Invanity: Live In Berlin ($2 SPECIAL)

"A very special semi-acoustic live set from this seminal gothic metal band. The album captures their favourite songs specially rearranged for this event, while also including reworked cover versions of songs by Slayer and Nick Cave, the latter featuring guest vocals from Tiamat's Johan Edlund."

There are no review yet. Be the first!

Product Review

You must login or register to post reviews.
Laser Pic

customers also bought

SEE ALL
  • Amazing 2DVD set featuring highlights of the 2008 Wacken Festival. The lineup is staggering to say the least. Pro-shot it also features backstage footage, interviews (subtitled if I'm not mistaken). Check out this lineup: DVD1 01 Girlschool-Hit And Run 02 Mustasch-Monday Warrior 03 Sturm&Drang-Rising Son 04 Alestorm-Captain Morgans Revenge 05 Airbourne-Girls In Black 06 Leaves Eyes-New Found Land 07 Mambo Kurt-The Number Of The Beast 08 Iron Maiden-Two Minutes To Midnight 09 Primordial-Gallows Hymn 10 Mortal Sin-Out Of The Darkness 11 Cynic-How Could I 12 Job For A Cowboy-Entombment Of A.. 13 Unearth-The Great Dividers 14 Headhunter-Born In The Woods 15 The Rotted-A Return To Insolence 16 Kamelot-Rule The World 17 Destructor-Destructor 18 Soilwork-As The Sleeper Awakes 19 Autumn-Closet Friends Conspire 20 Sabaton-Attero Dominatus 21 Sonata Arctica-Don-t Say A Word 22 Massacre-Defeat Remains 23 Stam1na-Merestae Maalle 24 Psychopunch-Another Statement 25 Nifelheim-Storm Of The Reaper 26 The Haunted-Moronic Colossus 27 Van Canto-The Mission 28 Opeth-Heir Apparent 29 Corvus Corax-Fortuna 30 Saltatio Mortis-Uns Gehoert Die Welt 31 Avantasia-Twisted Mind DVD2 01 God Seed-Carving A Giant 02 God Seed-Teeth Grinding 03 Crematory-Tears Of Time 04ExcrementoryGrindfuckers- Excrementory Grindfuckers 05 The Fading-Destination Life 06 3 Inches of Blood-The Goatrider.. 07 Machine Men-Ghost Of The Seasons 08 Evocation-The Dead 09 Holy Moses-Through Shattered Minds 10 Merencary-Black And Hollow 11 Before The Dawn-Faithless 12 Enemy Of The Sun-Burning Bridges 13 Exodus-Piranha 14 Obituary-Slow Death 15 Powerwolf-Saturday Satan 16 Warbringer-Total War 17 As I Lay Dying-Within Destruction 18 Torture Squad-Living For The Kill 19 Krypteria-Somebody Save Me 20 Carcass-Heartwork 21 Drumsolo K. Owen 22 Killswitch Engage-Rose Of Sharyn 23 Girugaemesh-Dance Rock Night 24 Dream Of An Opium Eater-Audition 25 Watain-Sworn To The Dark 26 Kreator-Phobia 27 Nightwish-Nemo 28 Nightwish-Poet And The Pendulum 29 Axxis-Blood Angel 30 Lordi-The Only Come Out At Night 31 Lordi-Hardrock Hallelujah
    $26.00
  • Andy Latimer goes Celtic!
