The Interpreter ($5 Blowout Price!)

My Soliloquy is a British band formed in 2002 by multi-instrumentalist Pete Morten.  Since then the band has released a number of demos, gaining traction in the metal underground. The band had a number of notable support shows with Pagans Mind, Power Quest, Oliver and Rick Wakeman, and Threshold, as well as a second-to-headline set at Bloodstock 05 and a showcase at 2007’s ProgPower UK II.

Since 2007, Morten has been an active member of British prog metal legends Threshold.  His membership has raised awareness (and created anticipation) for My Soliloquy’s long awaited debut.

The essence of My Soliloquy is pure forward thinking metal – symphonic keyboards, shredding guitar leads, soaring vocals – all finely woven together with a blend of intricacy and melody.  The Interpreter was mixed and mastered by Rob Aubrey who has been a mainstay of Marillion’s camp for many years.

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  • Limited reissue for North America of only 400 copies. This was the band's 2001 release and not available here for some time.
    $15.00
  • Latest from this fine French band. Nemo is led by guitarist JP Louveton who is also the lead singer. Barbares features all long tracks including the 26 minute title piece. The music of Nemo is quite dynamic. Louveton is a fine player with has a bit of John Petrucci in him. His instrumental foil is keyboardist Guillaume Fontaine who takes a more symphonic approach to his playing. While there is more than enough flash he tends to emphasize textures over blazing fast solo runs. For some reason Louveton has a reluctance to sing in English. If could get over this the band might be able to expand their following on a much broader level. Highly recommended.
    $12.00
  • Saw this band perform a couple of months ago and it was an incendiary set.  Goat are a Swedish psychedelic collective.  Their music is incredibly intense that has an African tribal feel - sort of like Black Sabbath meets Fela Kuti.  Twin guitar leads entwine over a propulsive and hypnotic rhythm section.  The band's two female vocalists sing in unison.  Washed in a sea of reverb their voices come across as one.  Love the beautiful fuzzed out guitar leads that juxtapose with the crystalline solos.  This is not late night listening.  This is invite your friends over, fire up a big phatty, and trance out.    BUY OR DIE!"When approaching the follow-up to a record as unilaterally praised and, on a personal level, so intoxicatingly enjoyable as Goat's 2012 debut World Music, all kinds of anxieties are inevitably thrown up regarding the new work's comparative merit. Which is why for this writer, on hearing how the psych journeymen chose to open their latest record Commune – with the ominous clang of a temple bell (like a theological inversion of the opener on Black Sabbath's debut) – it felt oddly apt, fateful almost. It was as if they knew I was scared to listen to the record; they responded by scaring me further with ecclesiastical percussion instruments.Goat should be given full credit for inspiring this sense of meaning and excitement; the album that follows is no stylistic leap forward for the band, yet it still exercises a deeply persuasive power over your head and hips. They largely stick to the heavy, kinetic, afro-influenced rock that proved such a winning formula, the only obvious developments being that the guitarists seem to be taking more cues from desert-rockers like Tamikrest and Tinariwen, and the songs show an increasing preference for subtlety over immediacy in the hooks department. Yet despite the apparent lack of new ideas here, the undeniable success of this work lies in Goat's deepening and development of the musical and spiritual themes presented on in World Music.And I'd go as far as to argue that Commune is very much a spiritually informed record. Whilst Goat hinted at a certain kind of gently cosmic, communal worldview via the obscure vocal samples on their debut, on this record their spiritual statement feels much more pronounced. Not only can this be seen in the song titles (opener 'Talk To God', 'The Light Within') and the appearance of more vocal samples ("There is only one meaning of life, and that is to be a positive force in the constant creation of evolution" – woah there!), but it's also evident in the production. Instruments are slathered in embalming-chamber reverb, ritualistic hand percussion is laced through almost every track, and the more laidback atmosphere means that instead of getting party-starting booty-shakers like 'Run To Your Mama' we get absorbing, contemplative grooves like the headspinning rhythms of 'Hide From The Sun' and 'Bondye', an instrumental track named after a voodoo deity which realises the trance-inducing implications of repetition. When Goat first emerged listeners may have been unsure about the sincerity of their transcendental allusions, and I for one suspected that their flirting with hippy ideologies was a self-conscious part of their selling point. However, with Commune, I'm now convinced this band genuinely have something to say. On tracks like 'Goatslaves' for example, you can actually make out quite easily what the vocalists are singing, and the message is direct: "Too many people living on their knees", yell the female voices over a stern, militant beat. "Dying of freedom, Dying of peace".There are some fuzz tones that are just so gnarly and righteous