Infinity ($5 Blowout Price!)

SKU: 82876858902
Label:
Columbia Legacy
Category:
AOR
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"By 1977 Journey had reached a creative crossroads, with three underwhelming studio albums under their belt and little to show in the way of commercial success. At the prodding of manager Herbie Herbert, who felt a major shakeup was needed in order to reignite their spark, the band was convinced to audition and eventually recruit the services of former Alien Project vocalist Steve Perry. Sure enough, adding him to the band just prior to the sessions for Infinity proved to be a stroke of genius, and a move that undeniably altered the course of history for the fledging Bay Area act. Released in January of 1978, Infinity easily proved to be the band's most cohesive work to date. Dead and buried were the jazz fusion overtones of previous offerings, and with the new songwriting combo of Perry/Neal Schon leading the march, the band set out to completely redefine their sound. Traditional pop arrangements were now adopted, cutting out the unnecessary musical fat, and allowing each bandmember to play to his strength: Perry's soaring, whale of a voice, Schon's scorching fret work, and Gregg Rolie's subtle keyboard arrangements. Enlisting eccentric producer Roy Thomas Baker (already famous for guiding the likes of Queen and Nazareth to giant commercial triumphs of their own) also proved to be a rewarding move for the boys. With newfound confidence, Journey crafted a record that could finally land them on the radio. Loaded with future FM staples like "Wheel in the Sky" (which hit the Top 50 in April of 1978), "Lights" (which quietly peaked at number 68 that August), and "Anytime" (pretty much a flop, crawling to number 83 in July), Infinity introduced Journey to an entirely new audience. Even non-singles like "Patiently (the first tune Perry ever wrote with Schon) and "Somethin' to Hide" were leaps and bounds beyond the band's previous accomplishments. And, ultimately, though Infinity merely introduced the band to mainstream radio (it was the never-ending tour on which the band embarked on to support it that drove the disc past the platinum plateau), it effectively cemented their rep as one of America's most beloved (and sometimes hated) commercial rock/pop bands. With over 170 shows under their belts, Journey had just begin to hit their stride." - All Music Guide

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    $5.00
  • I can't speak for their later albums (since I never heard them) but the band's early work for Bellaphon was very well crafted classical progressive rock.“Pell Mell – The Entire Collection“, the complete work of Germany’s most famous classic rock band around violin devil and bandleader Thomas Schmitt is being published now like never before - in a sophisticated package bearing vaporized gold foil. The collection contains seven albums on four compact discs, five by Pell Mell and two of their follow-up Skyrider covering the complete period from 1971 until 1981 which is the era of “Deutschrock” from beginning to end. It took more than a year’s work, a lot of commitment and a great deal of energy to clear the rights, gather all tapes and material. The collection presents the original albums of symphonic rock along with their own compositions and superb singing. Both critics and audience were filled with enthusiasm by the familiar classical themes and motifs reworked by Pell Mell in their own typical style. A premiere to be heard is the “late” version of “Die Moldau” from 1981 in the correct key and tempo – which has never been released in this form because of a mistake in the first recording. Except for two parts by guest musicians, Thomas Schmitt is playing all instruments - like Mike Oldfield did in a way. A little sensation is the album “Skyrider 2” – not only has this rare gem never been released before but also marks the musical highlight of the development of the exceptional artist Thomas Schmitt. All material has been thoroughly digitally remastered. A 24 page booklet with unpublished photos and new liner notes by Cornelius Hudalla completes the package. Hudalla has not only taken great part in putting this collection together but as the former manager and producer of two of these albums possesses unsurpassed insider knowledge. We wish to stress the high value of this box and the high standards of the band Pell Mell. This CD-box has been registered by GEMA as “art” or “classical music” and is limited to 1.000 units worldwide.  CD 1 „Marburg“ & „From The New World”01. The Clown And The Queen 08:5102. Moldau 05:3003. Friend 07:1104. City Monster 08:4205. Alone 09:2606. From The New World 16:0307. Toccata 04:0408. Suite I 08:0209. Suite II 11:24      CD 2 „Rhapsody“ & „Only A Star”10. Frost Of An Alien Darkness 09:2111. Wanderer 02:3212. Can Can 03:3713. Prelude 03:1714. Desert In Your Mind 06:1715. The Riot 06:0716. Paris The Past 08:0717. Count Down 04:5218. Daydreamer 04:3419. Only A Star 04:2020. Across The Universe 06:1421. Disillusion 08:4322. Trailors In Movie Halls 03:4423. Phoebus Is Dead 07:11      CD 3 „Moldau”24. Moldau Part One 05:3525. The Farmers Wedding 03:2826. The Nymph Dance 03:1827. Moldau Part Two 07:4428. Gliding 02:4129. Dark Valley Part One 03:3230. Dark Valley Part Two 02:2331. Dark Valley Part Three 04:3332. Dark Valley Part Four 04:39      CD 4 „Skyrider” & Skyrider 2”33. On My Line I 00:1834. Skyrider 02:0835. Great Beautiful Crime 04:3036. Time Of The Season 04:0737. Written On A Granite Hill 03:5138. I Don`t Wanna Leave You Now 04:1339. On My Line II 04:0340. Up To Sky 03:0541. Love`s In My Eyes 03:4342. Save Two Birds 05:0743. Fighter Of The Sun 04:0344. Looks Like Rain 04:4245. Loadie 04:2846. Rock'n'Roll On The Highway 03:0547. Broken Harmony 06:2748. Right In Your Hands 04:3349. Song For Rosalie 03:5250. Hello Angel 03:5851. I'm In Love 03:4952. Heart On Ice 04:06
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  • Power Quest is the British true metal band led by keyboardist Steve Williams. Blood Alliance features a new reconstituted lineup. Now fronting the band is the great Chity Somapala, the Sri Lankan vocalist formerly with Avalon and Firewind and also still with Red Circuit. Nice amount of cheese on this release that fans of Dragonforce will dig.
