Inner Sanctum

SKU: PARADIGMS081
Label:
Paradigms Recordings
Category:
Psychedelic
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Four mammoth length drugged out tracks that will blast you off to the deepest part of the cosmos.

"The fifth instalment of the Cosmic odyssey on Paradigms. As as you will surely now expect, it's a potent kraut mammoth of the highest order. Four towering psych beasts inhabit this album, commanding 74 blissful minutes. You can hear one of them below.

Only previously available on cassette, 'The Inner Sanctum' is now available as a luscious, limited digi-pak album, laden with glorious artwork and some of the band's hardest cuts. Only 500 of these wonders are available. THE COSMIC DEAD on top of their freak-out game, right here.."

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  • "It’s only been a year since Norwegian super-vocalist Jorn Lande’s last studio album (2012’s Bring Heavy Rock to the Land), but we’ve already seen a symphonic re-recordings album (Symphonic) and now a brand new studio offering. The album, Jorn’s tenth solo album (assuming the Dio covers album counts), is called Traveller, and it’s the first to feature Wig Wam’s Trond Holter on lead guitar.Bring Heavy Rock to the Land was, to be frank, uninspired, so it’s something of a surprise to find Jorn back for another round this soon. Perhaps his new collaboration with Holter has recharged his creative batteries. Traveller does sound a bit more exciting than Bring Heavy Rock to the Land. To be sure, it’s still your basic Jorn album, sounding much like something the late Ronnie James Dio might have written for David Coverdale to sing. Still, Jorn’s incredible vocals make the whole thing completely enjoyable, even if it’s not remotely original.Traveller has a very satisfying crunch to it. It’s not so heavy the melodies are overwhelmed, but it has some metal power the way your average Pretty Maids or Masterplan album does. You hear it especially on the one-two punch of “Legend Man” and “Carry the Black,” but songs like “Overload” and the title track also get the blood pumping. The only real dud here is the closing song “The Man Who Was King,” which is a heartfelt, but completely cheesy ode to Jorn’s hero Ronnie James Dio. His heart’s in the right place, but he already had “A Song For Ronnie James” on the Dio album.There are no real surprises here. If you’re a Jorn fan, you pretty much know what to expect from Traveller. If you were less than thrilled with Bring Heavy Rock to the Land, Traveller will probably restore your faith in Jorn at least a little bit. It’s not the powerhouse album Spirit Black or Lonely Are the Brave were, but it’s still a rock solid melodic metal album from one of the best voices in the genre." - Hard Rock Haven
    $14.00
  • "A new interpretation of a classic RPI title! This is quite an undertaking, but it comes off in an outstanding way, giving new life to old friends. In contrast to so many reworkings of old pieces that I've heard in recent years, this one does not leave me only wishing to listen to the original. Rather, the new work stands well on its own, not only helping me listen to the original with new ears, but also bringing new insights and experience.In 1972, Latte e Miele released their debut, an incredibly ambitious work based on the Passion of St. Matthew, "Passio Secundum Mattheum." This is one of the seminal titles of 1970s RPI and has rightfully stood the test of time. The band would never equal this album, although the subsequent title, "Papillon", came close. After that the band broke up for a time, until drummer Alfio Vitanza reformed the band, with new members including bassist Massimo Gori. Their only album, "Aquile e Scoiattoli", has its moments but is inferior to the first two, and the band disbanded a few years later after moving toward more commercial music.In 2008 the band reformed, including all three original members (Vitanza and songwriter/keyboardist Oliviero Lacagnina, as well as guitarist Marcello Giancarlo Dellacasa) and Massimo Gori, bassist from the second generation of the band. The quartet released "Live Tasting", an excellent live album that portended of the good to come. Their time together also produced a wonderful new album, "Marco Polo: Sogni e Viaggi" in 2009.Over the years, Lacagnina never stopped composing his masterpiece, his "Passio". Now the quartet has recorded anew their masterpiece, adding those "new" compositions into the narrative. For example, "Il Pane e il Sangue dell'Alleanza" has been inserted right after "Ultima Cena", and "Il Rinnegamento di Pietro" and "Il Prezzo del Sangue" between "Il Pianto" and "Giuda". Also, the ending has been fleshed out significantly, with four new songs, and the final song, "Come un Ruscello che..." includes the final themes previously entitled "Il Dono della Vita". Also of note, a solo organ piece entitled "Toccata per organo" is placed just before "Calvario"--this is special, as it is an original