Live Boston '88 (2CD)

SKU: ROCCD3326
Label:
Rockbeat Records
Category:
Progressive Rock
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2CD live recording from the Paradise Theater in Boston.  Recorded on April 15, 1988.  If you don't know 3 was the one shot band that featured Keith Emerson, Carl Palmer, and Robert Berry.  Besides sporting mullets the band ran through a set list that relied heavily on their album as well as a little ELP, a little Emerson solo material, and even The Nice.  It seemed like a good idea at the time...

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    $15.00
  • CD version of the live show from Katowice, Poland in 2005. Basically the audio soundtrack of the DVD previously available. Digipak - supposedly a limited edition.
    $16.00
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  • Second album from this Sieges Even offshoot/rebranding. Touchstones is a bit heavier than the debut as Markus Steffens struts his stuff again. Mid-80s Yes is an obvious influence on the band's direction. On some of the material vocalist Arno Menses sounds like a dead ringer for Jon Anderson. The music sits on the fence between the prog rock and metal realms. If you like the post-reformation Sieges Even albums you'll find much to sink your teeth into. Further - if you found the first Subsignal a bit on the light side you'll find this one has a bit more heft and frankly its better for it. Highly recommended.
    $19.00
  • Second album, from 1970, by this great British psych/proto-prog band led by guitarist Tony Hill. Kind of a shame that Hill never became anything other than a cult figure because he was a lethal player - as good as any other popular guitar God of the day. Comes with 4 unreleased bonus tracks.
    $17.00
  • "VOICIANO is the new acoustic project of the EDENBRIDGE's Sabine Edelsbacher (vocals) and Lanvall (grand piano, acoustic guitars and other string instruments, percussion). VOICIANO is based on acoustic instruments exclusively, mainly the grand piano. However, many other instruments like acoustic guitars, hammered dulcimer, kacapi, bouzouki, mandolin, saz and diverse percussion instruments, can be heard on the album. There is also a real string orchestra, Junge Philharmonie Freistadt.The music for "Everflow" was recorded almost exclusively without click tracks — in other words, without any predetermined tempo — which accentuates the liveliness and soul of the songs. The piano parts were recorded live.Says Lanvall: "The idea [for VOICIANO] was born after our EDENBRIDGE promotion acoustic show in Vietnam."In 2010, Sabine and I flew to Vietnam for a 10-minute showcase to perform three songs at the 1000 Years Hanoi festival. The simplicity of the whole process concerning the rehearsals and the show were pure fun for us. You just request a microphone and a grand piano, enter the stage and perform."When we came back, I went through my files and piles of sketches of numerous ideas, which remained unused to this point. I was astonished how many great songs I found in layouts in this acoustic form. This inspired me immediately to write completely new songs additionally."Adds Sabine: "I always had the idea for a solo project with more balladesque songs. VOICIANO is exactly what I had in mind."In VOICIANO, my voice gets more room in all its nuances. This is what I enjoy, of course. Furthermore, I will bring myself in into the lyrics. The mystic atmosphere of our songs will remain, of course. I think we cannot do it differently; it's a part of us."Sabine and Lanvall were also able to procure some great guests for the album. Most of them are longtime friends with prominent names.Says Lanvall: "After the huge production of the last EDENBRIDGE album, 'The Bonding', it was extremely important to gain distance musically and be involved in something which is different."The reduction in the music and the process to record much of the music live gave me tremendous joy."I believe that everybody who loves EDENBRIDGE will love VOICIANO too, although it shows us from a completely different side."When I began to arrange the songs, I was immensely touched by the feeling and the souls of the songs. This inspired me to learn new instruments like the hammered dulcimer, which can be heard in a couple of songs and creates an own mystic atmosphere."The "Everflow" cover artwork was created by Günter Leitenbauer and can be seen below.Will Sabine and Lanvall now concentrate on VOICIANO exclusively?Says Lanvall: "No, of course not. VOICIANO is a project among our main band, EDENBRIDGE, to live out this faible for acoustic music. All songs would also work with just vocals and piano in the live situation. I think that after this album I will also be really inspired for a next big EDENBRIDGE album!"Adds Sabine: "I am convinced that we will attract a bigger audience apart from the metal scene with VOICIANO. Even better when they learn about EDENBRIDGE then. This will be a total win/win situation."Concludes Lanvall: "With all the wonderful experiences we made with the crowdfunding action related to our last album 'The Bonding', where we were able to outfinance the whole orchestra costs. We wanna continue this way with our new project VOICIANO, and here even more than in the past. In recent times the relationship fan to musician/band is more important than ever. It was extremely enriching to see in the process of 'The Bonding', how many people wish to support 'real' music. Therefore we wanna bring in our fans to join in as part of a record label and advance suppliers, and came up with some special and interesting packages. With your pre-orders and sponsoring donations, you guarantee the best possible production of the VOICIANO album 'Everflow'." 
