La Vie Electronique 6 (3CD BLOW OUT PRICE!)

Volume 6 in this amazing series is a 3CD set that covers the time period 1976 through 1979. Arthur Brown appears on the performance culled from a gig in Brussels in 1979. Awesome!

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  • Its been a bit quiet on the prog metal front as of late but hopefully this new band from Norway will shake things up a bit. Dimension Act pretty much adheres to the Dream Theater formula although there is a healthy injection of prog rock as well. Plenty of keyboard solos to go around and killer guitar work. If you rachet down the complexity one notch you will be reminded a little bit of Spheric Universe Experience.
    $3.00
  • "West German rock band Grobschnitt will see a very limited 17CD super deluxe box set of all 14 of their albums released later this month that comes with almost seven hours of bonus material.The box set is titled 79:10 and covers the entire output of the band from 1972 to 1989. Everything has been newly remastered and in total there is over 22 hours of material for fans to enjoy. The reason for ’79:10′ is that each of the 17 CDs has 79 minutes and 10 secs of audio, so they are packed with content!This box set has been put together with the help band founders Lupo (Gerd Otto Kühn) and Eroc (Joachim Ehrig) who have dug into the archive for pictures, press releases, lyrics and personal stories to create new booklets for each album in this collection – much of it unseen. The CDs are all ‘mintpack’ digipacks.In addition to the CD booklets, there is also a large format (12″x12″) 92-page booklet (with German and English text) with more rare photos and new liner notes.These box sets are rather special because each set comes with a SIGNED ART PRINT of the image that adorned the inside of the gatefold 1977 album Rockpommel’s Land. The three founding members, Lupo, Eroc and Willi Wildschwein, have hand-signed each single art print individually. The print is approximately 13″ x 26″ in size." 
    $210.00
  • "Jolly is a real rising star in the world of rock music, combining elements of art pop, dark rock, progressive music and much more. After a terrible ordeal with losing their equipment in Hurricane Sandy, the band came out of that stronger than ever and released its brand new album, The Audio Guide to Happiness, part 2.Straight away you get a sense that this isn’t a typical band you’d expect to find on Inside Out. The start is almost that of an industrial band. We are then hit in the face by some power chords on the guitar. A beautiful gentle part follows, which seems to be the recurring pattern on the album – gentleness followed by aggression or vice versa. When you thought you couldn’t be surprised more, the band returns with some shattering metal riffs to take the intensity even further. Anadale’s voice adds an even more modern texture to the sound with its indie rock / new metal quality. The two Guidance interludes show Jolly capable of creating ambient pieces of real beauty as well. Lucky is on the verge of synth pop, were it not for the crunching guitars. It’s really fun observing Jolly playing around with so many genres. As Heard on Tape is another fascinating departure, with a folk motif and the use of bagpipes. The Grand Utopia brings the album to an epic close, with another wild ride on the rollercoaster of our senses.Jolly is a real sensual experience for musical epicures. You get an incredibly wide taste of their musical world. This is a band which is going places and I wouldn’t be surprised if they really make it huge in a few years. It is a real pleasure to listen to an album which is very easy to listen to and at the same time totally unburdened by any genre definitions." - The Rocktologist
    $12.00
  • "Factory of Dreams is a project uniting multi-instrumentalist Hugo Flores and Jessica Lehto, on vocal harmonies and arrangements.Hugo Flores formed the band "Sonic Pulsar", which released two albums, 'Playing the Universe', in 2003, and 'Out of Place', in 2006. The success of the two albums further inspired Hugo to create a massive multi-album story project under the moniker "Project Creation", from which he released another two albums, 'Floating World' in 2005 and 'Dawn on Pyther' in 2007.In 2008 Hugo was once again inspired, this time by vocalist Jessica Lehto to create new music outside of the style he'd been working. In 2008, the duo released 'Poles'. It was received well critically, and they followed the success with 'A Strange Utopia', in 2009. 