take from 1972!The instrumentation is true to the spirit of the 1972 piece, although with an updated sound. Ditto the choir, which sometimes on the 1972 version is muted and thin--here the choir parts are strong, lush, and vibrant. The majority of the pieces that were rerecorded for this edition also maintain their compositional structure, although there are a few changes inserted (notably in "I Falsi Testimoni", the new version of "I Testimoni" parts 1 and 2). There is nothing that violates that spirit of the original work, though it is impossible to duplicate its wonderful innocence.Another unique feature of this album is the presence of several prominent figures from RPI providing the spoken Evangelist parts. These include Alvaro Fella (Jumbo), Lino Vairetti (Osanna), Silvana Aliotta (Circus 2000), Paolo Carelli (Pholas Dactylus), Aldo de Scalzi (Picchio dal Pozzo), Sophya Baccini, Elisa Montaldo (Il Tempio delle Clessidre), Giorgio D'Adamo (New Trolls), Max Manfredi, Simonluca, and Paolo Griguolo (Picchio dal Pazzo). It's a nice touch that really rounds out the album.The CD comes in a jewel case with a lyric booklet. I'm told that the pending Japanese version will contain a newly recorded composition as a bonus track. But don't wait for that one--go out and grab this one. You won't be disappointed. Four plus stars (Gnosis 13/15).Edit: I can't stop listening to this! Though it's not quite as good as the original, it's very close. I'm bumping it up to Gnosis 14/15, which is five stars on PA." - ProgArchives
    $16.00
  • "Babysteps tells the story of Nick (Jody Ashworth, Trans Siberian Orchestra), a professional athlete, who finds himself in a wheelchair having to recover in a rehabilitation center. The struggle with his arrogant doctor (James LaBrie, Dream Theater) reaches its climax in a big fight. Matt (Matt Cash, Chain/Frameshift/Solo), another patient, tries to befriend Nick who doesn’t trust people anymore. Matt introduces his physician to Nick, Dr. Sizzla (Michael Sadler, SAGA), who gives him valuable advice on how to approach his situation and his doctor. Babysteps is the story of Nick’s journey on the way to recovery and the obstacles he has to overcome.Also lending their talents to this project are Ian Crichton (Guitar) and Jim Gilmour (Keys) from SAGA who both recorded phenomenal solos on this album.Babysteps features 10 songs and 5 instrumental pieces for a total of 15 Tracks. The instrumentals all revolve around the same theme because they signify the return to the hospital cafeteria, a central place in the story.The music of Babysteps can best be described as in the vein of TSO (Trans-Siberian Orchestra) or Savatage because of the orchestral elements and the extensive use of piano and metal guitars. Henning’s usual production methods are not as dominant on this release and the synthesizers and chopped guitars take a step back to make way for a more organic sound."
    $3.00
  • "The debut recording from the Dixie Dregs (The Great Spectacular is considered a demo) stands as one fusion's high-water marks. This music is wholly original and played with a freshness and vigor that had begun to wane in a genre that was becoming a model in self-parody. The influences here are plentiful, but it is the country roots that provide the music with its vitality. Founder/guitarist Steve Morse proved to be an important new guitarist, offering an inimitable style with the technique the music demands. The music is complex and challenging, but that's easy to overlook due to the band's sunny approach. While they would go on to create more fully realized recordings, this one proved that fusion had a soul." - Allmusic Guide
    $5.00
  • 24 bit remastered reissue of the band's debut EP with an exceptional bonus - a live concert from Tokyo in 1984, which was only available as a laserdisc and has been long out of print. Extensive liner notes and photos. Budget price but not budget packaging.
    $10.00
  • Yet another brilliant work from this Norwegian prog band.  The Greatest Show On Earth is the band's third effort.  While the first album Identity delved into alternative/prog realms bearing similarity to Radiohead, their second album All Rights Removed was full on Pink Floyd worship.  This latest effort carries on in similar fashion.  There are parts of the album that were written with tracing paper.  It evokes the mood and feel of Dark Side Of The Moon, Wish You Were Here, and maybe even a bit of The Wall.  This isn't to say the band doesn't inject any personality of their own - they do.  There are contemporary elements, its just that when they go into full on Pink Floyd mode its so apparent and so well executed that it blinds you to everything else that is going on.  What Bi Kyon Ran is to King Crimson or The Watch is to Genesis, Airbag is to Pink Floyd.  Original?  Truth be told not really.  It doesn't matter, its so well executed that you will just immerse yourself in the listening experience.  Highly recommended.
