Live In Japan

SKU: ICNCD1001
Label:
Iceni
Category:
Progressive Rock
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Product Review

Fri, 2010-11-12 15:08
Rate: 
0
Un concierto excelente de estos ex King Crimson con nuevo cantante muy parecido a Greg Lake. Interpretan temas de KC de sus tres primeros discos. El sonido es excelente y la calidad interpretativa igual o mejor que aquel vinilo original. 100% recomendado a los amantes del rock sinfonico progresivo. Mas de 70 minutos de clasicos del rock. Hugo Castro Salinas. Santiago de Chile.
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Product Review

Fri, 2010-11-12 15:08
Rate: 
0
Un concierto excelente de estos ex King Crimson con nuevo cantante muy parecido a Greg Lake. Interpretan temas de KC de sus tres primeros discos. El sonido es excelente y la calidad interpretativa igual o mejor que aquel vinilo original. 100% recomendado a los amantes del rock sinfonico progresivo. Mas de 70 minutos de clasicos del rock. Hugo Castro Salinas. Santiago de Chile.
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  • "In what seemed like an eternity since the details on the second Darkology album surfaced in December 2013, the running joke was that the second album should be renamed “Fated to Never Be Released.” “Official leaks” of demo tracks surfaced ahead of a European tour “in support of the album” (and without Carptenter who had other commitments). The demos only served to deepen fan desire for the release, as they revealed vocalist Kelly Sundown Carpenter (ex-Firewind live, Adagio) absolutely KILLING IT with a sharpened buzz saw edge that makes Ripper Owens look like an absolute chump. Flash forward to 2015 and finally a release date through Prime Eon and/or Nightmare (depending on where you live) would happen in late Spring. Was it all worth the wait, agony and hype? You betcha it was.The album is a steamroller from start to finish – with some parts here and there that tend to drift slightly (the title track for one) – but it never disappoints. As evidenced in the demos, Carpenter proves why he should be a vocalist in demand as he drives home the heaviness with his ultra-sharp brilliant delivery. Unlike most singers who like to live in the rafters, Kelly pulls it off with zero annoyance. His shredding high end is absolutely essential given the musical assault of riffs (from the great Michael Harris of Thought Chamber) and pounding rhythms (from bassist Michael Neal and drummer Brian Harris) that back it up. Though not similar in style per se as total impact, “Fated to Burn” gives me the same feel as the first time I heard Winter’s Bane’s “Heart of a Killer” and Sanctuary’s “Refuge Denied,” where the first blush with both the young Ripper Owens and Warrell Dane were absolutely life changing. If you add a little dose of “Breaker” era Accept and a tiny drop of Symphony X you have just the tip of just how brilliant “Fated to Burn” truly is.The Harris brothers have struck upon an exciting formula of U.S. power and traditional with just a touch of progressive. In terms of comparison with 2009’s “Altered Reflections,” this album packs five times the punch and power, sure to please fans that prefer metal heavy, guitar driven, and with shredding vocals. The album is a flurry of amazing grinding riffs with Kelly’s lethal vox that make tracks like “Shadows of Oth,” “Quantum Genocide,” “Kill Me If You Can,” “21st Century Frankenstein (Nobot 2)” and personal favorite “Festival of Fear” sound, and in many ways exceed, “Painkiller.” In fact, Darkology is a Metal Church for a new generation – and “Fated to Burn” leaves such an indelible vibe of “The Dark” that I swear the spirit of circa-1986 David Wayne seems to have implanted itself inside of Kelly.In one of the most exciting and pure metal releases in well over a decade, “Fated to Burn” is well worth the wait. Darkology stakes its claim in a busy circuit and with one flap of burning wings created an album that can easily be labeled an instant classic, thus raising its stock as one of the best U.S. bands out there today. This isn’t a mere claim only to be dashed away by a short time – this is the real deal! If you call yourself a fan of metal than heed these words….”Fated to Burn” lives up to and exceeds any hype you may have for it. If you haven’t familiarized yourself with the band, then you picked the right time, because the album isn’t “fated to burnout” anytime soon. Darkology has arrived.Highs: One of the best pure metal albums in a decade, Kelly Sundown Carpenter shines.Lows: Some songs drift a little, but not by much.Bottom line: Darkology strikes back with an album that is "Fated to Burn" into the memory for a long long time." - Metal Underground
    $16.00
  • "It started with a simple idea: virtuoso musicians and a pop singer joining to make new-fashioned music the old fashioned way. A band followed, evolving into Flying Colors: Mike Portnoy (drums, vocals), Dave LaRue (bass), Neal Morse (keyboards, vocals), Casey McPherson (vocals, guitar), and Steve Morse (guitar). Together, they create a unique fusion of vintage craftsmanship, contemporary music and blistering live performances."FOREIGN CUSTOMERS PLEASE NOTE THAT DUE TO THE HEAVIER WEIGHT OF VINYL YOU WILL BE SUBJECT TO ADDITIONAL SHIPPING CHARGES.
