Livestock

SKU: CLACD5
Label:
Virgin Records
Category:
Fusion
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Live album with Kenny Dennard on drums. This one burns beginning to end.

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  • "FIRST EVER CD RELEASE EDITION OF THE RARE 1969 DEMOS BY THE LEGENDARY CRESSIDANEVER BEFORE RELEASED ON CD WITH TWO PREVIOUSLY UNRELEASED TRACKSBOOKLET WITH FULLY RESTORED ARTWORK & NEW ESSAY.Esoteric Recordings are pleased to announce the first ever CD released of TRAPPED IN TIME, a collection of rare demos and recordings made in 1969 by the legendary band CRESSIDA. The band would later sign to VERTIGO records, recording two classic albums for the label. TRAPPED IN TIME reflects the very first recordings made by the band prior to signing to Vertigo and was previously released as 500 limited edition LP.Featuring a line-up of ANGUS CULLEN (vocals), JOHN HEYWORTH (guitar), KEVIN McCARTHY (bass), LOL COKER (organ), PETER JENNINGS (organ on tracks 3,4 & 5) and IAIN CLARK (drums), this Esoteric Recordings release features two extra tracks not included on the original vinyl LP and a booklet that features a new essay and rare photographs."
    $17.00
  • "Van Der Graaf Generator; musical pioneers, boundary pushers and visionaries, born in the creative maelstrom of late 1960s Britain, seemingly laid to rest in 1977 and re-born with new vitality in 2005. Theirs ranks as some of the most experimental, enduring, savage and beautiful music ever created, inspiring a host of musicians of varying styles, notably including John Lydon and Mark E. Smith. This collection draws together their superlative sessions for the BBC, including five previously unavailable tracks, all beautifully mastered by Paschal Byrne."Track listingDisc: 11. People You Were Going To (Top Gear Session / 1968)2. Afterwards (Top Gear Session / 1968)3. Necromancer (Top Gear Session / 1968)4. Darkness (Top Gear Session / 1970)5. After The Flood (Top Gear Session / 1970)6. Manerg (Sounds Of The 70s Session / 1971)7. Theme One (Sounds Of The 70s Session / 1971)8. Vision (Sounds Of The 70s Session / 1971)9. Darkness (Sounds Of The 70s Session / 1971)10. Manerg (John Peel Concert, Bbc Radio 1/1971)11 W (John Peel Concert, Bbc Radio 1/1971)12. Killer (John Peel Concert, Bbc Radio 1/1971)Disc: 21. Refugees (John Peel Session / 1971)2. Scorched Earth (John Peel Session / 1975)3. Sleepwalkers (John Peel Session / 1975)4. Still Life (John Peel Session / 1976)5. La Rossa (John Peel Session / 1976)6. When She Comes (John Peel Session / 1976)7. Masks (John Peel Session / 1976)8. Cat’s Eye / Yellow Fever (John Peel Session / 1977)9. The Sphinx In The Face (John Peel Session / 1977)10. Fragments Of) A Plague Of Lighthouse Keepers / Sleepwalkers (John Peel Session / 1977)
    $13.00
  • Implosion features Univers Zero's trademark chamber rock style - a style that they are one of the originators of - subtly modernized, infused with greater classicism and given a sharper, more electric and electronic edge. Besides leader/composer Daniel Denis Denis (drums, percussion, keyboard, samplers, accordion, guitar), musicians on Implosion include Michel Berckmans (oboe, English horn, bassoon), Serge Bertocchi (saxes & tubax), Aurelia Boven (cello), Ariane De Bievre (flute, piccolo), Dirk Descheemaeker (bass clarinet, clarinet), Bart Maris (trumpet, flugelhorn), Eric Plantain (electric bass), Christophe Pons (acoustic guitar), Bart Quartier (marimba, glockenspiel), and Igor Semenoff (violin).Implosion shows that, three decades after it was first formed, Univers Zero continues to evolve, expanding and experimenting with the boundaries of New Music, and, to quote Expos, ceaselessly proving themselves to be one of the best and most important groups on the planet.