    $15.00
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    $21.00
  • "Originally released in 2002 on Hammerheart Records, Storm Before Calm marked Primordial’s fourth full-length release. Their mix of Celtic tradition and Nordic bleakness was fairly unique, with only Cruachan really even attempting to cover similar ground (with some success too, I highly recommend seeking their records out!).This reissue (on Metal Blade Records) is of the original version of the album, so we don’t get the UK edition’s extra track, The Burning Season, but that omission aside Storm Before Calm remains the essential, vital experience that it was back in 2002. Seamlessly welding elements of Irish folk music and Celtic lore to a spine of purest black metal, Primordial’s 11-year history as a band up to this point makes its presence felt throughout – songs of this length (4.57 and up, discounting the short instrumental piece “What Sleeps Within”) require a degree of skill in their crafting to hold the listener’s interest, something that the band had in spades by then.Although “The Heretic’s Age” is a fine opener, all blastbeats and shuddering melodic riffing relaxing into almost a swing feel, it’s when that track gives way to the sweeping dissonant doom of “Fallen To Ruin” and its spoken-word breakdown that the album truly reveals its intent and scope. From here on out, from “Cast To The Pyre” and its mournful yet spite-filled lyrical bent, to the scathing, full-bore assault of “Suns First Rays” and on through the folky paean to the Irish tri-goddess of battle “Sons Of The Morrigan”, to the closing salvo of “Hosting Of The Sidhe”, this is a most individual take on pagan metal, steeped in Irish legends and musical tradition.Epic in the truest meaning of the word, Storm Before Calm was Primordial’s last release strictly in this style, with 2005’s The Gathering Wilderness showcasing a bleaker, blacker feel which would become their calling-card from then onwards. If you don’t already have this, it’s more than worth your while to grab a copy of this reissue." - Alternative Matter
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    $11.00
  • Originally released privately in 1978 and long sought after by collectors, III was the one off album by this Dutch progressive rock band. The dual guitar driven quartet injected a touch of anarchy into their mix of improv and Crimso influenced prog. This release marks the first time it has ever appeared on CD. It comes with extensive unreleased bonus material, detailed liner notes and unpublished photos. The album was mastered by audiophile engineer Bob Katz from the original analogue master tapes. This is a strictly limited edition of 500 copies and arrives housed in an old style mini-LP tip-on sleeve.
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  • A tightly woven matrix of extreme progressive metal underscores a desolate vision of a future gone awry...Zero Hour are the cutting edge of intricate progressive metal. Their influences range from the dark brooding power of Fates Warning to the technicality of Spiral Architect. The band features twin brothers Jasun and Troy Tipton on guitars and bass, drummer Mike Guy, and vocalist Erik Rosvold. A self-financed first release by the band was produced by Dino Alden (Marty Friedman, Mordred, Imagika). With limited distribution the band was able to sell over 2,000 copies on their own all based on word of mouth via the Internet as well as fantastic reviews in major metal magazines around the world.Returning to the studio with Alden the band has now produced "The Towers Of Avarice", a conceptual work that conjures a bleak vision of the future. The story tells the tale of two societies one above ground obsessed with consumption and the restless slaves living underground that are under their control. The band has intensified their already intricate sound by eschewing longwinded solos in exchange for complexity and power. Guitar and bass interlock seamlessly only to be interrupted by a staccato assault of crushing guitar riffs and soaring vocals. Rosvold is a truly gifted singer, often compared to Ronnie James Dio and John Arch. He grabs the spotlight with his angst ridden vocals, conveying all the drama that unfolds in the tale. This truly is a future classic of complex progressive metal.The album features surrealist artwork and graphic design by Travis Smith.