'Melotronical' followed in 2011.Jessica Lehto has performed on many outside projects, including recently on Beto Vazquez and Infinity's, 'Beyond Space Without Limits'. Lehto has her own project: 'Once There Was'. She's now also writing music and scripts for TV and movies."This is the kind of album that is a pleasure to experience.'Prelude' is a warning of a conceptual sci-fi future that follows the adventures of Kyra, a unique and mysterious character who holds the key to the Earth's fate. Angela Merrithew narrates the opening as Kyra, as she awakes exhausted and in distress from a dream, to a world in transition. The spacey synth sound effects are some of the best I've heard since last year's masterpiece, Atoma's 'Skylight' The rapidly increasing decibels of the pre-launch rocket sounds will take your mind out of this world. Close your eyes as you are listening to this one. It is as visual as it is an incredible aural experience.More cool spacey synths and keys, offered by Shawn Gordon as 'Strange Sounds' opens, before Jessica Lehto's beautiful soprano voice slices through the mix. Her siren calling sounds are simply ear-bending. Then piano – like keys take over along with growling lead electric guitar and pulsating drums and bass. "The stars are screaming. A storm is coming". Yes, a storm of vicious thrashing electric guitar…and it is fantastic set against Lehto's soprano. Excellent.Shawn Gordon is back to add some more very cool spacey synths as 'Escaping the Nightmare' opens slowly. Then Lehto's voice returns with male vocal support from Flores. The amount of spacey electric guitar solos flying around the soundscape will amaze you.'Angel Tears' opens with piano – like keys and Raquel Schüler on lead vocals. It is a soft song, full of emotion. "Kyra I wanna be with you. Kyra please let me through. Kyra share your dreams with me. Kyra don't shut me out", as destruction across the planet fills the storyline. Power keys, flashing electric guitar licks, heavy bass and drums overwhelm. Mark Ashby provides narration, as Kyra's boyfriend, as the two drive out of the destruction of the collapsing city to the seashore ahead.Nathan Ashby, as the child, opens 'Seashore Dreams' with story narration. Then, Tadashi Goto provides some awesome synth solos. Later Lyris Hung provides expert violin dashes which will be remembered long after the album completes. All this excellent music while Lehto's dream-like voice soars over the soundscape.'Dark Season' opens slowly with excellent synths before slowly growing drum pulses turn into full blown thunder. Magali Luyten's vocals provide a dark and powerful magic to this track.'Sound War' is full of brilliant keys at the opening, before piano like keys take over. Lehto's voice races to catch up to the keys fleetingly dancing across the soundscape as crushing bass, drums and grinding lead electric guitar roar forward.'Hope Garden' offers some of Chris Brown's guest slicing electric lead guitar soloing. Lehto's voice is consistently brilliant as she continues to deliver the spacey storyline. The thundering bass, drums and Brown's electric lead will make this track memorable long after the disc finishes."Show me the way to your mind" from the soft and beautiful voice of Lehto, as Chris Brown's roaring electric guitar solos and Tadashi Goto's synth solos electrify 'Traveling'. "Childhood memories. Hidden and now awaken. Reaching the deep corners of Space. Entering the realm of the Star's Mind..." Yes!'The Neutron Star' is full of Chris Brown's power electric guitar grinding, while Lyris Hung provides soft violin to balance the sound as Lehto and Flores help provide the continuing storyline and vocal effects.Mark Ashby returns to narrate the opening of 'Join Us Into Sound', as Tadashi Goto provides stellar synth solos, while the rushing electric lead guitar, bass, and pounding drums deliver their consistent rhythm.'Playing the Universe' closes the album with soft and dramatic accelerating keys that are some of the best on the album. Then the lead electric guitar explodes as the bass and drums build a powerful wall of sound surrounding the soft flute like keys in the middle. Lehto's siren – like vocals call you from the center of the mix as those electric riffs cut and bend all around you. Nice effect. ;^)This is an album filled with great music and excellent female lead vocalists. The storyline is interesting and the lyrical development is well conceived. Definitely an album you will want to experience with headphones in the comfort of your easy chair…with your eyes closed. Venefica Luna's artwork is simply out of this world. Some of the best I've seen since the 'Master', Ed Unitsky. Let the story unfold as you bask in the glow of the surrounding soundscape." - Sea Of Tranquility
    $3.00
  • New issue of Pendragon's neoprog classic from 1996. Now comes with a bonus live version of "The Last Man On Earth".