    $19.00
  • Second album from this fusion outfit led by former Passport members Curt Cress and Kristian Schultze. Bassist Dave King only appears on part of the album and Roye Albrighton is long gone, replaced by Frank Diez. The problem with the album is that about half of it has too much funk and is really commercial schlock. The rest of the album is pretty much on par with Defroster...although I could live without Eddie Taylor's vocals. Your move.
    $18.00
  • Remastered edition of the second ELO album.  Roy Wood split to form Wizzard and Jeff Lynne pretty much took control and ran with the concept.  While there were better things to come, it was all in all still a pretty damn amalgam of prog, classical and pop.  Comes with 4 bonus tracks.
    $5.00
  • "The proper follow-up to Among the Living was somewhat disappointing in its inconsistency. While there are some good moments -- "Be All, End All" is one of the band's most melodic moments, and several other tracks catch fire -- the best thing here is a cover of Trust's "Antisocial," and it doesn't bode well when covers outshine original material. The lyrics continue the self-consciously intellectual, PC approach begun on Among the Living, but about half of the album is surprisingly dull." - All Music Guide
    $5.00
  • New album from Swedish true metal gods comes in a nice digipak design and a bonus track - a cover of Malmsteen's "Rising Force". I never noticed that Anders Johansson plays drums for these cats...
    $14.00
  • High quality Japanese SHM-CD in a mini-LP sleeve."Sucessfully experimental album ahead of it's time.Influenced by the cutting edge musical experiments that abounded in late '70s New York Daevid radically changed direction from his previous acoustic troubadour style. Utilising the then embryonic sampling and video technology he radically cut-up, re-mixed and over dubbed the New York Gong LP 'About Time' to produce 'Playbax 80'. It resulted in this stunning and at times assaulting set, and it's still way out there."
    $14.00
  • "Luciferean Light Orchestra is the eponymous troupe of musicians and debut album led by Therion’s mainman Christopher Johnsson that was recently announced and released via the band’s own site, to little fanfare. According to him, this is a compilation of material that he had in reserve and that he sort of amassed through the years, when he came up with ideas which were too “vintage” or somewhat more left-field that your average Therion song would be...It differs quite a bit from Therion in that it barely has any similarities to most of them tunes included here, other than the use of rather tame but pretty hypnotizing and almost hedonistic female vocals, some of which are done by Mina Karadzic, who, if I am not mistaken, is one of the ladies who starred in one of a series of highly artistic and sometimes slightly enigmatic videos that Therion released in the past couple of years and a few simple choirs that sound quite oratorial. Mina is the only other person than Johnsson that is being identified as a contributor. Everything alludes to 70s prog rock, with a somewhat ritualistic approach and dark gloomy riffs, that border on heavy proto-metal, which I suppose is pretty nice.Johnsson, probably must have done most if not all of the composing and is credited for the guitar as well as some keyboards and hammond, which pops up quite regularly and did provide some backing vocals, but was aided by a couple of drummers, a bass player, no less than 5 guitarists, 2 keyboard players and 3 hammond organists as well as 9 singers. Quite a lineup there. The album was mixed by Lennart Östlund (a guy who has worked with Abba and Led Zeppelin) at polar studios this sounds quite old school in its aesthetics, which might come as a bit of a shock to a few people, but all in all, if you don’t approach this album with prejudice, it might be quite an interesting listen. Remember this is not “Therion” after all, but another project, that may feature some current and former members in its ranks, as well as other “known guests” but they have so far, remained anonymous for whatever reasons.Opener “Dr. Faust on Capri” sweetly and seductively unfurls its charms manifested via a quirky little riff, and some pleasant female vocals that will remind you of all those 60s/70s soft rock, psych bands. The whole melody changes somewhat and the song gets a little heavier towards its conclusion which has a rather imposing, simple male choir, that makes it sound a little like vintage “T” too...