    $20.00
  • "Fair to say their name is still as dislikeable as it was when we covered their excellent album Eight Pieces, One World album two years ago but musically the Belgian metallers still rock the juices out of us as proven by new encounter Odd Memories. Max Pie fills their third album with all the essences which made its predecessor a surprising and compelling proposition but it is with bigger and bolder imagination and creative energy. We are no major heavy/power metal fans here to be honest but once again Max Pie has given us one thumping and rousing time.The band was formed in 2005 by vocalist Tony Carlino taking inspirations from bands such as Symphony X, Van Halen, Toto, Queensrÿche, and Dream Theater into their emerging ideas. A slightly unstable time in personnel graced their early years before Max Pie released debut album Initial Process in 2012. Fan and critically acclaimed it was surpassed by Eight Pieces – One World a year later in presence, sound, and praise. Its release was followed by the band playing numerous festivals and undertaking tours with the likes of Symphony X, Evergrey, Fates Warning, Avantasia, and Queensrÿche. Now they return with, as the last album, the Simone Mularoni mixed and mastered Odd Memories and simply their finest, most inventive proposal yet.The album opens with its title track; an instrumental ripe with a foreboding atmosphere and epic textures all cinematically imposing on the imagination. This type of beginning is becoming a common practice across varied metal offerings but when done right, as here, it makes a potent invitation into any release. As the track slips into the following Age of Slavery, a sizzling electronic coaxing colludes with rampant riffs and a melodic embrace of keys. The thick commanding rhythms of drummer Sylvain Godenne shape and invigorate the track further, framing the growling vocals of Carlino perfectly. The frontman’s diverse delivery is as magnetic as ever, some elements more powerful and potent than others but like the music, a constant lure that likes to stretch and push both song and musician. As the guitar and keyboard craft of Damien Di Fresco builds and expands its enterprise, the track blossoms into a sturdy and fiery encounter to really kick things off.It is also, in many ways, a relatively straight forward and maybe expected proposal from the band, the new exploration showing itself more from Odd Future on. Keys breed the first mesmeric caress on the third track before guitars and the wonderfully dark throated bass of Lucas Boudina bring their hues to the emerging and stirring landscape of the encounter. Once vocals join, the song settles into a melodic roar and sonic flame of melodic and heavy rock ‘n’ roll, their union a heated and tenacious arousing of ears and thoughts veined by sparkling, and at times understated temptation from the keys. It is when things go off kilter with a glorious stretch of discord kissed invention and melodic bedlam that the song really comes alive and if there is any moan it does not play in this great moment long enough.Promised Land opens on a vivacious escapade of keys quickly encased in storming riffs and rhythms, it all quickly blooming into a virulently contagious slice of rock pop with classic metal and progressive rock hues. It has single running through its potent craft and lusty veins, every second of the track a bold and rousing incitement for body, voice, and emotions. Such its power and lure, it gives next up Love Hurts a hard time trying to follow it, and as mesmeric in melodic beauty within tempestuously emotional and physical terrain that it is, it never quite finds the same full-blooded personal reactions as its predecessor. It is undeniably superbly crafted and woven though and does leave only fully satisfied thoughts before the darker, ravenous excellence of Don’t Call My Name takes over. The guitars alone are predatory with their creative rummaging of the senses whilst the keys float with celestial temptation above them and the uncompromising rhythms spearing it all. Reaping the ripest elements of technical and progressive metal, band and track pulsate as they gnaw on ears, adding melodic and harmonic balm to the increasingly irresistible voracity on offer. With Carlino also on fine form, the track is the pinnacle of the album, reason alone to eagerly approach Odd Memories.The acoustically brewed Hold On slips in next to transfix and from a slow start to its persuasion grows into a big favourite. Whether by chance or intention, it has a Bowie-esque essence to it, a floating whisper in quieter moments which does it no harm. It is a scent soon out flamed by vocals and the sonic blaze giving the song rich crescendos and a breath-taking finale before Unchain Me takes the listener on another tumultuous ride of rugged metal and tantalising electronic adventure.No prizes in guessing some of the scenery within Cyber Junkie, its electronic and industrial endeavour a potent spicing to another song offering a compelling fusion of bestial metal and melodic flirtation, the former steering the ship with invigorating success. As Don’t Call My Name before it, the track is a masterful web of varied and diverse styles in one predacious provocateur, thoughts of bands from Anthrax to Armored Saint, Dream Theater to Skyharbor coming to mind across its exciting and again show stealing soundscape.The album is finished by The Fountain Of Youth, a song which either a raging storm of a canter or a gentle caress enthrals and sparks only the keenest attention and support from ears and emotions. Like a couple of other songs it takes longer to get all of its hooks inescapably entrenched but with its additional symphonic elegance and emotively hued strings, the song has seduced long before realisation notices.Wrapped in the excellent artwork of Didier Scohier, Odd Memories and indeed Max Pie have caught us again with a tempest of sound and invention driven by craft and passion. This time it is bigger, more adventurous, and confirming the band as one of progressive power metal’s finest." - The RingMaster Review
    $15.00
  • Steven Wilson's second solo album features a variety of interesting prog luminaries including Steve Hackett, Robert Fripp, Tony Levin, Trey Gunn, Theo Travis, and Jordan Rudess. Proggier than his first solo album and frankly recent Porcupine Tree. Lots of Mellotron bliss on this one. Exemplary production wraps up the total package. This Blu-Ray edition contains the album in hi-resolution 5.1 and stereo mixes. It has 2 bonus tracks, demos, videos, and a lot more stuff.
