Live At The Crescendo Festival

Live At The Crescendo Festival

BY Spaced Out

(Customer Reviews)
$15.00
$ 9.00
SKU: UNCR5045
Label:
Unicorn Digital
Category:
Fusion
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New live recording taken from the Crescendo Festival. Extreme fusion madness...

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  • "Santana's fourth album, Caravanserai, finally being reissued and remastered by Columbia Legacy/Sony, is a landmark recording for the band. Originally released in 1973, this album marked a change for the band, as they were moving away from the Latin tinged psychedelic pop rock of their earlier recordings to a more ethereal, jazz fusion based sound. Change also brought about line-up shuffles, as after this album second guitarist Neal Schon and keyboard player/singer Gregg Rolie left the band to form Journey. Famed keyboard virtuoso Tom Coster made his first appearance on this release, and he later spent many years alongside Carlos Santana in various incarnations of the band. The influence of groups such as Weather Report, Mahavishnu Orchestra, Lifetime, Miles Davis, Larry Coryell's Eleventh House, and John Coltrane are heard all throughout this CD. Latin percussion mixes with swirling organ while Santana and Schon's guitar licks run rampant on each track. While the bands signature melody on "Song of the Wind" still remains a classic, it's the extended breakouts on tunes like "La Fuente Del Ritmo" , complete with an amazing electric piano solo from Coster, and the energetic "Just in Time to See the Sun" that really shine. Drummer Mike Shrieve comes into his own on this albums more jazzy context, and the percussive tandem of Jose "Chepito" Areas, Mingo Lewis, and the legendary Armando Peraza provide the perfect Latin rhythms. "Every Step of the Way" features some wicked guitar work from Schon and Santana, supported by manic percussion and raging organ from Rolie, and stands out as a classic example of Latin jazz fusion.My advice to you all, don't walk, but run to your local CD shop and indulge yourself in this timeless classic. The remaster job is superb, with every instrument crisp and clear, and you get a nice booklet that goes into the history behind the album. A must have!" - Sea Of Tranquility
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  • "In June 2013, Peter Hammill, Hugh Banton and Guy Evans took to the road in Europe to present a series of live concerts that featured a set list that excited devotees of Van Der Graaf Generator like no other for many years. The band had decided the time was right to present their epic classic piece "A Plague of Lighthouse Keepers” in its entirety on stage for the first time, along with Peter Hammill’s equally epic "Flight”. As the centrepieces of the band’s live set, a series of wonderful concerts took place, drawing on the classic material from the band’s past, as well as their more recent albums such as "A Grounding in Numbers”.Fortunately, some of these shows were recorded for posterity and have now been gathered together to form "Merlin Atmos”.  Arguably the finest live album in the history of the band, "Merlin Atmos” confirms Van Der Graaf Generator as a continuing musical force and explains the loyalty and respect they continue to receive from devotees the world over. "Merlin Atmos” is a stunning musical statement from a stunningly innovative band."
    $18.00
  • "The debut recording from the Dixie Dregs (The Great Spectacular is considered a demo) stands as one fusion's high-water marks. This music is wholly original and played with a freshness and vigor that had begun to wane in a genre that was becoming a model in self-parody. The influences here are plentiful, but it is the country roots that provide the music with its vitality. Founder/guitarist Steve Morse proved to be an important new guitarist, offering an inimitable style with the technique the music demands. The music is complex and challenging, but that's easy to overlook due to the band's sunny approach. While they would go on to create more fully realized recordings, this one proved that fusion had a soul." - Allmusic Guide
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  • Phase - Midnight Madness is the third release in our limited edition Modulus series.  Pressed in an edition of 500 copies, it comes housed in a old school style tip-on mini-LP jacket.  A 12 page booklet features detailed liner notes from the members of the band.Phase was a New Jersey based quartet formed in 1978.  It featured Regan Ryzuk (piano, Moog, Celeste), Dave Anderson (electric and Anscor stereo guitar), Carl Scariati (Carl Thompson electric bass), and John Hvasta (drums/tympanis).  All members were young but highly accomplished musicians with a serious interest in jazz, classical composition, and progressive rock.  Their high energy instrumental music clearly demonstrated these influences.  The music of Phase can easily be classified as fusion but there are strong undercurrents of progressive rock that weaves its way through the album - not just in terms of the instrumentation or playing, but the compositions as well.The band signed a deal with QCA/Red Mark Records in Cincinnati.  The band left New Jersey and heading out to Ohio to record Midnight Madness.  The album was recorded and mixed very quickly.  It saw a release in 1979 and unfortunately sank without much of a trace.  Keyboardist Regan Ryzuk reissued the album two years label, rebranding and repackaging the release under the Fusion Quarter moniker.Hearing this music for the first time was quite a revelation.  I was blown away to say the least.  When I'm asked to describe the music I typically reply "Return To Forever meets Emerson Lake & Palmer".  Not only did this quartet have chops from hell but the compositions were challenging as well.  If you are a fan of RTF, Mahavishnu Orchestra or the prog giants ELP, Yes, Zappa, and PFM you will find much to enjoy here.Please keep in mind that when this edition sells out it will be gone forever.  