    $15.00
  • "It’s been five years since their last album, Buried Alone: Tales Of Crushing Defeat, but in that time, the lord of Knifeworld, Kavus Torabi, has been very busy indeed. He’s been part of Gong and various other bands, hosted a prog radio show with snooker legend Steve Davis (who is in fact, more interesting than people might have ever suspected) and of course spent his time working on more Knifeworld material.Since his days with Monsoon Bassoon, Torabi has always been someone who writes dense yet strangely hookladen songs. With Knifeworld things are no different, if anything this album is about as ambitious as anything in Torabi’s long and extensive career to date. The Unravelling is an eight song cycle, is performed as an octet, and is nothing if not grandiose in its intensions. The idea of a song cycle might well sound pretentious, and perhaps it is, but what keeps The Unravelling from unravelling into a unwieldy mess is Torabi’s deft songwriting nous and keen ear for a hook. These songs might well form a cycle, but they are all quite capable of operating independently too.Opening track I Can Teach You How To Lose A Fight starts in muted fashion with delicate keyboards and strummed acoustic guitars complimenting Mel Woods’ beautiful but understated vocals. The whirring of clock parts and machinery in the background give a wonky Victorian feel, but also suggest that the cogs that drive the album are slowly clunking into life. Before long the full band has launched into a freakish prog-hymn, like a kind of feral Rick Wakeman freakout. “Why’d you grow those teeth in your heart?” asks Torabi sounding as if his has been chewed up and spat out by an evil Queen. It’s essentially the dialogue of a relationship winding down, but with its winding musical motifs, joyful honking sax parts mixing with solemn vocals and dramatic guitar stabs, the introduction to the album feels like a kind of synopsis of what’s to follow or an overture of sorts. There’s joy, threat, love, anger, fun and a fair bit of magic too.Send Him Seaworthy starts life as a kind of lurching boy’s own adventure, with nautical themes and a sense of wonder seeping into the orchestration, but come the telling conclusion it becomes tale of paranoid love. Don’t Land On Me meanwhile meanders along in a faintly jazzy way until a sharp stabbing rock riff cuts across its bows. Suddenly, it becomes a curious mix of swing, The Osmonds‘ Crazy Horses and Kenny Rogers‘ version of Condition. The Skulls We Buried Have Regrown Their Eyes meanwhile is a woozy old-school nursery rhyme that contains a requisite amount of grotesque imagery.Destroy The World We Love is the pop nugget around which the album truly revolves. It possesses a laid back lollop, a very deliberate hook with the line “secret in your hands” digging deep into the ears early on, but it quickly reveals itself to be an expansive and exquisite journey. Fans of Genesis (and naturally Cardiacs) will find plenty to appreciate here but as usual Knifeworld stop short of being self-indulgent and ensure that the song never disappears up its own firmament.If The Skulls We Buried hinted at something a little unsettling, then This Empty Room Was Once Alive confirms that there is something genuinely creepy lurking under the surface of this album and it just so happens to be in the form of a Victorian ghost story. Fortunately I’m Hiding Behind My Eyes quickly takes over and steers back towards folk inflected prog before things get to terrifying. Once again, the Octet are in fine form creating a bucolic world for the band to inhabit and explore.The key to this album is in its title. It is well written, and beautifully performed, but in order to get the most out of it, a certain amount of unravelling needs to be done. The five year wait has been worthwhile, and Torabi’s Knifeworld seems ready to begin creating its own universe. As strange and creepy as it seems at first, it is fun to spend time exploring." - MusicOMH 
    $15.00
  • "Transformation is a very apt title for Canadian Prog veterans FM, for not only has their music transformed numerous times over the years, so has their line-up. Joining bassist/keyboard player Cameron Hawkins this time round is drummer Paul DeLong (Roger Hodgson/Kim Mitchell), violinist/mandolin player Edward Bernard, who has performed with Druckfarben and violinist (yes, there are two violinists here) Aaron Solomon. The recording group being completed by legendary Rush, Dream Theater, Fates Warning producer/engineer Terry Brown, who does an excellent job.So you'll gather then that the first proper FM album since 1987's Tonight still follows in its predecessors footsteps of placing violin front and centre. Yet while that may sound risky in today's often sanitised Prog world, Transformation sounds remarkably contemporary and, at the same time, true to this band's 70s roots. More beautiful than punchy, in places the songs on this album feel like Yes with copious amounts of violin strung over it, the air being light, melodic and captivating. DeLong is stunning throughout, his rare ability to be ridiculously busy and intricate, underpinned by a solidity which fixes everything in place. Nary a second goes by where the percussionist isn't whispering a ghost beat, paradiddling the toms to within an inch of their lives, or alternating between snare, hi-hat and cymbals at break neck speed. However, amazingly, he never interrupts the beautiful flow of the vocals provided by Hawkins, Solomon and Bernard; the trio causing another reason for celebration in the process. However no album was built on drums and voice alone, so the stunning, varied violin, viola and mandolin work which weaves and dances across Hawkins deep resonant bass and darting, lilting, pointed synth contributions, are as impressive as they are vital to the unbridled success of this album.There's a real depth of sound and arrangement across the nine tracks on show, the likes of "Tour Of Duty" a journey from fragile art through fractured beauty, into controlled frenzy. "The Love Bomb (Universal Love)" and "Brave New Worlds" contrast this approach excellently, a sparse framework thriving on roaming bass, while gentle string stabs allow the vocals to express the emotions of melancholic introspection, but overriding hope and belief displayed in every one of the songs on this album. And it's that uplifting feeling which really infuses Transformation with the power to captivate and control your attention from start to finish, whether through the harsher attack of the bristling "Re-Boot, Reawaken", unsettling pulse of "Children Of Eve", the almost jauntily optimistic "Safe And Sound" or idyllic "Heaven On Earth".Often when a band reappears from the past, as if by magic to reclaim their past glories, the results are safe and deflating. Transformation however falls far from that trap, instead announcing itself with a triumphant confidence which never fades once as its beauties unfold, and vitally it just gets better with each and every luscious visit to the land of hope and understanding it creates." - Sea Of Tranquility
    $17.00
  • Second solo album from the legendary RTF bassist, originally released in 1974. Its a burning set featuring Jan Hammer and Tony Williams. Oh yeah...a guy name Bill Connors is playing guitar and going off his nut.