“Church of Carmel” is very soothing and sweet and seems to somewhat borrow from the aesthetics and sound of “Beauty in Black” but all through a 70s prism and a bizarre haze of sounds and colors.“Taste the Blood of the Altar Wine” is much much darker, led by a simple riff that’s thickened up with some key magik, while the vocals sound completely bewitching...Which sets quite the tone for “A Black Mass in Paris”, which begins quite a bit like “Nightside of Eden” but veers off into a lot softer and prog territory, before it begins to interject some really dark parts which work a bit like a chorus, since you can’t really say it has one, per ce.“Eater of Souls” has this eastern flavored riff and mixes threatening male and rather tame but at the same time unsettling female ones, which do get softer gradually. It’s not bad at all, just a bit weird. Some of these songs feel like they must have been conceived between “Ho Drakon…” and “A’Arab Zaraq...”“Sex With Demons” (what? Sex with Satan, anyone? lol) is completely bonkers and sort of nightmarish, describing lucid dreaming copulation with horny ones, Incubus and Succubus… with the whole thing sounding like the soundtrack to a bizarre 70s porno gone avant garde!“Venus in Flames” begins with this kinda Hendrix-y riff and some licks around it until another on plays a few times and the hypnotic female vocals make you visualize the vision of “Venus” in flames… diabolically pleasurable… I must say and if they ever re-make “Rosemary’s Baby” hey, the whole chanted chorus of this might work just fine.“Moloch” is downright spiteful and malicious both an invocation and a hymn to the ancient Ammonite god. It’s by far the heaviest and darkest song here.“Dante and Diabaulus” also feels like a “feverish” vision set to music, as it is a bit of an interpretation of Dante’s Inferno, but with a quite sinister take…Last but not least is an untitled bonus track, about “Three Demons”… which is also dark, slow, sinister, almost funeral in its approach and has a sudden outburst of cursing screaming female oclasms, as if a hymn to nyx, heacate and the underworld… it’s quite unsettling, disturbing and majestic in its ritualistic simplicity. This song is only included in the physical release which actually is one of the most lavish digibooks I have ever seen, with gold foil embossed markings and superb overall artistic direction.Overall Luciferian Light Orchestra is quite representative of what its name implies, it’s 70s inspired ritualistic psych hard rock and more with a dark atmosphere and occult themes. It might be not to everyone’s liking, but fans of Therion during their “transitional” phase, before the orchestrations somewhat took over the helm or of bands like Black Widow (sans the flute) etc., might like this quite a bit. Artistically it’s quite accomplished and does well what it’s set out to do. So allow yourself to be enchanted by the bewitching sounds of this side project… while we wait for Therion to come back with their “Classical/Opera” project…" - Grande Rock
    $13.00
  • One of the really great progressive bands from the 90s is back with their first album in 7 years.  The band is fronted by Fredrick Ohlsson, one of the great voices in metal.  He sounds very much like prime era Geoff Tate so the band has often been compared to Queensryche.  Truth is there is more of a melancholy/doom power vibe going on but there are progressive overtones and it never becomes plodding in a Sabbath/St. Vitus/Candlemass way.  Its all kind of weird since this is a professed Christian band and those themes do crop up.  