    $13.00
  • "As we’ve been chronicling all year long, 2013 has been a great year for Norwegian progressive metal with some excellent progressive power metal from Illusion Suite, Tellus Requiem and Pellek, the new album by the long-running prog metal band Divided Multitude, the fantastic new album by Leprous and the exciting debut by Withem (you can read our review here).  Now, into that great mix the young band Vicinity has just released their debut full -length album, Awakening and it easily stands with the best of what their countrymen have produced this year. The band works in a decidedly melodic and dramatic fashion anchored around the wonderful voice of Alexander Lykke, the multi-faceted guitars of Kim-Marius Olsen and the powerful drumming of Frode Lillevold.  Interestingly there are no keyboards on the album (except for a few background sounds for effects) which wasn’t readily apparent to me at first because the songs are so well written and the vocal melodies are so strong. Olsen multi-tracks soft and harder textures to really give the album a rich sound.  The album has a great full sound and was mastered by the prolific Jens Bogren.Awakening is an hour long album but only has six songs.  Three are in the 11-14 minute range and the other three are between 5-6 minutes. The longer songs are not really more complex, but just feel necessary to the structure of each song which is really a testament to the band’s composition style -- the band will do a long song if warranted but works well in both long and short song formats.  The album begins with Mass Delusion which starts as a high-energy rocker but has a great instrumental mid-section that propels the song to its energetic conclusion. Opportunities Lost is the longest song on the album at over 14 minutes and is a deceptively simple song that consistently builds tension throughout the piece, alternates between short instrumental interludes, both soft and hard, and has a great vocal melody that ends in a wonderfully dramatic finale. Again, it’s fairly simple in structure but is so well written that I couldn’t believe it was as long as it was.  I was reminded of what great neo-progressive bands like IQ often do so well -- take a great idea and vary and expand on it to great emotional conclusions.  Across The River is a shorter, five minute song and is mostly a ballad that builds in intensity throughout to a powerful finale.   Walk All The Way is an 11-minute song that’s easily my favorite on the album as its got some of the most beautiful vocals on Awakening, has the heaviest section on the album right in the middle (complete with some harsher vocals for contrast and intensity) before building to a wonderfully majestic finale.  Olsen also really shines here as well with some great emotional soloing.  The Time For Change is next and it’s yet another amazing power ballad that shows, yet again how well this band can create drama and excitement.  The album ends with the 11 minute album title song that has a fairly heavy opening section but ends with a stunningly beautiful epic finish.  Honestly there’s not a weak moment on this album and if dramatic and emotionally affective progressive metal is your cup of tea, this album will hit you hard.Awakening is a really, really solid album that has so much going for it. It’s got a great, joyously youthful spirit and is decidedly focused on the emotional content instead of trying to wow the listener with technicality.   Vicinity is primarily a band of great melodic songwriters and they have the perfect vocalist in Lykke to carry out their vision of exciting  progressive music and if they continue on this path could really make some waves in this great genre." - Prog Metal Zone
    $15.00
  • Live album with Kenny Dennard on drums. This one burns beginning to end.
    $14.00
  • Third album from this excellent Norwegian band.  Arabs In Aspic is yet another prog band influenced by the sounds of the 70s.  Lots of similarities to Black Bonzo.  Vintage keyboard sounds and nice heavy-ish guitar leads.  Vocalist Rune Sundby of the 70s Norwegian band Ruphus guests.  That band would be a pretty good comparison but you can definitely hear undercurrents of Uriah Heep and Deep Purple but there is more going on here. On the longer, jammier tracks the music takes on the psychedelic feel of Echoes period Pink Floyd.  Beautifully done.  Highly recommended.
    $24.00
  • "You like In Flames, Soilwork, Killswitch Engage, but also the mighty Machine Head or Metallica? Then check out DARK AGE. Based in THE Metal capital of the world, Hamburg / Germany, since 1995, DARK AGE have gained a lot of respect and played single shows and festivals with a lot of bands like Slayer, In Flames, Sodom, Soilwork, Hypocrisy, Mnemic, Primal Fear, Dismember, Heaven Shall Burn...just to name a few. DARK AGE played the famous Wacken Open Air, the biggest Metal festival in the world, twice: In 2000 and 2003, played the German Summer Breeze in 2008 and did 2 European Tours, one time with Primal Fear." 