    $17.00
  • New studio album from Roye Albrighton and Ron Howden carrying on with the Nektar name.  Since the band reformed last decade, their studio output hasn't lived up to the reputation of the classic 70s era.  This album appears to stop the skid.  Keyboardist Klaus Henatsch has been with the band for some time now.  His keyboard arsenal has that old school sound utilizing Hammond organ at every turn.  Fill-in bassist to the stars Billy Sherwood rounds out the quartet and he also handled production.  While no two Nektar albums sounded exactly alike there was an overriding sound - once you heard a song you immediately were able to identify it as Nektar.  A lot of that had to do with Albrighton's vocals and guitar work.  Time Machine is just that - a trip back in time to the sound of Nektar in the early 70s.  I'm not going to tell you that is will supplant Remember The Future as their magnum opus, but I have to say that this isn't half bad at all and pretty closely approximates the Nektar sound that we all know and loved.  Surprising and satisfying.
    $16.00
  • "Too many people mislabel “technical” or “math” for “progressive”. The vast majority of the bands in the djent movement are, at best, technical. The only prog-like changes in the music are from a riff to a breakdown. Elsewhere, some noodly math band is labeled “progressive” because the guitars make pretty twinkle noises. That is hardly the stuff of prog legends. Enter The Omega Experiment, whose debut helps re-define a genre that really needs clarification.I don’t mean to get ahead of myself, as The Omega Experiment is no classic. These Michigan natives have the story of a djent group, but the sound of a bygone era. The group consists of multi-instrumentalist Dan Wieten and keyboardist Ryan Aldridge. The group is, in essence, a bedroom project, one of the many disciples of the prophet Misha Mansoor. Yet, The Omega Experiment treks down a different sonic road than Periphery.While the latter worshiped at the altar of Meshuggah, these gentlemen prefer to take heed from the success of Rush, Dream Theater, and most evidently, Devin Townsend. The band’s particular brand of progressive metal is light on the metal, favoring towering vocals to screamed sentiments. Also, half of the group is the keyboardist, so you bet your sweet ass that the keyboard plays a heavy role on the proceedings here. The blazing solos aren’t too shabby either.The album tells the story of Dan Wieten’s struggles over the past ten years and his search for a way out of his own mess. The music helps tell the story of transcendence; each melody seems to come from a place of light as Dan fights off his inner demons. Like any concept album, The Omega Experiment is best enjoyed in one sitting. Because of this, the album lacks absolute highlights and lowlights. If you are a fan of the throwback prog style, surely each new track will uncover something pleasing to your ears. The entire album is laden to the brim with vocal melodies, guitar pyrotechnics, and enough keyboards to please any Styx fan. The record is such a treat that the band even named its first track “Gift”.With an album like this, it’s not easy to point out complaints, but two become evident upon multiple listens. While the drum programming is certainly adequate, there is no substitute for live drums. For the most part, the kicks and snare sound good enough, but the programmed nature of the percussion occasionally irked me. The other complaint is really a matter of preference. The album’s standout track, “Furor”,  is also the only track where the band seems to really unleash the metal they're clearly holding in. I wish the band let loose a few more times throughout The Omega Experiment; however, too much gusto might detract from the sound the band has cultivated.Overall, The Omega Experiment has reminded this reviewer how progressive music can be when it’s actually progressive. If the mention of Devin Townsend or Rush makes you want to run to the hills, then The Omega Experiment will not change your viewpoint. However, if you’re looking for a sampling of a new crop of progressive metal acts, then take a careful listen to The Omega Experiment." - Decoy Music
    $15.00
  • One of the great Italian symphonic prog albums of the 70s. Recommended to fans of Banco and PFM. New mini-lp sleeve edition from Vinyl Magic.
    $18.00
  • Long awaited new album from this Israeli metal band. The music of Orphaned Land has extremely deep roots in their Israeli/Middle Eastern heritage. Melodies and even instrumentation are faithful to their region. Hmmm...I even think I hear some Mellotron strings here (must be cuz Steven Wilson produced this album!). The music is incredibly dynamic with gorgeous acoustic parts slamming into crushing slabs of metal. Vocals are a mix of clean and coarse and it all blends seamlessly. With repeated listens this might attain masterpiece status. Easily a top 10 release for 2010. Highest recommendation.
