Killing Technology (2CD/DVD)

SKU: NOISE2CDDVD016
Label:
Noise Records
Category:
Thrash Metal
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"The band’s third full album perfectly reinforces their image of a post-apocalyptic wasteland set against a thrashing-punk-speed-metal soundscape. It was released on Noise Records in 1987. This definitive issue of VOIVOD’s Killing Technology is a must-have item for any fan of this unique and ground-breaking Progressive Metal band. The 2CD/DVD Set vividly captures the period surrounding this album and details the band’s development as they strove to perfect their sound and become a band of international acclaim.

Along with a previously unreleased complete show – the ’Spectrum ’87 concert recorded Live in Montreal – the set also includes concerts performed by the band in both the US and Switzerland. The album has been re-mastered from the original tapes and the artwork has replicated the original release."

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  • Out of print limited edition CD/DVD with bonus tracks."Dubbed as single-handedly reviving 80’s Bay Area thrash in the UK with the killer ‘Enter The Grave’ in 07, Evile attempt to up the ante with their sophomore, and boy do they succeed. ‘Infected Nations’ is a monster second helping of awesome bulldozing riffs, shredding solos and roaring vocals, an exquisite metallic frenzy which should be lapped up by anyone who knows anything about a decent thrash record. With their dystopical lyrical themes synonymous with the genre, Evile seem to have their formula perfected and leave you with the feeling they’re half the thickness of a matchstick away from a future thrash classic." - Rock Sound Magazine
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  • Ok so here's an album I didn't think would have a ghost of a chance of me enjoying but I was pleasantly surprised. Australia's Teramaze play a style of old school thrash metal but there are strong prog elements and its quite melodic to boot. Some killer dual guitar staccato riffing and a vocalist that doesn't get too nasal or whiny. Imagine that - a thrash metal vocalist that can sing without annoying!
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  • "here have been many waves of thrash metal in the course of the past three decades. The whole scene started in the early ‘80s with the Big Four—Metallica, Megadeth, Slayer, Anthrax—and the numerous American and German thrash bands that followed them. In the late ‘80s and early ‘90s, as thrash started to fade, the second wave began, with less-prominent American thrash bands and German bands attempting to keep the scene alive while the Big Four stagnated or lost relevance. In the late ‘90s, a new wave of thrash bands from Europe, led by the Haunted and Darkane, took on the mantle of thrash revivalists, helping to bring the scene back.Now, in the last five years, a whole new group of young American thrash bands have attempted to bring back the old-school thrash style of the ‘80s with their fast, technical play and raw production. Bonded by Blood is one of the bands in this fourth wave of thrash, and its debut Feed the Beast showed a lot of promise. The band’s sophomore effort, Exiled to Earth, upholds the high standard Bonded by Blood set for itself and even sees the group surpass it in some ways.Exiled to Earth is unique in that it’s a concept album, which is incredibly rare to see in thrash. The album tells the story of an alien race known as the Crong, who come to Earth intent on conquest. A group of warriors must fight back against the Crong to regain control of the planet and save the human race. Almost none of the veteran thrash bands ever attempted to create a concept album, so seeing one of the young bands do that shows a lot of maturity and inventiveness. The concept only exists in the lyrics, so it doesn’t distract from the music in any way. However, it also makes the lyrics even more interesting to read and memorize, for those who enjoy doing such things.Musically, Exiled to Earth is a throwback to the glory days of thrash in the early ‘80s with just enough young energy added to make it sound fresh. This will make the album a big hit among both diehard thrash veterans and newcomers to the genre. Guitarists Alex Lee and Juan Juarez channel the best parts of Slayer from Reign in Blood and Seasons in the Abyss, from the lightning-fast solos to the impossibly tight riffing. Vocalist Jose Barrales is a dead ringer for Bobby “Blitz” Ellsworth of Overkill, using the same high-pitched, urgent delivery of the veteran. Drummer Carlos Regalado and bassist Jerry Garcia keep the rhythm section together from start to finish, reminding listeners simultaneously of Ton Hunting from Exodus and David Ellefson of Megadeth.In short, Bonded by Blood has created a titanic record that raises the bar for all of its contemporaries. The other young thrash bands have held their own up until this point, but Bonded by Blood is now the first one to step out and make a statement. Exiled to Earth shows all doubters that this band is the real deal, capable of playing with the veterans as well as its peers. Expect to hear more great things from Bonded by Blood in the future." - Pop Matters