    $15.00
  • "Santana's fourth album, Caravanserai, finally being reissued and remastered by Columbia Legacy/Sony, is a landmark recording for the band. Originally released in 1973, this album marked a change for the band, as they were moving away from the Latin tinged psychedelic pop rock of their earlier recordings to a more ethereal, jazz fusion based sound. Change also brought about line-up shuffles, as after this album second guitarist Neal Schon and keyboard player/singer Gregg Rolie left the band to form Journey. Famed keyboard virtuoso Tom Coster made his first appearance on this release, and he later spent many years alongside Carlos Santana in various incarnations of the band. The influence of groups such as Weather Report, Mahavishnu Orchestra, Lifetime, Miles Davis, Larry Coryell's Eleventh House, and John Coltrane are heard all throughout this CD. Latin percussion mixes with swirling organ while Santana and Schon's guitar licks run rampant on each track. While the bands signature melody on "Song of the Wind" still remains a classic, it's the extended breakouts on tunes like "La Fuente Del Ritmo" , complete with an amazing electric piano solo from Coster, and the energetic "Just in Time to See the Sun" that really shine. Drummer Mike Shrieve comes into his own on this albums more jazzy context, and the percussive tandem of Jose "Chepito" Areas, Mingo Lewis, and the legendary Armando Peraza provide the perfect Latin rhythms. "Every Step of the Way" features some wicked guitar work from Schon and Santana, supported by manic percussion and raging organ from Rolie, and stands out as a classic example of Latin jazz fusion.My advice to you all, don't walk, but run to your local CD shop and indulge yourself in this timeless classic. The remaster job is superb, with every instrument crisp and clear, and you get a nice booklet that goes into the history behind the album. A must have!" - Sea Of Tranquility
    $5.00
  • Steven Wilson's solo career apart from Porcupine Tree, is for this listener, far more interesting.  Whereas PTree currently skirts the line between rock and metal, his solo work fits squarely in the progressive rock arena.  The Raven That Refused To Sing (and other stories) is easily his magnum opus.  The musicianship is stellar - he recorded with his touring band: Nick Beggs (Stick), Guthrie Govan (guitar), Adam Holzman (keys), Marco Minnemann (drums), and Theo Travis (flute, sax).  Mr. Wilson has also dug two things out of mothballs - King Crimson's Mellotron and Alan Parsons.  It was Steven Wilson's wish to one day work with Alan Parsons, who came on board as engineer.  I can't tell you who is responsibile for what but I can tell you that the production is impeccable.  The opening epic "Luminol" drips with the holy 'tron sounding like a cross-generation blend of King Crimson eras.  And so it goes through out the album.  Some utterly fierce playing on this album.  From beginning to end a stunning effort.  BUY OR DIE!
    $11.00
  • STAR ONE – Victims Of The Modern Age (53:09) 1. Down The Rabbit Hole (1:20) 2. Digital Rain (6:23) 3. Earth That Was (6:08) 4. Victim Of The Modern Age (6:27) 5. Human See, Human Do (5:14) 6. 24 Hours (7:20) 7. Cassandra Complex (5:24) 8. It's Alive, She's Alive, We're Alive (5:07) 9. It All Ends Here (9:46) "With a career spanning more than three decades, composer and multi-instrumentalist Arjen Lucassen has firmly established himself worldwide as driving force in progressive rock. While best known for his rock opera project Ayreon, the multi-talented Dutchman also regularly embarks on musical side projects such as Ambeon, Guilt Machine and Star One. These projects all explore different aspects of Lucassen's musical personality, with each new release being a creative reaction to the style of its predecessor. As his previous project (Guilt Machine’s "On This Perfect Day" 2009) was a relatively relaxed and subtle affair, Lucassen's muses responded by urging him to record something loud, heavy and anything but subtle for this new release. Thus it was a perfect opportunity to launch his musical spacecraft towards the galaxy of bombastic sci-fi rock by revisiting his Star One project. The result is the album "Victims of the Modern Age," the follow-up to the Star One debut album, “Space Metal” (2002). Lucassen strives to keep a consistent cast of vocalists for Star One rather than mixing it up with the ever-changing vocal line-up that characterizes Ayreon. For "Victims of the Modern Age" he reunited the stellar cast of lead vocalists from the first album: Russell Allen (Symphony X), Damian Wilson (Headspace, Threshold), Floor Jansen (ReVamp, ex-After Forever), and Dan Swanö (Nightingale, Second Sky, ex-Edge Of Sanity). Ranging from soaring power vocals to hauntingly melodic passages to brutal growls, the contrasting vocal styles of these magnificent vocalists provide each song with a stunning variety of vocal textures. When it comes to instruments, the tall Dutchman played the rhythm guitars, Hammond organ, Mellotron, Solina strings and analog synths himself, and invited drummer Ed Warby (Ayreon, Hail of Bullets, Gorefest) and bassist Peter Vink to lay down the powerful rhythm tracks. He also enlisted the intimidating solo skills of former After Forever keyboardist Joost van den Broek and guitarist Gary Wehrkamp (Shadow Gallery), each of whom provide their trademark scorching solos. While Star One is not technically a rock opera like Ayreon, it is still very much a concept album. Rather than following continuous storyline, each song is based on a different sci-fi film and tells its own story. Lucassen describes the concept of "Victims Of The Modern Age" as follows: "I based the songs on dystopian and post-apocalyptic sci-fi movies that have made an impression on me throughout my life. Unlike the first Star One album ‘Space Metal,’ where all the songs were set in space, this time most of the songs take place right here on Earth. No, I’m not going to tell you which movies inspired the tracks -- that would spoil all the fun! And I do hope that the dark subject matter won’t keep people from enjoying this journey through time to some of the more grim possible outcomes for humanity's future." Compared to 2002's "Space Metal," the overall sound of "Victims Of The Modern Age" is darker, heavier, more guitar-oriented, and slightly less "spacey." Arjen has also raised the bar significantly when it comes to the album's sound: "I think it's my best sounding album to date; it's a huge difference compared to the first Star One. For the guitars I spent weeks experimenting with different amps and settings in every combination imaginable -- and it was worth it. The drums sound fantastic, and the vocalists all outdid themselves, putting in even stronger performances than they did the first time around." With its stellar musicianship, strong melodies, meticulous production and compelling concept, Star One "Victims of the Modern Age" is yet another exciting project from one of rock's great visionaries. STAR ONE is: Vocalists Sir Russell Allen Damian Wilson Dan Swanö Floor Jansen Instrumentalists Arjen Anthony Lucassen - guitars, Hammond, Mellotron, Minimoog, Solina strings Ed Warby - drums Peter Vink - bass Joost van den Broek - keyboard solos Gary Wehrkamp - guitar solos PLEASE DO NOT COMBINE PREORDERS WITH YOUR REGULAR ORDER AS IT WILL ONLY DELAY PROCESSING OF YOUR ORDER.