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  • Live recording from NEARfest 2001 from this eclectic US band that somehow is able to fuse avant/RIO with classical composition.
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  • There is no denying that Nemo's JP Louveton is one hell of a guitarist. His staunch commitment to having French lyrics with Nemo's music has stiffled the band's exposure within much of the progressive rock community. Wolfspring is a new project he has put together - but with English vocals. The music isn't particularly symphonic like Nemo. Instead he goes for a contemporary guitar driven sound that rocks hard. Nemo keyboardist Guillaume Fontaine is also a member of the band but he definitely takes a supporting role. Louveton's guitar takes center spotlight through out.
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  • OK WE GOT A HOT ONE HERE!  Latest album from keyboard maestro Lalle Larsson is full-on balls to the wall fusion.  He's hooked up again with Richard Hallebeek, who is one of the great Holdsworth clones out there.  The rest of the band is Stefan Rosqvist (rhythm guitar), Jonas Reingold (bass), and Walle Wahlgren (drums).  Larsson lays down lethal synth leads and swaps back and forth with Hallebeek who matches him with dexterous legato runs.    Time will tell but I think this may be Lalle Larsson's best solo album yet!  Highly recommended.
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  • The madcap French jazz metal trio return with their sixth album.  Morglbl consists of guitarist Christope Godin, bassist Ivan Rougny, and drummer  Aurelian Ouzoulias.  The band has toured extensively around the world – USA, Europe, Russia and even China!  They have shared the stage with Liquid Tension Experiment, Bumblefoot, and Umphrey’s McGee among others.These three virtuosos are also well endorsed clinicians and have developed a following individually but when they come together the fireworks really start.  Tea Time For Punks doesn’t deviate from the tried and true Morglbl formula.  Take equal parts fusion and crushing metal power chords, then inject a healthy dose of tongue in cheek humor and you’ve got the perfect Morglbl album. The band is often described as Primus meets Steve Vai and Allan Holdsworth, with flavors of Frank Zappa! 
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  • Previously unavailable on CD, Hermann Szobel’s “Szobel” was originally released by Arista Records in 1976. Over the years the album has established a worldwide cult following and the mysterious Mr. Szobel has become a bit of an enigma. Szobel was a 17-year virtuoso pianist who arrived from Austria with aspirations to become a star in the world of jazz. He also happened to be the nephew of rock impresario Bill Graham. Originally intended for release on Arista’s Freedom jazz imprint, the decision was made by Clive Davis to release the debut album on Arista proper in order to give it a chance at a broader appeal. An extraordinary band was assembled to record Szobel’s highly complex music: Michael Visceglia on bass, Bob Goldman on drums, Dave Samuels on percussion including marimba and vibraphone, and Vadim Vyadro on tenor sax, clarinet, and flute. Szobel was highly influenced by Martial Solal and Frank Zappa. His compositions are rooted in jazz, rock and Western classical composition. They are extremely complex and the recording sessions were quite laborious. While he gives space to all of the musicians, his phenomenal technique as a pianist is clearly displayed. In the September 6, 1976 issue of Downbeat the review said that Szobel had "a conception and technique far in advance of most musicians twice his age." Upon its release the album did not sell well and Szobel’s behavior became more and more eccentric. In the middle of recording a second (still unreleased) album, rumor has it that he suffered a mental breakdown. He disappeared from the music world forever. Since then rumors have swirled and a mythology has been created. Unconfirmed reports have Mr. Szobel currently living in Austria. “Szobel” has now been mastered for CD release by audiophile engineer Bob Katz. Extensive liner notes by bassist Michael Visceglia unlock some of the mysteries of Hermann Szobel.
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  • BACK IN PRINT Renowned guitarist Scott McGill returns with his second instrumental solo album. Influenced by legends Bill Connors and Allan Holdsworth, McGill reinvents the genre by creating an aggressive style of progressive fusion. His high-energy fretwork matched by the potent rhythm section of Chico Huff (Mistaken Identities) on bass, and Vic Stevens (Gongzilla, Mistaken Identities) on drums. Ripe charts a new direction for both fusion and progressive rock.