that they make you glad to be alive. Lots of guitarists nearly get there but there's no mistaking it when you hear that perfect analogue crunch. Tortured, writhing sound-buzzes so crusty and mangled that they sound as if the distortion pedal has been buried underground for six months, making a solo sound like it's trying to break free from the speakers. For me, the most successful examples of this sound include Dark on their album Round The Edges, almost anything by Swedish guitarist Reine Fiske and the almighty solo towards the end of 'Hi Babe' by Zamrockers Ngozi Family. A review of this record would be amiss if I failed to commend the absolutely stonking fuzzed-up guitar solo that hits halfway through 'Hide From The Sun', the album's lead single, which surely deserves a place in this illustrious canon. Nestling stylistically in a place between Omar Khorshid and Tony Iommi, it rips mercilessly through the track's disorienting metre, and may well encourage listeners to stare into the distance with a purposeful look on their face. Fans will be glad to hear that there are plenty more of those moments to be had with this album – see the taut, fidgety funk of 'The Light Within' and the pleasantly pastoral flute on 'To Travel The Path Unknown' amongst others.Goat stand out from the rest of the contemporary psych crowd as an undeniably modern, internet-age band in that they create their own successful and popular sound by synthesising a plethora of B-musics and fringe influences made easily available through the work of labels like Finders Keepers and Sublime Frequencies. Yet Commune is so much more than record-collector rock. Album closer 'Gathering Of The Ancient Tribes', in a stylistic echo of the first track 'Talk To God' features a lattice of Malian-sounding guitars offset against heavy bass and insistent beats, before dissipating into a haze of guitar noise, organ drone and that same meddlesome temple bell. It's details like this that prove Goat are clearly concerned with more than flogging a tasteful blend of trendy influences – Commune is a truly artistic statement." - THE QUIETUS 
    $14.00
  • Released in 1973 on the obscure Canadian Periwinkle label, Jackal's "Awake" album has become a highly sought after album by collector's of heavy psychedelic/progressive rock. Original copies have sold for as much as $300! After an exhaustive five year search we have finally located the original master tapes.Drawing inspiration from Deep Purple, Jackal incorporates dazzling guitar/organ interplay evoking Blackmore and Lord at their heaviest. The complexity of their music took them far beyond the basic hard rock sounds of many of their peers. Perhaps with a few lucky breaks the band could have gone on to bigger and better things. All that's left of their legacy is this sole collector's item.
    $14.00
  • The US "35th Anniversary Edition" is now out of print and truth be told it sounded like crap. This is the UK edition overseen by Kerry Minnear and is light years better. It features better sound, nicer package and a lot of live bonus tracks. One of the greatest prog albums of all time. A cornerstone album for any collection.
    $10.00
  • "In the mighty and fertile cold lands of Sweden in the early 2000, Markus Sigfridsson, a skilled young guitar player, with his best friend, Tobias Enbert behind the drum kit, created HARMONY, a Christian Power Metal band influenced by the great Scandinavian Neo-Classic tradition updated with a strong Melodic Prog-Metal tendency…The perfectly named HARMONY, is an ambitious group that was immediately warmly acclaimed by our community, a general positive consensus that occured right after the succesful release of their debut album, “Dreaming Awake”, in 2003, an impression that was even reinforced by its solid sucessor, "Chapter II: Aftermath", published in 2008.In late November 2014, it was the next crucial step in their career, their third offering, "Theatre of Redemption", was available. The big announcement was that it featured in the Lead Vocal role, one of the most reputed Metal singer from Sweden, the one and only LOST HORIZON’s former Daniel Heiman, who provides, as expected, a superb performance; very impressive in every section, displaying an amazing range and an outstanding emotional imperssonated feeling, and I had the privilege to review it with a good rating of 9 in result…"Theatre of Redemption" finally ends up really high, in my famous top list for 2014…They also encountered some kind of achievement with DARKWATER as a side-project; the duet of musicians is still very active and full of ressources!On May 22nd in Europe, and on May 26th in North America, the Swedish melodic Power Metal band HARMONY, will release a new work in EP format, entitled “Remembrance”…Once again published through Ulterium Records will features the legendary vocalist Daniel Heiman (ex LOST HORIZON/ex HEED/ now frontman for LAVETT) on vocals. This six track EP includes four re-recorded songs from the HARMONY's debut album, “Dreaming Awake”, as well as two brand-new songs.Of course, “Eternity”, “Dreaming Awake”, “Without You” or “She” are the reworked tracks; the running order is still the same, keeping the original successivity, while at the final slots, the songs ”In His Heart” and ”Feed My Hunger” are the newest compositions; you can count on the ultra precise sonic rendition in the purest Swedish Tradition as, like “Theatre of Redemption, “Remembrance" was mixed