    $5.00
  • 2CD live recording from the Paradise Theater in Boston.  Recorded on April 15, 1988.  If you don't know 3 was the one shot band that featured Keith Emerson, Carl Palmer, and Robert Berry.  Besides sporting mullets the band ran through a set list that relied heavily on their album as well as a little ELP, a little Emerson solo material, and even The Nice.  It seemed like a good idea at the time...
    $17.00
  • The Yes Album is the second in a series of remixed and expanded Yes albums.Presented in a mini vinyl replica gatefold card sleeve (with protective inner sleeves) with booklet featuring new sleeve notes by Sid Smith, along with rare photos and archive material, the album has been mixed for 5.1 Surround Sound from the original studio masters by Steven Wilson and is fully approved by Yes.The CD features a new stereo album mix by Steven Wilson, the studio version of Clap and an extended version of A Venture.The blu-ray features:- 5.1 PCM Surround Sound and High Resolution Stereo mixes (24bit 96khz).- the original album mix in a hi-res flat transfer from the original stereo master tape source (24bit/192khz).- a complete alternate album running order drawn from live tracks, singles edits & an extended mix.- exclusive instrumental versions of all new mixes in DTS-HD Master Audio stereo (24bit/96khz).- exclusive needle-drop of an original UK vinyl A1/B1 pressing transferred in 24bit/96khz audio.The ultimate way to enjoy the album that helped establish Yes's reputation as a creative force to be reckoned with.CD - New Stereo Mixes:1. Yours Is No Disgrace2. Clap3. Starship Trooper: Life Seeker / Disillusion / Wurm4. I've Seen All Good People: Your Move / All Good People5. A Venture6. Perpetual ChangeAdditional Tracks:7. Clap (Studio Version)8. A Venture (Extended)Blu-Ray (Region 0, NTSC):Presented in DTS-HD Master Audio- Album mixed in 5.1 Surround- New Album mix- Original Album mix (flat transfer)- New Album mix (instrumental version)- Alternate version of The Yes Album drawn from live tracks, singles edits & an extended mixPlus further audio extras some exclusive to the Blu-Ray edition.NTSC, all regions, LPCM playable in all Blu-Ray players & Blu-Ray drivesBlu-Ray - Full Track Listing:New Stereo Mixes 24/96 MLP Lossless:1. Yours Is No Disgrace2. Clap3. Starship Trooper: Life Seeker / Disillusion / Wurm4. I've Seen All Good People: Your Move / All Good People5. A Venture6. Perpetual ChangeSurround Mixes (24/96 MLP Lossless):1. Yours Is No Disgrace2. Clap3. Starship Trooper: Life Seeker / Disillusion / Wurm4. I've Seen All Good People: Your Move / All Good People5. A Venture6. Perpetual ChangeOriginal Stereo Mixes (Flat Transfer from original master 24/96 MLP Lossless):1. Yours Is No Disgrace2. Clap3. Starship Trooper: Life Seeker / Disillusion / Wurm4. I've Seen All Good People: Your Move / All Good People5. A Venture6. Perpetual ChangeAdditional Material:The Alternate Album :1. Yours Is No Disgrace (Live, London 1971)2. Clap (Studio Version)3. Starship Trooper (single edit)Life seeker4. I've Seen All Good People (Live, London 1971)5. A Venture (extended mix)6. Perpetual Change (Live, New Haven 1971)Blu-Ray Exclusive:Single versions, edits & live:1. Your Move - single version, stereo2. Clap - single version, mono3. America - Live, London 19714. It's Love - Live, London 19715. Your Move - single version, monoNew Stereo Instrumental Mixes (24/96 LPCM):1. Yours Is No Disgrace2. Clap3. Starship Trooper: Life Seeker / Disillusion / Wurm4. I've Seen All Good People: Your Move / All Good People5. A Venture6. Perpetual ChangeNeedle-drop (A1/B1 UK vinyl transfer 24/96 LPCM):Original stereo, archived master transfer (Flat Transfer 24/96 LPCM):1. Yours Is No Disgrace2. Clap3. Starship Trooper: Life Seeker / Disillusion / Wurm4. I've Seen All Good People: Your Move / All Good People5. A Venture6. Perpetual Change 
    $25.00
  • Live CD set with a bonus DVD of the performance. This was recorded at Metropolis Studios in London on 12/4/10. The DVD is PAL format (region 0) and also includes some interview footage. The CD features the audio from the entire performance.