    $13.00
  • "In some ways, Styx was America's answer to Queen. The Chicago quintet never ascended to the ranks of rock-and-roll royalty, as did their English counterparts, nor are they held in as high a regard today. Nevertheless, Styx fulfilled a Midwestern American hunger for high-flown fantasy typified on Pieces of Eight with songs like Dennis DeYoung and James Young's "I'm Okay" and "Lords of the Rings," with their elaborate arrangements, soaring vocal harmonies, and lyrical pretensions. In quite another direction, guitarist Tommy Shaw writes about basic human needs and working-class values in "Blue Collar Man," while his song "Sing for the Day" is a pleasant air, and "Renegade" a hard-charging rocker. Styx may have seemed somewhat schizophrenic on Pieces of Eight but their legions of fans diminished not a whit, making the album the band's second multiplatinum effort in a row, following The Grand Illusion." 
    $5.00
  • Second album from this Italian band dips heavily into the Genesis school of progressive rock. Former PFM vocalist Bernardo Lanzetti fronts the band for the entire disc and VDGG saxophonist David Jackson contributes to two tracks. Parts of this album sound so much like Genesis it's scary. Highly recommended.
    $9.00
  • "You've got to give Signum Regis founder and bass player Ronnie Konig some credit. He keeps trying to up his game with each new Signum Regis album. With his third album, Exodus, he tackles another concept album: the slavery in and exodus of the Israelites from Egypt from the Biblical book of the same name. Additionally, rather than a single lead vocalist, namely Goran Edman, Konig brings in no less than nine notable vocalists. (See the list below.) Whether this amounts to a good thing will be in the ear of listener.Something that has not changed is Signum Regis' sound, remaining traditional European melodic heavy and power metal. Considering the nature and significance of the Biblical story, some properly composed power metal could give the listener a lively interpretation of that story. Often it does.For instance, in pace, lyrics, and vocal arrangement there's a feeling of urgency within Let Us Go!, as the Hebrews seek release from their Egyptian masters. If you recall your Biblical history, you'll remember that Pharaoh was not to happy with Moses, becoming royally pissed and stubborn. Wrath of the Pharoah gets some of that with it's heavy and raging sound and piercing vocals. Of course, Pharaoh and all Egypt was warned of what would happen if they did not comply with Yahweh's wishes. The Ten Plagues offers some bracing straight power metal, with some ripping guitar work, to emphasize the drama of the event.Curiously, I would have thought the song Last Days in Egypt, which would have included the first passover ceremony (and foreshadowing Christ's atonement later), to be a more somber and introspective piece, perhaps acoustic guitar driven. Rather, it's basically electric guitar driven instrumental. There's some drama to the centerpiece song, Exodus, as it has a marching feel, thinking of the Israelites marching to their freedom.Finally, but not the final song, Song of Deliverance, based on Moses' song after crossing the Red Sea from Exodus 15, is likely the best and clearest reference to this profound and true story. It's also one of the better songs on the album because it's not all charging power metal. No, there's rather light breakdown just before the middle and also at the end that adds a reflective character to the story and song.The album comes with a bonus track, Mountain of God. Though the lyrics are hard to define, this song may have something to do with Israel arriving at Mount Sinai and the giving of the ten commandments.While this is probably the best Signum Regis album to date, some might find it too familiar, and there for redundant, thanks to the predictable, or typical, as the case may be, European power metal throughout. Nevertheless, it's also still very good melodic heavy power metal from some talented fellows who know how to get it right. Recommended." - Dangerdog.comExodus Guest VocalistsLance King [ex. Pyramaze, Balance of Power], Michael Vescera [Obsession, Animetal USA], Matt Smith [Theocracy], Daísa Munhoz [Vandroya, Soulspell], Eli Prinsen [Sacred Warrior, The Sacrificed], Samuel Nyman [Manimal], Thomas L. Winkler [Gloryhammer, Emerald], Göran Edman [ex. Yngwie Malmsteen, John Norum] and Mayo Petranin [Castaway].
    $14.00