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  • "The return of Iron Maiden's "classic" Dickinson/Harris/Murray/Smith/McBrain lineup (plus third guitarist Janick Gers) in 1999 led to an incredibly successful world tour that saw the New Wave of British Heavy Metal legends commanding stages with the same unmitigated power and authority as they had during their mid-'80s heyday. But the question remained as to whether the reconstituted group would be able to carry this momentum into a studio setting and recapture the songwriting chops of its glory years. This question made Brave New World one of the most highly anticipated metal releases of 2000, and thankfully, the eventual answer to that question was a resounding "YES!" In fact, the album pretty much picked up right where the "classic" lineup had left off on 1988's Seventh Son of a Seventh Son: with a faithful rediscovery of Iron Maiden's best-loved sonic aesthetic and compositional quirks, updated only insofar as was necessary to measure up to new-millennium recording standards. In every other respect (and much like Seventh Son of a Seventh Son), Brave New World's meticulously orchestrated three-guitar attack still allowed for a greater sense of space than early Maiden albums (as well as the use of subtle keyboard textures in a supporting role), while boasting a beefier, in-your-face mix à la Piece of Mind or Powerslave. The remarkable pipes of singer Bruce Dickinson actually seemed to have benefited from a less grueling touring schedule over the previous decade, and his renewed songwriting partnership with bassist Steve Harris (and other assorted bandmembers) yielded several new Maiden live standards such as punchy first single, "The Wicker Man," and the positively anthemic title track. Also worthy of special mention were Harris' emotional solo copyright, "Blood Brothers," Adrian Smith's distinctive solo licks throughout "The Fallen Angel," and six-string stalwart Dave Murray's Arabian-flavored contributions to "The Nomad." These highlights notwithstanding, a more lucid appraisal revealed that Brave New World was no Number of the Beast, once the initial euphoria died down. But as comeback albums go, its excellence was undeniable, and announced not only Iron Maiden's triumphant return, but an important turning point in heavy metal's long, arduous climb back to respectability after years of critical abuse." - Allmusic
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  • "Lemmy Kilmister had been leading Motörhead for 16 years by the time 1916 was recorded in 1991. Over the years, Motörhead had experienced more than its share of personnel changes -- and in fact, Kilmister was its only remaining original member. But the band's sound hadn't changed much, and time hadn't made its sledgehammer approach any less appealing. As sobering as his reflections on the horrors of World War I are on the title song, he's unapologetically amusing on "Going to Brazil," "Angel City" (an ode to the "beautiful" party people of L.A.), and "Ramones" (which salutes the New York punk band). Whether the subject matter is humorously fun or more serious, Motörhead is as inspired as ever on 1916." - Allmusic Guide
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  • Remastered edition."Dire Straits' minimalist interpretation of pub rock had already crystallized by the time they released their eponymous debut. Driven by Mark Knopfler's spare, tasteful guitar lines and his husky warbling, the album is a set of bluesy rockers. And while the bar band mentality of pub-rock is at the core of Dire Straits -- even the group's breakthrough single, "Sultans of Swing," offered a lament for a neglected pub rock band -- their music is already beyond the simple boogies and shuffles of their forefathers, occasionally dipping into jazz and country. Knopfler also shows an inclination toward Dylanesque imagery, which enhances the smoky, low-key atmosphere of the album. While a few of the songs fall flat, the album is remarkably accomplished for a debut, and Dire Straits had difficulty surpassing it throughout their career." - Allmusic Guide
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