by the same glorious team at Studio Fredman (DREAM EVIL/HAMMERFALL/IN FLAMES).Although a little short, "Remembrance" is fully packed with the best exemples of "how Modern Power Metal has evolved" with orchestrated arrangments, a few ballads, sporadic acoustic elements and more subtle, understated interludes (“Without You”) and something sounding quite parallel to Progressive Rock (“She”), the whole is clearly well played and superbly produced with with a huge dynamic range .The epic side and the Metal straightness is still present, strategically added, giving a more accessible feel to the listener with song like the opening cut, “Eternity”.If the style of the early album is respected, obviously the new found technically and proficient focus has given another color to this EP, a challenging method crafted under a even more epic flavor, the title track and “She” were two of my favorites in their “Dreaming Awake”. Now maybe in concurrence with the quality of the recently added tracks, like the infectious chorus within ”In His Heart” and its numerous layers of harmonized vocals, or ”Feed My Hunger”…The second being the most emblematic; it fit into the existing stylistic musical realms and show the more Melodic way forward for what could be the band's future, with a sophisticated Eastern/Oriental chord-structures mixed with the refreshing harmonic excellence!Another warning coming from the North…Will you remember?" - Metal Temple
    $10.00
  • "Gary Hughes established himself as one of England's premiere singer Melodic and Hard Rock songwriters. He was involved in Bob Catley solo albums (both as a producer and songwriter), Hugo's solo debut (as a producer) and not to mention his albums with the band Ten plus three solo albums and one rock opera in 2 chapters! ''Veritas'', his new solo album truly feels like the natural successor to ''Precious Ones'', Gary Hughes' last solo output dated 1998. Given the long awaited nature this album and the anticipation already beginning I have been working really hard to make this album the best I possibly can" says Gary. The stunning final result is guaranteed to cement the reputation of Gary Hughes as a songwriter and producer and shows the class and the immense quality of British hard rock school, heir of the tradition of such giants as Whitesnake, Rainbow, UFO and Thin Lizzy! Musicians on the album include: Gary Hughes himself on keyboards and orchestrations, TEN bandmates Chris Francis and John Helliwell, drummer Dave Ingledew and bass player Rick Stewart (Devil To Pay), Jason Robinson on drums (Absent Minds) and Simon Brayshaw on bass (Nightshift)."
    $6.00
  • Debut album from this eclectic metal band. New 24 bit remastered gold disc edition features 2 live bonus tracks. It's a limited edition of 2000 copies in a digipak.
    $15.00
  • Third and best album from this seminal Italian prog band. Originally Delirium was led by flautist/vocalist Ivano Fossati, who left after the first album and went on to a significant career in Italy as a pop singer (still going strong today). His replacement was Englishman Martin Grice who not only played flute but sax as well. In addition to Grice's great work you get some killer organ and Mellotron. The sax/organ interplay reminds a bit of VDGG and there is an obvious Tull influence at play as well. Nicely remastered and repackaged in a mini-lp sleeve.
    $20.00
  • "The successor to "Obsessions" (2011) was mixed and mastered by Jacob Hansen at Hansen studio in Denmark (Volbeat, Pretty Maids, Amaranthe a.m.m.)Beside band leader Samuel Arkan, the following vocalists and musicians contribute to"Fantasmagoria": Tom S. Englund (Evergrey) Henning Basse (ex-Metalium, ex-Sons Of Seasons, Mayan) Ida Haukland (Triosphere) Matt Marinelli (Borealis) Tezzi Persson (Between The Silence) Mike LePond (Symphony X) Léo Margarit (Pain Of Salvation) Julien Spreutels (Ethernity) Simone Mularoni (DGM)The quite unusual thing is that all these guests came to the Noise Factory studio (Belgium) to track down their parts. Nobody recorded his/her parts at home, like with some many other projects."I wanted the whole thing to get a real "band" feeling", Arkan says. "Therefore having all vocalists and musicians here was very important to me. We got to know each other better and better while spending time together. The new material sounds very fresh, dark, heavy, modern and "true" with "straight in the face" guitar riffs, intense voices and melodies, massive work on progressive atmospheres and orchestral parts. All the artists who participated in this album gave their soul to it, gave their best, they travelled deeper into sensitivity and sincerity. That's probably the best words which define this next album... sincerity & spontaneity! This album comes from the heart of each musician and vocalist who worked on it, and you can feel it when you listen to this new EPYSODE album."Compared to the debut "Obessions" the new material is a step forward in every way, with even better songwriting, a massive sound, powerful production and an intensity you rarely find these days.With the top notch vocalists that are gathered here (a.o. Evergrey’s Tom S. Englund, who is contributing to 5 songs) the "Fantasmagoria" concept story comes to life in a very intense and thrilling way, with lots of facets, expressive singing, deep & dark emotions. Englund’s duet with Ida Haukland (Triosphere) on the album’s title track especially gives goosebumps to the listener. There is also a plot to the "Obsessions" album and many fans of concepts will have their pure delight in discovering the story behind the story.The "Fantasmagoria" recordings took place from December 2012 to end of April 2013. Responsible for all keyboards, piano, arrangements was again Julien Spreutels, "my brother in crime, without him Epysode would not be as it is", Samuel says. "He did one more time an outstanding job and gives magic to Epysode, It's always a pleasure and very inspiring to work with him". "
