest finds them returning to an overtly progressive rock sound and the music is all the better for it.  The Twenty Seven Club is a concept album based around famous rock stars that died at the age of 27 (Janis Joplin, Jim Morrison, Jimi Hedrix, Kurt Cobain, ao).  The core lineup is Rob Reed, Christina Booth, and Chris Fry.  For this album the band is rounded out by guest drummer Andy Edwards of IQ.  Reed's keyboard work is back in the fore and Fry's Howe-isms on guitar always bring a polish to the music (and grin on the face).  Christina Booth's voice is a real gift and she shines as always.  Overall the music makes some overt references to Yes and Genesis so you get that old school flavor that the band hasn't offered in many years.  The album arrives in a special edition with a bonus DVD.  You get the complete album in a 5.1 mix, documentary footage and a promo video for one of the tunes.  Highly recommended.
    $18.00
  • Second solo album from the legendary RTF bassist, originally released in 1974. Its a burning set featuring Jan Hammer and Tony Williams. Oh yeah...a guy name Bill Connors is playing guitar and going off his nut.
    $5.00
  • A handful of these emerged from a warehouse grab and what a gorgeous album it is.  This is an XRCD24, featuring a proprietary mastering process from JVC.  These XRCD24s are targeted towards audiophiles and they certainly couldn't have picked a better release than this one.Kate Purcell is an Irish folk singer who bears a strong similarity to Alison Krauss.  Nice spacious and simple recording that will show off your sound system.  "This Ennis-based singer completely enthralls with her first album, Shadows Of You. What a voice! And, she is a gifted writer. The whole package was on offer and what a deal! She is a major, major new talent who will only get more famous as more people hear her magic. It is on Dream Records. Find it. Wow!Kate is a native of Feakle in east Clare; she now resides in Tulla with her husband and son. Anyone who has lived in these areas would inevitably be influenced by traditional music and on this album Kate is very much going back to her roots.She also has a deep love of contemporary music, which blends blues, and American artists such as Jackson Browne, Gordon Lightfoot, James Taylor and more recently, Alison Krauss and Patty Loveless.Kate started her musical career straight from school, playing around Clare for a while; she was offered a residency at the prestigious Dreamland Castle hotel, where she still performs.Her albums have followed her decision to broaden her horizons and reach an international audience.Her first album, A Dream Unfolds met with great critical acclaim. It won her 2 awards from Irish Music Mag. 2 singles from the album were play listed by 2FM. Hot Press nominated Savannah as best single. You Never Said Goodbye spent 5 weeks in the Irish charts.Following the success of the album she appeared on TV’s Kenny Live, PM Live, Open House, Limelight, Sib and Bernie Bo.She performed all over Ireland alongside Jimmy McCarthy; Donal Lunny’s Coolfin and this April with Tommy Fleming on his national tour.She has also performed with Lunasa in Hong Kong and has appeared at festivals as far afield as Clifden Arts Fest, Cork Folk Fest, The Rose of Tralee, Omagh Bluegrass, and Milwaukee Irish Fest.Kate has been planning this album for three years and is joined by Tommy Fleming on Dan Seals beautiful, Lullaby. Also Clare fiddle sensation, Martin Hays on Goodbye Johnny Dear. The outstanding rendition of Mary Greene’s, Dress of Green.Ted Ponsonby, long time sideman of Delores and Sean Keane, has produced the album.Copperplate is very proud to have this title on our roster and hope to help it achieve its full potential will be supporting this release with a full-scale promotional mail out to media and retail.“This is wonderful. Music of the heart, intuition, ability, understanding and beauty”.  LiveIreland.com August 02 
    $9.00
  • Phil returns (and sings).
    $9.00
  • Remastered edition of the iconic first album from Ritchie Blackmore's Rainbow. At the time frontman Ronnie James Dio was an unknown singer from an upstate New York band called Elf. This released turned the hard rock world upside down. "Man On The Silver Mountain", "Catch The Rainbow", "Still I'm Sad"....it didn't get better than this...ever!