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  • "A new interpretation of a classic RPI title! This is quite an undertaking, but it comes off in an outstanding way, giving new life to old friends. In contrast to so many reworkings of old pieces that I've heard in recent years, this one does not leave me only wishing to listen to the original. Rather, the new work stands well on its own, not only helping me listen to the original with new ears, but also bringing new insights and experience.In 1972, Latte e Miele released their debut, an incredibly ambitious work based on the Passion of St. Matthew, "Passio Secundum Mattheum." This is one of the seminal titles of 1970s RPI and has rightfully stood the test of time. The band would never equal this album, although the subsequent title, "Papillon", came close. After that the band broke up for a time, until drummer Alfio Vitanza reformed the band, with new members including bassist Massimo Gori. Their only album, "Aquile e Scoiattoli", has its moments but is inferior to the first two, and the band disbanded a few years later after moving toward more commercial music.In 2008 the band reformed, including all three original members (Vitanza and songwriter/keyboardist Oliviero Lacagnina, as well as guitarist Marcello Giancarlo Dellacasa) and Massimo Gori, bassist from the second generation of the band. The quartet released "Live Tasting", an excellent live album that portended of the good to come. Their time together also produced a wonderful new album, "Marco Polo: Sogni e Viaggi" in 2009.Over the years, Lacagnina never stopped composing his masterpiece, his "Passio". Now the quartet has recorded anew their masterpiece, adding those "new" compositions into the narrative. For example, "Il Pane e il Sangue dell'Alleanza" has been inserted right after "Ultima Cena", and "Il Rinnegamento di Pietro" and "Il Prezzo del Sangue" between "Il Pianto" and "Giuda". Also, the ending has been fleshed out significantly, with four new songs, and the final song, "Come un Ruscello che..." includes the final themes previously entitled "Il Dono della Vita". Also of note, a solo organ piece entitled "Toccata per organo" is placed just before "Calvario"--this is special, as it is an original take from 1972!The instrumentation is true to the spirit of the 1972 piece, although with an updated sound. Ditto the choir, which sometimes on the 1972 version is muted and thin--here the choir parts are strong, lush, and vibrant. The majority of the pieces that were rerecorded for this edition also maintain their compositional structure, although there are a few changes inserted (notably in "I Falsi Testimoni", the new version of "I Testimoni" parts 1 and 2). There is nothing that violates that spirit of the original work, though it is impossible to duplicate its wonderful innocence.Another unique feature of this album is the presence of several prominent figures from RPI providing the spoken Evangelist parts. These include Alvaro Fella (Jumbo), Lino Vairetti (Osanna), Silvana Aliotta (Circus 2000), Paolo Carelli (Pholas Dactylus), Aldo de Scalzi (Picchio dal Pozzo), Sophya Baccini, Elisa Montaldo (Il Tempio delle Clessidre), Giorgio D'Adamo (New Trolls), Max Manfredi, Simonluca, and Paolo Griguolo (Picchio dal Pazzo). It's a nice touch that really rounds out the album.The CD comes in a jewel case with a lyric booklet. I'm told that the pending Japanese version will contain a newly recorded composition as a bonus track. But don't wait for that one--go out and grab this one. You won't be disappointed. Four plus stars (Gnosis 13/15).Edit: I can't stop listening to this! Though it's not quite as good as the original, it's very close. I'm bumping it up to Gnosis 14/15, which is five stars on PA." - ProgArchives
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  • Fourth album from this outstanding jazz metal band from Hungary getting outside exposure with their signing to IQ's Giant Electric Pea label.  Special Providence started out their career as a pure fusion band - not unlike Tribal Tech and Return To Forever.  With their third album, Soul Alert, the band injected a heavier metal presence primarily in the guitarwork.  Essence Of Change carries on from Soul Alert in terms of heaviness and the use of distortion but at the same time there is clearly more of a jazz/fusion emphasis in the writing.  This gives us a nicely balanced sound that has a lot of cross over appeal.  Liquid Tension Experiment and Morglbl fans will love this and I expect open minded fans of RTF and Mahavishnu will enjoy hearing the young kats update the sound they developed in the 70s.  Expect a non-stop assault of laser beam synth solos and blistering distortion laced guitar solos.  Yeah this one hits the sweet spot and after many future spins I suspect this will sit at the top of their already impressive discography.  BUY OR DIE!!
    $15.00
  • Amazing price for this 2 on 1 collection that compiles both Believe It and Million Dollar Legs. This was the later incarnation of Tony Williams' Lifetime and the best. Featuring Allan Holdsworth it offered blazing hot fusion. Awesome!
    $11.00