    $12.00
  • "Germany's Eden Circus is a band that has been together for a while but worked tirelessly on the songs that make up this, their debut album, "Marula." Much like the time they invested in the album and its songs, the listener should be just as committed to listening to the album and giving it the necessary time to plant its seeds and grow. When I first listened to "Marula," I thought it was just a good album with a fair amount of contrast in each song. But when you have those contrasts (i.e., quieter moments and heavier moments), it's important to pay closer attention to how they are used and what is going on. It's easy to think "Wow, that's so subtle" and not really listen to the vocal or the intricacies of the music underneath.The fact that vocalist Siegmar Pohl has a very quiet, raspy voice that tends to blend with the music just makes it more challenging. But the key to music that has a thick layer of complexity is to listen to it over and over, allowing it to reveal itself. You cannot force "Marula" to be something it isn't. It has elements of '90s alternative progressive metal like Tool, but don't expect them to attack you like Tool would. They have post-prog moments like Porcupine Tree, yet they never commit to sounding like them. Eden Circus is familiar but still a stranger. You think you know what will happen next but when it doesn't, you aren't sure why.The opener "Devoid of Purpose" starts off quietly before it works its way into heavier riffing. "Comfort" has quieter verses leading to a very angular riff that works as the chorus. Siegmar does have a harsh vocal in his arsenal but uses it quite sparingly, which makes those moments all the more powerful. A perfect example is "101" where he works his way to a growl.The majority of the songs are long, which allows them room to ebb and flow as needed. In addition to the aforementioned songs, my favorite tracks are the two closers, "Her Lovely Hands Upon the Black Earth" and "Playing You." Both are atmospheric, progressive and epic - full of dynamics.Eden Circus has figured out how to be melodic but not make it so obvious that you tire of them. "Marula" is a textbook "grower" of an album. If I were to give it a rating a month from now, it would probably be an even higher rating." - Power Of Metal
    $14.00
  • Live In Tokyo is a live performance from November 14th, 2012 at Zepp Tokyo for supergroup PSMS, which features drummer Mike Portnoy (Dream Theater, The Winery Dogs, Transatlantic), bassist Billy Sheehan (Talas, Mr. Big, David Lee Roth), guitarist Tony MacAlpine & keyboardist Derek Sherinian (Black Country Communion, Dream Theater, Billy Idol). This 95 minute concert showcases a wide range of instrumental performances from each of the members careers & collaborations. Included in the set are Shy Boy from Sheehan's band Talas, MacAlpine's The Stranger, Sherinian's Apocalypse 1470 B.C. and Dream Theater's A Change Of Seasons: The Crimson Sunrise.Bonus Features:Behind The Scenes featuretteTrack Listing:1) A Change Of Seasons: I. The Crimson Sunrise 2) Acid Rain 3) The Stranger 4) Stratus 5) Apocalypse 1470 B.C. 6) Tony MacAlpine Guitar Solo 7) Been Here Before 8) Birds Of Prey (Billy's Boogie) / Billy Sheehan Bass Solo 9) The Farandole 10) The Pump 11) Mike Portnoy Drum Intro 12) Nightmare City 13) Hell's Kitchen 14) Derek Sherinian Keyboard Solo 15) Lines In The Sand 16) Shy Boy.
    $16.00