    $16.00
  • "he world according to The Pineapple Thief is changing. In a recording career now stretching  back 15 years their sound has been built around the key components of progressive and heavy rock music, often seeing the south Somerset four-piece bracketed with other neo-prog bands such as Marillion and their fellow label mates Porcupine Tree. But their tenth album Magnolia gives complete lie to that ancient proverb you can’t teach an old dog new tricks.Elements of progressive, hard rock music still percolate through The Pineapple Thief’s veins – never more so than on album opener and new single ‘Simple As That’ and the blistering ‘Sense Of Fear’ – but where once there was a tendency towards excess and bombast now there is greater economy and eloquence. As founding member and principal songwriter Bruce Soord explains, there are no longer any long tunes. All he cares about now is writing good songs.The triptych of ‘Don’t Tell Me’, the album’s title song and ‘Season’s Past’ is a perfect representation of how The Pineapple Thief’s sound has evolved. Wrapped in a swathe of Andrew Skeet’s strings – something the British composer and orchestrator has previously achieved to similar resounding effect with The Divine Comedy and Imogen Heap – the songs’ stirring arrangements and inherent tenderness nod towards some of the more baroque beauty of The Verve’s Urban Hymns.On Magnolia Soord’s guitar is much more to the fore than has hitherto been the case. It is something he attributes to his Kemper Profiling Amp, through which he has channelled his imagination and realised the sounds that were inside his mind. His head must have been full of contagious, hook-laden songs then, because Magnolia delivers a dozen such gems. It is a record that could, and really should move The Pineapple Thief into the big time." - God Is In The TV
    $13.00
  • This one was totally unknown to me but I once I heard it I knew I had to stock it. Eero Koivistoinen is a well regarded Finnish sax player. In 1976 he uncharacteristically made this blazing fusion album. Notable members of the lineup include Wlodek Gulkowski on synths, Pekka Pohjola on bass, Olli Ahvenlanti on piano, George Wadenius and Jukka Tolonen on guitar. Gulkowski once again comes through with really sick synth leads. Koivistoinen is quite the impressive player but its the cohesive band sound that really struck me. Definitely recommended to any fan of Weather Report, Hot Rats-period Zappa or Return To Forver. 24 bit remaster.
    $20.00
  • Pro-shot DVD filmed on the Passion tour at Wyspianski Theatre in Poland from April 2011.  Comes with some bonus video footage - Nick Barrett interview and other stuff.
    $20.00
  • Volume 6 in this amazing series is a 3CD set that covers the time period 1976 through 1979. Arthur Brown appears on the performance culled from a gig in Brussels in 1979. Awesome!
    $13.00
  • New album from Guy LeBlanc finds Nathan Mahl with a new lineup and a bit of a new direction as well. The first thing that strikes you is that the overall soundscape is much heavier. Guitars have real CRUNCH. This isn't at all a metal album but its clear that he has been listening a bit to Dream Theater. He lets loose with some devastating keyboard solos that reminds you that this soft spoken guy can play like the devil. There is also a slight AOR sheen to the proceedings but never in a particularly offensive way. Curiously this is a concept album based on Exodus - the story of the Jews exodus from Egypt. Given the subject matter and this reworking of the formula I've of the mind to annoint Nathan Mahl as the Canadian version of Glass Hammer. Lots of similarities the more you dig it. To these ears this is much better than the Heretic trilogy and is highly recommended.
    $8.00