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  • "Of late, my faith and interest in thrash metal has been waning. No matter how many bands I check out, there seems to be no fresh ideas left in this genre, as all the bands just try to recapture the golden thrash days of the 80′s, without trying out anything new. As fun as the genre is, after a while it gets tedious and monotonous. Just when I thought I had heard it all, I saw news of progressive thrash metallers, Mekong Delta releasing a new album. Is this album the one to reignite my interest in thrash metal?Mekong Delta’s eleventh studio album, titled ‘In a Mirror Darkly’ is definitely a solid release from these veterans. It has good portions of progressiveness, technicality and fair amounts of thrash. For the usual thrash metaller, this might not satisfy the expectations of fast, adrenaline pumping affair. This is more of a carefully constructed monument with elements of thrash metal peppered all over it.Starting with an extended instumental intro that lasts a little more than 7 minutes, the guitar duo of Ralph Hubert on bass and Erik Adam H. Grösch on lead, showcase their technical prowess on their instruments. Progression is a constant stay in the Mekong Delta palette and the same formula is continued here as well. At times, the music shows a bit of free flowing jazz influence as well. Ralph Hubert has also done a solid  job in playing the classical guitar in the intro and his fellow axeman Erik does a good job in following him.As mentioned earlier, there is a fair bit of thrash to this album as well, which is showcased well in the track ‘The Armageddon Machine’. The band does a good job in channeling a steady thrash tune, without compromising on the progression or technicality. Alex Landunberg is a very proficient man behind the drum kit as he adapts to every little twist and turn that comes with the progression and his drumming comprises mainly of large amounts of technical beats. Ralph’s bass work can be heard pretty clearly in the mix and he holds down a steady groove as Erik shows off with his technical tweaks.The band is capable of retaining the listener’s attention, even with slower tracks like ‘The Sliver in God’s Eye’. Martin LeMar has a strong singing voice and he utilizes it well as he retains a melody to his singing, as opposed to the usual gang shouts that thrash metal seems to be filled with these days. The album on a whole has a good consistency, as they keep it mixed in terms of tempo and song structures.Sure, this is not a very easily accessible album like your everyday run off the mill thrash album. It takes a little getting used to. But once you sink into it, you will see ‘In a Mirror Darkly’ for the near perfect masterpiece it is. It is engaging, intriguing and contains just enough elements to be called a thrash album (minus the monotony ofcourse)." - Axis of Metal
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  • "Though Megadeth and their founder Dave Mustaine have spent their entire existence just a few steps behind Mustaine's former group Metallica, it's important to remember that they've also spent a lot of time as one of the most popular metal bands in the world. The summit of their commercial success came in 1992 with fifth album Countdown to Extinction, a creative high point from Mustaine and crew possibly spurred on in ways by the footrace with Metallica and the leaps in production made on their self-titled 1991 breakthrough album. Twenty years later, Countdown still stood as Megadeth's best-selling album, and in many circles, their most loved material. Countdown to Extinction: Live is a concert document of the 20th anniversary tour that found the band playing the album front to back, bookended by a few odds and ends from other albums. While the premise seems pretty rote, the execution of the live album is surprisingly interesting. Most live re-creations of full albums fall flat in comparison to the original artifacts, and this is no exception, but it's great to hear the devoted legions sneer along with every word of Mustaine's schizophrenic monologue on "Sweating Bullets" and cheer insanely at the now-dated George Bush samples that pop up throughout the set list. The performances are pinpoint, but the live sound lacks the production and feel of the studio album and eventually the tracks blur, losing the excitement a live experience offers. While the inclusion of extra crowd favorites like "Hangar 18" and "Peace Sells" flesh things out somewhat, the thrill of the live setting doesn't completely transfer, and all but the Megadeth superfans will probably prefer revisiting the original 1992 album before diving into the strong but much duller offerings of the live album." - Allmusic
    $5.00
  • "For Flotsam and Jetsam, the heavy metal highway has been sprinkled with nails. First, the band's frontman Jason Newsted quit to seek his fame and fortune with Metallica. Then, after securing a major label deal, Flotsam and Jetsam were cajoled into toning down to appeal to the masses. Eleven years after releasing its classic album Doomsday for the Deceiver, the band returned to the label that signed it, writing more aggressive material than it had in years. High is a declaration of hate, brimming with full-fisted guitar riffs and head-bobbing beats--an unrestrained battle cry from a band that refuses to lay down and die." --Jon Wiederhorn
    $4.00