    $9.00
  • This version is not getting a US release.  It will only be available as an import (Yes we know its expensive).  Hardbound mediabook with 28 page booklet and a bonus 4 track EP.Killer UK spacerock/post-progressive hybrid."Less than three years after their magnum o(ctop)us, Amplifier return with an altered line-up (former Oceansize guitarist Steve Durose is now a permanent fixture) and another hefty dose of spaced-out space rock. After the longest fade-in history (beyond even the intro to the first Psychedelic Furs album), a heavily chorused guitar starts the gently meandering ‘Matmos’. Then, around seven minutes in, it all explodes with a shredding guitar and you know that Amplifier are once again firing on all cylinders. With just eight tracks and a running time of 61 minutes, they’ve produced a work that’s much more succinct than its predecessor. That isn’t to say ‘Echo Street’ is any less ambitious or epic than the sprawling ‘Octopus’. ‘Between Yesterday’ is the shortest track at 5:18: the 12-minute ‘Extra Vehicular’ is a prog rock monster of monumental proportions and is not so much a song as a journey through time and space. The title track is a high-octane slice of swirling space rock, and as a whole, ‘Echo Street’ is expansive and cinematic and, in short, classic Amplifier." - Shout4Music
    $20.00
  • "Transformation is a very apt title for Canadian Prog veterans FM, for not only has their music transformed numerous times over the years, so has their line-up. Joining bassist/keyboard player Cameron Hawkins this time round is drummer Paul DeLong (Roger Hodgson/Kim Mitchell), violinist/mandolin player Edward Bernard, who has performed with Druckfarben and violinist (yes, there are two violinists here) Aaron Solomon. The recording group being completed by legendary Rush, Dream Theater, Fates Warning producer/engineer Terry Brown, who does an excellent job.So you'll gather then that the first proper FM album since 1987's Tonight still follows in its predecessors footsteps of placing violin front and centre. Yet while that may sound risky in today's often sanitised Prog world, Transformation sounds remarkably contemporary and, at the same time, true to this band's 70s roots. More beautiful than punchy, in places the songs on this album feel like Yes with copious amounts of violin strung over it, the air being light, melodic and captivating. DeLong is stunning throughout, his rare ability to be ridiculously busy and intricate, underpinned by a solidity which fixes everything in place. Nary a second goes by where the percussionist isn't whispering a ghost beat, paradiddling the toms to within an inch of their lives, or alternating between snare, hi-hat and cymbals at break neck speed. However, amazingly, he never interrupts the beautiful flow of the vocals provided by Hawkins, Solomon and Bernard; the trio causing another reason for celebration in the process. However no album was built on drums and voice alone, so the stunning, varied violin, viola and mandolin work which weaves and dances across Hawkins deep resonant bass and darting, lilting, pointed synth contributions, are as impressive as they are vital to the unbridled success of this album.There's a real depth of sound and arrangement across the nine tracks on show, the likes of "Tour Of Duty" a journey from fragile art through fractured beauty, into controlled frenzy. "The Love Bomb (Universal Love)" and "Brave New Worlds" contrast this approach excellently, a sparse framework thriving on roaming bass, while gentle string stabs allow the vocals to express the emotions of melancholic introspection, but overriding hope and belief displayed in every one of the songs on this album. And it's that uplifting feeling which really infuses Transformation with the power to captivate and control your attention from start to finish, whether through the harsher attack of the bristling "Re-Boot, Reawaken", unsettling pulse of "Children Of Eve", the almost jauntily optimistic "Safe And Sound" or idyllic "Heaven On Earth".Often when a band reappears from the past, as if by magic to reclaim their past glories, the results are safe and deflating. Transformation however falls far from that trap, instead announcing itself with a triumphant confidence which never fades once as its beauties unfold, and vitally it just gets better with each and every luscious visit to the land of hope and understanding it creates." - Sea Of Tranquility
    $17.00
  • Fourth album from this incendiary Swedish trio finds them hooking up with Landberk/Paatos/Dungen guitarist Reine Fiske and chaos ensues.This heavy organ dominated trio are modeled around Tony William's Lifetime but the prog rock influence of ELP is undeniable.  Keyboardist Ståle Storløkken really rips it up.  I found Fiske's playing complements the band well, adding another dimension to their sound.  This is music that is immersed in the 70s but it has extreme vitality and doesn't sound dated at all.  Highly recommended.