    $15.00
  • "Robert Fripp guested on David Sylvian’s 1986 album “Gone to Earth”. Sylvian/Fripp evolved as an extension of that collaboration, initially with gigs as a trio with future King Crimson member Trey Gunn on stick, followed by a full length studio album with the addition of Jerry Marotta on Drums, Marc Anderson on percussion & vocalist Ingrid Chavez. The album was recorded by David Bottrill in Woodstock NY and New Orleans.The album entered the UK Top 30 on release in summer 1993, its eclectic mix featuring short songs, extended, looped funk and rock hybrids surprised and pleased fans of both artists with, perhaps, only the beautiful closing track ‘Bringing Down The Light’ with its Soundscapes over ambient backdrop washes coming close to that which might have been expected prior to release. A single, “Jean the Birdman”, was issued shortly after the album and the releases were supported by a full band tour.Experimental yet accessible, song driven yet leaving ample room for instrumental exploration, “The First Day” is a great advert for such occasional meetings insofar as it manages to showcase the individual strengths of both artists while drawing something new and unexpected from their joint work.As such it is one of the best remembered of the many collaborative recordings by both artists.""Robert Fripp and David Sylvian's first official release together, The First Day, is a much funkier and more percussive affair than its bootleg predecessor, The Day Before (which contained radically different versions of these songs). An obvious reason for its higher quality is that it was recorded in a studio, while the bootleg consisted of in-concert demos, and the songs here have been worked to completion. Fripp has found an extremely talented singer/partner in Sylvian, who adds a lot to his quirky compositions. Trey Gunn (who plays a bass-like instrument called the stick) makes each track practically groove and breathe on his own, and allows Fripp to stretch out and experiment in ways previously unheard by this guitar icon. The First Day is a very consistent album, with the musician's excitement and energy easily being felt on such tracks as "God's Monkey," "Brightness," and the ten-minute tour de force "Firepower." Other lengthy tracks follow (the 11-minute "20th Century Dreaming" and the 17-minute "Darshan"), but it never becomes self-indulgent or boring. Certainly one of Robert Fripp's best and more inspired King Crimson side projects." - Allmusic 
    $12.00
  • Stupidly expensive German import arrives as a 2CD set in a hardbound digibook. There is a bonus track as well as an orchestral CD version of the album.Their previous album, Unia, was pretty much reviled by this Finnish band's fanbase. They moved away from the Stratovarious style speed metal and went for something a bit slower and perhaps a touch more progressive. This new album has more uptempo material than Unia but its not a return to the old style either. Its quite symphonic in sound - almost as though they are emulating countrymates Nightwish.
    $25.00
  • First album from this extreme metal band from Australia that is generating quite a buzz. Ne Obliviscaris mix clean and black metal vocals over a fairly symphonic/prog style that features quite a bit of lead violin. Plenty of guitar crunch to be heard through out as well. Definitely some of the early Opeth albums rubbed off on these guys but oddly classical and jazz elements creep in. As long as the black metal vox don't get to you I think you'll find the music quite captivating. Highly recommended with the noted reservations.
    $16.00
  • Wearing their influences on their sleeves this young Utah based band has blown me away with their very progified version of prog-metal. Influences from Metallica, Dream Theater, Fates Warning, Rush and even Yes pop up all over the place. I'm a hardcore sucker for keyboard laced prog and Hourglass' debut is loaded to the hilt with it. Jerry Stenquist's synth leads mesh with Brick Williams' Petrucci-esque leads clawing their way to the forefront on these epic length tracks. Although a latecomer to the band, vocalist Chad Neth has a solid midrange style that slips comfortably within the fold. The rhythm section of Jonathan Berrett and John Dunston hold their own anchoring the proceedings. The 27 minute title track in a monster composition that demonstrates the band's ability to balance old school prog rock with cutting edge prog metal. Flowing and melodic this is the deal. The band doesn't bludgeon you with heaviness but it's the overall scope that makes me categorize this in the metal category. A similar band that I would compare them to would be Clockwork.Sorry to gush - this is about as fine a debut as I've heard in a long time. I can confortably say that this is a band we will hear a lot more from in the future. Naturally I think you should all be falling all over yourselves to hear this band.
    $12.00