    $5.00
  • "There are no surprises in sound and style on Morph the Cat, Donald Fagen's long-awaited third solo album, nor should any be expected -- ever since Steely Dan's 1980 masterwork, Gaucho, his work, either on his own or with longtime collaborator Walter Becker, has been of a piece. Each record has been sleek, sophisticated, and immaculately produced, meticulously recorded and arranged, heavy on groove and mood, which tends to mask the sly wit of the songs. When it works well -- as it did on Fagen's peerless 1982 solo debut, The Nightfly, or on Steely Dan's 2001 comeback, Two Against Nature -- the results go down smoothly upon first listen and reveal their complexity with each spin; when it doesn't quite succeed -- both 1993's Kamakiriad and the Dan's 2003 effort Everything Must Go didn't quite gel -- the albums sound good but samey on the surface and don't quite resonate. Morph the Cat belongs in the first group: at first it sounds cozily familiar, almost too familiar, but it digs deep, both as music and song.Sonically, at least superficially, it is very much a continuation of the two Steely Dan records of the new millennium -- not only does it share Fagen's aesthetic, but it was recorded with many of the same musicians who have shown up on the Dan projects. There are slight differences -- without Becker around, there's a greater emphasis on keyboards and the songs stretch on a bit longer than anything on Everything Must Go -- but this, at least on pure sonics, could have functioned as a sequel to Two Against Nature. But Morph the Cat is very much a solo affair, fitting comfortably next to his first two solo albums as a conclusion to what he calls a trilogy. If The Nightfly concerned the past and Kamakiriad was set in a hazy future, Morph the Cat is rooted in the present, teeming with the fears and insecurities of post-9/11 America. Fagen doesn't camouflage his intent with the gleefully enigmatic rhymes that have been his trademark: his words, while still knowingly sardonic, are direct, and in case you don't want to bother reading the lyrics or listening closely, he helpfully offers brief explanations of the songs (for instance, on "Mary Shut the Garden Door," he writes "Paranoia blooms when a thuggish cult gains control of the government," a statement that's not exactly veiled). On top of this unease, Fagen faces mortality throughout the album -- he talks with the ghost of Ray Charles, borrows W.C. Fields' phrase for death for "Brite Nitegown," writes about attempted suicides -- and every song seems to be about things drawing to a close.It's a little disarming to hear Fagen talk so bluntly -- although he came close to doing so on the deliberately nostalgic The Nightfly, the fact that he was writing about the past kept him at a bit of a distance -- but despite the abundance of morbid themes, Morph the Cat never sounds dour or depressing. In large part this is due to Fagen's viewpoint -- he never succumbs to mawkishness, always preferring to keep things witty and sardonic, which helps keep things from getting too heavy -- but it's also due to his smooth jazz-rock, which always sounds nimble and light. This, of course, is how Fagen's music always sounds, but here, it not only functions as a counterpoint to the darkness creeping on the edges of the album, but it's executed expertly: as spotless as this production is, it never sounds sterile, and when the songs start stretching past the five-minute mark -- two cuts are over seven minutes -- it never gets boring, because there's a genuine warmth to the clean, easy groove. More so than on Kamakiriad, or on the tight Everything Must Go, there is a sense of genuine band interplay on this record, which helps give it both consistency and heart -- something appropriate for an album that is Fagen's most personal song cycle since The Nightfly, and quite possibly his best album since then." - Allmusic Guide
    $6.00
  • Over a year ago we offered a limited edition version of this and its been out of print for some time.  This is a beautiful 2LP 180g vinyl gatefold edition with gorgeous new Roger Dean artwork.To celebrate the 40th anniversary of Journey To The Centre Of The Earth, Rick Wakeman recorded a studio version (remember it was a live album back in 1973).  Its shockingly great!  The new version includes 20 minutes of music that was originally written for the piece but never performed or recorded.  The album is recorded with a symphony orchestra as well as his usual cast of musicians.  Wakeman seems to be playing all analogue keyboards, or at least a hell of a lot of them.  Its a very faithful approximation of the performance you remember but with some new music, new vocalists.  Wrapping the whole thing up is a stellar, audiophile production.  Thankfully Mr. Wakeman understands the proper use of compression.  This album will blow the roof off your house.  Highly recommended.
    $29.00
  • Volume 6 in this amazing series is a 3CD set that covers the time period 1976 through 1979. Arthur Brown appears on the performance culled from a gig in Brussels in 1979. Awesome!
    $13.00
  • The last album from The Nice features some of their best work: Hang On To A Dream, My Back Pages, and the great version of America. Remastered edition comes with 2 bonus tracks - "Country Pie" and "Pathetique (Symphony No 6, 3rd Movement) from BBC Sounds Of The Seventies.
    $10.00
  • Recorded out in Los Angeles. Not one of their better albums.
    $10.00
  • Limited edition 2LP black vinyl - almost out of print already.  Cut at 45rpm from the original 24 bit files.  Artwork design courtesy of the band.So I finally get to tell the tale of Exivious....Many years ago I was in touch with a Dutch guitarist named Tymon Kruidenier who was working on a new progressive metal band called Exivious. The music was extremely reminiscent of Cynic. At that point in time he was looking for a vocalist. We kicked around a possible collaboration but it never bore fruit. Ultimately Tymon shelved Exivious. Many years later, Cynic reformed and Mr. Kruidenier became the new guitarist, more or less as the replacement for Jason Gobel. With the success of the Cynic reunion, Exivious was resurrected. It would be difficult to think of Exivious as anything other than the instrumental sister band to Cynic. The influences are incredibly strong but the band tends to play up the fusion aspect more. The compositions have that technicality that will send your brain spinning and this quartet has the chops to pull it. Paul Masvidal contributes a guest solo driving the Cynic connection home. Overall its a band stands on its own and will probably top many year end "best of" lists. A brilliant disc - I hope these guys play live. Highest recommendation.
    $26.00
  • "Talking Heads found a way to open up the dense textures of the music they had developed with Brian Eno on their two previous studio albums for Speaking in Tongues, and were rewarded with their most popular album yet. Ten backup singers and musicians accompanied the original quartet, but somehow the sound was more spacious, and the music admitted aspects of gospel, notably in the call-and-response of "Slippery People," and John Lee Hooker-style blues, on "Swamp." As usual, David Byrne determinedly sang and chanted impressionistic, nonlinear lyrics, sometimes by mix-and-matching clich├ęs ("No visible means of support and you have not seen nothin' yet," he declared on "Burning Down the House," the Heads' first Top Ten hit), and the songs' very lack of clear meaning was itself a lyrical subject. "Still don't make no sense," Byrne admitted in "Making Flippy Floppy," but by the next song, "Girlfriend Is Better," that had become an order -- "Stop making sense," he chanted over and over. Some of his charming goofiness had returned since the overly serious Remain in Light and Fear of Music, however, and the accompanying music, filled with odd percussive and synthesizer sounds, could be unusually light and bouncy. The album closer, "This Must Be the Place (Naive Melody)," even sounded hopeful. Well, sort of. Despite their formal power, Talking Heads' preceding two albums seemed to have painted them into a corner, which may be why it took them three years to craft a follow-up, but on Speaking in Tongues, they found an open window and flew out of it." - Allmusic Guide
    $6.00