    $18.00
  • "After CYNTHESIS and its amazing second recording, the pertinently titled album, “ReEvolution”, the ultra talented Californian geminis Brothers, Troy & Jasun Tipton (ex ZERO HOUR), are back with another chapter in their instrumental project discography…ABNORMAL THOUGHT PATTERNS and once again the expansion of their genuine style and the maturated development is terrific, the release date is set for late June…The band broad universe is so extended that the term "limitless" seems underrated and non-representative of their extraordinary and unstoppable musical dominion!The young Guitar God Jasun Tipton, owner of a great fat tone, perform in his finest way as you would have expected, fluid, majestic and without effort (“Blindsight”), quite easy to understand why this man is worshiped by Guitar enthusiasts everywhere, but more than ever, it seems that his brother the Bass maestro Troy Tipton takes a even bigger role, while playing his typical two hand tapping licks, also some more ambitious melodic lines and sharing some hallucinating unison amazing arpeggios between Bass & Guitar (“Distortions Of Perception”)!This instrumental trio is apparently becoming a quartet with the recruit guitarist Richard Shardman, still featuring the former ex ZERO HOUR's drums expert Mike Guy (ex DEATH MACHINE), is providing everything, from stripped down ambiance to a flurry Shredding parts (“Delusions”), in a complementary unreal association, a syncronization similar to something that is identical to the special and unique twin brothers spirit/relationship (“Subliminal Perception”).The Bass guitar realm of low frequencies is honored with the superb track “Synesthesia” (An awareness of synesthetic perceptions that varies from person to another with confusion of colors/numbers and shapes, born from a neurological phenomenon that leads involuntary experiences in a second sensory or cognitive pathway to a disinhibited feedback triggered by specific sounds) where Troy is duelling with two other Bass monsters, namely the legendary Fretless player Michael Manring and the criminally undervalued John Onder (remember the great Shrapnel’s releases like “Infra Blue” by Joey Tafffola (???)/”Extreme Measures” by Vitalij Kuprij or 2000’s “Machine” by ARTENSION and even MSG’s “Adventures Of The Imagination”) another patented mix of elusive etheral soft moments that develops before entering again in a frenzy of note under a Neo-Classical style, built in total opposition with the hypnotic middle break in a new age approach!To prove their absolute artistic freedom ABNORMAL THOUGHT PATTERNS dare to break the all instrumental rules by adding some harsh lead vocals performed by the BETWEEN THE BURIED AND ME singer Mike Rodgers, in the detuned “Nocturnal Haven”…But at the slot N°6 they offer us another superb rendition of the same theme, but this time in a fully instrumental version with some additional solo spots by Canadian citizen Tim Roth from INTO ETERNITY, however both tracks contains some lava sweeping avalanche by seven strings rising star Jeff Loomis (ARCH ENEMY/ex SANCTURAY/ex NEVERMORE)!While their latest CD “Manipulation Under Anesthesia” was more extreme and ferocious than hell, pushing the intricacy at the maximum with some almost bio-mechanism rhythmic method and improving in the ultra-hi-tech reaches onto stellar and virgin territories: “Altered States Of Consciousness” is a concept album centered around neurobiologic sensations, in coherence it's a more enriched atmospheric disc, more spacey, groovy, layered with organic textures and full of emotional sequence, with still plenty of sudden bursting of agressive triplets-staccatto-trick, but clearly more accessible and not restricted to please a bunch of Guitar-Fretboard geeks, obviously the talent and the technical ability of the virtuoso musicians involved here, is still head and shoulders up above the level of the average new generation of Prog Metallers…The abnormal musical thoughts are welcome!" - Metal Temple
    $15.00
  • I'm going to get straight to the point.  If you are a fan of female fronted metal you must own this album.  The Human Contradiction is a complete triumph.  It finds the band returning a bit to their roots.  There are still poppy elements - that's part of their core sound - but there is a heaviness that will remind you of Lucidity.  Nightwish's Marco Hietala returns contributing on clean vocals. Also back is Orphanage vocalist George Oosthoek who is one of the best growlers in the metal scene.  Arch Enemy vocalist Alissa White-Gluz makes a guest appearance.Timo Somers' guitar riffs are chunkier, Charlotte's voice is impeccable as always, and Martijn's keyboards are simply epic.  The album was recorded at Studio Fredman and sounds massive.  Weaving the whole album together is a sci-fi theme borrowed from the writings of Octavia Butler.This is an album filled with a enough earworm hooks to drive you crazy but at the same time its heavy!  For my taste its a top 10 album for 2014.  BUY OR DIE!Limited edition 2CD mediabook edition.  The bonus CD contains 2 additional new studio tracks as well as live tracks and two orchestral versions of tracks from The Human Contradiction.  Essential.
    $16.00
  • Remastered edition of the long out of print one-off band. It's a short one but a classic. Festa Mobile was actually a precursor to Il Baricentro. While they never displayed that band's pyrotechic fusion leanings, they did have some subtle jazz overtones but a classical influence dominated. The music is dominated by virtuoso piano runs and fuzzed out guitar leads. Gorgeous disc.
    $16.00