Even still Veni Domine should be enshrined in the Metal Hall Of Fame."After nearly seven years of silence, we hear again from Swedish metal band Veni Domine (latin: Come Lord) with their new album Light, now with Massacre Records. Early in their nearly 30 year career the band got 'labeled' as a doom metal band. It's a rather interesting thing as the band pursues Christian themes in their lyrics. Christian is not a religion of doom and despair, but of life and hope.Nevertheless, with a spin of Light, you may hear some of those 'doom' elements: deep sound and a brooding pace. Even Fredrik Sjöholm's voice has low, sober, feel. Yet, Veni Domine work in other elements as well like both symphonic and acoustic elements, and some simply fundamental heavy metal. Where They Story Ends is good example of the merger of the elements. It's at once atmospheric, heavy, and somber, yet gets speedy later on. This is perhaps the reason why some listener tack on 'progressive' when speaking of the band. Alternatively, listening to In Memoriam or Last Silence Before Eternity, the mood and music of Veni Domine might remind of Candlemass-like epic doom metal. More curious company to keep. Sometimes the mood, pace, and soberness of the music matches the title of the song as with Waiting, moved along mostly by voice, acoustic guitar, and steady drums. Finally, the band revisits some of their past by re-recording Oh Great City from their first album 1991's Fall Babylon Fall. I've never heard the original, so I can't speak to difference. It is, however, more brooding heavy metal. If progressive, sometimes epic, doom metal is your flavor of the month, you'll likely enjoy Veni Domine's Light." - Dangerdog.com
    $15.00
  • Tenth studio album from the reconstituted verison of Focus led by Thijs van Leer.  Returning is original drummer Pierre van der Linden.  Bobby Jacobs handles bass and Menno Gootjes lead guitar.  X doesn't break any new ground.  This sounds just like classic Focus - van Leer concentrates on flute and Hammond organ and vocals.  Pure prog with strong jazzy overtones in places.  Neat cover art and logo courtesy of Roger Dean.  Highly recommended.
    $16.00
  • Third album from this talented Ohio based band arrives with some twists. They have enlisted Yngwie Malmsteen vocalist Mark Boals (kind of a wild card pick) and there is a definite Christian slant to the lyrics. My tolerance for bible thumpin' is pretty low. Syzygy comes close to the threshold but don't cross it - I guess because the music is so strong. The linchpin of the band is guitarist Carl Baldassarre who continues to be quite tasteful. He can get crunchy and heavy but displays roots in classical guitar. Have no fear - there is plenty of instrumental symphonic rock firepower as in the past. Oh yeah lots of tuneage here - over 77 minutes.
    $13.00
  • Reissue of the bands third album, originally released in 1993. No-Man is the collaboration between Tim Bowness and Steven Wilson (Porcupine Tree). The music falls into the art-rock category sounding somewhat like a cross between Japan and Porcupine Tree. Very expansive and atmospheric. The supporting musicians on this disc are amazing Robert Fripp, Ian Car, Mel Collins, Ben Coleman, Lisa Gerrard, and Porcupine Tree members Richard Barbieri, Steve Jansen and Chris Maitland. This is the remastered edition in a digipak and two bonus cuts the 9 minute Angeldust and the 12 minute Born Simple.
    $8.00
  • When the vinyl came in I proclaimed this as one of the frontrunners for album of the year and nothing has changed since.  Stunning album.Agusa is an instrumental quartet from Sweden.  The band is derived from members of Sveriges Kommuner & Landsting, Kama Loka and Hoofoot.  This is a VERY retro sounding album that will appeal to fans of Kebnekajse, Pink Floyd, and perhaps even Anglagard.  No symphonic elements - just straight up organ, guitar, bass, and drums ripping it up over four long tracks.  Very dynamic sounds going on - shimmering echoey guitar leads that will remind you of Kenny Håkanson or Achim Reichel battling it out with undercurrents of organ that erupt into solos.  Overarching the music is a mystical psychedelic vibe - like this whole thing was cooked up in an Arab hashish den.  BUY OR DIE!!
    $15.00
  • "This double album is a great testament to all the musical journeys and experiences that Nolan and Swita enjoyed as they spread the word about ‘She’ with their many ‘two-man’ shows. ‘Journey’s End’ features over 130 minutes of acoustic live performances from around the world, as well as a selection of never before heard demos, bonus tracks and interview footage. These live tracks also feature some great guest appearances: familiar ‘She’ faces such as Mark Westwood (guitar) and Christina Booth (voice), as well as new friends like Claudio Momberg from ‘SETI’ (keyboards) in Chile and Sebastian Medina from ‘William Gray’ (guitar) in Argentina."
    $20.00