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  • This is the Steven Wilson remix of the 1974 classic.  It comes with two bonus tracks.Track listing:ProclamationSo SincereAspirationsPlaying the GameCogs in CogsNo God’s a ManThe FaceValedictoryBonus Tracks:The Power and the GloryAspirations (Instrumental out-take)"The group's first U.S. release in two years featured ornate playing from Kerry Minnear on keyboards and Gary Green's loudest guitar work up to that time. The Power and the Glory is also a fairly dissonant album, yet it made the charts, albeit pretty low. There seems to be a unifying theme having to do with one's place in the social order, but it's very vague in contrast to Pink Floyd's re-creations of the post-'60s drug experience, Yes' sweeping album-length suites, and ELP's sci-fi epics. "No God's a Man" is an infinitely more challenging piece of music than anything on Jethro Tull's Aqualung, but that wasn't a commercial virtue; nor could the electric violin break on "The Face" or the rippling electric guitar passages throughout cover the effort involved in absorbing these songs. The Power and the Glory vaguely resembled Genesis' early art-rock albums, but without any presence as charismatic as Peter Gabriel. "Playing the Game" and "So Sincere" were the most accessible tracks and ended up as key parts of their concert set." - Allmusic
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  • Long overdue reissue of the two albums from the French-Canadian duo of Vincent Dionne and Michel-Georges Bregent. When you look at the instrumentation of keyboards and percussion you expect some bombastic ELP-type extravaganza. The reality is that the duo had more experimental leanings, moving into the direction of electronic music like early Tangerine Dream. The first album "Et Le Troisieme Jour" finds the duo accompanied by choirs and solo soprano vocalist. The music is like a wall of sound with a variety of tuned percussion and drum kit integrated with Moogs, orchestron (like a Mellotron), Fender Rhodes, and organ. The sidelong "L'Eveil Du Lieu" has a dark quality that could almost pass for a horror soundtrack. The band's second album was called (appropriately) "Deux". It was recorded in 1977. Bregent again uses a variety of keys, this time incorporating Mellotron into his arsenal. Dionne's drumming has more of a propulsive rock feel. Accompanied by strings and horns it has a more balanced, fuller soundscape. I ultimately find it to be the more successful of the two albums. This gorgeous set features two unreleased tracks as well as a detailed booklet with photos and a band bio (in French). One of the best reissues that we will see in 2006. Highly recommended.
    $18.00
  • Great great album if you dig Mellotron. Not overly complex prog with more of an emphasis on drama and melodies. Nicknamed the "Poor-man's Moody Blues" by the press and that about sums them up. Nice one.
    $9.00
  • New authorized edition of one of the great UK organ rippers. Fuzzy Duck had roots in Five Day Week Straw People, Andromeda, and Atomic Rooster. This one falls into that "proto-prog" category. Its from 1971 and pre-synthesizer. The music has a great balance of organ/guitar interactions with Roy Sharland's organ really dominating. Sort of a cross between The Nice and Human Beast. This Esoteric edition features the 4 non-lp singles tracks as well as Mark Powell's usual excellent essay chronicling the band's brief history.
    $17.00
  • First album in ten years from this Scottish neo-prog band. At this point the band consists of the trio of Stewart Bell, Cyrus Scott, and Phil Allen. I haven't listened to this band in years to be honest but I always remembered them as being one of the better neo bands. Everyone always compares Cyrus to Peter Gabriel but honestly he sounds more like Fish or Simone Rossetti of The Watch. Actually he sounds a lot like Rossetti the more I listen to him. The music really bears no resemblance to Genesis. Skies Darken is highly symphonic long form pieces. The music has a dark vibe to it enhanced a bit by Cyrus' dramatic vocal stylings.
    $15.00
  • Remastered edition finally taken from the original master tapes and transferred utilizing 24 bit / 96 khz technology.
    $10.00
  • Third album from this intense Danish trio is only available on vinyl.  Papir create heavy psychedelic jams that evoke the feel of early German bands like Ash Ra Tempel and Guru Guru.  The album was produced by Causa Sui mainman Jonas Munk who totally catches the vibe.  Crazed wah-wah laced solos that will blast you into the cosmos!  I'm getting high just writing about it!!!  This one kills and it kills and it doesn't stop killing from beginning to end."Papir is an instrumental trio from Copenhagen, Denmark. They’ve created their own unique type of semi-improvised psychedelic rock by mixing together new and old, heavyness and atmosphere, freedom and power. By now they have become masters of their craft, and this, their third album, earns them a spot in the absolute elite of the current European psychedelic rock scene. Everyone who has been lucky enough to catch the band live know what an reverence-inducing experience their energitic, adventurous explorations can be. Papir are the perfect antidote to the fashionable trends that continues to dominate the present, but they don’t go beyond the limited to scope of the dominating indie-rock by merely reaching back to the bygone golden era of pyschedelic rock and electric jazz like so many others do – they transcend it. Their music sounds vital and fresh.When Mojo writer Kieron Tyler visited Denmark’s renowned SPOT Festival in the summer of 2012 he was blown away by Papir’s performance as an experience that clearly stood out compared to the rest of the bill (that included all of Scnadinavias leading acts): It takes a lot to stand out at SPOT…but Copenhagen’s Papir are arresting. Their guitar, bass and drums mesh powerfully in an intense, jazz-inflected instrumental rock. Voyaging through post-rock Tortoise terrain, it nods towards Hawkwind’s freak outs and employs liberal dollops of wah-wah pedal. The pieces – not songs – twist and turn like Dark Star Grateful Dead. From these jumping off points, Papir scurry off on their own path." 
    $23.00
  • Our good friends in Delain have signed a worldwide deal with Napalm Records.  The band is planning a new studio release for early 2014.  In the interim we have Interlude.  Its a CD/DVD collection of unreleased and non-album material.  Some of this dates back to the April Rain line up while other tracks are from the We Are The Others sessions.  The band also kindly included some live tracks from their Female Metal Voices X festival appearance.  Further, there is a (PAL Region 0 format) DVD that includes video footage from the festival, promo videos, and backstage footage.  My extremely biased opinion is that this is a must own.
    $16.00